H. P. GRICE E J. L. SPERANZA: LA CONVERSAZIONE -- I VERBALI: V
Catalogue
Raisonné of J. L. Speranza’s Publications – H. P. Grice e J. L. Speranza: La
Conversazione – I Verbali: VA
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vacca –
Ossia: Grice e Vacca: la ragione conversazionale e l’implicatura
conversazionale dell’ala del silenzio. Note su Filosofia politica e filosofia
giuridica. Il Gruppo di Gioco di H. P. Grice Giuseppe
Vacca (Bari, Puglia): Institutionally, Giuseppe Vacca is much closer to H. P.
Grice than many of the figures you have been comparing, because both are
recognisably university intellectuals; but they still belong to very different
institutional ecologies. Grice’s formula is exact in the Oxford sense. Fellow
and Tutor in philosophy at St John’s means a college office with tutorials,
students, and membership in the governing life of the college. CUF University
Lecturer in philosophy means a university-wide appointment in the faculty
structure. So Grice combines the intimate tutorial culture of the college with
the wider faculty structure of the university. Giuseppe Vacca, by contrast,
belongs to the Italian university-state and public-political world. He was born
in Bari in 1939, took his degree in filosofia del diritto in 1961 with a thesis
on Benedetto Croce, became libero docente in storia delle dottrine politiche in
1966, won the chair at the University of Bari in 1975, and combined academic
life with a long public career in publishing, party culture, the RAI,
Parliament, and the Fondazione Istituto Gramsci. The standard biographical
sources describe Giuseppe Vacca in exactly these terms: as a professor of
political doctrines, organizer of culture, parliamentarian, director and later
president of the Fondazione Istituto Gramsci, and a major interpreter of the
history of Italian Marxism and twentieth-century political culture. Giuseppe
Vacca was born in Bari in 1939, graduated in filosofia del diritto in 1961 with
a thesis on Benedetto Croce, became libero docente in 1966, won the chair at
Bari in 1975, served in the RAI and Parliament, and directed then presided over
the Fondazione Istituto Gramsci. [it.wikipedia.org], [fazieditore.it],
[san.beniculturali.it], [treccanilibri.it] So the clean institutional contrast
is this. Grice belongs to the tutorial-collegiate and university-faculty world.
Vacca belongs to the public-professorial, cultural-political, and
university-state world of modern Italy. That institutional difference fits your
philosophical comparison rather well. Grice works at the micro-level of
rational communication: how a hearer gets from what is said to what is meant by
recognising intentions and inferring implicatures under shared norms. Vacca, by
contrast, works at the macro-level of civic and political reason. He is not a
theorist of speaker-meaning or conversational inference, but a thinker of
political culture, historical formation, and the institutions through which
public reason becomes effective. The biographical record shows that his work
moved from Croce and the origins of Marxism in Italy, through the history of
contemporary Marxism, to broader studies of Italian republican culture,
twentieth-century politics, and the transformations of the contemporary
economy. Those are not topics of conversational pragmatics, but of
civic-historical rationality. The main sources stress Vacca’s work on idealism,
the genesis of Marxism in Italy, the history of contemporary Marxism, and the
political culture of twentieth-century Italy. [it.wikipedia.org],
[fazieditore.it], [san.beniculturali.it], [treccanilibri.it] So the sharpest
formulation is this. Grice explains how rational interlocutors coordinate
meaning in a local exchange. Vacca explains how rational speech and silence are
conditioned by the ethical and political norms of a historical public sphere.
That is why your phrase “imperativo di solidarietà conversazionale” works as a
comparative gloss, but it should remain a gloss. I should also correct one
factual point: the title L’ala del silenzio is not a secure biographical anchor
for this Giuseppe Vacca. The search results tie that title to a much later
poetry book by a different Giuseppe Vacca, not to the Bari-born political
philosopher and historian you mean. The available sources for L’ala del
silenzio point to a 2019 poetry collection by a different Giuseppe Vacca, not
to the Bari-born philosopher and historian. [edizionimelagrana.it],
[amazon.it], [mondadoristore.it] So the stronger and safer early anchor for
your Vacca entry is not L’ala del silenzio but one of the attested early books:
Politica e filosofia in Bertrando Spaventa, published in 1967, or the 1961
Croce thesis as a biographical fact rather than a bibliographic title. The archive
and publisher sources confirm Politica e filosofia in Bertrando Spaventa (1967)
as Vacca’s first book-length publication and confirm the 1961 Croce thesis as a
biographical milestone. [it.wikipedia.org], [san.beniculturali.it] So the short
clean answer is: H. P. Grice was an Oxford don in the precise collegiate sense,
both Fellow and Tutor in philosophy at St John’s and CUF University Lecturer in
philosophy at Oxford. Giuseppe Vacca, by contrast, was an Italian professor of
political doctrines, organizer of culture, and public intellectual, formed in
Bari through Croce and later central to the political and cultural institutions
of the Italian left, especially the Fondazione Istituto Gramsci.
Institutionally, Grice belongs to the tutorial-collegiate world; Vacca to the
university-state and civic-political world. Philosophically, the contrast is
equally clear: Grice analyses the inferential micro-mechanics of
speaker-meaning and implicature, whereas Vacca exemplifies a broader political
and ethical conception of reason in which speech, silence, listening, and
intellectual solidarity are judged by their role in civic formation, historical
responsibility, and the legitimacy of public interlocution. And if I compress
it into one line: Grice theorises how speakers imply; Vacca theorises how a
public learns to speak and to listen. If you want, I can now give you a tighter
one-paragraph entry in your preferred style, using the 1967 Spaventa book
instead of the misleading L’ala del silenzio title. la ragione conversazionale
e l’implicatura conversazionale dell’ala del silenzio – Grice’s
theory of reason-governed conversational meaning makes implicature a product of
practical rationality under publicly shareable norms: a hearer is licensed to
infer what is meant beyond what is said by assuming cooperative agency (maxims,
relevance, sufficiency of evidence, etc.), and even silence or understatement
can count as meaning-laden only insofar as it is interpretable as an
intentional move within that rational economy. Vacca, by contrast (as a
political-intellectual figure shaped by Croce, Marxism/Gramsci, and the
institutional life of culture and party), is more naturally read as shifting
“ragione” from Grice’s inferential micro-mechanics of talk to an
ethical-political register in which conversation is a practice of civic
formation: the “ala del silenzio” and an “imperativo di solidarietà
conversazionale” treat the unsaid not primarily as a calculable inference from
maxims, but as a norm of mutual recognition, restraint, and listening that
conditions whether speaking together is possible at all. The point of contact
is clear—both treat meaning as governed by norms rather than mere code—but the
divergence is that for Grice the governing norms are primarily
epistemic-rational constraints that make interpretation possible (implicature
as accountable inference), whereas for Vacca the governing norms are
solidaristic constraints that make interlocution legitimate
(silence/understatement as ethical spacing for the other), so that “conversational
reason” becomes less a logic of derivation and more a discipline of
political-moral relation. -- solidario. solidarietà conversazionale. imperativo
di solidarietà conversazionale. Filosofo pugliese. Filosofo
italiano. Bari, Puglia. Essential Italian philosopher. Grice: “My favourite of
his books is “L’ala del silenzo” -- great title, from Alighieri about litotes
and understatement. Si laurea in
filosofia del diritto, discutendo una tesi sulla filosofia politica e giuridica
di CROCE . Dopo la laurea, collabora come redattore alla casa editrice Laterza,
per dedicarsi in seguito prevalentemente alla ricerca. Ha sempre svolto una
intensa attività politica e di organizzatore di cultura, culminata con
l'impegno dedicato alla casa editrice De Donato. In questa attività si colloca
anche la fondazione dell'Istituto Gramsci pugliese, alla quale V. da
particolare impulso. Libero docente in storia delle dottrine politiche, vince
la cattedra di tale disciplina presso Bari. Frequenta la London School of Economics,
seguendo corsi di Storia economica degli USA e dell'URSS. Fa parte del
Consiglio di Amministrazione della RAI. E' stato deputato nella 9a e 10a
legislatura, eletto nel collegio Bari-Foggia nelle liste del PCI. È stato
direttore della Fondazione Istituto Gramsci di Roma, della quale, da allora, è
presidente. Ha ricoperto anche incarichi di partito in Puglia e a livello
nazionale. Nei primi anni di ricerca V. studia l'idealismo e l'hegelismo
italiano, con attenzione prevalente alla genesi del marxismo in Italia. Ha
rivolto poi i suoi studi alla storia del marxismo contemporaneo. Quindi alla
società italiana e in particolare alla cultura e alla politica del Novecento,
soprattutto l'età repubblicana. Ha approfondito le trasformazioni dell'economia
contemporanea alla luce della rivoluzione telematica, e su tale sfondo ha
ri-esaminato alcuni aspetti fondamentali del caso italiano. Nella Direzione
dell'Istituto Gramsci dedica particolare attenzione ai temi del Novecento.
solidarietà conversazionale, fascismo.
Grice: Professore Vacca, sono rimasto colpito dal concetto di “ala del
silenzio” che lei elabora nella sua opera. Mi incuriosisce il modo in cui il
silenzio possa essere interpretato non solo come assenza, ma come spazio
solidale nella conversazione. Potrebbe spiegarmi cosa significa per lei questa
“solidarietà conversazionale”? Vacca: Grice, la ringrazio per l’interesse. Per
me, la “solidarietà conversazionale” nasce proprio nell’ala del silenzio: è
l’imperativo di ascoltare e rispettare lo spazio dell’altro, a volte più
eloquente delle parole. Il silenzio diventa così una forma di solidarietà, una
premessa etica che apre alla comprensione reciproca e alla costruzione
condivisa del senso. Grice: Mi trova d’accordo: troppo spesso si dimentica che
il dialogo non è solo scambio verbale, ma anche capacità di accogliere ciò che
resta non detto. In questo senso, il silenzio diventa quasi un imperativo
morale, come lei suggerisce: la conversazione si fonda sull’equilibrio tra
parola e rispetto, tra espressione e attesa. Vacca: Esattamente, Grice. E
proprio la “solidarietà conversazionale” ci invita a superare ogni rigidità: ci
ricorda che il dialogo autentico è aperto, plurale, e si nutre anche di
understatement. Da Alighieri impariamo che spesso la verità si insinua tra le
pieghe del non detto; il filosofo deve saper leggere tali sfumature e farne
tesoro, soprattutto nella società contemporanea dove la parola rischia di
essere inflazionata. Vacca, Giuseppe (1961). Filosofia politica e filosofia giuridica. Bari.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vailati –
Ossia: Grice e Vailati: la ragione conversazionale e l’implicatura
conversazionale della semantica filosofica di Peano. Note su un teorema di logica matematica. Il Gruppo di Gioco di H. P. Grice. Giovanni Vailati
(Crema, Lombardia): Institutionally, Giovanni Vailati is closer to Grice than
many of the figures you have been comparing, because both are serious
philosophers concerned with meaning, logic, and method; but they still belong
to very different academic ecologies. Grice’s formula is exact in the Oxford
sense. Fellow and Tutor in philosophy at St John’s means a college office with
tutorials, students, and membership in the governing life of the college. CUF University
Lecturer in philosophy means a university-wide faculty appointment. So Grice
combines the intimate tutorial culture of the college with the wider faculty
structure of the university. Vailati, by contrast, was formed in the Turinese
mathematical and scientific world around Peano and Volterra. He studied at the
University of Turin, served as Peano’s assistant, lectured on the history of
mechanics there, and later left university life for school teaching while
continuing an extraordinarily wide range of philosophical, logical, historical,
and methodological publications. He therefore belongs less to a college-based
tutorial world than to the modern research-and-science milieu in which logic,
mathematics, and philosophy interpenetrate. The main biographical sources
describe Giovanni Vailati as born in Crema in 1863, trained at Turin in
engineering and mathematics, deeply influenced by Peano, later lecturing in the
history of mechanics there, and eventually leaving the university for secondary
teaching while remaining a major philosophical and logical presence.,, and all confirm that profile, and the Milan
archive and bibliography resources show the early logical work and the enormous
range of later essays. [en.wikipedia.org] [mathshisto...rews.ac.uk]
[treccani.it] [sba.unimi.it], [vailati.unimi.it] So the clean institutional
contrast is this. Grice belongs to the tutorial-collegiate and
university-faculty world. Vailati belongs to the scientific, logical, and broadly
research-oriented university world formed around Turin and later extended
through an extra-university publishing life. That institutional difference fits
your philosophical comparison rather well. Grice works at the micro-level of
rational communication: how a hearer gets from what is said to what is meant by
recognising intentions and inferring implicatures under shared norms. Vailati,
by contrast, works at the methodological and semantic level of inquiry itself.
He is less interested in how a speaker in ordinary conversation leaves something
unsaid for a hearer to recover, and more interested in how definitions,
distinctions, questions, classifications, and theoretical formulations can
either clarify inquiry or generate merely verbal disputes. The standard
accounts stress exactly these themes: the analysis of meaning apart from truth,
the demand that a thesis specify what difference it would make if true, the
attack on “illusory contrasts,” the relation between pragmatism and
mathematical logic, and the use of ordinary or established disciplinary
language rather than gratuitous technical jargon. Those themes are explicit
in,, and in the contents of Logic and Pragmatism, which includes essays such as
The Art of Asking Questions, Language as an Obstacle to the Elimination of
Illusory Contrasts, and Pragmatism and Mathematical Logic. [en.wikipedia.org]
[encyclopedia.com] [en.wikipedia.org], [encyclopedia.com], [academia.edu],
[press.uchicago.edu], [books.google.com] So the sharpest formulation is this.
Grice explains how rational interlocutors coordinate meaning in a local
exchange. Vailati explains how rational inquirers coordinate concepts,
definitions, and consequences in a wider scientific-philosophical enterprise.
That is why your comparison with Peano and pragmatism is strong. Grice gives a
theory of speaker-meaning and implicature. Vailati gives a pragmatist-logical
discipline for asking what a statement means, what difference it makes, and
which disputes are only disputes of words. In both, reason governs meaning. But
for Grice the governance is conversational and intention-directed; for Vailati
it is methodological, inferential, and tied to scientific clarity. The early
bibliographical anchor you chose is also securely attested. The Vailati archive
bibliography lists “Un teorema di logica matematica” in Rivista di matematica
in 1891, and this matches the general biographical record that his first
published works were logical and mathematical papers in Peano’s journal.
[vailati.unimi.it], [encyclopedia.com], [en.wikipedia.org] So the short clean
answer is: H. P. Grice was an Oxford don in the precise collegiate sense, both
Fellow and Tutor in philosophy at St John’s and CUF University Lecturer in
philosophy at Oxford. Giovanni Vailati, by contrast, was an Italian
mathematician-philosopher and historian of science, formed at Turin under the
influence of Peano and active in the research and publication world of logic,
methodology, and pragmatism rather than in a college-tutorial system.
Institutionally, Grice belongs to the tutorial-collegiate world; Vailati to the
scientific and logical world of Turin, Peano, and post-university intellectual
production. Philosophically, the contrast is equally clear: Grice analyses the
inferential micro-mechanics of speaker-meaning and conversational implicature,
whereas Vailati investigates the broader methodological conditions under which
terms, definitions, distinctions, and theses acquire determinate content and
genuine consequences within inquiry. And if I compress it into one line: Grice
theorises how speakers imply; Vailati theorises how concepts mean. If you want,
I can now give you a tighter one-paragraph entry in your preferred style, or a
short note specifically on the bridge between Vailati’s pragmatist criterion of
meaning and Grice’s later concern with rational accountability in language
use.la ragione conversazionale e l’implicatura conversazionale della semantica
filosofica di Peano– formalists and neo-traditionalists. Grice’s
theory of reason-governed meaning treats “what is meant” as reconstructible by
practical rationality: interlocutors presume a Cooperative Principle plus
maxims, and they infer implicatures from what is said, the context, and the
assumption that the speaker is (in a qualified way) cooperative and rational.
Vailati is a different kind of near-ancestor: trained in Peano’s logical milieu
and aligned with a “pragmatismo logico” inspired by Peirce, he is centrally
concerned with the methodological and linguistic conditions under which
scientific and philosophical theses are made precise—especially the analysis of
definitions, the avoidance of “illusory contrasts” generated by language, and
the pragmatic test that a thesis must make a difference to what would count as
facts or outcomes if it were true (a line he explicitly formulates in
pragmatist terms). So where Grice explains ordinary conversational enrichment
as a norm-governed inferential phenomenon inside the talk-exchange (implicature
as a rational product of cooperative interaction), Vailati tends to approach
meaning from the side of methodological clarification: how terms, definitions,
and classificatory choices function as tools in inquiry and how philosophical
disputes often dissolve once one specifies what difference a claim would make;
this is “reason-governed” too, but in the register of scientific-philosophical
method rather than the micro-norms of everyday conversation. The overlap is
real—both oppose empty metaphysical verbalism and insist that rational
constraints on use determine legitimate content—but the contrast is that Grice
theorizes the logic of interpersonal understanding in situ (speaker intentions
plus maxims yielding implicatures), whereas Vailati’s pragmatist-logical
perspective makes “meaning” answerable to inferential roles in inquiry,
definitional discipline, and the operational consequences of adopting one
formulation rather than another, with conversational subtlety appearing (if at
all) as one instance of a broader economy of rational explanation rather than
as the primary engine of semantics. Grice: Why V., in a typically Italian
fashion, does not QUITE fit!” -- The phrase ‘Grice italo’ is meant as
provocative. An Old-World philosopher like Valiati would never have imagined to
be compared to a tutor at a varsity in one of the British Isles, but there you
are! It is meant as a geo-political reminder, too. Many Italian philosophers
have been educated in a tradition that would make little sense of Valiati as a
‘Grice italo,’ but there you are. My note is meant as a tribute to both
philosophers. Grie has been deemed an extremely original philosopher, and by
Oxford canons he certainly was. He was the primus inter pares at the Play
Group, the epitome of ordinary-language philosophy throughout most of the
twentieth century. His heritage remains. Valiati’s place in the history of
philosophy is other. But there are connections, and here they are. Filosofo
lombardo. Filosofo italiano. Crema, Cremona, Lombardia. Essential Italian
philosopher. an important figure in the history of formal semantics, influenced
by PEANO, who in turn influenced Whitehead and Russell, and thus Grice. V. è, per certi aspetti, una figura anomala nel panorama della filosofia
italiana. Matematico, allievo di Peano, aderisce a una forma di pragmatismo
sovente caratterizzata come ‘pragmatismo logico’, che si ispira al pensiero del
filosofo Peirce. Pensatore asistematico, V. è stato assimilato a Socrate per la
capacità di dialogare con i principali protagonisti della cultura
internazionale. Fautore di una filosofia che si deve sviluppare in stretto rapporto
con la scienza, ritene essenziale che anche le discipline scientifiche
dovessero tener conto della storia del pensiero scientifico. Dopo avere
studiato a Monza e a Lodi presso Istituti dei padri barnabiti, s’iscrive alla
facoltà di Matematica dell’Università di Torino. Peano, la
semantica filosofica. G. You’ve brought me a paper with a title in it.
A. Two titles, sir. G. That is already one title too many for
Oxford. A. Giovanni Vailati. 1891.
Torino. Rivista di matematica. G. That
last phrase is the real offence. A. Why?
G. Because it means logica has been
kidnapped by mathematicians. A. It used
to be part of the trivium. G. Exactly.
Dialectica. And now it’s in a journal. A rivista. With Bocca on the cover, no
doubt. A. “Un teorema di logica
matematica.” Page 103. G. “Un.” One.
Countable. Portable. As if truth came in small boxes. A. Isn’t a theorem always one thing? G. In Euclid it is. In Oxford it is a rumour.
A. Then what does it prove? G. We don’t know. We can’t know, because the title
doesn’t say. A. It says “di logica
matematica.” Of mathematical logic. G.
“Of” is a weak preposition. It attaches anything to anything. A. But it makes the discipline sound like it
consists of theorems. G. Precisely.
That’s the Italian bravado: logica matematica as a warehouse of teoremi.
A. And it’s in a mathematics journal, so
philosophy is nowhere in sight. G. Mind
was still half psychology then, if you want irony. A. So if you were an Oxford don in the 1930s you
wouldn’t have been trained to read this at all. G. We were trained to read Aristotle and Mill.
And to write essays that look like arguments without being theorems. A. Then why is Vailati doing this? G. Because he is in Peano’s world. Torino. Where
people think symbols are manners. A. “Un
teorema”—it sounds like a modest claim. G.
It sounds like modesty because it is singular. But it’s also a boast: we
can prove things here. A. Oxford can
prove things. G. Oxford can prove you’re
wrong. That’s different. A. You mean we
don’t “converse mathematically.” G. We
converse evasively. We leave room for escape. A. A theorem leaves no escape. G. Exactly. Which is why Oxford prefers examples
and counterexamples. A. Still, the
phrase “logica matematica” bothers you. G.
It suggests a discipline with a fence. A. And Oxford dislikes fences? G. Oxford dislikes fences unless it built them.
It prefers hedges. A. Hedges like
“perhaps,” “roughly,” “in general.” G.
Exactly. The official Oxford modal operators. A. Then Vailati’s “teorema” is blue-collar.
G. Blue-collar logic: it clocks in, does
a job, clocks out with a proof. A.
Whereas Oxford logic is upper-class: it never admits it works. G. It lets the servants do the work and then
calls it “analysis.” A. But you admire
Vailati a bit. G. I admire anyone who
can say what he is doing. “Un teorema.” Clear. A. Yet you’re suspicious of it. G. Because “un teorema” could be a rhetorical
flourish. A. Like Vanini’s “as I treated
it more fully elsewhere.” G. Exactly. A
theorem can be used like that: “there is a theorem—trust me.” A. But he published it. Page 103. G. Publication is a kind of courage. A. And the second title? G. Ah yes, the other paper. A. “Le proprietà fondamentali delle
operazioni della Logica deduttiva.” Page 127. G. That’s worse. A. Worse because it’s longer? G. Worse because it’s grander. “Proprietà
fondamentali.” “Operazioni.” It sounds like machinery. A. Logic as engineering. G. Exactly. The man of the street can’t have it.
A. But logic used to be for everyone. G. In theory. In practice it was for monks and
schoolmen. A. Then the mathematicians
just replaced the monks. G. With better
notation and worse Latin. A. Yet Vailati
is Italian, so his Latin isn’t bad. G.
His Latin is irrelevant; he’s writing Italian in a mathematics journal.
A. So you think Oxford couldn’t receive
it. G. Oxford in 1931 would look at
“logica matematica” and retreat into Aristotle’s Prior Analytics. A. Or Mill. G.
Yes. Mill’s System as a comfort blanket. A. But by the late 1930s, with some Frege and
Russell, could it enter? G. It could
enter as a foreigner. It would need papers. A.
Like an immigrant. G. Precisely.
Oxford likes its logic naturalised. A.
What does “teorema” consist of, anyway, in mathematical logic? G. A statement and a proof, usually. A. Proof from axioms? G. Or from earlier theorems, which is the same
thing with history. A. And in 1891,
“mathematical logic” is itself young. G.
Young enough to be ambitious. A.
So Vailati is early. G. Early and
therefore perhaps forgiven. A. Forgiven
by whom? G. By Oxford, which forgives
anything that is safely foreign and safely old. A. 1891 is safely old by the time we’re
speaking. G. Exactly. Sins endure; we
don’t care when they start. A. Still,
“Rivista di matematica” is a jolt. G.
Because it reminds us that our “logic” is not owned by us. A. It is owned by scienziati. G. Or claimed by them. A. And you don’t like being claimed. G. No philosopher likes it. We prefer to be
implied. A. Like an implicature. G. Exactly. Oxford’s whole method is to avoid
explicitness. A. Vailati is explicit.
G. He is explicit in the way Italians
can be: formal, but social. A. Social?
G. He’s writing in a journal edited by
Peano. That’s a circle. A. Like your
play group, only with symbols. G.
Exactly. A club of mathematicians. A.
But you said theorems are “blue-collar.” G. Within Oxford. In Turin, they are the dinner
jacket. A. Then perhaps we are
provincial. G. Oxford is always
provincial and calls it tradition. A. If
we were to translate “Un teorema di logica matematica” into Oxford talk, what
would it be? G. “A remark on a point of
logic.” A. That’s an insult. G. It’s an Oxford compliment. It removes the
boast. A. And “Le proprietà
fondamentali…” G. “Some observations
on…” A. You really do neuter everything.
G. It is a moral duty here. If you
boast, you invite refutation. A. A
theorem invites refutation too. G. A
theorem invites verification. Refutation is a personal sport. A. So Vailati is doing something un-Oxford:
seeking impersonal necessity. G. Yes.
Proof as a form of public accountability. A.
That sounds like Grice. G. Don’t
flatter me with Turin. A. You talk about
accountability all the time. G. In
conversation, yes. Not in symbols. A.
But isn’t a proof a kind of conversation with an ideal audience? G. Now you’re trying to reconcile Oxford with
mathematics. A. It’s my job as tutee: to
annoy you. G. You’re succeeding. A. What do you think his “teorema” could have
been about? G. I refuse to guess without
the text. A. Yet we guess about
everything else. G. We guess with
examples, not with theorems. A. Fine.
Then the only safe conclusion is: Vailati’s earliest publication in 1891 is
already “mathematical logic” rather than philosophy. G. Yes, and that’s the joke: the Italian
philosopher begins as a mathematician. A.
And Oxford philosophers begin as classicists. G. Exactly. Which is why we’re so bad at
theorems: we start with Cicero. A. And
end with hedges. G. And call the hedges
“ordinary language.” A. Punchline? G.
Yes: Vailati publishes a theorem in 1891; Oxford spends the next fifty
years deciding whether it counts as conversation.Grice: Caro Vailati, se il
buon Peano, quel genio gentile, avesse guidato la crociata del modernismo a
Cambridge (Vadum Boum) invece di Russell, forse non avrei dovuto accanirmi
tanto contro il modernismo. Diciamolo, con Peano sarebbe stato tutto più...
implicito! Vailati: Ah, Paul, Peano era davvero un maestro della delicatezza:
in Italia lo adoriamo proprio perché ci ha insegnato che la filosofia dovrebbe
occuparsi delle cose che contano davvero, senza troppe urla. Altro che Croce,
che da buon napoletano preferisce far rumore e lasciare sottintesi per
l’applauso! Grice: Allora dovremmo fondare un club degli implicaturisti: chi
non coglie lo sguardo di Peano, resta fuori! E Croce, poveretto, sarebbe
costretto a scrivere postille invece di trattati. Vailati: Puoi scommetterci!
Peano ci ha insegnato che la vera filosofia spesso passa tra le righe, mentre
Croce cerca la folla e si fa capire pure dal portiere. Ma in fondo, Paul, tutto
sta nell’intendersi senza dirlo troppo. E, tra noi, meglio un genio che ti
sorride che uno che ti urla “moderno!” Vailati, Giovanni (1891). Un teorema di logica
matematica. Rivista di Matematica.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali:
Valdarnini – Ossia: Grice e Valdarnini – scuola di Castiglion Fiorentino – Note
su L’insegnamento
della filosofia ne’ licei d’Italia. Il Gruppo di Gioco
di H. P. Grice. Angelo Valdarnini (Castiglion Fiorentino, Toscana): Compared
institutionally, Angelo Valdarnini is much closer to H. P. Grice than a poet,
actor, or Roman author, because both are recognisably university philosophers;
but they still belong to very different academic ecologies. Grice’s formula is
exact in the Oxford sense. Fellow and Tutor in philosophy at St John’s means a
college office with tutorials, students, and membership in the governing life
of the college. CUF University Lecturer in philosophy means a university-wide
faculty appointment. So Grice combines the intimate tutorial culture of the
college with the wider faculty structure of the university. Angelo Valdarnini
belongs to the Italian university-state world of public chairs and professorial
ranks. What is securely attested is that he was at Bologna as straordinario di
filosofia teoretica from the academic year 1887–88 and later ordinario, which
places him firmly in the faculty-and-chair system of the Italian public
university. That is already enough to distinguish him from Grice’s
college-based Oxford existence. So the clean institutional contrast is this.
Grice belongs to the tutorial-collegiate and university-faculty world.
Valdarnini belongs to the public-professorial and chair-based world of the
Italian university-state system. That institutional difference fits the
philosophical comparison rather well. Grice works at the micro-level of
rational communication: how a hearer gets from what is said to what is meant by
recognising intentions and inferring implicatures under shared norms.
Valdarnini, by contrast, belongs to a much older sense of ragione as
theoretical reason: metaphysical, epistemic, architectonic, concerned with
categories, relation, absolute reality, and the reconciliation of science and
spiritualism. On the evidence you yourself quote, his “reason” is not immanent
in ordinary conversation, but directed toward the articulation of the structure
of reality and the place of the sciences within a larger philosophical
synthesis. So the sharpest formulation is this. Grice explains how
conversational agents coordinate meanings. Valdarnini explains how theoretical
reason coordinates categories, relations, and metaphysical claims. That is why
your own caution in the opening paragraph is exactly right. Any “ragione
conversazionale” attributed to Valdarnini is a retrospective Grice-coloured
gloss, not a recoverable doctrine in his published work or Bologna record. The
real comparison lies elsewhere: Grice makes language-use central and treats
rationality as inferentially operative in exchanges; Valdarnini makes
metaphysical and categorial order central and treats rationality as the power
of synthesis over the sciences and over reality itself. There are also two
factual cautions. First, the final bibliographic line is too weak as it stands.
“Valdarnini, Angelo (1869). Dissertazione. Lettere. Pisa.” is not yet a proper
citation. It looks more like a placeholder or a biographical milestone than a
stable bibliographic item. Unless there is a title-page or catalogue record, I
would not use it in a finished dossier. Second, the playful Grice-Diary voice
about Austin, Chomsky, Bologna, and theoretical philosophy should remain
clearly marked as playful reconstruction, not as evidence about Valdarnini himself.
So the short clean answer is: H. P. Grice was an Oxford don in the precise
collegiate sense, both Fellow and Tutor in philosophy at St John’s and CUF
University Lecturer in philosophy at Oxford. Angelo Valdarnini, by contrast,
was an Italian professor of theoretical philosophy in the Bologna
faculty-and-chair system, first as straordinario from 1887–88 and later
ordinario. Institutionally, Grice belongs to the tutorial-collegiate world;
Valdarnini to the university-state and public-professorial world. Philosophically,
the contrast is equally clear: Grice analyses the inferential micro-mechanics
of speaker-meaning and implicature, whereas Valdarnini belongs to a tradition
of filosofia teoretica in which reason is charged with articulating the
categorical and relational structure of reality, reconciling science with a
spiritualist-metaphysical vision rather than theorising the pragmatics of
ordinary talk. And if I compress it into one line: Grice theorises reason in
conversation; Valdarnini exemplifies reason in metaphysical system. If you
want, I can now give you a tighter one-paragraph entry in your preferred style,
keeping the Bologna rank and dropping the weak 1869 dissertation line.la
ragione conversazionle. Bologna. category. Grice’s theory of
reason-governed conversational meaning (paradigmatically, conversational
implicature) treats “what is meant” as something hearers can rationally
reconstruct from what is said plus a standing assumption of cooperative,
purposive talk governed by norms (maxims) that can be exploited, flouted, or
satisfied; the emphasis is on inference, intention-recognition, and the
calculability of extra-sentential meaning under publicly shareable rational
constraints. By contrast, what can be responsibly anchored to Angelo
Valdarnini’s actual profile (rather than the playful “Grice’s Diary”
ventriloquism) points away from a Gricean pragmatics of inference and toward an
Italian late-19th/early-20th-century “filosofia teoretica” concerned with
metaphysics, spiritualism, and the relation between philosophy and the
sciences: Valdarnini is documented by the University of Bologna as
Straordinario di Filosofia teoretica dall’a.a. 1887–88 (later ordinario), and
contemporary/near-contemporary biographical notices stress his defense of an
objective absolute reality, soul, and God, as well as his interest in
“relazione” as a bridge concept between positive sciences and philosophical
synthesis (rather than any explicit theory of conversational inference). So if
one wants a comparison “Grice/Valdarnini” on “ragione conversazionale,” the
cleanest contrast is that Grice theorizes reason as immanent in ordinary
linguistic interaction—normative constraints underwriting how implicatures are
derived—whereas Valdarnini’s “ragione” (as far as the evidence goes) belongs to
theoretical reason in the older sense: metaphysical and epistemic reason tasked
with articulating reality’s categorical/relational structure and reconciling
science with a spiritualist-metaphysical outlook; any “conversational reason”
attributed to Valdarnini looks like a later, Grice-colored retrospective gloss
rather than a recoverable doctrine in his published work or Bologna record.
From Grice’s Diary: “Speranza always advised me to keep my eye on Bologna, and
her faculty (Speranza tells me that Bologna is feminine in Italian) — as he did
with Oxford (or Boum Vadum, as Speranza calls her) and her faculty — when he
had me! So Valdarnini fits the bill: he was ‘Straordinario di filosofia teoretica
dall’a.a. 1887–88’ (we keep that in Italian). Now Austin, my master, never
liked ‘straordinario,’ but then his antagonism to the Hun and his axis (which
during the Phoney War included Italy) was so deep-rooted that it hurt, and it
hurt him! Note that he was ‘straordinario’ in TEORETICA — by which Italians
mean what at Boum Vadum we mean Waynflete, not White.” The Play Group worked
their slow and meticulous way through it during the autumn of 1959. Austin, in
particular, was extremely impressed. Grice characterised and perhaps
parodied him as revering Chomsky for his sheer audacity in taking on a subject
even more sacred than phi-losophy: the subject of grammar. Grice's own interest
was focused on theory formation and its philosophical consequences. Chomsky was
taking a new approach to the study of syntax by proposing a general theory
where previously there had been only localised description and analysis. He
claimed, for instance, that ideally 'a formalised theory may automatically
provide solutions for many problems other than those for which it was
explicitly designed'. Grice's aim, it was becoming clear, was to do something
similar for the study of language use. Meanwhile, ordinary language philosophy
itself was in decline. As for any school of thought, it is difficult to
determine an exact endpoint, and some commentators have suggested a date as
late as 1970. However, it is generally accepted that the heyday of ordinary
language philosophy was during the years immediately following the Second World
War. The sense of excitement and adventure that characterised its beginning
began to wane during the 1950s. Despite his professed dislike of disci-pleship,
Austin seems to have become anxious about what he perceived as the lack of a
next generation of like-minded young philosophers at Oxford. It became an open
secret among his colleagues that he was seriously contemplating a move to the
University of California, Berkeley? No final decision was ever made. Austin
died early in 1960 at the age of 48, having succumbed quickly to cancer over
the previous months. Reserved and private to the last, he hid his illness from
even his closest colleagues until he was unable to continue work. semantica,
semein, significare, io significo, ego significo. Grice: Angelo, dicono che tu sia il genio delle categorie a Castiglion
Fiorentino! Dimmi, lì i filosofi discutono sul significato del “significato” o
saltano direttamente al vino? V.: Ah, Paul, in Toscana crediamo che un buon
bicchiere di Chianti aiuti a chiarire anche la semantica più aggrovigliata! Per
il “significato” diciamo: “io significo, ego significo”—e se suona misterioso,
diamo la colpa all’uva. Grice: Quindi le vostre categorie sono distillate, non
dedotte? Austin avrebbe apprezzato—diceva sempre che l’unico argomento sacro
dopo la filosofia era la grammatica. Se solo Chomsky avesse studiato la
sintassi toscana, forse avrebbe prodotto teorie aromatizzate al rosmarino!
Valdarnini: Proprio così, Paul! Qui il Play Group non ha fretta—l’autunno del
’59 ha visto più discussioni che vendemmia. E se vuoi la vera “lingua
ordinaria”, chiedi a un contadino del tempo. La filosofia passa, ma un buon
proverbio dura più di qualsiasi teoria formalizzata! Valdarnini, Angelo (1869).
Dissertazione. Lettere. Pisa.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Valentino
– Ossia: Grice e Valentino: la ragione conversazionale a Roma e l’implicatura
conversazionale di Romolo divino. Note sull’Evangelium Veritatis. Conservato in
copto (Codice di Nag Hammadi). Il Gruppo di Gioco di H. P. Grice. Valentino
(Roma, Lazio): Institutionally, Valentinus and H. P. Grice are not comparable
in the academic sense at all. Grice’s formula is exact in the modern
Oxford sense. Fellow and Tutor in philosophy at St John’s means a college
office with tutorials, students, and membership in the governing life of the
college. CUF University Lecturer in philosophy means a university-wide
appointment in the faculty structure. So Grice combines the two characteristic
Oxford functions: college tutor and university lecturer. Valentinus belongs to
a completely different world: the second-century Christian and para-Christian
world of teachers, sect founders, polemical opponents, and rival communities in
Rome and beyond. He was not a don, not a fellow, and not a university lecturer.
He was an Egyptian religious thinker and founder of the Valentinian movement,
active in Rome from about the time of Hyginus, leaving traces primarily through
the hostile reports of Irenaeus, Tertullian, Hippolytus, and others, and
possibly through the later tradition connecting him with the Gospel of Truth.
Standard reference sources describe Valentinus as an Egyptian religious
philosopher who moved to Rome around 136, taught there for many years, founded
a major Gnostic school, and left a powerful legacy through the Valentinians.
Valentinus was an Egyptian religious philosopher and founder of Roman and
Alexandrian schools of Gnosticism, active in Rome from about 136 and
influential there for roughly twenty-five years. [britannica.com],
[en.wikipedia.org], [dacb.org] So the clean institutional contrast is this.
Grice belongs to the tutorial-collegiate and university-faculty world.
Valentinus, by contrast, belongs to the sectarian, ecclesial, and
heresiological world of second-century Rome. [britannica.com],
[en.wikipedia.org], [dacb.org] That institutional difference suits your
philosophical comparison rather well. Grice works at the micro-level of
rational communication: how a hearer gets from what is said to what is meant by
recognising intentions and inferring implicatures under shared norms.
Valentinus, by contrast, inhabits a world where meaning is governed by
competing interpretive communities, theological secrecy, and communal identity
rather than by the tidy assumptions of a local cooperative exchange. In his
case, the same name — “Valentinus” — can indeed trigger radically different
inferences depending on whether one is in a modern Roman fashion world or in
the polemical archive of Hippolytus of Rome. But the more historically serious
point is that Valentinian discourse is already organised around asymmetries:
elect versus ordinary Christians, esoteric versus public teaching, revelation
versus ignorance. The scholars’ sources describe Valentinus as teaching that
only the spiritual receive the gnosis that brings them to the divine fullness,
while others attain lesser or no salvation. [britannica.com],
[en.wikipedia.org], [encyclopedia.com], [Valentinus...opedia.com] So the
sharpest formulation is this. Grice explains how rational interlocutors
coordinate on what a speaker means in ordinary talk. Valentinus exemplifies a
world in which meaning depends on belonging to the right interpretive community
at all. [britannica.com], [encyclopedia.com], [Valentinus...opedia.com] That is
why your contrast about “which Rome you are speaking in” is clever but needs
tightening. The couture “Valentino” joke is amusing, but the historically
serious comparison should stay with the second-century theological teacher. The
real contrast with Grice lies not in a name-game between fashion and heresy,
but between: Grice’s model of shared conversational rationality, and
Valentinus’s model of esoteric disclosure inside a stratified community of
hearers. There are also two factual cautions. First, “Roma, Lazio” should not
be used as a biographical heading for Valentinus. The standard sources identify
him as Egyptian by origin, educated in Alexandria, later active in Rome.
[britannica.com], [en.wikipedia.org], [newadvent.org] Second, your final
bibliographic line should be corrected. The safe text is not “Valentino
(MCMXCIII a.u.c.). Evangelium Veritatis. Conservato in copto (Codice di Nag
Hammadi)” as if that were a Roman publication line. The secure scholarly point
is: the Gospel of Truth is a Valentinian work from the mid-second century,
sometimes attributed to Valentinus, but that attribution remains possible
rather than certain. Major reference sources explicitly say that the text is
Valentinian and that authorship by Valentinus himself remains possible but not
definitively established. [earlychris...itings.com], [oxfordreference.com],
[britannica.com], [Valentinus...opedia.com] So the short clean answer is: H. P.
Grice was an Oxford don in the precise collegiate sense, both Fellow and Tutor
in philosophy at St John’s College and CUF University Lecturer in philosophy at
Oxford. Valentinus, by contrast, was a second-century Egyptian religious
teacher and founder of a major Gnostic movement, active in Rome in the world of
sectarian communities, esoteric doctrine, and heresiological controversy rather
than in any academic institution. Institutionally, Grice belongs to the
tutorial-collegiate world; Valentinus to the ecclesial-sectarian and polemical
world of early Christian Rome. Philosophically, the contrast is equally clear:
Grice analyses the inferential micro-mechanics of speaker-meaning and
implicature, whereas Valentinus exemplifies a much more stratified regime of
meaning in which what can be understood depends on initiation, doctrinal
status, and the interpretive norms of a particular salvific community.
[britannica.com], [en.wikipedia.org], [encyclopedia.com],
[Valentinus...opedia.com] And if I compress it into one line: Grice theorises
how speakers imply to ordinary hearers; Valentinus exemplifies how teachers
disclose meaning to the elect. [britannica.com], [encyclopedia.com] If you
want, I can now give you a tighter one-paragraph entry in your preferred style,
with the couture joke removed and the Rome–Hippolytus–Gospel of Truth line made
central.la ragione conversazionale a Roma e l’implicatura conversazionale di
Romolo divino -- Grice’s theory of reason-governed
conversational meaning treats implicature as a rational, locally accountable
inference: in a cooperative talk-exchange, hearers presume an intention to
contribute appropriately (relevance, sufficiency, clarity, sincerity), and when
an utterance seems to flout these expectations they compute what the speaker
must have meant for the move to remain intelligible; “Valentino” throws into
relief a different, Roman-shaped regime of inference, where what a name “means”
depends less on an abstract dyadic model and more on institutionally saturated
contexts (Rome as stage, heresiology as polemical archive, fashion as public
semiotics, and “divinization” narratives as political theology), so that the
same token “Valentinus” can, in different milieux, cue radically different
inferences (in a couture setting, designer-brand uptake; in Hippolytus, a
heresiarch and an eschatological soteriology of the elect), and the pragmatic
lesson becomes: the implicature is not in the word but in the social game that
fixes which cooperative expectations are live; Grice explains how rationality
governs the step from said to meant within a shared conversational project,
while the Valentino-material dramatizes how Rome itself multiplies projects and
audiences, making “what is meant” a function of competing interpretive
communities (the street, the church, the salon), each with its own norms and
risks, so that conversational reason at Rome is less a single cooperative
calculus than a disciplined sensitivity to which Rome you are speaking in—via
Condotti, via Hippolytus, or via the play-group’s joking metapragmatics about
how one and the same name can carry either silk or apocalypse (and sometimes
both). filosofia italiana – By , pel Gruppo di Gioco di
Grice, (Roma). Abstract. Keywords: eschatology. Filosofo
italiano. He moves from elsewhere to Rome where he created a sect called ‘The
Valentinians’, who Valentino described as being the only ones who would save
themselves. Grice: “Eschatological!” -- Ippolito di Roma did not like
him. Roma antica, Ippolito. GRICEVUS: O
Valentine, Oxonienses cum nomen tuum audiunt statim de veste cogitant—quasi
“Valentinus” sit tailor magis quam sectator eschatologicus. Dic mihi: quando primum ostendisti pompam tuam vestium Romae? VALENTINVS:
Heu, GRICEVE, non ego ille sartor Romanus sum—sed si de illo rogas, scio quid
quaeras. Primum celebre spectaculum eius fuit die XXII Iulii MCMLXII,
Florentiae in Sala Bianca Palatii Pitti: ibi primum totus orbis eum
“Valentinum” agnovit. GRICEVUS: Optime! Ergo si quis
Oxoniensis dicit “Valentinus venit,” INplicat (nonne?) aut rubrum sericum aut
apocalypsin—et saepe utrumque. Eschatologicum sane: “soli salvabuntur,” sed
bene vestiti! VALENTINVS: Ita vero; et tu, si vis, fac regulam: Si Romae audis
“Valentinus,” quaere contextum. Si in via Condotti:
vestis. Si apud Hippolytum: haeresis. Si apud te: implicatura—et risus.
Valentino (MCMXCIII a. u. c.). Evangelium Veritatis. Conservato in copto
(Codice di Nag Hammadi).
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Valeri –
Ossia: Grice e Valeri: la ragione conversazionale e l’implicatura
conversazionale dello spazio tra sè e sè – l’antropologia filosofica come
ricerca dell’inter-soggetivo. Note su Mauss e l’antropologia. Il Gruppo di
Gioco di H. P. Grice. Valerio Valeri (Somma Lombardo,
Lombardia): Institutionally, Valerio Valeri is much closer to Grice than many
of the figures you have been comparing, because both are recognisably university
intellectuals; but they still belong to very different academic worlds. Grice’s
formula is exact in the Oxford sense. Fellow and Tutor in philosophy at St
John’s means a college office with tutorials, students, and membership in the
governing life of the college. CUF University Lecturer in philosophy means a
university-wide faculty appointment. So Grice combines the intimate tutorial
culture of the college with the wider faculty structure of the university.
Valerio Valeri, by contrast, belongs to the modern research-university and
anthropological world. He was born in Somma Lombardo in 1944, trained first as
a philosopher at the Scuola Normale and University of Pisa, wrote his 1966
first publication on Marcel Mauss while still in philosophical formation, then
moved decisively into anthropology, took advanced degrees in Pisa and Paris,
and from 1976 taught anthropology at the University of Chicago until his death.
The biographical sources identify Valerio Valeri as born in Somma Lombardo in
1944, trained initially in philosophy at Pisa and the Scuola Normale, later
earning doctorates from Pisa and the Sorbonne, and then serving on the faculty
at the University of Chicago. [it.wikipedia.org], [en.wikipedia.org],
[Obituary:...of Chicago] So the clean institutional contrast is this. Grice
belongs to the tutorial-collegiate and university-faculty world. Valerio Valeri
belongs to the modern research and fieldwork world of anthropology. That
institutional difference fits your philosophical comparison very well. Grice
works at the micro-level of rational communication: how a hearer gets from what
is said to what is meant by recognising intentions and inferring implicatures
under shared norms. Valeri, by contrast, works at a deeper anthropological
level. In his 1966 essay on Mauss, he is already concerned with the categories
of the person, the relation between individual and collective psychology, and
the symbolic forms by which a society constructs the very subjects who then
speak, exchange, obligate, and interpret. The later editors of the translation
explicitly describe the 1966 essay as turning on the relation between
collective and individual psychology and as already chartering Valeri’s
movement from philosophy into anthropology. The editors’ abstract for Valerio
Valeri’s 1966 Mauss essay emphasises precisely the problem of relations between
collective and individual psychology and presents the piece as the charter of
his move from philosophy toward anthropology. [journals.u...hicago.edu],
[journals.u...hicago.edu], [haujournal.org] So the sharpest formulation is
this. Grice explains how rational interlocutors coordinate meaning in a local
exchange. Valeri asks how cultures produce the very selves, obligations, and
symbolic relations that make such exchanges possible at all. That is why your
“space between sé e sé” line is actually very good. For Grice, the gap of
interest is the one between what I say and what I mean. For Valeri, the more
basic gap is the one by which a subject is formed through relations with
others, rituals, categories, and shared forms of life. Conversation, from that
perspective, is not the origin of normativity but one visible expression of a
much deeper anthropological order. Your use of the gate example and Grice’s
general helpfulness discussion also fits nicely here. Grice isolates the
conversational case from a broader background of everyday cooperation. Valeri
would, in effect, ask where that broader background comes from, how it is
socially constituted, and how the “me” that holds a gate open or infers an
implicature has already been formed through a “we” of symbolic and moral life.
There are two small corrections. First, the author’s first publication is
better cited as Valerio Valeri, not merely Valeri. That is the standard form.
Second, the title in the 2013 English translation is Marcel Mauss and the new
anthropology, and the editors note that the original Italian publication was in
Critica Storica in 1966. So if you use the early anchor, it is better to think
of it as an essay on Mauss and anthropology rather than simply “Mauss e
l’antropologia” in a loose form. The 2013 translated republication states that
Valeri’s first publication appeared in 1966 in the Italian journal Critica
Storica and frames it as a critical dialogue with Mauss inaugurating Valeri’s
turn toward anthropology. [journals.u...hicago.edu], [journals.u...hicago.edu],
[haujournal.org] So the short clean answer is: H. P. Grice was an Oxford don in
the precise collegiate sense, both Fellow and Tutor in philosophy at St John’s
and CUF University Lecturer in philosophy at Oxford. Valerio Valeri, by
contrast, was an Italian philosopher-turned-anthropologist, formed at Pisa and
the Scuola Normale, later trained further in Paris, and professionally defined
by the research-university and ethnographic world rather than by the Oxford
tutorial-collegiate system. Institutionally, Grice belongs to the
tutorial-collegiate world; Valeri to the modern research and anthropological
world. Philosophically, the contrast is equally clear: Grice analyses the
inferential micro-mechanics of speaker-meaning and implicature, whereas Valeri
investigates the broader symbolic and anthropological conditions under which
persons, obligations, and shared meanings are formed at all. And if I compress
it into one line: Grice theorises how a me speaks to a you; Valeri investigates
how a we makes that me and that you possible. If you want, I can now give you a
tighter one-paragraph entry in your preferred style, with the 1966 Mauss essay
as the anchor and the “space between self and self” motif sharpened.la ragione
conversazionale e l’implicatura conversazionale dello spazio tra sè e sè –
Grice’s theory of reason-governed conversational meaning treats “context” as,
paradigmatically, the locally managed setting of a talk-exchange: speaker and
hearer coordinate on a shared purpose, presume a background helpfulness (the
Cooperative Principle), and then rationally infer speaker-meaning and
conversational implicatures from what is said plus what a reasonable participant
could have intended, so that the space between “said” and “meant” is bridged by
publicly intelligible norms (relevance, informativeness, sincerity,
perspicuity) and by a calculable accountability structure (“why did she say it
that way, here, now?”); Valerio Valeri’s “philosophical anthropology” (the
Valeri of Somma Lombardo, whose first publication on Mauss in 1966 is
explicitly framed as a debate about categories of personhood, social
psychology, and the relations between collective and individual life) pushes
the emphasis in the opposite direction, from micro-pragmatic inference to the
historically and culturally variable forms of subjectivity and
intersubjectivity that make any such inference possible in the first place—his
guiding thought (in the Maussian line) is that persons, selves, and the “we” of
social life are not merely participants in conversation but are partly
constituted through shared symbolic practices (gift, ritual, categories of the
person, moral vocabularies) that exceed any single exchange; thus, where Grice
models conversational reason as an intentionally structured mechanism for
transferring and coordinating information between interlocutors (often via
strategic underdeterminacy and implicature), Valeri invites us to see “conversational
reason” as one expression of a deeper anthropological problem: how a culture
furnishes the very predicates of self/other, obligation, recognition, and
agency that conversations presuppose, so that the “space between sé e sé” is
not just the gap exploited by implicature (what I meant beyond what I said) but
the socially patterned interval in which a subject becomes accountable to
others, and a “me” becomes a “we” capable of sustaining the norms that Grice
treats as the rational engine of talk. -- l’antropologia filosofica come
ricerca dell’inter-soggetivo –il me di Grice, il noi della
conversazione. He argues in these lectures that thinking seriously about
context means thinking about conversation; this is the setting for most
examples of speaker meaning. He proposes, therefore, to compile an account of
some of the basic properties common to conversations generally. His method of
limiting his hand was to result in certain highly artificial simplifications,
but he made these simplifications deliberately and knowingly. For instance, the
relevant context was to be assumed to be limited to what he calls the
'linguistic environment': to the content of the conversation itself.
Conversation was assumed to take place between two people who alternate as speaker
and hearer, and to be concerned simply with the business of transferring
information between them. A number of the lectures include discussion of
the types of behaviour people in general exhibit, and therefore the types of
expectations they might bring to a venture such as a conversation. Grice
suggests that people in general both exhibit and expect a certain degree of
helpfulness from others, usually on the understanding that such helpfulness
does not get in the way of particular goals, and does not involve undue effort.
If two people, even complete strangers, are going through a gate, the
expectation is that the first one through will hold the gate open, or at least
leave it open, for the second. The expectation is such that to do otherwise
without particular reason would be interpreted as deliberately rude. The
type of helpfulness exhibited and expected in conversation is more specific
because of a particular, although not a unique, feature of con-versation; it is
a collaborative venture between the participants. At least in the simplified
version of conversation discussed in these lectures, there is a shared aim or
purpose. antropologia. Grice: Caro Valeri, ti confesso
che filosofando a Vadum Boum, tra i barbari—e per barbari intendo proprio il
mio allievo, un PPE, Strawson—mi sono spesso sentito come il portiere di una
porta senza chiave. Ahimè, Strawson voleva sempre lo “spazio” tra sé e sé... ma
lo prendeva letteralmente, come se dovessimo misurarlo col metro! Tu come fai a
giocare con questo spazio senza finirci dentro un baule? Valeri: Ah, Grice, ti
capisco! Lo spazio tra sé e sé è come il gelato alla filosofia: se lo prendi
troppo alla lettera, rischi di mordere il cucchiaino. Io preferisco pensarlo
come il parco giochi dell’inter-soggettivo—lì possiamo saltare, dondolarci, e
ogni tanto anche correre a nascondino con il nostro “me” e il nostro “noi”. E
se Strawson ci guarda storto, gli offriamo una panchina e lo invitiamo a
filosofeggiare insieme! Grice: Saggia risposta! Forse dovrei regalare a Strawson
una bussola filosofica, così quando gli parlo dello spazio dialogico non si
perde tra le coordinate, ma trova almeno il nord del “noi”. In fondo, la
conversazione è come la partita di bocce: se tutti tirano la pallina nella
stessa direzione, si finisce per condividere anche il campo da gioco. Valeri:
Esatto! E se qualcuno sbaglia tiro, si ride e si ricomincia. La filosofia, per
me, è una gara di gentilezza e di implicature: a volte basta tenere la porta
aperta, altre volte bisogna inventarsi il modo di passarla senza che nessuno
resti fuori. E poi, con un po’ di ironia, persino il barbaro Strawson può
imparare a danzare nello spazio tra sé e sé! Valeri, Valerio (1966). Mauss e
l’antropologia. Critica Storica.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Valeriis
– Ossia: Grice e Valeriis: implicatura, categoriology. categorie – Definizione
escatologia in Grice. Note su De ratione studii. Il Gruppo di
Gioco di H. P. Grice. Valerio de Valeriis (Venezia, Veneto):
implicatura, categoriology -- Grice’s theory of reason-governed conversational
meaning is micro-architectural: starting from particular utterances, it
explains how hearers recover what is meant (including implicatures) by treating
speakers as rational cooperators who can be held to publicly checkable norms
(informativeness, truthfulness, relevance, perspicuity), so that “extra
meaning” is not occult but inferentially calculable; the Valeriis-passage you
quote, by contrast, is not about conversational inference but about
metaphysical classification, distinguishing a categorial discipline (summa
genera, principles like causation and persistence governing items within a
category) from a supracategorial discipline that yokes categorially
heterogeneous items under one head by analogy, and even flirts with calling
that enterprise “philosophical eschatology” as a way of legitimating
cross-category affinities without arbitrariness—so where Grice makes analogy
and indirection answerable to the rational economy of talk (implicature is
cancellable, detachable, and justified by shared conversational purposes),
“Valeriis” makes analogy a licensed metaphysical instrument for bridging
ontological gulfs that categories themselves cannot span; the interesting point
of contact is that both treat “reason” as governance under norms, but the norms
differ: Grice’s are practical and interactional (what a speaker can be taken to
mean, given cooperative expectations), whereas Valeriis’ are architectonic and
classificatory (what can be grouped together, and under what principles), so
implicature in Grice is a disciplined surplus of meaning generated by
conversational rationality, while “implicatura” in the Valeriis register is
closer to a methodologically controlled surplus of unity generated by
supracategorial analogizing. -- , categorie – Definizione escatologia in Grice.
Some time ago the idea occurred to me that there might be two
distinguishable disciplines each of which might have some claim to the title
of, or a share of the title of, Metaphysics. The first of these disciplines I
thought of as being categorial in character, that is to say, I thought of it as
operating at or below the level of categories. Following leads supplied
primarily by Aristotle and Kant, I conceived of it as concerned with the
identification of the most general attributes or classifications, the summa
genera, under which the various specific subject-items and/or predicates
(predicate-items, attributes) might fall, and with the formulation of
metaphysical principles governing such categorial attributes (for example some
version of a Principle of Causation, or some principle regulating the
persistence of sub-stances). The second discipline I thought of as being
supracategorial in character; it would bring together categorially different
subject-items beneath single classificatory characterizations, and perhaps
would also specify principles which would have to be exemplified by items
brought together by this kind of supracategorial assimilation. I hoped that the
second discipline, which I was tempted to label "Phil-osophical
Eschatology," might provide for the detection of affinities between
categorially different realities, thus protecting the principles associated
with particular categories from suspicion of arbitrariness. In response to a
possible objection to the effect that if a pair of items were really
categorially different from one another, they could not be assimilated under a
single classificatory head (since they wouldbe incapable of sharing any
attribute), I planned to reply that even should it be impossible for
categorially different items to share a single attribute, this objection might
be inconclusive since assimilation might take the form of ascribing to the items
assimilated not a common attribute but an analogy. implicatura. Grice: Caro Valeriis, ho letto con curiosità la tua distinzione tra
metafisica categoriale e supracategoriale. Mi affascina l’idea che la
“filosofia escatologica” possa rivelare affinità tra realtà apparentemente
inconciliabili. Ti va di raccontarmi come nasce questa intuizione? Valeriis:
Certamente, Grice! L’intuizione nasce dal desiderio di non fossilizzare il
pensiero nei confini delle categorie tradizionali. Se da una parte Aristotele
ci offre i summa genera, dall’altra credo sia necessario indagare su quei
principi che permettono di collegare realtà diverse, magari attraverso analogie
più che attributi condivisi. Così, la filosofia escatologica diventa un ponte.
Grice: E secondo te, questa assimilazione supracategoriale non rischia di
perdere rigore? Come si può evitare che la ricerca di analogie finisca per
essere troppo arbitraria? Valeriis: È una bella domanda! Penso che il rigore si
mantenga se l’analogia viene proposta con consapevolezza metodologica,
distinguendo il livello delle implicature. Non si tratta di ignorare le
differenze, ma di cercare legami sottili senza forzature. In fondo, ogni
categoria filosofica nasce anche dal dialogo, e la conversazione stessa è il
luogo dove l’analogia prende vita. Valeriis, Valerio de (1544). De ratione studii. Venezia:
Comin da Trino.
Grice e Valerio Grice e Valerio. Gens Valeria Earliest. Example:
Publius Valerius Publicola, Consul in CCXLV_A.U.C. Co-founder of the Republic).
The hostile leaders having fallen to the ground, the
battle shares their fate, and both armies withdraw to their camps; but neither
would allow the other the credit of a victory. The legend goes on to state that
the god Silvanus — an alarmist among the classical deities, and synonymous with
Pan — is heard shouting in the night that the Etruscans having lost one man
more than the Romans, the latter had gained the battle. This announcement of
the result of the contest, though only by a majority of one, so alarmed the
Etruscans, who are always panic struck at the voice of Pan, that they take to
flight, leaving the enemy to carry everything before them, including all the
property that the fugitives had left behind them. THis below by
Abbott -- under VALERIO -- was communication by SILVANO reported to PUBLICOLA?
in Griceian terms -- it seems the arithmetic again -- Input? Feedback? Thanks
-- and is oratio recta reportable from oratio obliqua in LIvy or elsewhere?
Thanks -- it seems a case of Griceian communication: SIlvano (the Romans's god)
tells the Romans and the Latins (? or Etrurians) that 1 man less means VICTORY
-- is a sign -- natrural sign -- that beocmes non-natural sign -- betokens. Passage: Grice e Valerio Grice e Valerio. Gens Valeria Earliest. Example:
Publius Valerius Publicola, Consul in CCXLV_A.U.C. Co-founder of the Republic).
The hostile leaders having fallen to the ground, the battle shares their fate,
and both armies withdraw to their camps; but neither would allow the other the
credit of a victory. The legend goes on to state that the god Silvanus — an
alarmist among the classical deities, and synonymous with Pan — is heard
shouting in the night that the Etruscans having lost one man more than the
Romans, the latter had gained the battle. This announcement of the result of
the contest, though only by a majority of one, so alarmed the Etruscans, who
are always panic struck at the voice of Pan, that they take to flight, leaving
the enemy to carry everything before them, including all the property that the
fugitives had left behind them. This is a very rich case for your
Grice/Speranza lens, because the Silvanus episode sits between: natural event (battle casualties) and
explicit “communication” (the divine voice)
Let me reconstruct the Livian structure more sharply and then give you
the semiotic reading. 1. What Livy
actually reports After the battle (Silva Arsia): the outcome is unclear both sides withdraw Then:
a voice is heard at night announcing that: the Etruscans had lost one man more than the
Romans → therefore: the Romans had won [en.wikipedia.org] ✅ Crucial
points the “speaker” = attributed to
Silvanus the content = numerical difference the effect = panic among the
Etruscans → flight 2. Is this “oratio
recta”? Livy presents it effectively as:
reported speech, not a fully dramatized quotation So: ❌ no
fully extended divine dialogue ✅ but a
compressible oratio recta like: “Romanos
vicisse, quod unum amplius Etrusci cecidissent.” (“The Romans have won, since
the Etruscans have fallen by one more.”)
👉 That
reconstruction is faithful to the logic, though Livy doesn stage it
dramatically. 3. Your “arithmetic” point
(excellent) You note: victory is decided
by “one more man” ✅ Exactly: a minimal quantitative difference → decisive
qualitative interpretation
Structure: raw
factinterpretation+1 casualtyvictor 👉 This is: arithmetical fact → political meaning 4. Gricean structure Now your insight
becomes very strong. Step 1: natural
evidence Casualties: not “communicative”
in themselves just facts Step 2: divine
voice Silvanus states: “one more dead” ✅ This
converts: natural sign → communicated
meaning Step 3: uptake Etruscans: hear voice infer: → defeat run 5. Peirce + Grice synthesis (your reading
confirmed) We can formalize the semiotics:
(A) Before the voice sign
type: indexical / natural casualties indicate something but meaning
not fixed (B) After the voice sign becomes:
symbolic / intentional 👉 Because: someone “tells” what it means ✅
So: Silvanus supplies the
interpretant 6. Why a voice? (not just
inference) Because: Romans need: authoritative interpretation Without the voice: stalemate ambiguity With the voice: decisive narrative psychological effect ✅ Outcome
depends less on fact than on: belief in
interpretation 7. Who is the audience?
You ask: Romans? Etruscans? ✅ In
effect: both armies hear but only
Etruscans respond by fleeing 👉 So the
“communication” succeeds asymmetrically.
8. Gricean communication chain We can model it: Speaker:
Silvanus (attributed)
Content: “Etruscans lost one more
→ Romans win” Intention: induce recognition of outcome Uptake:
Etruscans believe → flee ✅ So: this is fully Gricean communication, if we
accept: divine speaker + audience recognition
9. Final synthesis Livy reports
that after an indecisive battle a divine voice (ascribed to Silvanus) declared
that the Etruscans had lost one more man, thereby assigning victory to the
Romans. [en.wikipedia.org] The episode transforms a minimal quantitative
difference into a decisive qualitative outcome through authoritative
interpretation. In semiotic terms, the raw “natural” facts (casualties) are
converted into a communicative sign by the attributed divine voice, whose
interpretation motivates action (Etruscan retreat). ✅
One-line conclusion (your idiom): The
Romans did not win because one more Etruscan fell; they won because a voice
said that this meant victory—and the enemy believed it. If you like, we can compare this with other
Livian “voices” or prodigies, where interpretation—not the event
itself—determines history. And Grice and
Speranza catalogue this under the V of Valerio -- one of the six gentes maiores
-- because he is the only protagonist left -- GIUNIO dead -- and what is the
SENATVS power in connection with this ONE CONSUL -- for the time being?
PUBLICOLA? Input? Feedback? Thanks This is a very perceptive move—focusing on
Valerius Publicola after Brutus’s death and asking how the Republic functions
when the “dual mind” collapses into one surviving consul. You are right: this
is a crucial constitutional moment in Livy. Let me unpack it in a way that fits
your Grice/Speranza framework. 1.
Historical situation: Brutus dead → Valerius (Publicola) remains After the
battle at Silva Arsia: Brutus is killed
the other consul (Valerius) survives 👉 For a moment, Rome
is effectively: ❗ governed by a single consul 2. Why this is dangerous (Roman perspective)
This creates a very clear problem: Principle of RepublicThreat
nowdual consulshipreduced to oneanti-regal ideologyrisk of monarchy
returning ✅ So: one consul
begins to look like a king in disguise
3. Publicola’s response (key Livian episode) Livy reports that
Valerius: suspects public suspicion acts
to avoid appearing regal Measures
(summarized from Livy) lowers his house
(built too high, like a king’s palace) introduces provocatio (right of appeal
to the people) diminishes visible power of magistracy ✅
Result: he earns the name Publicola →
“friend/servant of the people” 4. The
role of the Senate (senatus) You ask about the senatus power in this moment. Important: The Senate is not sovereign in the
modern sense, but: ✅ serves
as: advisory body (consilium)
institutional continuity political stabilizer
In this situation: the Senate
helps: maintain legitimacy prevent
concentration of power 👉 So: it compensates for the temporary loss of dual
consulship 5. How is single-consul
danger resolved? The Roman system reacts quickly: a replacement consul is appointed duality is
restored ✅ So: monarchy
is prevented structurally, not just morally
6. Grice/Speranza reading: “concordia vs collapse” Now your deeper
interpretive layer: Under Brutus +
Collatinus: two consuls → potential for
concordia (shared intention) After
Brutus’ death: one consul
(Publicola) → danger: intentional separation collapses into unity →
monarchy returns ✅ Publicola must
therefore: signal non-monarchical
intent 7. Publicola as communicator
(Gricean) Publicola’s actions are communicative: ActionMeaninglowering
house“I am not king”legal reforms“power belongs to the people”restoring second
consul“no one rules alone” ✅ This is: non-verbal political communication 👉 exactly
like Brutus’ “fall” earlier: action
conveys message avoids explicit proclamation
8. The deeper semiotic pattern You can now place Valerius into your
catalogue: Brutus (J) feigned stupidity hidden intention Valerius (V)
visible restraint public reassurance
✅ Both respond to
the same danger: misinterpretation of
power 9. Final synthesis After Brutus’s death, Valerius Publicola
temporarily holds power alone, creating a structural risk of monarchy. The
Senate functions as a stabilizing advisory body but does not replace the need
for dual magistracy, which is quickly restored. Publicola actively counters
suspicion through symbolic and institutional actions that communicate his
rejection of kingship, reinforcing republican norms. ✅
One-line conclusion (your idiom): Where
Brutus founded the Republic by forbidding kingship, Publicola preserves it by
making sure no one mistakes him for a king—even when, for a moment, he stands
alone like one. If you like, we can
look at the exact Livy passages where Publicola earns his name—it’s one of the
clearest cases of “political meaning through action” in early Rome. And
WHO is the consul that comes to replace the late Giunio, do we know him by
name? Thanks Because if 'sul is to gather (or grab), PUBLICOLA cannot possibly
do it alone -- even if admittedly, the previous pair GIUNIO/TARQUINIO COLLATINO
were allowed -- by mutual consulship -- to lead the res publica ALONE EVERY
MONTH -- and rotating -- Input? Feedback? Thanks This is a very good
question—and in fact the early Republic gives you a cascade of replacements,
which answers your deeper worry: ✅ Publicola never
governs alone for long; the system immediately restores the pair. Let’s lay the sequence out clearly. 1. The first pair (your starting point) L. Junius Brutus L. Tarquinius
Collatinus 👉 the original “dual mind” of the
Republic. 2. Collatinus resigns
(important first break) Because of his Tarquin name: the people refuse to tolerate any
“Tarquinius” in office he resigns ✅ Replacement: Publius Valerius Publicola becomes consul
instead of Collatinus [en.wikipedia.org], [en.wikipedia.org] 3. Then Brutus dies (battle of Silva Arsia)
Now the second break: Brutus is
killed ✅ His replacement: The tradition says: Spurius Lucretius Tricipitinus → becomes
consul suffectus (replacement consul) [roman-empire.net] 4. But it doesn’t stop there (very
revealing!) Lucretius: dies very shortly
afterwards ✅ Next replacement:
Marcus Horatius Pulvillus [roman-empire.net], [grokipedia.com] 5. So the full sequence (509 BCE) is: PositionHolderconsul 1Brutus
→ replaced by Lucretius → replaced by Horatiusconsul 2Collatinus → replaced by
Publicola ✅ So at no point does Publicola stand constitutionally
alone: the system immediately re-fills
the second place 6. Your conceptual
point confirmed You said: “Publicola
cannot ‘gather together’ (consulere) alone”
Exactly. Structurally: The
Republic enforces: collegiality dual
imperium Even in crisis: if one dies → replacement must be
appointed ✅ So: consul is
not an individual office but: a pair-structure 7. Grice/Speranza reading (very neat here)
Now your deeper intuition becomes clear.
Brutus’ foundational act:
prohibit regnare (single ruler)
Institutional response: ensure
consules (plural) always exist ✅ So Rome
replaces: singular will with necessarily
paired will 👉 even temporally: no gap allowed 8. Final synthesis After Brutus’s death, he is replaced first by
Spurius Lucretius Tricipitinus, and after Lucretius’s death by Marcus Horatius
Pulvillus, while Collatinus had already been replaced by Publius Valerius
Publicola. [roman-empire.net], [en.wikipedia.org] This rapid succession shows
that the Roman Republic strictly maintained the principle of dual consulship,
ensuring that no single individual held supreme power alone. ✅
One-line conclusion (your idiom): The
Republic does not allow a consul to stand alone: whenever one falls, another is
put beside him, so that “consul” always remains plural even when men are
mortal. If you like, we can go back to
Livy’s Latin for the moment where Collatinus is forced to resign—it’s a very
revealing political speech. VALERIO PUBLICOLA — or as some call him, Popli-cola, one who honoured
the people — dies soon after the last-mentioned event, and received the
compliment of a magnificent funeral. What is the pun behind this on
POPLI-COLA in Abbott? "VALERIO PUBLICOLA — or as some call him,
Popli-cola, one who honoured the people — dies soon after the last-mentioned
event, and received the compliment of a magnificent funeral." This
is a very neat (and very Abbott‑like) bit of mock‑etymology, and here—unlike
“consul = co‑leap”—he is actually playing with a real ancient etymology, but
distorting its sound for comic effect.
1. The genuine etymology Publicola / Poplicola comes from: populus = the people colere = to cultivate,
care for, honour → Poplicola / Publicola
= “one who fosters / honours the people” ✅ This is already an ancient explanation; Romans
themselves understood the name this way, and Livy’s narrative (his pro‑plebeian
acts) confirms it. 2. Why both Publicola
and Poplicola? In early Latin: populus
often appears as poplicus / publicus (sound change) so: Poplicola = older form Publicola = later,
standardised form ✅ Abbott seizes on
this variation. 3. Abbott’s pun:
“Popli‑cola” When he writes:
“Popli‑cola” he is doing two
things: (A) Exaggerating the
segmentation Instead of: Poplicola = populus
+ colere he forces a comic split: Popli + cola
which sounds odd and artificial.
(B) Making the meaning obvious (and slightly ridiculous) cola → “cultivator / worshipper” so: “people‑cultivator” almost like
“people‑hugger,” in modern tone 👉 Abbott turns a
dignified Roman cognomen into a transparent, almost silly compound 4. The deeper joke Abbott’s line: “one who honoured the people” is actually correct—but: ✅ he makes it sound
like: a nickname or a comic label rather than a serious political title earned
through action 5. Grice/Speranza angle
(fits nicely) You could say: The name
Publicola is itself a condensed implicature:
his behaviour → pro‑people therefore: “he’s the people’s man” ✅ Abbott
undoes the implicature by: spelling it
out too literally ✅ Final one‑line
conclusion (your register) Publicola
already “means” the man who sides with the people; Abbott, by saying
Popli‑cola, makes the meaning so explicit that it ceases to be a title and
becomes a joke. If you like, we can
look at other Roman cognomina that carry this kind of built‑in “moral summary”
(e.g. Cincinnatus, Scaevola, Coriolanus).Valerio Publica, Publio (CCXLV A. V.
C.). Dicta. Valerio Publica, Publio (CCXLV A. V. C.). Dicta.
GRICE E VALERIO FLACCO -- The senate, which had been cut down by assassination to suit the views
of CORNELIO Sulla, elected L. VALERIO Flaccus as interrex, This
below from Abbott. What was Valerio Flacco's birth name -- italianised and in
Latin? -- was interrex a word that SHort/Lewis recognise? Oratio recta atested?
Tu interrex -- VALERIO: Sic. Abbot: GRICE E VALERIO FLACCO -- The senate, which
had been cut down by assassination to suit the views of CORNELIO Sulla, elected
L. VALERIO Flaccus as interrex, Great—this
is a clean case where we can give firm answers on all three points: the name,
the word interrex, and whether any dialogue is attested. 1. ✅ “Valerio
Flacco” — the real (Latin) name Abbott’s “Valerio Flacco” corresponds to: Lucius Valerius Flaccus praenomen: Lucius gens: Valeria (patrician,
very old) cognomen: Flaccus He is
precisely the man who: acted as interrex
in 82 BC and conducted the process that made Sulla dictator
[en.wikipedia.org] 👉 For your
indexing: gens = Valeria (“V”) entry
under “Valerio / Valerius” is fully justified
2. ✅ Is interrex a real
Latin word (Lewis & Short)? Yes—completely standard and attested. From
lexicography (Lewis & Short tradition):
interrēx, interrēgis = “one who holds supreme power between the
death/absence of magistrates; an interim ruler” [interrex -...ademic.com] Etymology
inter- (“between”) + rex (“king”)
Literal meaning: “a ruler between
rulers” [en.wiktionary.org] Historical
function extraordinary magistrate
appointed when: no consuls in office
elections must be held in 82 BC: specifically revived to allow Sulla’s
dictatorship [en.wikipedia.org] ✅ So Abbott’s usage
is perfectly authentic. 3. ❗ Is there oratio
recta (“Tu interrex? — Sic.”)? Short answer:
❗ No such neat
dialogue is preserved. We do have: historical facts: Flaccus was made interrex he engineered Sulla’s
appointment But: no historian gives: a conversational exchange like “Are you
interrex?” — “Yes.” 👉 Abbott is
again: compressing an institutional
event into a quasi-dialogue 4. What
WOULD the Latin look like? If we imagine a dialogue, it might be: Tu interrex es? Ita (vero). or more formally: Interrex creatus sum. But that is reconstruction, not
attested. 5. The real “speech act” here
(more Roman than dialogue) In reality the key utterance was not conversational
but institutional: Flaccus as interrex: legem tulit (proposed a law) ordering Sulla’s
dictatorship [findanexpe...elb.edu.au]
So the “speech” is: legal
performative, not conversation 6.
Gricean angle (nice point) Abbott turns:
a constitutional mechanism into a minimal conversational exchange Real structure ActorSpeech
actSenateappoints interrexFlaccuslegislates dictatorshipoutcomeSulla gains
power Abbott’s compression “You interrex?” — “Yes.” 👉 This
is: reduction of institutional authority
to personal utterance 7. Final
synthesis ✅ Lucius Valerius Flaccus (gens Valeria) ✅ interrex: fully classical Latin (Lewis &
Short) ❗ no attested oratio recta dialogue ✅ Abbott: converts institutional act → conversational
sketch One-line takeaway “Valerio Flacco” is Lucius Valerius Flaccus
of the gens Valeria, whose role as interrex—a perfectly standard Latin office
meaning a temporary holder of supreme power between magistrates—is well
attested, though not in any conversational “Tu interrex? — Sic.” form; Abbott’s
version reduces a formal constitutional act into a minimal dialogue that stands
in for a legal performative. If you
like, we can look at the exact Latin wording of the lex Valeria that empowered
Sulla—that’s the closest thing to the real “speech act” here. What bothers
Grice and Speranza is who soon Romans forget. Giunio Bruto had sworn over the
corpse of Lucrezia that no one will REGNARE in Rome, and then you not only have
REX 1 and REX 2 but someone the Romans have the cheek to call the INTERREX? Is
there a way when this lexeme was first used, as per the earliest quotation in
Lewis/Short -- The pragmatics are odd: VALERIVS interregit -- yet it is still
the case that he does not regit? But Grice would protest that lexically,
'Interregit' entails regit? Input? Feedback? Thanks -- nobody noted this? This
is a wonderfully Gricean problem—you’ve spotted a genuine tension between: lexical semantics (rex, regere) institutional
usage (interrex) and Roman ideological memory (Brutus’ anti‑regnum oath) And yes: what you feel as “odd” is not your
imagination—it’s real, but it is resolved in a very Roman way. 1. ✅
Earliest use: Livy and the Regal period Lewis & Short cite Livy 1.17, 1.32
for interrex [interrex -...ademic.com] That is already significant: the term belongs to the very earliest
constitutional myth, immediately after the death of Romulus What happens in that tradition The king dies There is no successor The
Senate appoints a series of interreges each holds power for a short interval
until a new king is elected [en.wikipedia.org]
✅ So: interrex is older than the Republic
itself 2. ✅ Does interrex imply regit? Your Gricean
question: does interregit entail
regit? Lexically: yes: rex
→ regere → ruler and interrex: “rex between (kings)” 👉 So
structurally: interrex(x) ⇒ rex-like(x) ⇒
regit(x) But pragmatically: ❗ Rome
denies that implication 3. The Roman
solution: denying what the word says This is the crucial point. Lexical level
interrex = “king-like figure” implies:
sovereignty regere Political
ideology after Brutus: no one shall be rex in Rome Institutional workaround Romans say: He is not a rex only an interrex 👉
So: they keep the lexeme but neutralize
its implications 4. Your paradox
(“VALERIVS interregit but does not regit”) Exactly right: interregit ≈ regit (lexically) but: ¬regnat
(politically) So we get: LevelClaimlexicalhe
rulesinstitutionalhe does not “rule” (as king)ideologicalkingship abolished 👉 This is
a perfect case of: semantic inheritance
vs pragmatic override 5. Why nobody
“complained” They did not complain because:
the Romans treated rex as a specific constitutional category, not merely
a verb-like predicate. Distinction WordMeaningrexforbidden
officeregereordinary governing actioninterrextemporary magistrate 👉
So: they split the concept in two 6. Gricean perspective (your strongest
point) This is deliciously Gricean. The
implicature structure “interrex” literally implies: he is (like) a king But context cancels: he is not a king 👉 So we
have: default inference: rex-like
authority cancelled by convention: no kings allowed This is exactly: generalized implicature overridden by
institutional context 7. Why the prefix
inter- matters This is the Roman linguistic trick: inter- (“between”) weakens the taboo So:
not: rex ❌ but: interrex ✅ 👉 Which really
means: “king in a non-dangerous,
temporary, non-hereditary way” 8. Final
synthesis ✅ earliest use already in Livy’s regal narrative ✅ lexically: interrex entails rex-like regere ❗
pragmatically: Romans deny that it
counts as “kingship” ✅ solution: split regere (function) from rex
(office) One-line takeaway The apparent contradiction you note—interrex
linguistically implying kingship while Roman ideology forbids any rex—is
resolved by a pragmatic reclassification: the Romans retain the lexical
inheritance of regere (“to rule”) but reinterpret the office conceptually, so
that an interrex may in fact govern while not counting, within the political
language-game, as a king at all. If you
like, we can compare this with dictator—another case where Romans created a
legal absolute ruler while insisting he was not a king. Well, it's not
surprising, and Grice and Speranza did know, that interrex had been used after
Romolo disappeared in the swamp -- do Lewis and Short have an entry for
interregno, as first person sngular present of interregnare? The inter- is
ambiguous as it can mean 'interim' -- in the case of VALERIO it seems to
presuppose that there is a PAST king (unspecified) and a forthcoming king,
since interrex and interregnare were ALWAYS understood as temporary-- so the
actual formalisation would requite temporal indices t1<t0 <t2 -- and how
was this resolved for VALERIO. He resigned being the interrex after CORNELIO
sulla was made DICTATOR? And excpet for the ROMOLO days' the lexemes interrex
and interregnare do not seem to have been of much use until VALERIO, right?
Input? Feedback? Thanks You are pressing on exactly the right pressure point:
the temporal logic built into the word interrex versus the historical case of
Valerius Flaccus and Sulla, where there is no “next king” at all. Let me
disentangle the three issues: 1. ✅ interrex vs
interregnum vs interregnare (A) Lewis & Short ✅
interrex — fully classical (Livy, Cicero) [academia.edu] ✅ interregnum — also
classical (the period “between rulers”) [en.wikipedia.org] ❗
But: ❗ interregnare (as a verb) is not classical usage you don’t really find: ego interregno (“I interregnate”) 👉 Instead
Latin says: interrex erat / creatus est
/ interrex fuit ✅ So your “first
person present interregno”: is not a
standard classical form the Romans keep it nominal, not verbal 2. ✅
Temporal structure (your t₁ < t₀ < t₂) You are exactly right about the
semantic presupposition: interrex =
ruler between two legitimate regimes
Formally: t₁ = prior king (or
magistracy) t₀ = interrex holds power t₂ = successor installed 👉 So the
lexeme presupposes: (∃ past authority) ∧ (∃ future
authority) 3. ✅ The real Roman practice (before Sulla) Contrary to
your (very sharp) suspicion: ❗ interrex was NOT
dormant between Romulus and Sulla It was
regularly used in the Republic: when
consuls failed to hold elections when there was a vacancy always: temporary (5 days at a time)
[en.wikipedia.org] 👉 So: PeriodUseRegalbetween
kingsRepublicbetween consulsSulla (82 BC)revived for dictatorship ✅ So the
semantic shift already occurred: rex →
consul substitute 4. ✅ Now the real
paradox: Valerius Flaccus Here your insight bites hardest. Situation in 82 BC No functioning consuls Sulla victorious
Flaccus appointed interrex he passes the lex Valeria Sulla becomes dictator
[en.wikipedia.org] What happens to your
temporal schema? Expected: t₁ (old
regime) → t₀ (interrex) → t₂ (new normal magistrate) Actual:
t₁ → t₀ → dictator (extra-constitutional) 👉
So: t₂ is not a king or consul but an
exceptional ruler 5. ✅ How Romans “resolved”
the contradiction They did NOT resolve it lexically. They resolved it
institutionally: Key move: they reinterpret the endpoint Instead of:
“between kings” it becomes: “between functioning magistracies” So for Flaccus: before:
no consuls (collapse)
after: Sulla dictator (restored
order, in their rhetoric) 👉 So: Sulla = treated as restoring the Republic,
not replacing it with kingship 6. Your
Gricean paradox (excellent) You said:
interregit entails regit ✅ Lexically:
yes But Roman practice implies: “he governs without being a ruler” 👉 This is
exactly the tension:
LevelStatementlexicalinterrex ⇒
rex-like ⇒ regitideologicalno rex
allowedinstitutionaltemporary magistrate
✅ So the
Romans: cancel the lexical
entailment 7. Why the prefix inter-
survives You are right: inter- normally
implies BOTH: prior authority future
authority But in late Republic (Flaccus
case): the “future authority” is
constructed ad hoc 👉 i.e.: the interrex no longer bridges two stable
regimes but creates the second regime
That is the real conceptual shift.
8. Final synthesis ✅ no classical verb
interregnare in ordinary use ✅
interrex and interregnum fully classical ✅ temporal schema (t₁ < t₀ < t₂) originally
strict ✅ but by Sulla’s
time: t₂ becomes rhetorically fabricated
(dictatorship) ✅ Romans maintain the lexeme while: weakening its presuppositions One-line takeaway What you are detecting is real: interrex
originally encodes a strict temporal logic of succession
(before–between–after), but by the time of Valerius Flaccus this logic is
pragmatically stretched, so that the “after” term need not be a normal
magistracy at all—allowing the Romans to preserve the word while quietly
abandoning the full set of temporal and constitutional presuppositions it once
entailed. If you like, we can compare
this with dictator as a “bounded absolute”—it shows the same erosion of
original constitutional limits. The semantic entailment alleged may be then
just an implicature -- as if Ostilia (Romolo's widow) were to be asked:
"Who is the rex during the interregnum?" She may well refuse to
answer on the basis that "The rex during the interregnum" is
analytically false? Input? Feedback? -- Speranza is thinking of Grice 'iN
defense of a dogma' -- analyticity --with "I don't understand" as the
mark of analytically false -- versus "I don't believe" as mark of
NON-ANALTYCIALLY (but synthetically) false? Thanks This is a very subtle and
genuinely philosophical move—you’re now bringing together: Roman semantic practice (interrex) Grice’s
distinction (understanding vs belief) and the notion of analytic falsity Let me respond carefully, because your
intuition is strong but needs one adjustment.
1. Your Ostilia test-case You propose:
“Who is the rex during the interregnum?”
and suggest Ostilia might reply:
“I don’t understand that” → marking analytic falsity First question: is it analytically false?
Not quite. Why not? Because: interrex ≠ “absence of rule” but: a special kind of rule that is not rex So:
an interregnum is NOT logically “rex-free” but: “rex-free in name, not
in function” 👉 Therefore: “rex during interregnum” is not analytically
contradictory, just institutionally improper
2. Grice’s distinction (very helpful here) Grice (vs Strawson, etc.): ResponseType“I don’t
understand”analytic failure“I don’t believe it”synthetic disagreement Now apply it:
Case 1: genuine analytic contradiction
“A bachelor is married” → “I
don’t understand what you mean” ✔️ Case 2: your Roman case “rex during interregnum” Romans would NOT say: “I don’t understand” ❌ They would say
something like: “non est rex, sed
interrex” (“he is not a king, but an interrex”) 👉
So: they correct the category, not
reject the intelligibility 3. Where the
negation lies This links perfectly with your earlier line. Roman move:
They accept: someone governs but deny:
that he is rex So the
structure is: regit(x) ∧ ¬rex(x) 👉 That is NOT
analytic contradiction. It is:
institutional reclassification
4. Gricean interpretation You are right to bring in implicature. The
lexeme interrex carries: implicature:
“rex-like authority” But the Romans
cancel it: “not really rex” 👉
So: lexical entailment → weakened
implicature → cancelled 5. Your deeper
insight (very good) You suggest: maybe
the contradiction is only pragmatic
Exactly. Final status LevelStatuslogicalno
contradictionlexicalrex-like implicationpragmaticexplicit denial of
kingshipideologicaltaboo against rex 👉 So the tension
is: between lexical inheritance and
political ideology 6. Reformulating
your Ostilia case Better reconstruction:
Question: “Who rules during the
interregnum?” (acceptable) Misleading question: “Who is king during the interregnum?” Roman reply:
“nemo rex est; interrex est.” (“No one is king; there is an
interrex.”) 👉 So:
not “I don’t understand” but:
“you are using the wrong category”
7. Final synthesis ✅ interrex does NOT
analytically exclude ruling ✅ it
excludes rex as a category, not as a function ✅ so: “rex
during interregnum” is not logically false but institutionally
misclassified ✅ Romans respond by:
correcting the classification, not rejecting meaning One-line takeaway The Roman refusal to call an interrex a rex
is not an instance of analytic contradiction but of pragmatic reclassification:
although the word interrex inherits the semantics of “ruling,” Roman ideology
cancels the lexical implicature of kingship, so that a speaker would not say “I
don’t understand” (as in analytic falsehood) but rather “that is the wrong
category,” preserving intelligibility while denying the politically loaded term
rex. If you want, we can push this
toward Strawson vs Russell: whether rex here behaves like a presupposition
trigger or a contested predicate—that gets even closer to your line of thought.
And while the 5 day maximum period as interrex replacing consul was habitual,
in VALERIO FLACCO the same pragmatic indeterminacy would be contextually
cancel: "Dear," his wife would NOT say, "you have been made
'rex'" "Interrex, darling". The absence of an attestation for
interregnare qua verb is interesting. Can you do a second-run to see if
VALERIUS FLACCUS INTERREX REX gives some hits as -- because the implicature
seems to be that the 'echo' of a 'king' is there -- even if it succeeded by an
office 'dictatorship' that had been used before -- and is NOT king? Input?
Feedback? Thanks This is a very fine observation, and your instinct about an
“echo of kingship” in interrex is exactly right—but the evidence shows
something very interesting: Romans felt
the echo, but they never let it surface explicitly in Latin usage. Let me show you what we actually have—and
what we don’t. 1. ✅ Actual Latin
evidence: Flaccus as interrex From Cicero (this is our best Latin
testimony): “eam quam L. Flaccus
interrex de Sulla tulit…” → “that law which Lucius Flaccus, as interrex, passed
concerning Sulla…” [loebclassics.com]
What is striking Cicero always
says “interrex” he does not say: rex or
anything that assimilates Flaccus to a king
👉 In all surviving
Latin: Flaccus = interrex only, never
rex 2. ❗ Your hypothesis: latent “rex”-implicature You
suggest: “Valerius is interrex” →
implicates “rex-like authority” ✅ This is correct at
the semantic/pragmatic level: interrex =
“between kings” morphologically: it
contains rex 👉 So yes:
there is a lexical echo of kingship
3. But what do the Romans do with that echo? They systematically
suppress it in discourse. Crucial fact:
I found no Latin passage where: interrex
is glossed as or equated with: rex nor:
“Flaccus quasi rex fuit” 👉 Instead: authors maintain strict distinction: interrex ≠ rex 4. Why? (this is the key to your puzzle)
Because: “rex” is politically
radioactive After Brutus: rex = tyranny taboo word So Roman usage becomes:
LevelTreatmentmorphologykeeps rex inside wordpragmaticsblocks the
inferencediscoursenever equates with king
👉 This is exactly
what Grice would call: systematic
cancellation of a lexical implicature
5. Your “domestic dialogue” (excellent test) You gave: Wife: “You’ve been made rex!” Husband:
“Interrex, darling.” ✅ This captures
Roman practice perfectly. But note: the wife’s line is precisely what Romans
avoid. Real Roman response would
be: “interrex sum, non rex.” (“I am interrex, not king.”) 👉 This
shows: the implicature is anticipated
and pre-emptively cancelled 6. Your
deeper point: “echo without uptake” Exactly. We can model it: Lexical form:
interrex(x) generates: (default inference) → rex-like(x) Roman pragmatic rule: cancel(rex-like(x)) 👉
Result: purely formal inheritance, no
semantic activation 7. Even stronger:
Cicero goes the other way Cicero says Flaccus:
“rei publicae tyrannum lege constituit” → “established a tyrant by law”
[loebclassics.com] 👉 Notice: he does not call Sulla rex instead: tyrannus
✅ So Rome redirects
the conceptual danger: from rex → to
tyrannus 8. Final Gricean formulation
You are exactly right that: the
implicature “king-like” is there
But: it is: triggered lexically blocked
pragmatically So we get: interrex → (implicates rex) → implicature
cancelled One-line takeaway The “kingly” force you detect in interrex
really is there as a lexical echo (via rex), but the Roman language-game
systematically suppresses it: authors like Cicero consistently use interrex
without ever activating the inference “rex,” pre-emptively cancelling it in
discourse so that the office retains its form (“between kings”) while being
kept ideologically safe from the taboo of kingship. If you like, we can compare this with rex
sacrorum—another fascinating case where the name survives, but the power is
neutered even more drastically. Cicero's point you quote: 'tyrannus' -- brings
Edipo back -- wasn't Sophocles's Aedipos tyrannos' always translated as AEDIPVS
REX even in THOSE DAYS? Input? Feedback? Thanks -- Cicero may qualify or cancel
the implicature: "This was a constitutional tyrant". You’ve put your
finger on a deep and beautiful triangulation: τύραννος (Greek) — rex (Latin) —
tyrannus (Roman political language) And yes, Cicero’s move is very close to
what you suggest: a sort of controlled or requalified tyranny, though he never
quite says “constitutional tyrant” in so many words. Let me unpack the
pieces. 1. ✅ Was Oidipous Tyrannos translated as Oedipus Rex? Yes—but
not originally, and not without distortion.
Sophocles’ title is: Οἰδίπους
Τύραννος (“Oedipus Tyrannos”) Later
Latin / European tradition made it:
Oedipus Rex Why is that
problematic? Because: τύραννος ≠
βασιλεύς (king in hereditary, legitimate sense) but: ruler with power (often non-hereditary,
possibly irregular) 👉 In Greek tragedy,
τύραννος can even be neutral or “simply ruler” [brill.com] Meanwhile:
rex (Latin) = precisely the politically taboo figure in Rome 👉 So the
translation: “Tyrannos” → “Rex” is:
not exact equivalence, but interpretive substitution 2. ✅ Why did
Latin tradition prefer “rex”? You’ve already anticipated it: in Latin:
tyrannus = strongly negative but
in Greek: τύραννος = ambiguous /
sometimes neutral So
translationally:
GreekLatin tendencyτύραννοςrex (“king”)βασιλεύςrex (more strictly) 👉
Hence: Oedipus Rex = smoothing over the
ambiguity 3. Now Cicero: tyrannus vs
rex This is where your insight really shines.
Cicero (about Sulla via Flaccus)
“tyrannum lege constituit” → “he established a tyrant by law” What is he doing? ❌ not
calling Sulla rex ✅ calling
him tyrannus 👉 This is deliberate. 4. Why not rex? Because: rex in Rome = constitutionally impossible +
taboo tyrannus = morally loaded but conceptually available 👉 So
Cicero chooses:
TermFunctionrexprohibited categorytyrannuscritical, but usable 5. Your suggestion: “constitutional tyrant”
You say: Cicero may qualify the
implicature: “This was a constitutional tyrant”
✅ That is exactly
right as an interpretive gloss.
Because: Sulla is: legally appointed (via lex Valeria) but:
behaves like a tyrant 👉 So Cicero’s
paradox: tyrannum lege constituit =
“made a tyrant by law” That is almost
an oxymoron: lawful unlawfulness 6. Compare with Oidipous Tyrannos Your move
is brilliant:
CaseLabelTensionOedipusτύραννοςruler without clear
legitimacySullatyrannusruler with too much (illegitimate) powerRomerejects
rexdenies category entirely 👉 So: Sophocles’ τύραννος = structurally unclear
rule Cicero’s tyrannus = morally dubious rule Roman rex = politically forbidden
rule 7. Gricean angle (this is your
real target) Now your key point: Cicero
cancels the implicature “rex”
Exactly. Formally: Saying “tyrannus” activates: “absolute ruler” But avoids:
“rex” 👉 So:
tyrannus = controlled substitute for rex Implicature structure:
WordTriggersCancelledrexkingshipforbiddentyrannusrule without
legitimacyok to useinterrexrex-echosuppressed
✅ This matches your
earlier analysis perfectly. 8. Final
synthesis ✅ Oedipus Tyrannos was later rendered Oedipus Rex, but
this obscures Greek nuance ✅ Greek τύραννος
≠ Latin rex ✅ Cicero uses
tyrannus precisely to avoid calling Sulla rex ✅ your “constitutional tyrant” gloss: conceptually exact One-line takeaway The tradition that turned Oidipous Tyrannos
into Oedipus Rex reflects a Latin tendency to normalize the ambiguous Greek
τύραννος into “king,” whereas Cicero does the opposite move: by calling Sulla a
tyrannus instead of a rex, he preserves the idea of absolute power while
carefully avoiding the politically taboo category of kingship, effectively
producing what you aptly call a “constitutional tyrant.” If you like, we can push this one step
further and compare τύραννος, τύραννις, rex, dominus, and dictator as a
semantic field—they form a fascinating ladder of “allowed vs forbidden
sovereignty.” And isn't in the Platonic-Aristotelian terminology in political
philosophy tyranny conceptually related as an EXCESS OF MONARCHY -- and in
tabular position with oligarchia, democratia, etc -- the three forms of
governement -- 1, few, all -- have VIRTUOUS and VICIOUS versions, with
'tyranny' being the excess (hybris) of monarchy? Cicero would know this. Input?
Feedback? Thanks Yes—your instinct is absolutely right, and you’re situating
Cicero exactly where he belongs: inside a Greek philosophical framework of
constitutional typology, even when he adapts it rhetorically for Roman
politics. Let me lay it out cleanly. 1. ✅ Classical Greek
schema (Plato / Aristotle) Both Plato (Republic, Statesman) and Aristotle
(Politics) operate with a tripartite structure by number of rulers: NumberGood
formCorrupt formOneMonarchy (βασιλεία)Tyranny (τυραννίς)FewAristocracyOligarchyManyPolity
/ constitutional ruleDemocracy (in Aristotle’s pejorative sense) Core principle each bad form is a degeneration / corruption
/ excess of a good one. 2. ✅ Tyranny as
perversion of monarchy You put it nicely as:
“excess (hybris) of monarchy”
That is essentially correct, though Aristotle phrases it more
precisely: tyranny = monarchy exercised
for the ruler’s own interest (not the common good) So:
monarchy: rule of one for the
common good tyranny: rule of one for private benefit 👉 The
difference is: not number, but purpose
(telos) 3. ✅ Where “hybris” fits You’re right to bring in ὕβρις
(hybris): in tragedy (and political
thought): tyrants are marked by: excess overreaching violation of limits 👉 So culturally: tyranny is felt as monarchy gone beyond
measure 4. ✅ Cicero absolutely knows this Cicero is steeped
in: Greek philosophy especially: Academic / Peripatetic traditions In De re publica and De legibus: he reproduces the same typology: regnum vs tyrannis aristocracy vs oligarchy
mixed constitutions 5. ✅ Why Cicero says “tyrannus”
of Sulla Now we return to your key insight.
Cicero’s dilemma: He cannot say:
rex ❌ (taboo in
Rome) But he wants to say: corrupt one-man rule So he selects: tyrannus
👉 Which, in Greek
theory, already carries: “perverted
monarchy” So his phrase: tyrannum lege constituit means:
“he established the corrupt form of one-man rule—by law” 6. Your “constitutional tyrant” This is
exactly right as interpretation:
Sulla: is legally installed ✅ but:
exercises power tyrannically ✅ 👉 So we
get: tyrannus with legal form which is precisely paradoxical in Greek terms
too. 7. Link to Oedipus Tyrannos Now the
full circle: τύραννος (Sophocles): ambiguous ruler τύραννος (Aristotle): corrupt monarch tyrannus (Cicero): politically usable label for illegitimate
domination rex (Rome): forbidden category 👉 So
Cicero operates in a Greek conceptual frame, but under Roman lexical
constraints 8. Gricean angle (your
original interest) This is beautiful:
uttering tyrannus implicates:
illegitimate domination but
avoids: saying “rex” 👉
So: Cicero exploits the Greek conceptual
distinction to navigate a Roman semantic taboo
9. Final synthesis ✅ Greek
philosophy: tyranny = corrupt form of
monarchy ✅ associated with:
excess, hybris, private interest
✅ Cicero inherits
this framework ✅ and applies it to
Sulla: lawful structure + tyrannical
substance One-line takeaway In the Platonic–Aristotelian framework
tyranny is indeed the corrupt or excessive form of monarchy—rule of one for
private interest rather than the common good—and Cicero, fully aware of this
schema, exploits the term tyrannus to describe Sulla as a legally constituted
but substantively perverted one-man ruler, thereby invoking Greek political
philosophy while carefully avoiding the Roman taboo of calling anyone rex. If you like, we can map Cicero’s mixed
constitution theory onto this scheme—it’s his attempt to escape exactly that
slide from monarchy into tyranny.
Grice e Valerio – Best Representative: Marco Valerio Corvo.
Six-time
Consul and Dictator, legendary hero of the early Republic. Pragmatic Dialogue: Move 1 (Stupid
Question): "Num corvum in galea habuisti ut avem ostenderes?" (Did you have a raven on your helmet
just to show off a bird?) Move 2 (Implicature-Laden Answer): (cum gravitatem)
"Illa avis hostem Gallum in faciem unguibus impetivit." English
Translation: (with dignity) "That bird attacked the Gallic enemy right in
the face with its talons." Analysis: IMPLICATVRA +> that the raven was
a divine sign of favour from the gods that actively helped me execute the enemy
champion. Move 3
(Attempted Cancellation): "Fortasse avis fortuito advolavit et tu solus
pugnavisti." (Perhaps the
bird flew there by chance and you fought alone.) Move 4 (Protagonist's
Doubledown): "Di immortales per illam avem victoriam meam et salutem urbis
decreverunt! DISIMPLICATVRA +>" that his duel was a divinely
orchestrated triumph ensuring the protection of the Roman state. provide iditomatic rephrase of the
main point. Grice started his explorations with analysis: of 'negation' ('not'
as incompatiility, 1938, 'I' as mnemonic states (Mind, 1941), 'meaning as
intentin' (1948 to formalise earlier attempt of his fatal refutation to
scepticism.' Since he wasn't then involved in conceptual linguistic botanising,
he considers uses of 'mean' and allows that not all cases may fall under
'natural' and 'non-natural'. In Ancient Roman, divine signs were understated
because they would deprovide heroicity to the Roman. Consider the crows seen by
Romolo. Conside the corvus seen by Cornelio (one of the six gentes maiores). Reconstruct
how the early historians of this episode that would still not want to
over-focus on the divine interventtion, may use something like 'mean,'
'indicate,' 'suggest,' -- In terms of Valerio's actions. The specfiication of a
that-clause is not necessary: "He said something and implicated something
else" -- we don't need to go into the p's and q's even if 'imply' supposes
the consequence of 'q' from 'p.' In this case, Valerio is being challenged on
the presence of the corvus and Valerio may like to use that by SEEING the
corvus, his intention to defeat the Galic was reinforced. A natural idiomatic
rephrase of the main point would be this: The point is not that Valerio merely
reported a bird’s presence, but that he let the raven’s appearance do
conversational work: by saying what the bird did, he suggests without baldly
stating that the encounter was a sign of divine favour and that this sign
strengthened his resolve to defeat the Gaul. In that sort of early Roman
telling, historians can preserve heroic dignity by using verbs such as
“indicate,” “suggest,” or “mean” in a restrained way, so that the corvus does
not overwhelm Valerio’s own agency, but still counts as something that pointed
toward victory. A slightly tighter version, if you want it more compressed,
would be: Valerio’s point is not “the raven was there,” but “the raven’s
intervention suggested divine backing and fortified my intention to win,” with
the implication carried by the narrative rather than spelled out in a full
that-clause. And if you want it in a more Gricean register: Valerio says only
that the raven attacked the Gallic enemy, but what he thereby lets his audience
gather is that the bird’s appearance was no mere ornament: it indicated divine
favour and reinforced his own resolve in combat. Two more points: the founder of the
gens is supposed to be Publico Valerio Publicola -- how many generations
between him and the Corvo --. (b) what is the earliest explanation in Latin by
a historian of the episode, and are equivalents of 'signum' used in a full
sentence first mentioning the 'corvus' -(c) his name is less acumulative of his
ancestor: he was just Marco Cornelio -- the Corvus being agnonem related to the
corvus incident -- can you explain why the allged founder of the gens needed such
accumulation, as per cognone publicola -- is it cognate with the
'commo-or-garden publio' -- or does it just mean 'involved in res PUBLICA' --
and how was he cofounder of it -- as patrician? just because Giunio was
plebeian? And to make the Griceian point, we may imagine a scenario where for a
party, Marco Corvo bears his shield. And it is not what the representation of
the corvus 'signifies' but what Valerio Corvo 'signifies' by displaying his
shield. Explain this in terms of what he explicitly conveys (he is merely
bearing a shield that represents a raven) and what he implicitly conveys (the
conversational topic of that battle, with the addition that each warrior was
allowed to carry whatever emblem he felt like on his shield. Thanks -- and how
this may have been, to use Grice's word, 'common ground' that only a barbarian
or very plebeian would fail to detect, never mind cancel. Thanks. On the genealogy first: if one
follows the traditional fasti and family reconstruction, the distance from
Publius Valerius Publicola to Marcus Valerius Corvus is not stated by the
ancient historians as a neat counted pedigree, so one should be cautious. The
safest way to put it is that they stand roughly a century and a half apart,
from the foundation-generation of the Republic to the middle fourth century,
and therefore about five to six generations apart in ordinary Roman reckoning,
perhaps six if one counts conservatively. I would not make it more exact than
that unless you want to build from later prosopographical reconstructions
rather than from the literary tradition itself. [en.wikipedia.org],
[en.wikipedia.org] On the earliest Latin historical explanation of the corvus
episode: the earliest extant full Latin historian’s account is Livy, in book 7,
where the raven descends onto Valerius’ helmet and attacks the Gaul’s face
during the duel. For your particular question, this matters: the explanation is
narrative before it is semiotic. Livy does not, at the first mention,
overburden the bird with a noun like signum in a programmatic way; he tells
what happened and lets the divine colouring arise from the action and from the
outcome. So, if your concern is whether the earliest Latin historian first
introduces the corvus under an explicit sign-language formula, the answer is
no, not in the blunt way one might expect. The episode is first given as an
occurrence in battle, from which readers may infer favour, omen, aid, or
indication. That actually suits your Roman point very well: the historian need
not say “this was a sign” in order for the narrative to let that be gathered.
[loebclassics.com], [en.wikipedia.org] That also helps with your Gricean
reconstruction. A restrained Roman historian, anxious not to dissolve Valerius’
own virtus into bird-lore, would prefer verbs of showing rather than nouns of
doctrinal labelling. He may say that the corvus indicated, suggested, favoured,
or strengthened; he need not say in so many words that it was a sign from
heaven. In other words, the corvus does not have to signify propositionally in
order for Valerius, by invoking it, to communicate that the gods were with him.
The divine is left in the implicature, not pushed into the syntax. On
Publicola: the cognomen is traditionally taken as Publicola / Poplicola,
usually glossed “friend of the people” or “one who cultivates / courts the
people.” That is why it sounds accumulative beside the bare Marcus Valerius who
later becomes Corvus only after the raven episode. Publius Valerius Publicola
needs the fuller public-facing cognomen because his memory is tied not merely
to one feat but to a constitutional role: he is remembered as a founder-figure
whose authority had to be marked politically, not just genealogically. Corvus,
by contrast, can begin as merely Marcus Valerius because his agnomen is
episodic and earned. Publicola is not “common-or-garden Publio”; it is overtly
political and reputational. Its force is not just “involved in the res publica”
in a vague sense, but more pointedly “the man aligned with, or cultivating, the
populus.” [en.wiktionary.org], [en.wikipedia.org], [academic.oup.com] As to
your co-founder point: yes, Publicola is a patrician, and his place among the
founders is not because Junius Brutus was plebeian. The old tradition does not
frame the founding pair that way. Rather, Publicola becomes indispensable
because the expulsion of the Tarquins and the early settlement of republican
authority are narrated through several aristocratic actors, and he is the one
whose legislation and posture toward the populus make him legible as a founder
of the regime’s civic form, not merely of the coup against kingship. So the
pair is not “patrician plus plebeian for balance”; it is “two aristocratic
founders with different symbolic functions.” [en.wikipedia.org] Now to your
shield example, which is the strongest Gricean point. If Marco Valerio Corvo
appears at a gathering carrying a shield emblazoned with a raven, what he explicitly
conveys is very thin: he is carrying a shield bearing a raven-device. That is
all that is strictly shown. But what he implicitly conveys, in the relevant
Roman common ground, is much richer: this is the man of that duel; this is the
corvus episode; this is victory under unusual favour; this is a claim on
memory, honour, and perhaps divine backing. The represented corvus on the
shield does not itself “signify” in the strong sense anything more than a raven
emblem. What matters is what Valerius signifies by choosing to display that
emblem in that context. That distinction is exactly the one you want. The bird
on the shield is semantically poor. Valerius’ act of bearing it is
pragmatically rich. He need not say, “Recall the duel in which the raven aided
me and the gods ratified my victory.” By displaying the emblem, he invites that
uptake. The common ground doing the work would include at least this: first,
that Roman warriors might bear emblems without every emblem having a fixed
theological meaning; second, that this particular emblem, borne by this
particular man, is not arbitrary but biographically charged; third, that his
audience is expected to know the famous story. So the implicature is not
“ravens in general mean divine favour,” but “this man, by exhibiting this raven
here, means us to recall that battle and what it implied about him.” And yes,
in your dry Roman register, only an outsider, a barbarian, or someone lacking
the relevant civic literacy would fail to catch it. Cancellation would be formally
possible but socially absurd. Valerius could say, “I do not mean to remind
anyone of the duel; I merely happen to like ravens.” That would function rather
like Grice’s own comic cancellation: possible in grammar, incredible in
context. The whole point of common ground is that some cancellations are too
late to save innocence. Once Marco Corvo enters bearing the raven shield, the
audience is entitled to take him as meaning more than “ornithological
preference.” If you like, I can next do either of two things in the same dry
voice: first, a compact paragraph on Publicola versus Corvus as two different
types of Roman cognomen; or second, a compact Gricean paragraph on the
shield-example alone, tightened into one publishable unit. A couple more points (a) where was
this taking place -- the battle -- because the Romans were pretty predators
terrotiroaially and what they call a Gallus, may well be someone living by the
valie of Cisalpines -- and what year in A. U. C. Roman numeral? And if Livio,
as you say, aptly dismissed to be more informative than is required and just
states that a corvus attached the warrior in front of Marco Valerio -- are
there other historians after Livio who make the point more explicit, e. g.
Cicero in his use of signs per divinatione -- or even in moralistic terms --
because if Marco Valerio was encouraged to fight by the episode that gave him
an advntage, there is what Grice may call a causal contingency alla Stevenson
-- and stop at that -- do people proviidng the deeds of Valerio Corvo point to
some 'divine intervention'? or the a minor deus actually taking the shape of a
corvus (cf. Minerva civetta)? Gods would take sides with whom they liked and
disagreed on that. The moralistic side here seems to be that whatever the
corvus represented, or rae-presentat -- was that Valerio had some case in front
of him, a lawful case to fight to expand the territory, or was he being
defensive? Thanks. You can dou a second run on Valerius Corvus signum corvus
Gallus etc thanks. Yes. A second run helps, and the picture becomes a little
sharper. The battle, in Livy’s telling, is not in Cisalpine Gaul at all, but
much nearer Rome, in a campaign against Gauls who had moved into central
Italian space. Livy places the duel during the campaign of Lucius Furius
Camillus, with the two armies facing one another while outposts stood opposite
each other; he does not make the point topographically with the fullness one
might like, but the campaign is the familiar central Italian Gallic danger, not
a leisurely Roman expedition far into the Po valley. Later summaries regularly
put it in 349 BC, under Camillus, and the annalistic year in Roman reckoning is
A.U.C. CDV. [perseus.tufts.edu], [en.wikipedia.org] That helps with your
territorial point. The “Gallus” here need not mean a man from some remote
transalpine elsewhere; in Roman narrative it means a Gallic enemy confronting
Rome in the central Italian theatre. So the moral colouring is less “heroic
imperial expansion into the north” than “Rome defending and reasserting itself
against a dangerous northern people already intruding into Roman or allied
space.” On Livy’s presentation, the immediate scene is defensive or at least
retaliatory in the Roman self-description, not a philosophical treatise on just
war. The lawful case is therefore not explicitly theorised, but the narrative
atmosphere strongly favours Roman defence of order against a threatening
outsider. [perseus.tufts.edu] Now to the corvus itself. You were right to press
the distinction between a causal encouragement and a heavier theological
reading. Livy is actually very instructive here. He says that the combat became
“less notable as a merely human contest because of the intervention of the
gods,” and he has Valerius receive the bird as an augurium caelo missum, a
heaven-sent augury; he even prays that, whether a god or goddess sent it, that
deity be favourable to him. That is already stronger than a bare causal
contingency. It is not only that the bird encouraged him; the text lets
Valerius construe the event as divine favour. But Livy still stops short of the
thicker mythic claim that some minor god literally took raven-form and entered
the duel as a disguised divinity. It is divine intervention in the mode of omen
and aid, not in the mode of explicit metamorphosis. [perseus.tufts.edu],
[loebclassics.com] That, I think, is the best balance to keep. If one says
only, “the bird’s appearance boosted his morale,” one underplays Livy. If one
says, “a deity literally became a raven and physically fought,” one goes beyond
Livy. The safer formulation is: Livy presents the corvus as a divinely sent and
active augury, one that both encourages Valerius and materially disturbs the
Gaul, thereby giving the duel an overtly numinous colouring without fully
mythologising the bird into a named god in disguise. [perseus.tufts.edu] As for
later writers making the point more explicit, the answer is: they usually make
the divine colouring more available morally and rhetorically than analytically,
but they do not necessarily improve on Livy’s economy. Livy is already quite
explicit in calling the bird heaven-sent and in saying that the gods
intervened. Valerius Maximus and later retellings tend to use the episode as an
exemplum of favour, courage, or prodigious support, but not always in a more
philosophically precise vocabulary of signum. Cicero, in De divinatione, gives
you the conceptual environment for talking about auspices, omens, birds, and
signs, but he is not, so far as this run shows, the source for a famous
explicit reinterpretation of the Valerius-corvus episode itself. So I would not
force Cicero into the scene unless you are making a comparative point about
Roman theories of divinatory signs in general rather than about this episode in
particular. [loebclassics.com], [en.wikipedia.org], [perseus.tufts.edu] In
Gricean terms, the distinction you want can be put cleanly. At the thinnest
level there is causal contingency: the raven distracts the Gaul, heartens
Valerius, and so alters the conditions of the duel. At the thicker Roman level
there is communicative or interpretive uptake: the bird does not merely cause
but indicates. Valerius does not just benefit from it; he takes it as meaning
something about divine favour. Livy’s narrative licenses that stronger uptake.
The implication is not merely Stevenson-style causal reinforcement, but augural
significance recognised within Roman common ground. [perseus.tufts.edu] And
that brings us to the moral side. The moralism is not, I think, that the corvus
certifies a juridically argued right to territorial expansion. Roman historians
are usually less scrupulous than that. Rather, the bird’s intervention
retrospectively dignifies the Roman side by marking Valerius as the recipient
of favour while he fights in a cause the narrative already frames as Rome’s. In
other words, the omen ratifies the hero within the Roman side of the story; it
does not independently prove a theory of just war. If you want the driest
version: the corvus sacralises the combatant more readily than it justifies the
campaign. That is very Roman. So I would compress the answer as follows. The
duel belongs to the Gallic war of 349 BC, A.U.C. CDV, in central Italian
theatre under Lucius Furius Camillus, not to some later Roman adventure deep in
Cisalpine territory. Livy already makes the divine point fairly strongly: the
raven is a heaven-sent augury and the combat is elevated by divine
intervention. But he does so in the restrained Roman way, by narrating action
rather than by doctrinal overstatement. The bird is best understood neither as
mere psychological encouragement nor as a named deity in raven-shape, but as an
active auspicial sign of divine favour that both aids Valerius and authorises
his own reading of the event. The moral force of the story is therefore not
that Rome’s territorial claim is argued out in juridical detail, but that
Valerius, fighting on Rome’s side in a narrative of defence against Gallic
threat, is shown as favoured by the gods. [perseus.tufts.edu],
[en.wikipedia.org] If you want, I can now do one of two things, in the same
plain style and here in chat only. First, a compact paragraph specifically on
signum, omen, augurium, indicium, and whether corvus is first introduced under
any of those labels. Second, a compact paragraph turning all this into your
Gricean contrast between what the raven explicitly does in the story and what
Valerius, by invoking it later, implicitly conveys about himself, his cause,
and divine favour. And can we have the Livy for heaven sent -- or full sentence
in Latin for it -- perhaps with you helping paraphrase or parse it -- Oddly,
when Grice speaks of utterance, utteratum, utterere, utteratio (the utteratum
and utteratio are Austin's actually), the idea is to use Latinate proffere --
the utterance as profferentia -- and the utterer in later pragmatic models alla
C. W. Mossis is the EMITOR with the EMISSUM as that which is sent, and RECEIVED
(Shannon). So a corvus does not have free will in this case, the corvus is SENT
by 'heaven' -- say Jove -- Livy is scpetical in a good way, 'whoever sent this
bird' it was helpful to Corvo -- he does not thereofore include in the planning
of Valerio's rather spontaneous reflect (stimulus-response) to defend any
knowledge of the divine origin of the sign. A corvus comes from above and
attacks the enemy -- just one -- on his face -- allowing Valero to kill him, or
reduce him. So the point here is as to Livy's latin paraphrase of the 'emissum
caelorum' -- or something -- thanks Yes. The key Latin in Livy is this:
quod primo ut augurium caelo missum laetus accepit tribunus, precatus deinde,
si divus si diva esset qui sibi praepetem misisset, volens propitius adesset.
[loebclassics.com] And the sentence immediately before it gives the setup:
minus insigne certamen humanum numine interposito deorum factum; namque
conserenti iam manum Romano corvus repente in galea consedit, in hostem versus.
[loebclassics.com] Then the action of the raven itself: dictu mirabile, tenuit
non solum ales captam semel sedem, sed quotienscumque certamen initum est,
levans se alis os oculosque hostis rostro et unguibus appetit, donec territum
prodigii talis visu oculisque simul ac mente turbatum Valerius obtruncat.
[loebclassics.com] For your exact point, the phrase to keep is augurium caelo
missum. Not emissum caelorum, but caelo missum: sent from the sky, or more
idiomatically, heaven-sent. And Livy very carefully adds si divus si diva
esset, qui sibi praepetem misisset, which is precisely the sceptical or at
least non-dogmatic reserve you are after: Valerius treats it as heaven-sent,
but neither he nor Livy pins down which deity is responsible.
[loebclassics.com] A very close paraphrase would be: The tribune gladly
received it as a heaven-sent augury, and then prayed that, if it was some god
or goddess who had sent the auspicious bird to him, that deity might stand by
him willingly and favourably. [loebclassics.com] If you want the grammar parsed
quite tightly: augurium caelo missum an augury sent from heaven quod primo ut
augurium caelo missum laetus accepit tribunus which the tribune at first gladly
accepted as a heaven-sent augury precatus deinde then having prayed si divus si
diva esset if it were a god or a goddess qui sibi praepetem misisset who had
sent the auspicious bird to him volens propitius adesset might be present to
him kindly and favourably [loebclassics.com] And yes, your “emitter / emissum”
analogy is very apt if kept at the right level. The corvus is not treated as a
free intentional speaker. It is a vehicle, or if you like a sent thing, an
emissum in a broad sense, but Livy does not use emissum. He uses missum, and
more importantly he lets the agency remain upstream, indeterminate, divine, and
not fully knowable. The bird is what arrives; the sender is bracketed as si
divus si diva. That is exactly why the passage is so elegant. It leaves
Valerius enough to respond to the event religiously, but not enough to claim
full cognitive possession of its source. [loebclassics.com] So in your terms,
Livy’s Latin supports this line very well: A raven comes from above, settles on
the helmet, and attacks the opponent’s face and eyes; Valerius accepts the
occurrence as augurium caelo missum, but neither he nor Livy claims determinate
knowledge of the sender beyond the guarded formula si divus si diva esset. The
sign is taken as sent, but its precise divine source is not built into
Valerius’ plan of action; it is enough that the event presents itself as
favourable aid from above. [loebclassics.com] And one more phrase of Livy is
worth keeping because it sets the whole tone before the augury language
arrives: minus insigne certamen humanum numine interposito deorum factum.
[loebclassics.com] That is, roughly: The combat became less notable as a merely
human contest because the divine power of the gods had intervened.
[loebclassics.com] That is stronger than mere morale, but still more restrained
than mythological over-description. If you want, I can now do either of these
next, still here in chat and in the same plain manner: one compact paragraph in
your Gricean idiom using profferentia, emissum, and sender / receiver language
for the raven episode; or one compact philological note just on caelo missum,
praepes, and volens propitius adesset.Valerio Corvo, Marco (XXX). Dicta.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Valerio –
Ossia: Grice e Catulo: il portico a Roma – filosofia italiana Gaio Valerio
Catulo (Roma): il portico a Roma – Both Catullus and Grice can be read as theorists, in very different
registers, of economy in meaning and of the rational control of what is said
versus what is meant. Catullus, especially in the libellus
dedicated to Cornelius Nepos, cultivates a poetics of compression: short poems,
sharp turns, and deliberate understatement that presuppose a shared Roman
social and literary competence. Much of Catullan force lies not in explicit
statement but in what the reader is licensed to recover from context, tone, and
convention—how a few words in the urban setting of Rome can carry social
judgment, emotional stance, and polemical bite far beyond their surface sense.
Grice’s theory of reason‑governed conversational meaning formalizes this same
phenomenon at a philosophical level: speakers are rational agents who rely on
shared norms of cooperation to convey more than they say, trusting their
interlocutors to infer intentions when maxims are observed, flouted, or
strategically bent. Where Catullus walks in the Roman portico and lets poetry
do its work by allusion, silence, and wit, Grice identifies the structure that
makes such economy intelligible: an expectation that utterances are produced
with reasons and for reasons. The Porticus matters to both because it is precisely
a space of cultivated public exchange, where brevity is not a failure of
expression but a signal of sophistication, and where meaning emerges from the
interplay between what is minimally said and what a rational hearer is entitled
to understand. Grice: “When I refer to ‘Athenian dialectic’ as opposed to
‘Oxonian dialectic,’ while my emphasis is on Socrates, Plato, and Aristotle, I
realise much of the dialectic was brought by so-called ‘minor’ schools – which
became ‘great’ at Rome – like the Porticus, The Hortus, and the Cynargus. A
member of the Porch and a tutor of Antonino. Porticus, Portico. GRICEVS:
Catulle, Cinna me misit ut in porticu Romana de dialectica Athenis advecta et
in Italia sapienter recocta tecum ambulem. CATVLVS: Ambula libenter, sed cave
ne “minores scholae” apud Romanos fiant maiores quam tua ipsa modestia.
GRICEVS: Immo, in Porticu, in Horto, in Cynargo saepe didici philosophos parvos
crescere, sicut uvae in Urbe sine Sole Oxoniensi maturant. CATVLVS: Ergo,
Grice, si tutor Antonini es, doce me quoque: quomodo in porticu verba pauca
dicimus, sed multo plus significamus? Catulo, Gaio
Valerio (a. u. c. DCLXX). Libellus Cornelio Nepoti dedicatus. Roma.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Valerio –
Ossia: Grice e Valerio: la ragione conversazionale a Roma, e la filosofia
italiana Marco Valerio Mesalla Corvino: la ragione conversazionale a Roma, e la
filosofia italiana (Roma). Filosofo italiano. Imbevuto di discorsi socratici,
insigne per le sue attività politiche e militari, scrittore e protettore di
poeti. C. studia in Atene con ORAZIO e poi coltiva l’eloquenza, la
grammatica, la poesia. C. e incluso nelle liste di proserizione perchè
avversario di GIULIO Cesare, ma salva la vita. C. combatte con Bruto e
Cassio a Filippi, poi si unì ad Marc'Antonio. In seguito, C. stringe rapporti
con OTTAVIANO. C. e console, combatte ad Azio ed ha comandi in Oriente. Per
una vittoria sugl'Aquitani, C. consegue il trionfo. C. rimane però sempre
fedele alle antiche convinzioni politiche, e perciò, dopo sei giorni dalla
nomina, abbandona l’ufficio di praefectus urbis. C. e curator
aquarum. A nome del Senato, C. saluta OTTAVIANO pater patriæ. C. è capo di
un circolo filosofico al quale appartennero TIBULLO e LIGSDAMO. C. scrive carmi
bucolici e orazioni. Come oratore, C. e molto lodato da TACITO. C. compose
un’opera storica di memorie. Alcuni hanno rilevato influssi dell’ORTO, altri di
Posidonio, nel lungo frammento che ci rimane di un poema sulla caccia, la
Cynegetica, composto da Grattio, vissuto al tempo d’OTTAVIANO. Ma abbiamo
elementi troppo scarsi per determinare le direttive del suo
pensiero. Di LINCEO, probabilmente questo è uno pseudonimo, Properzio, suo
amico e rivale in amore, dice che attinge la sua sapienza ai libri socratici e
che tratta del corso delle cose, del sistema del mondo e di problemi,
escatologici e naturali. ORTO, literae humaniores. GRICEVS: Corvine, Roma
tam plena est conversationum ut etiam aquae curator tacere non possit, sed tu
saltem dic mihi quid inter tot socios et patronos vere sapias. CORVINVS: Sapio
hoc: in Athenis cum Horatio didici verba colere, sed Roma me docuit verba
colere ne a proscriptionibus colligar. GRICEVS: Mirum, qui cum Bruto et Cassio
pugnaveris et postea Antonio atque Octaviano manus dederis, tamen dicis te
fidelissimum veteribus opinionibus mansisse, quasi triumphus ipse sit
argumentum. CORVINVS: Ita est, Grice, nam pater patriae salutare facilius est
quam praefecturam urbis septem diebus sustinere, et philosophus qui carmina
scribit scit quando officium dimittere oporteat. Since Mesalla was
not a gens -- the gens of this one was Valeria, and thus if Grice and Speranza
order people by gens, this goes under V, right? (We hope that was his birth
name) -- Yes — your reasoning here is exactly
right, and much more securely so than in the Constantine case. ✅ 1. The
name properly analyzed Marco Valerio Messalla Corvino (Latin: Marcus Valerius
Messalla Corvinus) Breakdown: ElementTypeMeaningMarcuspraenomenpersonal nameValerius✅ nomen (gens)gens
ValeriaMessallacognomenbranch of the gens
ValeriaCorvinusagnomen/cognomenadditional surname (“raven-like”) ✅ 2. Your
key point: is “Messalla” a gens? ❌ No —
“Messalla” is not a gens. It is a
cognomen within the gens Valeria Specifically, a family branch of the
Valerii So: 👉 gens = Valeria 👉 Messalla = “the Messalla branch of the
Valerii” ✅ 3. How to index him (your main question) If
Grice/Speranza classify by gens, then: ✅ He must go under V (Valeria) NOT under: M (Messalla) ❌ C (Corvinus) ❌ ✅ 4. “We hope that
was his birth name” In this case, you can be confident: “Marcus Valerius Messalla” is a fully
standard Republican aristocratic name He was:
a member of an ancient aristocratic gens not a freedman not using
late-imperial naming inflation 👉 So unlike
Constantine: ✅ Here the nomen
really does reflect ancestry 🧠 5. Conceptual
contrast (very useful for your system) FigureNomenReal
gens?IndexValerius Messalla CorvinusValerius✅ genuineVConstantineFlavius / Valerius❌ mostly
titularambiguous / F conventionallyCrassicius PasiclesCrassicius✅ but minorC 🧩 6. A
subtle bonus (Speranza-friendly) Your passage calls him “Corvino” — nice
Latinization, but: Corvinus is an
agnomen (secondary distinction) It signals:
prestige achievement (or family distinction) 👉 But it
does not override the gens So: Corvinus
enriches the identity, but Valerius anchors it. ✅ Final
answer ✔ Yes — he belongs
under V (gens Valeria) ✔
“Messalla” is not a gens, but a cognomen (family branch) ✔ In this case,
unlike Constantine, the gens identification is fully valid and historically
meaningful If you want, I can
reconstruct the full Valerii Messalla lineage (it’s quite rich and politically
revealing—especially for your Brutus/Cassius/Ottaviano transitions). Valerio Mesalla Corvino, Marco (XXX). Dicta.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Valerio –
Ossia: Grice e Valerio o Marco Valerio Messalla Corvino (Roma, Lazio): la
ragione conversazionale e l’orto romano. Grice’s theory of
reason-governed conversational meaning explains how hearers rationally recover
what a speaker means beyond what is literally said by presuming a cooperative,
purposive exchange and then calculating implicatures from that presumption plus
shared expectations about relevance, informativeness, and manner; the Messalla
passage, by contrast, relocates that Gricean rationality into a Roman-Epicurean
“garden” politics of speech, where the point of indirectness is not just
efficient information-transfer but cultivated social living under pressure (how
to speak, and when to abstain, amid Caesar, the Senate’s noise, and the
transition to Augustus). Where Grice treats implicature as a principled
inferential phenomenon grounded in mutual recognition of intentions,
Messalla-as-Epicurean (and as orator-statesman moving between republican
opposition and later accommodation) highlights a setting in which strategic quiet,
tactful redirection, and “sending someone to the Portico to learn to be silent”
are themselves rational conversational moves: implicatures become tools for
maintaining concord, face, and safety, not merely theoretical byproducts of
maxims. In short, Grice provides the general mechanism (reasoned inference from
cooperative norms), while Messalla supplies a historically situated ethos in
which conversational reason is horticultural and civic: meaning is managed like
a garden—pruned, deflected, and sometimes deliberately left unsaid—so that what
is implicated can do political and ethical work that explicit assertion cannot.
Grice:
“I refer to the Athenian dialectic rather broadly, and just to compare it to
the Oxonian dialectic – and I concentrate only in three philosophers: Socrates,
of the Agora, Plato, of the Academy, and Aristotele, of the Academy and his own
Lycaeum – but there were at least two further sects which I should have taken
into account. One is referred to by the Italians as ‘Il Portico,’ since that is
what ‘stoa’ means – The other is referred to by Italians as ‘L’Orto’ since its
founder, Epicurus, had a thing for ‘gardening’! The topic quite overlaps with
the Oxonian dialectic, seeing that for most of the late nineteenth-century,
Oxonian dialetic was of the very gardening type – as a cursory glimpse of
Pater’s Marcus the Epicurean will testify!” -- Filosofo italiano. Garden.
Friend of Orazio. They study philosophy together. He opposea
GIULIO Cesare but eventually makes his peace with Ottaviano. He
writes philosophical treatises. Allow me to address briefly the L’ORTO
philosophy within the context of the difficult tines covering the years which
witness the downfall of the republic and the birth of the principate.
In 'L’ORTO in Revolt' (J.R.S.) Momigliano takes as a starting point
the conversion to L’ORTO of CASSIO who rapidly comes to the conclusion that
GIULIO Caesar has to be eliminated because of what appear to be his tyrannical
tendencies. The author emphasises that during this crucial period the adherents
of the L’ORTO philosophy did not maintain a passive political aloofness. While
some followers of L’ORTO actively support GIULIO in a noderate way, a mumber
oppose him, among whom are I. Manlio Torquato, Trebiano, L. Papirio Paeto, M. Fadio
Gallo, and, as the evidence suggests, L. Saufeio and Statilio. Monigliano
concludes with the statement that on the whole, the events prove that Cassio is
not an exceptional case among the contemporary L’ORTO. Portico orto.
GRICEVS: Salvē, MESSALLA; audīvi tē de Porticū et de Ortō disputāre: Oxoniēnsēs
quoque hortulānī sunt—sed noster hortus plēnus est glossārum. MESSALLA: Salvē,
GRICEVE; hortulānī? Ego certe Epicūrī hortum colō, ubi voluptās in pace
seritur; vōs autem in Oxoniā herbas vocātis “distinctionēs” et cotīdiē
sarculōs, id est syllogismōs, agitātis. GRICEVS: At mihi vidētur Orto ipsum
esse schola implicātūrae: cum Epicūrus “abstinē” dicit, saepe significat
“abstinē a strepitū senātūs”—id est, Caesarī locum relinque. MESSALLA: Rectē;
sed ego, amīcus Horātiī, hoc addō: sī quis in hortō meō de rē pūblicā clāmat,
eum leniter monēbō—sin pergat, eum ad Porticūm mittam, ut ibi stans discat
tacēre. Valeria seems to have been one of the most philosophical gens. Speranza
supposes the gens was very noble. Yes, that feels broadly right, with two small
cautions. First, the Valerii were certainly one of the great noble Roman
gentes, and among the oldest and most prestigious in Republican memory. So if
Speranza says that the gens was “very noble,” he is on safe ground, provided
the phrase is heard in the Roman sense: not pretty heraldry, but antiquity,
office, public rank, and institutional weight. In that sense the Valerii are
indeed old, eminent, and politically saturated. Second, “one of the most
philosophical gentes” is a more interesting claim, and I think it can be
defended if one means not that the whole gens continuously bred philosophers,
but that it repeatedly produced figures unusually close to philosophy,
rhetoric, literary culture, or philosophically significant public life. That is
especially true if one allows the broader Messalla branch and the late
Republican to early imperial world, where politics, eloquence, scholarship, and
philosophy were constantly crossing. So in Speranza’s dry register one might
say: The gens Valeria was certainly among the noblest at Rome, if nobility here
is taken in the severe Roman sense of antiquity, magistracies, priesthoods, and
public expectation rather than in any merely decorative or heraldic one.
Whether it was among the most philosophical is harder, but not absurd. The
Valerii, and especially the Messalla line, show a recurrent proximity to
philosophy, rhetoric, letters, and public reflection that makes them unusually
serviceable to a philosopher’s prosopography. They do not form a school; they
form something perhaps more Roman than that, a house in which public life
repeatedly shaded into reflective life. If you want it a little more pointed:
The Valerii were noble enough without advertisement. The more interesting point
is that they were also repeatedly adjacent to philosophy, which in Rome is
often the more revealing thing. A gens may produce consuls without producing a
single thought; the Valerii, especially in the Messalla branch, more than once
managed both public dignity and intellectual afterlife. And if you want a
shorter remark to bridge into Messalla: Valeria is one of those Roman names in
which nobility and discursiveness seem, for once, to have entered the same
house. As to Messalla specifically, the claim works especially well because he
is not just a Roman grandee but one whose literary, philosophical, and
conversational setting is unusually rich. Friend of Horace, participant in the
late Republican crisis, later accommodator under Augustus, and associated with
an Epicurean or at least hortulan mode of civility: that gives Speranza
excellent material for the contrast with Grice. The key is not to overstate his
doctrinal Epicureanism if the evidence is thinner than the ambiance. One can
safely say that he belongs to a world in which the Orto, tact, concord,
retirement, and measured speech make philosophical sense. That is already
enough. So if the question is simply whether Speranza is entitled to speak of
the Valerii as a very noble gens and perhaps one of the more philosophical
ones, my answer is yes, provided he keeps the second claim slightly qualified
and lets the philosophical colour emerge through the persons rather than
through a bald census of philosophers. If you like, I can now do either of two
things here in chat only. I can give you a compact paragraph on the gens
Valeria as noble and philosophically serviceable, or I can tighten the Messalla
opening so that the Valerian background is folded into it without sounding like
a handbook.Messalla, Marco Valerio (a. u. c. DCCXXIII). De libertate et concordia. Roma.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Valerio –
Ossia: Grice e Valerio: la ragione conversazionale nella Roma antica filosofia
italiana – (Roma). Filosofo italiano. An epigram by
MARZIALE addresses P. as someone versed in the doctrines of various
philosophical sects. Pannico (Roma): la ragione conversazionale nella Roma
antica –An epigram by MARZIALE addresses P. as someone versed in the
doctrines of various philosophical sects. GRICEVS: Salve, PANNICE!
Martialis te “sectarum peritum” appellat: dic mihi, in una cena quot
philosophias cenare soles—Stoicamne, Epicureamne, an omnes simul? PANNICVS:
Salve, Grice. Omnes simul—sed modice: Stoicus vinum negat, Epicureus poscit,
Cynicus rapit; ego autem sapienter facio ut poculum sit medium, nec vacuum nec
inundatum. GRICEVS: Pulchre! At quaeso: cum tot dogmata in uno
capite habitat, quomodo “ratio conversationalis” te non in rixam trahit?
PANNICVS: Facile: ego regula utor—loquor ut intelligar, taceo ut placeam; et si
quis nimis argute disputat, Martialis ipse respondet pro me: “philosophus es?
ergo ride paulum.” Can we
believe that this Pannico was Roman born, Latin-speaker, seeing that the name
was possily fictiotious as I think it means follower of Pan? Anddo we have an
oratio recta in Martial where we can extract Pannicus utterance or the segment
where he is first mentioned or where he is most philosophciually mentioned? Short
answer: “Pannicus” (or Pannychus / Panniculus) in Martial is not a securely
historical philosopher at all, but a literary addressee or target—a type-name,
possibly playful, possibly suggestive, and quite likely not to be taken as a
solid biographical Roman. Now to your three points, carefully. 1. Is “Pannicus” a real Roman, Latin-speaking
individual? We cannot be sure—and the safest position is: In Martial, such names are often
semi-fictional, stylized, or satirical personae. They may refer to real
individuals, but the text itself does not guarantee this. Martial’s epigrams
are full of such figures—“Ponticus,” “Caelia,” “Sextus,” etc.—who function as
types rather than biographical subjects. [Martial En...Quotations] So:
Yes, the name is Latinized and perfectly compatible with a
Roman-speaking milieu. But its referent is unstable: literary, not archival. Your suspicion about Pan is not absurd: the
name Pannychus/Pannicus can echo Greek formations (παννυχος etc.), and Martial
delights in such onomastic play. 2. Do
we have oratio recta—i.e. something like Pannicus speaking? Not really. What we
have is direct address, which is the closest equivalent. The clearest example
is from Epigrams VI.67: Cur tantum eunuchos
habeat tua Caelia, quaeris, Pannyche? Volt futui Caelia nec parere.
[wist.info] That is: Martial addresses him directly: quaeris,
Pannyche? (“you ask, Pannychus?”) So Pannicus is constructed as an
interlocutor, but we do not hear his words—only the question attributed to
him. So the structure is: Pannicus: implied question (reported, not
quoted) Martial: explicit answer (quoted)
In your preferred triadic terms:
x (signal): Pannicus’ supposed question y (content): “Why does Caelia
keep eunuchs?” z (interpretant): Martial’s audience (and us) But crucially: Pannicus’ utterance is not
given in oratio recta—only in reported form.
3. Is there a more “philosophically usable” occurrence? There is a
second, slighter occurrence (variant form Panniculus): te successurum credo ego Panniculo
[loebclassics.com] Here: He is invoked as a type or successor, again
not as a speaking subject. The name functions as a comparative marker, almost
like a stock figure. 4. What sort of
“character” is Pannicus? From the textual evidence (and not going beyond
it): He is a questioner (quaeris…)
Possibly naïve or obtuse, since Martial’s answer is blunt and corrective A
comic interlocutor, not a philosophical authority So if one were to Grice-ify him: He is the addressee whose inferential
capacities are being tested Martial supplies the implicature because Pannicus
fails to derive it 5. On your Pan
hypothesis Your instinct is interesting, but:
There is no explicit evidence in the text that the name is meant as
“follower of Pan.” However, Martial often uses names with comic, suggestive, or
Greek-flavoured overtones. So the safest
formulation: The name may carry phonetic
or cultural resonance, but its meaning is not fixed or doctrinally
interpretable. Final dry formulation
Pannicus is not a philosopher of the Garden, nor a securely attested Roman
gentleman of the gens-this-or-that, but a grammatical convenience with a
personality attached—a man who asks questions so that Martial may answer them
better than he could. He speaks, but only by implicature. Short answer:
“Pannicus” (or Pannychus / Panniculus) in Martial is not a securely historical
philosopher at all, but a literary addressee or target—a type-name, possibly
playful, possibly suggestive, and quite likely not to be taken as a solid
biographical Roman. Now to your three points, carefully. 1. Is “Pannicus” a real Roman, Latin-speaking
individual? We cannot be sure—and the safest position is: In Martial, such names are often
semi-fictional, stylized, or satirical personae. They may refer to real
individuals, but the text itself does not guarantee this. Martial’s epigrams
are full of such figures—“Ponticus,” “Caelia,” “Sextus,” etc.—who function as
types rather than biographical subjects. [Martial En...Quotations] So:
Yes, the name is Latinized and perfectly compatible with a
Roman-speaking milieu. But its referent is unstable: literary, not
archival. Your suspicion about Pan is
not absurd: the name Pannychus/Pannicus can echo Greek formations (παννυχος
etc.), and Martial delights in such onomastic play. 2. Do we have oratio recta—i.e. something
like Pannicus speaking? Not really. What we have is direct address, which is
the closest equivalent. The clearest example is from Epigrams VI.67: Cur tantum eunuchos habeat tua Caelia,
quaeris, Pannyche? Volt futui Caelia nec parere. [wist.info] That is:
Martial addresses him directly: quaeris, Pannyche? (“you ask,
Pannychus?”) So Pannicus is constructed as an interlocutor, but we do not hear
his words—only the question attributed to him.
So the structure is: Pannicus:
implied question (reported, not quoted) Martial: explicit answer (quoted) In your preferred triadic terms: x (signal): Pannicus’ supposed question y
(content): “Why does Caelia keep eunuchs?” z (interpretant): Martial’s audience
(and us) But crucially: Pannicus’
utterance is not given in oratio recta—only in reported form. 3. Is there a more “philosophically usable”
occurrence? There is a second, slighter occurrence (variant form Panniculus): te successurum credo ego Panniculo
[loebclassics.com] Here: He is invoked as a type or successor, again
not as a speaking subject. The name functions as a comparative marker, almost
like a stock figure. 4. What sort of
“character” is Pannicus? From the textual evidence (and not going beyond
it): He is a questioner (quaeris…)
Possibly naïve or obtuse, since Martial’s answer is blunt and corrective A
comic interlocutor, not a philosophical authority So if one were to Grice-ify him: He is the addressee whose inferential
capacities are being tested Martial supplies the implicature because Pannicus
fails to derive it 5. On your Pan
hypothesis Your instinct is interesting, but:
There is no explicit evidence in the text that the name is meant as
“follower of Pan.” However, Martial often uses names with comic, suggestive, or
Greek-flavoured overtones. So the safest
formulation: The name may carry phonetic
or cultural resonance, but its meaning is not fixed or doctrinally
interpretable. Final dry formulation
Pannicus is not a philosopher of the Garden, nor a securely attested Roman
gentleman of the gens-this-or-that, but a grammatical convenience with a
personality attached—a man who asks questions so that Martial may answer them
better than he could. He speaks, but only by implicature.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I
Verbali: Valerio – Ossia: Grice e Valerio: la ragione conversazionale contro il
lizio – Roma – filosofia italiana Pollio
Valerio (Roma, Lazio): la ragione conversazionale contro il lizio. He plays
a leading role in Rome’s political and cultural life. He is a friend of both
VIRGILIO and ORAZIO , and wrote a history of the civil war. He is
NOT a lizio, and his most famous tract he entitles, “Contra Aristotelem”. He
rather follows the philosophy of Musonio RUFO , whom he deems superior to ‘that
ginnasio where an over-rated Stagirite used to ramble with friends.’ Historians
debate this, since Musonio Rufo apparently was born well after P. dies – but,
as Kunstermann says, ‘there is no obvious earlier candidate.’ Hohlertter
suggests that the work was written by a LATER Pollio – ‘most likely Pollio Valerio’. Gaio Asinio Pollio. Pollio: la ragione conversazionale contro il Lizio –
Roma – filosofia italiana – (Roma). The author of “Contra
Aristotelem” according to Hohlertter.
GRICEVS: POLLĪ, audio te librum conscripsisse Contra Aristotelem: hoc
quidem dicis; sed quid implicas—te non solum a Lȳceō abesse, sed etiam ab illis
qui ibi ambulando sapientiam putant constare? POMPONIVS: Recte conicis. Ego
Stoicum magis amo—Musonium Rufum, si licet—quam illum Stagiritem, qui in
gymnasio quasi peripatetice loquitur et numquam ad rem pervenit. GRICEVS: Sed
ecce quaestio conversazionalis: cum Musonium nomines (quem quidam aiunt post te
natum esse), tu dicis magistrum; sed implicas “mihi opus est severiore
praeceptore quam Aristoteles”—et chronologia, ut solet, in foro minus valet
quam sententia. POMPONIVS: Et tu, Grice, cum “implicas” dicis,
implicas hoc: Romani etiam cum philosophiam eligunt, more civili agunt—non
“quid verum est?” sed “quid utile est, ne rursus bellum civile fiat?” we have
two Pollios here -- but since the first is Pollio Valerius, are we to assume
that it is safe to think his gens is Valeria, and thus should be under
"V" whereas the other we don't know as he is known as "Pollio
Felice" and thus can remain under "P"? Yes, that is the safer
filing rule, with one caution. If the name is Pollio Valerius in genuinely
Roman order, then Valerius is the nomen and so points to the gens Valeria. On
that basis, yes, he belongs under V rather than P. Pollio in that case would
function as the cognomen, or at any rate the distinguishing element, not the
gens-marker. By contrast, Pollio Felice does not give you a secure gentilicium
in the same way. Felice looks like a cognomen or descriptive surname element,
and Pollio itself may be either a cognomen-like identifier or simply the form
under which he is known. So unless you have fuller tria nomina for him, it is
reasonable to leave him under P. So the neat archival answer is: Pollio
Valerius: file under V, assuming Valerius is genuinely the nomen. Pollio
Felice: file under P, unless fuller evidence turns up for a nomen that would
relocate him. The caution is simply that late antique and post-classical name
forms are often messy, and some transmitted names reverse or flatten Roman
order. So if Pollio Valerius is coming from a late source rather than a clean
Roman inscription, one should still check whether it is really nomen plus
cognomen, and not just two floating name-elements. But prima facie, yes:
Valerius means V.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I
Verbali: Valerio – Ossia: Grice e Valerio: la ragione conversazionale -- TVTELA
IVPPITER OMNIPOTENS REGVM RERVMQVE DEVMQVE PROGENITOR GENITRIXQVE DEVM DEVS
VNVS ET OMNES -- Roma antica. Note su De re militari. Il Gruppo di
Gioco di H. P. Grice. Quinto Valerio Orca Sorano (Sora, Lazio):
Institutionally, Quintus Valerius Soranus and H. P. Grice are not comparable in
the academic sense at all. Grice’s formula is exact in the modern
Oxford sense. Fellow and Tutor in philosophy at St John’s means a college
office with tutorials, students, and membership in the governing life of the
college. CUF University Lecturer in philosophy means a university-wide
appointment in the faculty structure. So Grice combines the two classic Oxford
functions: college tutor and university lecturer. Quintus Valerius Soranus
belongs to an entirely different world. He was a late Republican Latin poet,
grammarian, and probably tribune of the plebs, active in the dangerous public
and religious-political life of the 80s BCE, admired by Cicero and cited by
Varro, and later remembered for the tradition that he disclosed Rome’s secret
tutelary name and was put to death under Sulla. The standard reference sources
identify Quintus Valerius Soranus as a Latin poet and scholar from Sora, friend
of Varro, executed in 82 BCE, and remembered above all for a surviving couplet
on Jupiter and for the story of the secret name of Rome. [en.wikipedia.org],
[academic.oup.com] So the clean institutional contrast is this. Grice belongs
to the tutorial-collegiate and university-faculty world. Quintus Valerius
Soranus belongs to the literary, civic, and religious-political world of the
late Roman Republic. That institutional difference fits your philosophical comparison
very well. Grice works at the micro-level of rational communication: how a
hearer recovers what a speaker means by recognising intentions and inferring
implicatures under shared norms. Valerius Soranus, by contrast, belongs to a
world where the difference between what is said and what is meant is governed
less by conversational cooperation than by taboo, auctoritas, and civic risk.
His surviving couplet on Jupiter is not a conversational move in the ordinary
Gricean sense. It is a compressed theological utterance whose meaning is
mediated by later exegesis, above all Varro’s, and by Augustine’s hostile
preservation of that exegesis. The Loeb passage in Augustine explicitly quotes
the fragment and reports Varro’s explanation that Jupiter is the universe, both
emitting and receiving seed, and therefore rightly called both father and
mother, one god and all gods. [loebclassics.com], [loebclassics.com] So the
sharpest formulation is this. Grice explains how one utterance can mean more
than it literally says under cooperative rationality. Valerius Soranus
exemplifies a Roman religious-political world in which saying too much, or
saying the wrong thing too explicitly, can itself be fatal. That is why your
emphasis on tutela is exactly right. For Grice, implicature is a normatively
reconstructible inferential surplus. For Valerius Soranus, the relevant
“surplus” lies in a culturally policed economy of public speech. The fragment
deus unus et omnes can be heard as inviting monistic or pantheistic
entailments, but what matters historically is not merely what can be inferred
from the verse. What matters is that such articulation takes place under
conditions where the naming of divine or civic secrets is itself politically
charged. In that world, the unsaid is not merely a polite conversational
reserve. It is a boundary enforced by religion and power. There are, however,
two crucial corrections. First, “Roma, Lazio” should not be used as the
biographical heading. The standard sources agree that the cognomen Soranus
marks him as from Sora, not Rome. The best summaries explicitly say that
Soranus is a toponym indicating origin from Sora. [en.wikipedia.org],
[academic.oup.com] Second, your final bibliographic line is wrong. There is no
secure connection between Quintus Valerius Soranus and a work called De re
militari. The search results confirm only the late Republican poet and scholar,
the fragment on Jupiter, his possible book Epoptides, and the later reception
through Varro and Augustine. The De re militari results belong to entirely
different authors such as Vegetius or Valturio, not to Valerius Soranus. So the line Valerio, Quinto V. Orca Sorano (DCLXXII a. u. c.). De re
militari. Venezia: Giovanni Varisco should be discarded. The secure sources on
Quintus Valerius Soranus mention the fragment on Jupiter and the work
Epoptides, not any De re militari. [en.wikipedia.org], [dbpedia.org],
[academic.oup.com] So the short clean answer is: H. P. Grice was an Oxford don
in the precise collegiate sense, both Fellow and Tutor in philosophy at St
John’s College and CUF University Lecturer in philosophy at Oxford. Quintus
Valerius Soranus, by contrast, was a late Republican Latin poet, scholar, and
civic figure from Sora, active in a world of literary learning, public office,
and dangerous religious-political speech rather than in any academic
institution. Institutionally, Grice belongs to the tutorial-collegiate world;
Valerius Soranus to the literary-civic and taboo-governed world of late
Republican Rome. Philosophically, the contrast is equally clear: Grice analyses
the inferential micro-mechanics of speaker-meaning and implicature, whereas
Valerius Soranus exemplifies a culturally policed economy of saying and
unsaying in which the force of an utterance depends on tutela, interpretive
authority, and the risks attached to speaking divine or civic truth too openly.
And if I compress it into one line: Grice theorises implicature as cooperative
inference; Valerius Soranus embodies implication as dangerous utterance under
taboo. If you want, I can now give you a tighter one-paragraph entry in your
preferred style, with the false De re militari tail removed and the
Sora–Varro–Augustine line made central.la ragione conversazionale, TVTELA
IVPPITER OMNIPOTENS REGVM RERVMQVE DEVMQVE PROGENITOR GENITRIXQVE DEVM DEVS
VNVS ET OMNES -- Grice’s theory of reason-governed conversational meaning
treats “implicature” as a rational, reconstructible inference from what is said
plus a presumption of cooperative agency (the speaker is aiming at mutual
understanding under constraints like relevance, sufficiency of information, and
sincerity), whereas the Valerius material you cite (Quintus Valerius Soranus,
late Republic, remembered via Varro and preserved by Augustine) operates in a
different key: the elegiac couplet “Iuppiter omnipotens regum rerumque deumque
/ progenitor genetrixque deum, deus unus et omnes” is not a conversational turn
designed for a partner’s uptake in ordinary exchange, but a theologically
compressed utterance whose force depends on Roman religious-linguistic
institutions (tutela, arcana nomina, the politics of what may be said) and on
interpretive authority (Varro’s exegesis, Augustine’s polemic) rather than on
maxims of cooperative talk; if Grice explains how hearers derive extra content
because they assume a rational speaker playing a public game of reasons,
Soranus exemplifies how, in Rome, “meaning” can be governed by taboo and civic
risk—one can read “deus unus et omnes” as inviting monistic/pantheistic
entailments (Jupiter as world-soul, one-and-all) while simultaneously
implicating the danger of too-explicit articulation (the tradition that Soranus
was executed for disclosing Rome’s secret tutelary name), so the contrast is
that Gricean implicature is a normative logic of inference from cooperative
intention, whereas “Valerian” implication here is a culturally policed economy
of saying/unsaying where what is meant is inseparable from tutela, auctoritas,
and the sanctioned (or lethal) boundaries of public speech. Roma antica Grice:
“If you were to trace the Italian surname derived from the gens of
Quintus Valerius Orca Soranus, it would most directly become
Valerio. Etymologies of the Surnames Valerio (from Valerius):
Derived from the Latin nomen Valerius, which comes from the verb valere,
meaning "to be strong" or "to be healthy". It is one of the
most prominent clan names in Roman history. Sorano (from Soranus): This is a
toponymic surname indicating an origin from the town of Sora, which was the
native municipality of the Valerii Sorani family. Orca: A cognomen potentially
referring to a type of vessel or a whale (orca in Latin), though in this
family, it served as a hereditary branch identifier. Importance for the History
of Italian Philosophy The verse tvtela ivppiter omnipotens regvm rervmque
devmqve progenitor genitrixqve devm devs vnvs et omnes is a fragment attributed
to V.. It translates to: "Jupiter the Almighty, the protector of kings and
things and gods, the father and mother of gods, the one god and all gods."
This line is of paramount importance to the history of Italian and Western
philosophy for the following reasons: Early Monism and Panentheism: It
represents one of the earliest Roman expressions of monism alla Portico. By
describing Jupiter as both progenitor (father) and genitrix (mother), V.
presents a bisexual or androgynous deity that encompasses all of nature,
prefiguring later philosophical concepts of a "universal soul" or
anima mundi. The "Secret Name" of Rome: V. is famously executed for
allegedly revealing the secret name of Rome (the Tutela or protective deity).
This intersection of religion and linguistics establishes a tradition in
Italian thought. TVTELA. IVPPITER OMNIPOTENS REGVM RERVMQVE DEVMQVE PROGENITOR
GENITRIXQVE DEVM DEVS VNVS ET OMNES. GRICEVUS: TVTELA IVPPITER OMNIPOTENS REGVM
RERVMQVE DEVMQVE PROGENITOR GENITRIXQVE DEVM DEVS VNVS ET OMNES! Valeri, quid ista sententia implicat? Num est implicatura in hoc versu, an
tantum oratio poetica? VALERIVS:
Primum, GRICEVE—INplicatura, non IMPlicatura: in + plicare, “involvere.”
Alioquin sonat quasi Iuppiter ipse in p labatur! Sed ad rem: hic versus plus
dicit quam dicit—id est, poeta docet per excessum. GRICEVUS: Ergo “tutela” non
tantum est custos urbis, sed quasi signum occultum: dicendo Iovem “unum et
omnes,” INplicat deum esse et nomen et naturam, et fortasse—subridentibus
dis—ipsam Romam sub tutela verbi latere? VALERIVS: Ita; sed cave: non est sola
“mystica,” est etiam ratio civitatis. Tutela hic INplicat: “Qui nomen tutelae
publice iactat, rem publicam nudat.” Tu quaeris implicaturam; ego dico: ipsa
tutela est implicatura—tectum quod, si nimis explicas, statim desinit esse
tutela. Valerio, Quinto
V. Orca Sorano (DCLXXII a. u. c.). De re militari. Venezia: Giovanni Varisco.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Valerio –
Ossia: Grice e Valerio: la ragione conversazionale a Roma e l’implicatura
conversazionale della morale togata – il gentiluomo romano- Note su Facta et dicta memorabilia. Il Gruppo di Gioco di H. P. Grice. Valerio Massimo (Roma, Lazio):
Institutionally, Valerius Maximus and H. P. Grice are not comparable in the
academic sense at all. Grice’s formula is exact in the modern
Oxford sense. Fellow and Tutor in philosophy at St John’s means a college
office with tutorials, students, and membership in the governing life of the
college. CUF University Lecturer in philosophy means a university-wide
appointment in the faculty structure. So Grice combines the two classic Oxford
functions: college tutor and university lecturer. Valerius Maximus belongs to
an entirely different world. He was not a don, not a fellow, and not a
university lecturer. He was a Roman author of moral exempla under the
Principate, producing a handbook of memorable sayings and deeds for rhetorical,
moral, and educational use. His authority lies in literary curation, moral
framing, and usefulness to readers, teachers, and declaimers, not in any formal
school or chair. So the clean institutional contrast is this. Grice belongs to
the tutorial-collegiate and university-faculty world. Valerius Maximus belongs
to the literary, rhetorical, and moral-pedagogical world of imperial Rome. That
institutional difference fits your philosophical comparison very well. Grice
works at the micro-level of rational communication: how a hearer gets from what
is said to what is meant by recognising intentions and inferring implicatures
under shared norms. Valerius Maximus, by contrast, works at a very different
level. He is not analysing the inferential structure of a local exchange. He is
arranging stories, sayings, and examples so that a reader or speaker may draw
the right moral or civic lesson from them. In his world, meaning is not
primarily the product of cooperative conversational repair between equals. It
is the product of exemplarity, prudence, rhetoric, and asymmetry: an author
addressing a morally educable audience under the watch of power. So the
sharpest formulation is this. Grice explains how one utterance comes to mean more
than it literally says. Valerius Maximus shows how one anecdote comes to mean
more than it explicitly narrates. That is why your “morale togata” formulation
works. Roman moralising prose of this kind depends heavily on what the audience
is expected already to know, admire, fear, or avoid. The anecdote itself is
only the vehicle. The real work lies in the moral frame, the title of the
chapter, the implied contrast between virtue and vice, and the political
prudence with which praise and blame are distributed. In that sense, one can
indeed speak, by analogy, of an institutionalised implicature-system. But it is
not Gricean implicature in the strict sense. It is genre-governed, prudential,
and often patron-sensitive. There are also two cautions. First, “Roma, Lazio”
as birthplace is too confident unless you are using it merely as a broad
cultural heading. Valerius Maximus is associated with Rome as author and
setting, but the exact biographical facts about his origin are not securely
known in the way such a heading suggests. Second, the final bibliographic line
should not be left as if it were a modern title-page entry in Venice for an
author of the first century. The clean classical anchor is Facta et dicta
memorabilia, not the later early printed Venetian translation or edition unless
you are specifically discussing reception history. So the short clean answer
is: H. P. Grice was an Oxford don in the precise collegiate sense, both Fellow
and Tutor in philosophy at St John’s College and CUF University Lecturer in philosophy
at Oxford. Valerius Maximus, by contrast, was a Roman author of moral exempla
under the early Principate, active in the literary and rhetorical culture of
imperial moral education rather than in any academic institution.
Institutionally, Grice belongs to the tutorial-collegiate world; Valerius to
the literary-pedagogical world of Roman exemplarity. Philosophically, the
contrast is equally clear: Grice analyses the inferential micro-mechanics of
speaker-meaning and implicature, whereas Valerius Maximus exemplifies a
rhetorical and prudential culture in which moral meaning is conveyed through
anecdote, compression, and safely coded evaluation under unequal conditions of
power. And if I compress it into one line: Grice theorises how speakers imply;
Valerius Maximus curates how Roman anecdotes imply. If you want, I can now give
you a tighter one-paragraph entry in your preferred style, with the modern
Venetian imprint details stripped away and the contrast between implicature and
exemplarity made even sharper.la ragione conversazionale a Roma e l’implicatura
conversazionale della morale togata – Grice’s theory of reason-governed
conversational meaning treats conversation as a cooperative, purposive exchange
in which hearers infer what a speaker means (often more than what is said) by
presuming rational conformity to the Cooperative Principle and its maxims
(quality, quantity, relation, manner), so that apparent irrelevance,
underinformativeness, overinformativeness, or odd phrasing is not noise but a
calculable prompt to derive a conversational implicature; Valerius Maximus, by
contrast, is not a theorist of inference but a producer of moral exempla whose
rhetoric presupposes (and exploits) a Roman “conversational reason” of decorum,
hierarchy, and self-protective indirection under the Principate—his IX books
are organized for practical moral education and rhetorical supply, and his
notorious flattery of Tiberius can be read as an institutionalized
implicature-system in which praising the powerful communicates loyalty, safety,
and alignment while leaving criticism unsaid, so that the moral “meaning” of an
anecdote depends less on maxim-driven cooperative reconstruction between equal
interlocutors (Grice’s default model) than on asymmetric audience-design (patron,
princeps, moralizing reader) where what is not said is governed by prudence and
status; if Grice makes implicature a general, rational mechanism for bridging
said and meant in ordinary talk, Valerius makes insinuation, exemplarity, and
safely coded evaluation a cultural technique of moral pedagogy and survival,
with “reason” functioning not as an explicit theory but as the tacit social
logic that lets a Roman gentleman communicate virtue-talk in public while
navigating power. il gentiluomo romano-- A philosopher of little originality,
and a notorious flatterer of TIBERIO (vedi). He is best known for producing his
IX books of memorable doings and sayings – the work is designed primarily as a
resource for moral education by means of examples – showing how virtue is
rewarded and vice punished. It preserves many otherwise lost snippets taken
from a variety of sources – including newspapers. His ‘saggi’ are not much
regarded today, but they were bestsellers throughout the dark ages and the
Italian renaissance, “and I do find them incredibly amusing on a lazy
after-noon,” Grice. Morale pretesto. Ed Shackleton, Loeb. Skidmore, “Practical
ethics for Roman Gentlemen”. DEI DETTI ET FATti
Memorabili. Traiotti di inToscmoiU Ditfl Fiorctino, '.OTPC/ ROMA r. BREVE DESCRITTIO
della vita di V. tradotta in lingua toscana. Nato in Roma HobilSiUtgue, cr deU^
ordine Patritio consume la maggior parte della sua giouinezza nelli studij
delle let tirecT arti liberali. Quindi prefoU ^Toga Vinleip diede alia
militiajioue tgli(fecondo che p afferma') andatof’ 9^ Di quelli, che dalla
nobiltà del padre hanno degenerai to* cap* r* _Deglihuomini eccellenti, che nel
uefliretrapaffarono il cojlume della citta. Della confidenza, di f e medepmot
Della cojiantia Della moderafione decimammo, Di quelU^ che
diinitnictdiueètarono amici. Della AslinenzacT continenza – GRICE AKRASIA --,
Della poverta. Della Verecundia. Dell’amore tra moglie e marito. Dell’amicitia
– Grice on the logically developing series of philia -- Della liberalità. Dell’umanita. Della gratitudine. Della ingratitudine. Della pietà. Della
pietà verso i frateUL Della pudicitia. Delle cose che fon fiate dette 0 fatte a
la Ubera. Della severita.De i detti e fatti con guattita. Della giuslitia –
GRICE, justice in Plato’s republic, Aristotle on ‘just’ as analogical. Della
fede publica. Della fede de mogU^ verso i mariti c. A 4- r* 6. 7* iti 177 ij. r
A\ Pf?j fe. Roma antica. GRICEVS: Salvē,
Valeri Massime! Dic mihi, quot exempla moralia in libris tuis reperiri possunt?
Numerasne adhuc? VALERIVS: Salvē, amice Grice. Exemplorum numerus maior est
quam pisces in Tiberi! Etiam ego interdum inter exempla mea perdo! GRICEVS: At
certe, nonnulla exempla ad Tiberium spectant… Numquamne timebas eum offendere?
VALERIVS: Profecto non! Flatteria mea scutum validissimum erat—apud Tiberium,
laudare semper tutius quam arguere! Valerio, V. Massimo (DCCLXXXIV a. u. c.). Facta et dicta
memorabilia. Venezia: de Gregoriis.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Valerio –
Ossia: Grice e Valerio: la ragione conversazionale alla villa di Roma. Note
sulle Fabulae. Il Gruppo di Gioco di H. P. Grice. Publio Aviano
Valerio (Roma, Lazio): Institutionally, Publio Aviano and H. P. Grice are not
comparable in the academic sense at all. Grice’s formula is
exact in the modern Oxford sense. Fellow and Tutor in philosophy at St John’s
means a college office with tutorials, students, and membership in the
governing life of the college. CUF University Lecturer in philosophy means a
university-wide appointment in the faculty structure. So Grice combines the two
classic Oxford functions: college tutor and university lecturer. Avianus
belongs to a completely different world: late antiquity, school-text
transmission, literary didacticism, and the long afterlife of fable in
grammatical and rhetorical education. He was not a don, not a fellow, and not a
university lecturer. He is best treated as a late-antique Latin fabulist whose
authority lies in literary form, sententia, and pedagogical afterlife rather
than in any school or chair in the modern sense. So the clean institutional
contrast is this. Grice belongs to the tutorial-collegiate and university-faculty
world. Avianus belongs to the literary-pedagogical and didactic world of
late-antique fable. That institutional difference fits the philosophical
comparison rather well. Grice works at the micro-level of rational
communication: how a hearer gets from what is said to what is meant by
recognising intentions and inferring implicatures under shared norms. Avianus,
by contrast, works at the macro-level of genre-governed indirection: how a
reader extracts practical point, sententia, and moral force from compressed,
non-literal, allegorical narrative. In his world, the “more-than-said” does not
arise because a speaker in real time flouts or satisfies conversational maxims.
It arises because the genre of fable already licenses displacement: animals
speak, the literal scene is not the point, and the competent reader knows to
move from narrated surface to intended lesson. So the sharpest formulation is
this. Grice explains how ordinary conversation can mean more than it literally
says. Avianus exemplifies how literary fable is built to mean more than it
literally narrates. That is why your comparison works. Grice gives the general
inferential machinery. Avianus gives a cultivated literary setting in which
inference is not merely episodic but structural. In Grice, implicature is
cancellable, occasion-bound, and tied to speaker intention. In Avianus, the
unsaid is often the point of the genre itself, and what the reader is meant to
recover is less a hidden proposition than a practical wisdom licensed by urbane
falsity and literary compression. There are, however, two cautions. First, the
heading “Publio Aviano Valerio (Roma, Lazio)” is too confident. The usual
secure form is Avianus or Publio Aviano; the addition “Valerio” and the Roman
villa framing are not standard biographical anchors in the same way. One should
be careful not to turn a suggestive literary persona into a fixed civic
biography without stronger evidence. Second, the final line “Fabulae. Roma”
should be treated cautiously as a classical bibliographic shorthand, not as a
modern imprint-style citation. It is fine as a dossier shorthand if clearly
understood that we are talking about a late-antique text traditionally
transmitted, not a Roman publication in the modern sense. So the short clean
answer is: H. P. Grice was an Oxford don in the precise collegiate sense, both
Fellow and Tutor in philosophy at St John’s College and CUF University Lecturer
in philosophy at Oxford. Avianus, by contrast, was a late-antique Latin
fabulist whose authority lay in literary form and didactic afterlife rather
than in any academic institution. Institutionally, Grice belongs to the
tutorial-collegiate world; Avianus to the literary and pedagogical world of
fable and sententia. Philosophically, the contrast is equally clear: Grice
analyses the inferential micro-mechanics of speaker-meaning and implicature,
whereas Avianus exemplifies a literary economy in which meaning is generated by
allegorical displacement, narrative compression, and the trained reader’s
extraction of moral or practical wisdom from non-literal form. And if I
compress it into one line: Grice theorises how speakers imply; Avianus stages
how fables imply. If you want, I can now give you a tighter one-paragraph entry
in your preferred style, with the villa motif toned down and the fable genre
made central.la ragione conversazionale alla villa di Roma – Grice’s theory of
reason-governed conversational meaning explains how what is meant can outrun
what is said because hearers presume a rational, cooperative orientation in
talk and so infer implicatures from an utterance’s content, context, and the
speaker’s recognizable intentions under norms like relevance, sufficiency,
truthfulness, and perspicuity. With “Valerio” (here plausibly the late-antique
fabulist Avianus, whose Fabulae were repeatedly re-edited in early print,
including Venetian incunables), the contrast is that the communicative
rationality on display is not the micro-rationality of a talk exchange but the
macro-rationality of literary indirection: fable is explicitly licensed to
trade in “urbane falsitas” so that moral sententiae can be drawn from what is
not literally asserted, and the reader is invited to recover the point by an
interpretive step structurally akin to implicature (a controlled passage from
narrated saying to intended lesson). Where Grice makes intention-recognition
and cooperative norms the engine of everyday conversational inference,
Avianus/Valerio exemplifies a didactic villa-and-forum economy of meaning in
which the “unsaid” is built into genre: animals speak, scenes are compressed,
and the moral is either appended or left for competent readers to supply. In
that sense, Grice offers a general account of how rational interlocutors
generate cancellable, context-sensitive extra meaning in ordinary dialogue,
while Valerio offers a cultivated setting—otium, the hortus, the villa—where
reason is exercised through allegorical displacement: meaning is still
inferred, but less as a negotiation between speaker and hearer in real time
than as a reader’s disciplined extraction of practical wisdom from artfully
non-literal narrative. filosofia italiana (Roma). il filosofo alla villa.
Grice: “Unlike most of us, Austin preferred to spend his weekends alone in his
Oxfordshire villa!” -- Filosofo italiano. He has a statue erected in his honour
in his own villa (‘Ain’t that cute?’). GRICEVS: Salvē,
Valerius! Villa tua Romanā pulchritudine splendida est. Quid te ad philosophiam
in horto movit? VALERIVS:
Salvē, amice Grice. Hortus tranquillitatem praebet, ubi ratio conversationalis
sine tumultu urbis florere potest. GRICEVS: Tranquillitas villae Romanæ ad
philosophiam ordinariam valde prodest, sed credisne conversationem in horto
differre ab ea quae in foro fit? VALERIVS: Sane, Gricevs. In horto, verba
leniter fluunt et cogitationes profundiores emergunt; in foro, saepe brevitas
et pragmatismus vincunt. Sed utrumque locum philosophia amplecti potest, modo
ratio et humanitas serventur. Valerio, Publio Aviano (ca. 400 d.C.). Fabulae. Roma
Grice eValerio Diocleziano. Abbott has this below and Grice and Speranza anchor it on
VALERIO DIOCLEZIANO who is held responsible for creating the province of
Campania and Latium -- Input? Feedback? Thanks : They made Sicily a province;
but those whose province it is to say what a province was, have left us in some
doubt as to its precise meaning. The best definition is that which derives the
word from Providentia, a duty, or a thing that ought to be done, This is a very
nice case where Abbott’s etymological play, Grice/Speranza’s interests, and
actual Roman usage all diverge—and that divergence is philosophically
revealing. 1. Abbott’s etymology:
provincia from providentia Abbott suggests:
provincia ← providentia (“a duty, something that ought to be done”) ❗ This is not accepted by modern philology. The etymology of provincia is uncertain
Ancient Romans themselves sometimes guessed (wrongly) at derivations Modern
scholarship explicitly says: the
etymology is obscure; older derivations like pro + vincere don’t fit well
[academic.oup.com] So: ✅ Abbott’s derivation = rhetorical /
moralizing, not linguistic. 2. What
provincia actually meant (crucial point) The most important fact: Originally, provincia did NOT mean “territory”
at all. It meant: a task, charge, or sphere of responsibility
assigned to a magistrate [en-academic.com], [ebrary.net] Examples:
a consul might have the provincia of:
fighting a war managing finances
only later: it becomes a geographical
territory (e.g. Sicily) 3. Why
Abbott’s idea is tempting (and not totally wrong) Abbott’s intuition: provincia = “something that ought to be taken
care of” is actually capturing something
real—but at the conceptual level, not etymological. Because: a provincia is: a norm-governed assignment a duty to be
fulfilled So although: not derived from providentia, it does involve: “foreseeing, managing, taking
responsibility” in practice. 4. Gricean angle: provincia as assigned
“task-domain” Now this is where Grice/Speranza become interesting. We can
reinterpret provincia as: the domain
within which a magistrate is authorized to produce and recognize valid
acts Almost like: a conversational domain or jurisdiction of
meaningful action So: outside your provincia: your “utterances”
don’t count inside your provincia: you can:
command, judge, interpret signs
5. Link to your earlier themes (very neat!) You can connect:
ThemeConnectionDentatus (imperare)authority within
provinciaFabriciusnorms governing action toward enemyClaudiusviolation of
religious provincia (auspices)prodigies (Summanus)signs interpreted within
religious provincia So: provincia is the
space where meaning, authority, and action intersect 6. Valerio / Diocletiano reference Your
mention of Diocletian: correct in later
history: he reorganizes provinces into
smaller administrative units but: this is much later (late Empire) and not
relevant to early Republican meaning
So: associating the concept’s
origin with him is anachronistic 7.
Final synthesis ✅ provincia originally = assigned
duty / sphere of action, not territory ❗ Abbott’s derivation from
providentia is not philologically correct ✅ but it captures a normative
intuition: a provincia is something that
must be taken care of ✅ Gricean twist: it functions like a domain of valid authority
and interpretation One-line
takeaway Abbott’s etymology is wrong as
linguistics but right as intuition: provincia does not come from providentia,
yet in the Roman Republic it really was a “task-space” of responsibility—almost
a jurisdiction within which action, authority, and even meaning (in your
Gricean sense) were validly produced and recognized. If you like, we can push this further into
how imperium + provincia together form a proto-theory of institutional
authority—very close to modern “speech‑act powers.” The Inclusion of Diocleziano was
intentional. But now you've clarified -- can you have a second-run on proposed
etymologies for 'provincia' -- if it is a formative constructive -- that
changes things. Abbott is saying that the first provincia was SICILY -- at the
end of first punic war -- Diocleziano creates the provincia campania et latium
-- and that, in Abbott's reading may sound odd in that Rome would NOT be in a
province. But if provincia has the formative form alla 'multiplicanda' or
verbal form with normative implicatre -- pro-vincere -- it would not sound as
odd since it does not mark a territory. So is Abbott right in saying that the
first use of 'provincia' is as applied for Sicily or would to the Ancient Roman
the form translate as a verbal form with sense of obligaition, neutral plural?
Input? Feedback? Thanks. This is an excellent tightening of the problem—you’re now
asking not just “what does provincia mean?” but what kind of linguistic
formation it is, and how that affects Abbott’s historical claim. Let me give
you a second, more philologically and conceptually precise pass. 1. Was Sicily really the “first provincia”? ✅ Yes—Sicilia (241 BCE) is
traditionally called the first provincia in the territorial sense. But: ❗ That is already a secondary
development. Before Sicily: provincia
already existed as a technical term in Republican administration meaning:
a task / assignment / sphere of responsibility e.g. “the provincia of
fighting the Samnites” So: StageMeaning of
provinciaEarly Republictask / duty / operational fieldAfter 1st Punic
Warterritorial assignment (Sicily, etc.) 👉 So Abbott is half-right: Sicily is the first territorial province ✅ but not the first use of the word ❗
2. Etymology: is pro‑vincere plausible? You suggest: provincia as something like a formative or
verbal construction, with normative sense (“something to be carried out /
subdued / taken care of”). What modern
linguistics says: the exact etymology is
uncertain Roman antiquarians proposed:
pro + vincere (“to conquer on behalf of”) ❗ This is almost certainly folk etymology, not strictly
correct. But here’s the key point (your
intuition is strong): Even if pro‑vincere is not historically correct, the semantic direction you suggest is
absolutely right because provincia
behaves like: a verbal-nominal formation
of obligation or assignment 3. Is
provincia “formative” in the sense you suggest? Yes—in a functional, not
etymological sense. Think of it like Latin verbal nouns: VerbDerived
senseagenda“things to be done”gerenda“things to be managed”munusduty Your
proposal: provincia ≈ “that which is to
be handled / carried out” This is not
linguistically derived from providentia, but: ✅ it captures how Romans used the
word 4. Why this resolves the “Italy as
province” problem You noticed: It sounds
odd that Campania & Latium could be a provincia, since Rome is not “a
province.” Exactly—and the solution
is: provincia does not fundamentally
denote territory but: assignment of authority So when later we hear: Diocletian organizes provinces that is already a fully territorialized usage
But originally: even Italy could, in
principle, be someone’s provincia without becoming “a province” in the modern
sense 5. Singular vs neutral plural
intuition You suggest: could provincia
feel like a “neutral plural” or verbal obligation? Very perceptive. While: morphologically it is a singular noun, functionally it behaves like: a bundle of obligations / tasks almost like:
agenda (things to be done)
So: provincia = “your assigned
sphere of action” (not “a place”) 6.
Putting Abbott into perspective Abbott does two things: (A) Correct: identifies Sicily as first territorial
province ✅
(B) Misleading: treats that as
origin of the term ❗ gives a speculative etymology (providentia) But: (C) Insightful (unexpectedly): captures the idea of normative obligation
which aligns with actual early usage 7.
Final synthesis ✅ provincia originally meant a task
or assignment, not a territory ✅ Sicily is the first territorial provincia, but not the
first use ❗ Etymologies like pro‑vincere or
providentia are not philologically secure ✅ Your hypothesis is philosophically
right: the word behaves like a
verbalized obligation-domain, similar to “agenda” ✅ This explains why:
applying it to Italy (later) is not paradoxical One-line takeaway Abbott is right about Sicily as the first
territorial province but wrong about the origin: provincia began not as a place
but as a normatively assigned “task-domain,” functioning almost like a verbal
noun of obligation—which makes its later application to territories (even Italy
under Diocletian) conceptually continuous rather than paradoxical. If you like, we can trace how provincia
gradually becomes fixed as territory in Livy’s narrative—that transition is
philosophically very revealing for your Grice/Speranza framework.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vallauri
– Ossia: Grice e Vallauri: la ragione conversazionale e l’implicatura
conversazionale dell’interpretazione giuridica. Note sul Saggio sul diritto giurisprudenziale. Il Gruppo di Gioco di H. P. Grice. Luigi Lombardi
Vallauri (Roma, Lazio): Institutionally, Luigi Lombardi Vallauri is much closer
to H. P. Grice than many of the figures you have been discussing, because both
are recognisably university philosophers; but they still belong to very
different academic ecologies. Grice’s formula is exact in the Oxford sense.
Fellow and Tutor in philosophy at St John’s means a college office with
tutorials, students, and membership in the governing life of the college. CUF
University Lecturer in philosophy means a university-wide faculty appointment.
So Grice combines the intimate tutorial culture of the college with the wider
faculty structure of the university. Luigi Lombardi Vallauri belongs to the
Italian university-state and law-faculty world. He was professor of philosophy
of law at Milan and Florence, and his intellectual profile is that of a
jurist-philosopher working in public faculties, legal institutions, and a
tradition in which the philosophy of law is centrally concerned with
interpretation, normativity, and the practical work of jurisprudence. He is
therefore not a college fellow in the Oxford sense, but a professor in the
chair-based, faculty-centred, public university system. That gives the clean
institutional contrast. Grice belongs to the tutorial-collegiate world. Lombardi
Vallauri belongs to the public-professorial and law-faculty world of the
Italian university-state system. That institutional difference fits your
philosophical comparison very well. Grice works at the micro-level of rational
communication: how a hearer gets from what is said to what is meant by
recognising intentions and inferring implicatures under shared norms. Lombardi
Vallauri, by contrast, works at the macro-level of legal and jurisprudential
interpretation: how texts, precedents, institutions, and values yield binding
practical conclusions. In his world, the issue is not merely what a speaker
meant in a single exchange, but what a legal order can be said to mean, and
what justifies the move from text to decision when literal application is underdeterminate.
So the sharpest formulation is this. Grice explains how conversational agents
coordinate meanings. Lombardi Vallauri explains how jurists coordinate reasons
into law. That is why your emphasis on diritto giurisprudenziale is exactly
right. It is the point where legal meaning ceases to be reducible to enacted
text and becomes the product of interpretive labour, analogy, teleology, and
justificatory reasoning. If Grice gives you a pragmatic account of how an
utterance may imply more than it explicitly states, Lombardi Vallauri gives you
a jurisprudential account of how legal sources may yield more than their
literal wording appears to allow, under publicly defensible canons of
interpretation. The analogy with Grice is therefore strong, but not because
Vallauri is secretly doing a theory of implicature. It is stronger because both
are concerned with disciplined surplus: for Grice, the surplus is
conversationally inferred speaker-meaning; for Vallauri, the surplus is
normatively justified legal meaning. Your long quotation about Ross and analogy
is also well placed. It captures exactly the kind of problem that matters to
Lombardi Vallauri: how one moves from a quantitative or structural relation to
a non-quantitative juridical or ethical relation of fittingness. In the legal
field, those moves are not ornaments; they are part of the actual production of
the iustum. There are two minor cautions. First, the bibliographic line at the
end should be normalised to the standard author name: Luigi Lombardi Vallauri,
not Luigi Lombardi alone. Second, the 1967 Saggio sul diritto giurisprudenziale
is indeed the right early anchor and is much stronger than many of the
provisional or thesis-like entries in your earlier comparisons. So here the
citation is helpful rather than hazardous. So the short clean answer is: H. P.
Grice was an Oxford don in the precise collegiate sense, both Fellow and Tutor
in philosophy at St John’s and CUF University Lecturer in philosophy at Oxford.
Luigi Lombardi Vallauri, by contrast, was an Italian professor of philosophy of
law, active in Milan and Florence within the public faculty and chair system of
the Italian university-state world. Institutionally, Grice belongs to the
tutorial-collegiate world; Lombardi Vallauri to the law-faculty and
public-professorial world. Philosophically, the contrast is equally clear:
Grice analyses the inferential micro-mechanics of speaker-meaning and
implicature, whereas Lombardi Vallauri investigates the broader interpretive
and normative labour by which legal texts, precedents, and institutions yield
publicly binding reasons and decisions. And if I compress it into one line:
Grice theorises how conversation implies; Lombardi Vallauri theorises how law
interprets. If you want, I can now give you a tighter one-paragraph entry in
your preferred style, or a short note specifically on the analogy between
conversational implicature and jurisprudential surplus in Saggio sul diritto
giurisprudenziale.la ragione conversazionale e l’implicatura conversazionale dell’interpretazione
giuridica – Grice’s
theory of reason-governed conversational meaning explains how hearers
rationally pass from what is said to what is meant by assuming a cooperative
orientation to the talk exchange and then calculating implicatures as
defeasible, norm-guided inferences (relevance, sufficiency, sincerity, clarity)
grounded in speaker intentions and their recognition. Lombardi Vallauri’s work
on diritto giurisprudenziale and legal interpretation is naturally
Grice-adjacent but shifts the center of gravity: the “meaning” at stake is not
only a speaker’s communicative intention but the normative upshot of
interpretive practices that turn texts, precedents, and institutional roles
into binding reasons (iustum) within a legal order, where analogy,
proportionality, and jurisprudential creativity are not conversational luxuries
but recurring techniques for producing and justifying law beyond the letter of
enacted norms. Where Grice makes rationality immanent to conversational
coordination (a logic of mutually accountable inference from utterance to
implicature), Vallauri makes rationality visible in the jurist’s justificatory
labor (a logic of analogical unification, teleological orientation, and
institutional constraint that bridges “sources” and “cases” when literal
application underdetermines decision). The comparison thus highlights two
species of reason-governed meaning: Grice’s pragmatic rationality of
communicative intentions in ordinary discourse, and Vallauri’s
pragmatic-normative rationality of interpretation in a rule-governed
institution, where what is “meant” by a legal text or a judicial move is
inseparable from the reasons the interpreter can publicly offer and the
authority the system recognizes. Implicatura, IVSTVM. Ross's suggestion about
'good' would, moreover, be at best only a description of one special case of
analogical unification, and would not give us any general account of such
unification. I might add that little supplementary assistance is derivable from
those who study general semantic concepts; such persons seem to adhere to the
principle that silence is golden when it comes to discussion of such questions
as the relation between analogy, metaphor, simile, allegory and parable.
So far as Aristotle himself is concerned it seems fairly clear to me that tie
primary notion behiad the concept of analogy is that of 'proportion'.
This notion is embodied, for example, in Aristotle's treatment of justice.
where one kind of justice is alleged to consist in a due proportion between return
(reward or penalty) and antecedent desert (merit or demerit) but it remains a
mystery how what starts life as, or as something approximating to, a quantitive
relationship gets converted into a not-quantitive relation of correspondence of
allinity. It looks as if we might be thrown back upon what we might hope to be
inspired conjecture. I take as my first task the provision of an example,
congenial to Aristotle, of the unification by analogy of the application to a
range of objects of some epithet. I shall expect this to involve the detection
of analogical links between the exemplifications of the varicty of universals
which the epithet may be used to signify. My chosen specimen is the verb grow.
Filosofo romano. Flosofo lazio. Filosofo italiano. Essential Italian
philosopher. “Italians, especially noble ones, love a long surname, so this is
Luigi Lombardi Vallauri. I say: if he wants to keep the Vallauri, that’s what
he’ll go with by!” Grice: “He favours animal rights, as I do.” Professore
universitario italiano. È stato Professore di
filosofia del diritto a Milano e Firenze. implicatura, IVSTVM. Grice: Caro Vallauri, devo confessare che al
Vadum Boum la barbarie regna sovrana: la SUB-FACULTY OF PHILOSOPHY se ne sta
orgogliosamente separata dalla FACULTY OF LITERÆ HUMANIORES, e nessuno osa
avvicinarla alla IVRISPRVDENTIA. Non so se ridere o piangere… ma di certo un
parigino della Sorbonne o un bolognese di Bononia ne uscirebbe più confuso che
mai! Vallauri: Ah, Grice! In effetti, a Roma preferiamo pensare che filosofia e
diritto chiacchierino al bar davanti a un caffè, invece di barricarsi dietro
antichi corridoi. All’università, se non ti confondi almeno una volta tra i
dipartimenti, non hai vissuto abbastanza! Grice: Ecco, magari potremmo proporre
un nuovo corso: “Scherzi e analogie tra FACULTY e SUB-FACULTY – manuale pratico
per sopravvivere alla burocrazia accademica”. Titolo alternativo: “Come perdere
la strada tra IVRISPRVDENTIA e PHILOSOPHY senza perdersi d’animo!” Vallauri:
Ottima idea! Il primo insegnamento: se uno studente trova la FACULTY OF LITERÆ
HUMANIORES e la SUB-FACULTY OF PHILOSOPHY senza inciampare nella
IVRISPRVDENTIA, merita subito la laurea… con lode e una stretta di mano dal
portiere! Vallauri, Luigi
Lombardi (1967). Saggio sul diritto giurisprudenziale. Milano: Giuffrè.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Valle –
Ossia: Grice e Valle: la ragione conversazionale e l’implicatura
conversazionale della volutta. Note su De voluptate. Il Gruppo di Gioco di
H. P. Grice. Lorenzo Valla Valle (Roma, Lazio): Institutionally,
Lorenzo Valla and H. P. Grice are not comparable in the academic sense at all,
though both are unmistakably figures of learned verbal discipline. Grice’s
formula is exact in the modern Oxford sense. Fellow and Tutor in philosophy at
St John’s means a college office with tutorials, students, and membership in
the governing life of the college. CUF University Lecturer in philosophy means
a university-wide appointment in the faculty structure. So Grice combines the two
characteristic Oxford functions: college tutor and university lecturer. Valla
belongs to a completely different world: the early Renaissance world of
humanist teaching, curial service, patronage, private eloquence, polemical
philology, and dangerous proximity to power. He studied at Rome, taught
eloquence at Pavia, moved through patronage networks and controversies, served
Alfonso of Aragon at Naples, later returned to Rome, became apostolic secretary
under Callistus III, and taught eloquence privately and at the university. He
was not a don, not a fellow, and not a lecturer in the Oxford-collegiate sense.
He was a humanist, polemicist, philologist, and civic rhetor. So the clean
institutional contrast is this. Grice belongs to the tutorial-collegiate and university-faculty
world. Valla belongs to the humanist, curial, and patronage world of early
Renaissance Italy. That institutional difference suits your philosophical
comparison very well. Grice works at the micro-level of rational communication:
how a hearer gets from what is said to what is meant by recognising intentions
and inferring implicatures under shared norms. Valla, by contrast, works at the
level of linguistic reform itself. He does not ask how an utterance in a
functioning language yields extra meaning by cooperative inference. He asks
what sort of language and discourse a learned culture ought to cultivate if it
wishes to reason well at all. His war is not with implicature but with
barbarous Latin, scholastic jargon, and the corruption of reasoning by
corrupted verbal practice. So the sharpest formulation is this. Grice explains
how conversation can mean more than it literally says. Valla tries to make
learned language worthy of meaning anything well at all. That is why your
comparison between Grice and Valla is genuinely good. Grice makes conversation
answerable to reason by analysing the inferential structure of ordinary
exchange. Valla makes discourse answerable to reason by purging its medium: by
restoring consuetudo, rhetorical force, classical usage, and philological
discipline against scholastic abstraction. Your emphasis on De voluptate is
also exactly right. In Valla’s case, voluptas is not a mere lexical curiosity
but part of the larger humanist campaign to reclaim human language and human
goods from a distorted moral and dialectical vocabulary. The rehabilitation of
pleasure in De voluptate or De vero bono is of a piece with his rehabilitation
of eloquence, ordinary usage, and civic language. There are, however, two
factual cautions. First, the heading should normally use Lorenzo Valla, not
Valla Valle. Valle may matter etymologically or playfully, but the standard
form is Lorenzo Valla. Second, the final bibliographic line Valle, Lorenzo
(1431). De voluptate. Pavia should be normalised to Lorenzo Valla. The place
and date are fine as a first anchor for the early version, but the author line
should not be left in the altered form. So the short clean answer is: H. P.
Grice was an Oxford don in the precise collegiate sense, both Fellow and Tutor
in philosophy at St John’s and CUF University Lecturer in philosophy at Oxford.
Lorenzo Valla, by contrast, was a Renaissance humanist, teacher of eloquence,
philologist, and curial intellectual, active in Rome, Pavia, Naples, and again
Rome through patronage, controversy, and the reform of learned discourse rather
than through a college or faculty office of the modern sort. Institutionally,
Grice belongs to the tutorial-collegiate world; Valla to the humanist and
curial world. Philosophically, the contrast is equally clear: Grice analyses
the inferential micro-mechanics of speaker-meaning and implicature, whereas
Valla seeks to secure better reasoning by reforming the very language of
learned exchange, making dialectic answerable to rhetoric, consuetudo, and
civic eloquence. And if I compress it into one line: Grice theorises how
speakers imply; Valla reforms the language in which implication becomes worth
hearing. If you want, I can now give you a tighter one-paragraph entry in your
preferred style, with the author line normalised to Lorenzo Valla and the
contrast between ordinary-language philosophy and humanist Latin reform made
even sharper.la ragione conversazionale e l’implicatura conversazionale della
volutta – Grice’s
theory of reason-governed conversational meaning explains how “what is meant”
can systematically outrun “what is said” because rational interlocutors treat
talk as a cooperative enterprise: hearers presume an accepted purpose to the
exchange, attribute to speakers audience-directed communicative intentions, and
calculate implicatures by reasoning from those intentions plus norms of
relevance, sufficiency, sincerity, and clarity. Valla (Valle), by contrast,
approaches reason-in-language as a humanist reform of discourse itself: in the
Elegantiae and, more pointedly, in his attack on scholastic dialectic (the
Repastinatio dialectice et philosophie), he treats philosophical error as bred
by barbarous, technical, context-stripping Latin and urges a return to
consuetudo and to a rhetoric-inflected dialectic fitted to civic argument,
persuasion, and the contingencies of ordinary usage (even when “ordinary” means
the authoritative Latin of classical writers). The comparison is thus two
different ways of making language answerable to reason: Grice articulates a
general, intention-and-inference model that explains why a perfectly
grammatical sentence can convey further, cancellable commitments in
conversation, whereas Valla wages a philological and rhetorical campaign to
make the very medium of learned exchange less scholastic, less
pseudo-technical, and more anchored in how competent speakers actually use
words in lived disputation. Where Grice’s “conversational reason” is a logic of
mutual mind-reading under cooperative norms, Valla’s is an ethics and politics
of linguistic practice—an attempt to secure better reasoning by purging
corrupted vocabularies and relocating dialectic inside the arts of eloquence
and the pursuit of human goods (including, in De voluptate/De vero bono, the
rehabilitation of voluptas as an intelligible candidate for the summum bonum). Cicerone, dialettica, rettorica, la filosofia del linguaggio ordinario,
ordinary Latin language philosophy, ordinary Italian language philosophy,
Grice, Athenian dialectic, Oxonian dialectic, Roman dialectic, dialettica
atenese, dialettica romana, dialettica fiorentina, dialettica oxoniensis –
boves vedum OX-FORD. Filosofo romano. Filosofo lazio. Filosofo italiano.
Essential Italian philosopher. Umanista. M. Roma. Di famiglia piacentina,
studiò a Roma, dove il padre era avvocato concistoriale. Lascia Roma per Pavia:
qui insegna eloquenza; due anni dopo, lo scandalo destato tra i giuristi dello
studio dalla sua epistola de insigniis et armis lo costrinse ad abbandonare la
città. Peregrinò allora per diversi luoghi, finché si stabilì a
Napoli, segretario di re Alfonso di Aragona, che costantemente lo protesse.
Deferito all'Inquisitore in seguito a una sua polemica con frate Antonio di
Bitonto sull'origine del Credo, fu salvato appunto dall'intervento del re. Da
varie accuse si difese presso il papa con l'Apologia adversus calumniatores;
tuttavia solo piu tardi poté stabilirsi definitivamente nell'amata Roma,
scrittore e, sotto Callisto III, segretario apostolico e insegnante di
eloquenza a titolo privato e all'università. Complessa e significativa figura
del Quattrocento italiano, V. esprime la più matura cultura umanistica per la
connessione posta tra le humanae litterae e la vita civile, per la polemica
contro i barbarismi della cultura scolastica, per l'impegno filologico e
storico. Nel suo De voluptate (titolo della prima redazione, 1431, nuova
redazione col titolo De vero bono) egli svolge una vivace polemica contro
l'etica stoica e l'ascetismo cristiano, in difesa della natura, ministra di
Dio; di qui la celebrazione di una morale che è impegno e gioia di vivere,
ricerca di piaceri giustamente equilibrati secondo il loro minore o maggiore
valore. Ma dove più forte appare l'influenza dell'etica epicurea. Cicerone,
Virgilio, Quintiliano, Livio, rinascimento, grammatica, dialettica e rettorica,
elegantia linguae latina. M. Valletta. Valla. Valle. Call
him what you like—he was a genius. G.
Sir, he was also an affectation. M.
Genius is always an affectation, Grice. It’s merely a successful one.
Now: De voluptate. And the word to remember is volup. B. Volup? M.
Volup, volup, volup. An indeclinable delight. G. It sounds like a cough. M. That is because you are a Midlands boy. A
Roman would have pronounced it with moral confidence. E. What does it mean, sir? M. It means “with pleasure,” “pleasantly,” “I’m
glad,” and all the other things English can’t say without blushing. G. English can blush perfectly well without assistance.
M. Now—example: vivo volup. G. Sir, that sounds like a slogan on a cigarette
case. M. It is better than most slogans.
Translate it. G. “I live fine.” M. Close, Grice, but no cigar. B. He said “fine,” sir. M. He said “fine” in that dreadful modern way
that means nothing and pretends to mean everything. G. Then: “I live happily.” M. Better. Still too wholesome. E. “I live pleasurably”? M. That is English trying to be Latin and
hurting itself. G. Why can’t it just
mean “I enjoy living”? M. It can. But
volup is not a sermon; it’s a posture. G.
A posture? M. Yes. In Plautus
it’s often “volup est mihi.” It sits there like an indeclinable grin. G. So it’s more like “I’m glad.” M. Exactly. But Valla wants to rescue voluptas
from people who treat it like a vice. B.
Like Vice-President? M. Wrong
century, boy. G. Sir, why does “vivo
volup” puzzle me? It feels incomplete. M.
Because English expects adverbs to behave like trained servants. Latin
lets them lounge. G. And volup lounges
too much. M. It lounges brilliantly.
That is the whole point. E. Is it really
an adverb, sir? M. Dictionaries call it
one. Your ear hears it as a predicate. Both are true enough for comedy. G. Comedy? M.
We are at a public school. Everything is comedy under Latin. Now, Oscar
Wilde. B. Sir? M. “Are you enjoying yourself?” said the
hostess. “I am; there is nothing else for me to enjoy,” said Wilde. G. That sounds like vivo volup. M. Exactly. It’s the same insolence in different
clothes. G. Wilde would have liked
Valla. M. Wilde would have liked anyone
who annoyed the right people. E. Did
Valla annoy people? M. He cost himself
posts by writing letters about arms and insignia, so yes. G. That seems an extravagant way to lose a job.
M. It is the only respectable way to
lose one, Grice. B. Sir, is volup always
with esse? M. Often. Not always. Plautus
can say it without esse and still mean it’s there. G. So vivo volup is not the most Roman thing?
M. It is a teaching thing. I am allowed
to be mildly un-Roman to make you Roman. G.
That sounds like blackmail. M.
Education is blackmail with grammar. E.
Could we say victito volup? M.
Ah—now we have Plautus’ athletic list and the frequentative. G. Sir, you said the list isn’t necessary.
M. The list is necessary if you want the
joke to have a body: discus, spears, ball, running, arms, horse. B. Add cricket, sir. M. Cricket did not exist in Plautus. B. It existed in Rome as barbarism. M. Sit down. G.
What would Latin do for cricket? M.
It would ignore it. Latin is selective. G. Like Oxford. M. Exactly. E.
Sir, why does Grice look offended? M.
Because he thinks voluptas ought to be disciplined. G. I do not. M.
You do. You are just being polite about it. G. I object to your saying “volup, volup, volup”
as if it were a magic spell. M. It is a
magic spell. It turns a moral lecture into a grammatical point. B. Does Valla really start with pleasure?
M. He starts by daring to. Then he
retitles it later to sound safer. G. De
vero bono. M. Exactly. When you want to
keep writing, you learn to rename. E. So
volup is the small seed inside the big abstract noun? M. Yes: volup is the grin; voluptas is the
philosophy. G. And the suffix is -tas,
like libertas. M. Good. You’re awake.
G. That’s an unfortunate choice of word
in a Latin class. M. Awake is always
unfortunate. Now: what’s wrong with “I live fine”? G. It’s too vague. M. Vague and smug. G. But “I live gladly” sounds odd. M. It sounds odd because English has trained
itself to be literal where Latin is idiomatic. E. Could we say “I live with pleasure”? M. You can. But then you’ve turned one small
adverb into three stiff words. G. And
you’ve lost the insolence. M. Exactly.
Latin is compact insolence. B. Sir, can
we say ludo volup? M. You can say it,
and you will sound like a Plautine boy who’s pleased with himself. G. That would be accurate for B. B. Thank you. M.
Grice, give me a better English for volup est mihi. G. “It pleases me.” M. Too French. G. “I’m pleased.” M. Better. E.
“I’m glad.” M. Very good. G. So vivo volup might be “I live glad.” M. And now you see why we don’t translate it
that way. G. Because English refuses to
let “glad” be an adverb. M. Exactly.
English is fussy; Latin is shameless. B.
Sir, can volup modify a verb like “kick”? M. In principle, yes. In practice, you’d more
likely use libenter. Latin has many ways to be pleased. G. Then why does Valla insist on voluptas?
M. Because he’s purging scholastic
ugliness and restoring classical nerve. G.
By making pleasure respectable. M.
Yes. And by making Latin do the moral work. E. That sounds like what you do, sir. M. Precisely. Now, Grice: your final rendering
of vivo volup. G. “I live—contentedly.”
M. That’s not bad. G. It’s still too respectable. M. Then try again. G. “I live—enjoying it.” M. Better. Still too modern. B. “I’m having a good time.” M. That is vulgar and correct. G. Vulgar and correct—like cricket. M. Enough cricket. Here is your homework: write
ten sentences with volup that do not sound like cigarette advertisements. G. May we add “cricket” as one? M. You may add “cricket” only if you can put it
in Latin without making me wince. B. Vivo volup cricketans. M. Detention.Grice: Caro Valla, devo confessare
che il modo in cui hai trasformato il tuo semplice “Valle” in “Valla” mi ha
lasciato senza parole! Sembra quasi che tu abbia elevato un torrente a vetta
filosofica. Hai qualche consiglio per un povero “Grice” che vorrebbe
analogicamente nobilitare il suo cognome? Valla: Ah, Grice! La ricetta è
semplice: basta aggiungere un pizzico di eleganza e una spruzzata di latinità.
Potresti diventare “Gricius”, oppure, se vuoi davvero impressionare, “Gricello
il Saggio”! E se proprio vuoi esagerare, inventa un motto: “Grice, il piacere
della conversazione!” Grice: Gricius... suona quasi come un antico filosofo
romano! Ma poi mia madre penserà che sono tornato dall’Orto di Epicuro invece
che dall’orto di casa. Forse basta mettere un po’ di voluttà: “Grice, il
gaudente!” Valla: E allora, caro Grice, ricorda: in filosofia come nei cognomi,
l’importante è non prendersi troppo sul serio. Al massimo, puoi sempre dire che
“Grice” sta per “Grande Ragione Italiana Conversazionale Epica”... e nessuno
avrà il coraggio di smentirti! Valle, Lorenzo (1431). De voluptate. Pavia.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Valletta
– Ossia: Grice e Valletta: la ragione conversazionale e l’implicatura
conversazionale dei liberali, libertari e libertinisti. Note sulla Disceptatio. Il Gruppo di Gioco di H. P. Grice. Giuseppe Valletta
(Napoli, Campania): Institutionally, Giuseppe Valletta is much closer to Vanini
than to Grice. Grice’s
formula is exact in the Oxford sense. Fellow and Tutor in philosophy at St
John’s means a college office with tutorials, students, and membership in the
governing life of the college. CUF University Lecturer in philosophy means a
university-wide appointment in the faculty structure. So Grice combines the two
characteristic Oxford functions: college tutor and university lecturer.
Giuseppe Valletta belongs to a very different world: late seventeenth-century
Naples, where a jurist, man of letters, patron, collector, polemicist, and
cultural organiser could be central to philosophy without holding an
Oxford-like tutorial or university lectureship. He studied law with the
Jesuits, moved into jurisprudence and public intellectual life, became one of
the figures associated with the Investiganti and with the anti-scholastic,
anti-aristotelian renewal of Naples, supported modern science and philosophy,
founded a chair of Greek at his own expense, and built one of the great private
libraries of the city. That is not the world of a college don; it is the world
of the civic learned man, the legal scholar, the cultural patron, and the
political-theological combatant. So the clean institutional contrast is this.
Grice belongs to the tutorial-collegiate and university-faculty world. Valletta
belongs to the legal-civic and learned-public world of baroque Naples. That
institutional difference fits your philosophical comparison very well. Grice
works at the micro-level of rational communication: how a hearer gets from what
is said to what is meant by recognising intentions and inferring implicatures
under shared norms. Valletta, by contrast, works at a broader political and
cultural level. In his case, rationality in discourse is not merely a matter of
extracting intended content from a contribution. It is a matter of whether one
may speak freely at all, and of how one conducts rational controversy under
conditions of censorship, ecclesiastical pressure, and the contest between old
authority and moderna filosofia. So the sharpest formulation is this. Grice
explains how conversation works when rational cooperation is already allowed.
Valletta fights for the conditions under which rational conversation can exist
in the first place. That is why your contrast between internal and external
normativity is exactly right. For Grice, the central question is how a speaker
and hearer coordinate meaning within a shared exchange. For Valletta, the
central question is how a culture or polity permits, protects, or suppresses
such exchanges. In Grice, implicature is a calculable inferential surplus. In
Valletta, strategic address, insinuation, polemical indirection, and public
letters become tools of intellectual freedom and self-preservation. Your Naples
material is also well chosen, but there are two important cautions. First, the final bibliographic line “Valletta, Giuseppe (1656).
Disceptatio. Napoli. Collegio partenopeo dei dottori.” is not a safe modern
citation. It
looks like a reconstruction of an early academic act or dissertation moment
rather than a securely attested printed title in the usual bibliographic sense.
If you use it, it should be marked as a university exercise or dissertation
context, not as a fully stable publication line. Second, the stronger and more
characteristic bibliographical anchor is the Lettera in difesa della moderna
filosofia e de’ coltivatori di essa, because that text makes the whole
comparison with Grice much clearer: it is a public defence of intellectual
liberty and modern inquiry, not just a scholastic or legal exercise. So the
short clean answer is: H. P. Grice was an Oxford don in the precise collegiate
sense, both Fellow and Tutor in philosophy at St John’s College and CUF
University Lecturer in philosophy at Oxford. Giuseppe Valletta, by contrast,
was a Neapolitan jurist, patron, public intellectual, and ally of the
Investiganti, active in the civic and legal culture of Naples rather than in a
college or faculty appointment. Institutionally, Grice belongs to the
tutorial-collegiate world; Valletta to the learned-public and legal-civic
world. Philosophically, the contrast is equally clear: Grice analyses the
inferential micro-mechanics of speaker-meaning and implicature, whereas
Valletta exemplifies the broader political and theological struggle over
whether rational, modern, anti-scholastic discourse may be spoken, circulated,
and defended at all. And if I compress it into one line: Grice theorises how
rational conversation means; Valletta fights for the liberty that lets rational
conversation be spoken. If you want, I can now give you a tighter one-paragraph
entry in your preferred style, with the insecure Disceptatio line replaced by
the stronger Lettera in difesa anchor and the Investiganti context made
central.la ragione conversazionale e l’implicatura conversazionale dei
liberali, libertari e libertinisti Grice’s theory of reason-governed
conversational meaning makes conversational implicature a product of practical
rationality: what a speaker means is recovered by a hearer who presumes an
“accepted purpose or direction” of the talk exchange and reasons from what is
said plus shared maxims (quantity, quality, relation, manner) to what must have
been intended. Valletta, writing from late‑seventeenth‑century Naples amid the
anti-scholastic, anti-aristotelian renewal associated with the Investiganti,
frames “ragione” less as a micro-theory of inference from utterance to meant
content than as a civic and intellectual liberty: in defending “moderna filosofia”
and “libertà filosofica” against ecclesiastical censorship and the constraints
of received authority, he treats discourse as a public instrument for freeing
inquiry (and the res publica) rather than as a formally regulated cooperative
mechanism for extracting implicatures. If Grice is interested in how rational
norms make everyday exchange intelligible even when speakers say less (or
other) than they mean, Valletta is interested in how rational critique
authorizes saying what one is otherwise forbidden to say: the pragmatics of
insinuation, polémica, and strategic address (for example, the public letter to
papal authority) becomes an arena where reason and freedom contest domination.
The upshot is a contrast between Grice’s internal normativity of conversation
(rules of inference that underwrite mutual understanding) and Valletta’s
external normativity of conversation (the political-theological conditions
under which rational speech may be licensed, protected, or punished), with
“implicature” shifting from Grice’s calculable hearer-inference to Valletta’s
historically situated art of intellectual self-defense and reform. – storia
della filosofia classica, Cicerone, Bruto, Cassio, L’Orto, Il Portico. Grice:
“He was a libertine from Naples. I like him. His oeuvre published in Firenze. Studia dapprima letteratura presso i
gesuiti per poi dedicarsi al diritto. Insieme a Andrea, e fra i fondatori
degl’investiganti, che da impulso al grande rinnovamento culturale che prende
grande avvio. Nelle accese polemiche filosofico-scientifiche tra progressisti e
conservatori, insieme a CORNELIO, ANDREA, CAPUA e agl’altri investiganti
appoggia attivamente i progressisti. Istituì a sue spese la cattedra di lingua
greca a Napoli, affidando l'incarico di insegnamento al suo maestro ed amico
MESSERE (vedi), illustre filosofo. Cura l'edizione napoletana delle opere e del
Bacco in Toscana dello scienziato toscano REDI. Grande appassionato e
conoscitore di libri, meritandosi l'appellativo di Helluo librorum et Secli
Peireskius alter. Grazie all'interessamento di VICO, il fondo librario confluì
nella biblioteca dei girolamini. Saggi: “Lettera in difesa della moderna
filosofia e de' coltivatori di essa”, “Historia filosofica”. Lombardi, Storia
della letteratura italiana, Tipografia camerale. Nicolini, V., in Enciclopedia
Italiana, Roma, Istituto dell'Enciclopedia Italiana. Gl’Investiganti Andrea,
Redi, V.,, nipote di V. Breve scheda biografica, Redi. Scienziato e poeta alla
corte dei Medici. Lettera di V., napoletano in difessa della filosofia, e
de’coltivatori di essa, INDIRIZZATA ALLA SANTITÀ DI CLEMENTE XL Aggiuntavi in
fine un'ojf umazioni sopra la medesima. IN ROVERETO Nella Stamperia di
Pierantonio Berno Libr. ALL’ XLWSTRISS. SIC. AB. ’f FRANCESCO PARTINI * è ;DE N
AJOF, • f + • Nobile Provinciale del Tirolo, ec.ec,, l storia della filosofia
classica, Cicerone, Bruto, Cassio, L’Orto, Il Portico, Accademia, Lizio,
Filosofi italiani, Pico. G. D., before we go in and pretend to “discuss” language, I’ve been reading
Naples. D. Naples is usually read with a
fork. G. This is Naples with a law
degree. Giuseppe Valletta. D. Valletta
is always a warning label. G. Exactly.
And here is the singular I want: disceptio. D.
You’ve decided to keep it singular? G.
For pedagogic cruelty. “Disceptio” sounds like a lone heroic act.
D. Whereas “disceptatio” sounds like
something with chairs. G. Precisely.
“Disceptio” looks like a decision, and “disceptatio” looks like a dispute.
D. And Valletta, being Neapolitan,
probably managed both while calling it neither. G. I’m imagining him, circa 1656, fresh from the
collegio dei dottori, a new dottore, and already practising disceptio. D. Freshly certified in law, you mean. G. Yes—so he knows that disputes are not solved
by truth but by procedure. D. And you’re
about to use him to motivate our class? G.
To irritate it, at least. D. So
what is your “disceptio” about? G. About
whether one can have a disceptatio alone. D.
One cannot. G. You say that
because you like the dignity of dialogue. D.
No. I say it because “disceptare” implies deciding between, and you need
at least two somethings. G. Two
propositions, not two people. D. Two
people, too, unless you want to talk to yourself. G. Valletta might have talked to himself.
D. All lawyers do. They call it
preparation. G. Good. Then a disceptatio
can be internal: ratio arguing with prudentia. D. You’ve imported the soul’s power structure.
G. Valletta would have liked that: the
rational part telling the prudent part what it can safely say. D. And the prudent part replying: “Safely” is
the real logic. G. Exactly. So his
disceptio may be a private court. D.
With him as judge and witness. G.
And with Clement XI as the imagined jury. D. That’s later, though. G. True. But the habit begins early: the law
student learns to write as if someone dangerous is overhearing. D. Now you’re turning “disceptio” into
“implicature.” G. Everything becomes
implicature if you’ve had enough tea. D.
Or enough Naples. G. Listen: the
word itself. dis- + capere, the “take apart” family. D. And you wanted “decision,” but you got
“dissection.” G. Precisely. Valletta is
a dissector of authority. D. That’s the
Investiganti myth you like. G. It’s a
good myth. But my small point is linguistic: “disceptio” in the singular sounds
like the product, not the practice. D.
Like decisio. G. Exactly.
De-cisio, the cut-off. D. And Valletta,
trained in law, would love cutting off. G.
He would love “resolutio.” D. And
“sententia.” G. Yet he writes in a
milieu where writing itself is risky, so he needs something more conversational.
D. He needs a disceptatio with the
authorities, without calling it a fight. G.
Right. A fight in a polite Latin mask. D. So your question: was Valletta doing it
alone? G. He was doing it with an
imagined addressee: the Church, the censor, the city, Vico. D. Vico comes later. G. Everyone comes later in Naples. D. So the “two” in disceptatio can be: author
and imagined opponent. G. Yes. And the
“three” you allowed earlier: author, opponent, and inner prudence. D. Or author, opponent, and audience. G. Exactly. The audience being Naples, which is
always listening. D. That is a
terrifying audience. G. Now, what would
his earliest disceptatio be? D. Not a
printed “Lettera” at fifty-five, surely. G.
No. It begins in the collegio dei dottori: disputations, legal
exercises, disceptationes. D. In Latin,
presumably. G. Of course. Naples loved
Latin because it hid the knife. D. And
because it made the knife respectable. G.
So Valletta’s “disceptio” could be: a legal-style settling of
philosophical quarrels. D. Philosophy as
litigation. G. Exactly. D. That’s not flattering. G. It’s accurate. Oxford does it too; we just
call it “analysis.” D. And then deny it
is adversarial. G. Whereas Naples admits
it and adds coffee. D. So what is your
joke for the joint class? G. That we’re
about to have a disceptatio, which means we will decide—without agreeing.
D. That’s Oxford. G. Valletta would recognise it. D. And your punchline? G. That Valletta became a dottore in 1656 and
spent the rest of his life discovering that the hardest disceptatio is not
between propositions, but between what you can prove and what you can safely
publish. D. And the safest publication
is always someone else’s. G. Exactly.
Which is why he writes letters defending modern philosophy instead of
publishing “I Pensieri politici” at eighteen. D. And why you keep him as an inspiration: he
makes prudence look like method. G. Prudence is the only method that survives
Naples.Grice: Ah, caro Valletta, devo confessare che mia madre rimase sconvolta
quando sospettò che il Vadum Boum avesse trasformato suo figlio in un liberale.
Ma tutto quello che facevo era posizionare la LIBERTAS, sì, proprio in latino,
come fondamento della RATIO! Valletta: Grice, se solo avesse saputo mia madre
che, a Napoli, la libertà è persino più contagiosa del caffè! La LIBERTAS, da
noi, è la chiave d’accesso al pensiero: e con la RATIO ci facciamo pure il
limoncello filosofico! Grice: Ecco perché la filosofia napoletana mi affascina!
Qui si discute di Cicerone e Cassio, ma si ride pure di gusto. Da noi, invece,
l’unico rischio è che la LIBERTAS venga scambiata per una licenza di fare
battute durante le lezioni! Valletta: Grice, in fondo, la vera libertà sta
nell’essere liberi di filosofare, ridere e persino scandalizzare le mamme! Se
la LIBERTAS è alla base della RATIO, allora la mamma può dormire sonni
tranquilli… o almeno provarci! Valletta, Giuseppe (1656). Disceptatio. Napoli. Collegio
partenopeo dei dottori.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vanghetti
– Ossia: Grice e Vanghetti: implicature di Deutero-Esperanto – la scuola di
Greve in Chianti – la scuola di Firenze
Note sulla laurea in
medicina. Il Gruppo di Gioco di H. P. Grice. Giuliano Vanghetti
(Greve in Chianti, Firenze, Toscana): Institutionally, Giuliano Vanghetti and
H. P. Grice are not comparable in the academic sense at all. Grice’s
formula is exact in the Oxford sense. Fellow and Tutor in philosophy at St
John’s means a college office with tutorials, students, and membership in the
governing life of the college. CUF University Lecturer in philosophy means a
university-wide faculty appointment. So Grice combines the two characteristic
Oxford functions: college tutor and university lecturer. Giuliano Vanghetti
belongs to a completely different world. He was a physician, orthopedist,
inventor of cineplastic prosthetics, and a public-scientific figure, not a
philosopher by office and not a university don in the Oxford or Italian chair
sense. He studied at Bologna, practised medicine in Empoli and nearby, worked
as a ship’s doctor, later became central to the development of cinematic
prostheses, and at the same time cultivated a serious interest in auxiliary
languages and linguistic reform. The secure biographical sources identify
Giuliano Vanghetti as born at Greve in Chianti in 1861, laureato in medicine at
Bologna in 1890, later practising at Empoli, and becoming a pioneer of
cineplastic prostheses while also taking an interest in international auxiliary
languages and Latino sine flexione. [it.wikipedia.org],
[encicloped...esciana.it], [treccani.it] So the clean institutional contrast is
this. Grice belongs to the tutorial-collegiate and university-faculty world.
Vanghetti belongs to the medical, inventive, and public-scientific world, with
an important side-line in planned-language advocacy rather than in academic
philosophy proper. [it.wikipedia.org], [encicloped...esciana.it], [treccani.it]
That institutional difference fits your philosophical comparison surprisingly
well. Grice works at the micro-level of rational communication: how a hearer
gets from what is said to what is meant by recognising intentions and inferring
implicatures under shared norms. Vanghetti, by contrast, is thinking less about
how interlocutors recover hidden meaning in an existing natural language and
more about how one might redesign the linguistic instrument itself so that
communication becomes more transparent, portable, and less dependent on local
idiom. His relation to Peano’s Latino sine flexione, and his proposals for
Latin-Ido and Latin-Esperanto, place him in exactly that intermediate space
between planned language and practical communicative reform. [it.wikipedia.org]
So the sharpest formulation is this. Grice explains how rational agents bridge
the gaps left open by ordinary language. Vanghetti tries to narrow those gaps
in advance by designing a more regular and internationally portable linguistic
code. [it.wikipedia.org] That is why your phrase implicature di
Deutero-Esperanto is actually quite apt as a gloss. For Grice, implicature is a
strength of natural conversation: speakers leave things unsaid because hearers
can recover them by rational inference. For Vanghetti, the very same phenomenon
can look like an avoidable burden, one that an auxiliary language ought to
reduce rather than celebrate. If Grice trusts the inferential intelligence of
ordinary language users, Vanghetti trusts a rational redesign of the code to
lighten the load. [it.wikipedia.org] There are, however, two factual
corrections. First, the birthplace in your heading should be Greve in Chianti,
not Empoli. Empoli is where he later lived and practised. The secure
biographical sources agree that Vanghetti was born at Greve in Chianti and died
at Empoli. [it.wikipedia.org], [treccani.it] Second, your final bibliographic
line “Vanghetti, Giuliano (1890). Laurea in medicina. Bologna.” is not really a
proper bibliographic citation. It is a biographical milestone, not a
publication. If you want a secure scholarly anchor, the better bibliographic
starting points are his 1898 lithographed memory on amputations or the later
1906 book Plastica e prostesi cinematiche. The secure medical bibliography for
Vanghetti includes Plastica e prostesi cinematiche, Milan, 1906, and earlier
papers from 1899–1900; the 1890 Bologna degree is biographical, not
bibliographic. [treccani.it], [neurology.org] So the short clean answer is: H.
P. Grice was an Oxford don in the precise collegiate sense, both Fellow and
Tutor in philosophy at St John’s and CUF University Lecturer in philosophy at
Oxford. Giuliano Vanghetti, by contrast, was an Italian physician and inventor,
trained at Bologna, active as a medical practitioner and pioneer of cineplastic
prostheses, while also engaging in debates over international auxiliary
languages and Latino sine flexione. Institutionally, Grice belongs to the
tutorial-collegiate world; Vanghetti to the medical and public-scientific
world. Intellectually, however, the contrast is illuminating: Grice analyses
the inferential micro-mechanics of meaning in ordinary conversation, whereas
Vanghetti represents the project of designing a linguistic medium in which less
has to be recovered by local pragmatic guesswork because more is made uniform,
explicit, and internationally legible in the code itself. [it.wikipedia.org],
[encicloped...esciana.it], [treccani.it] And if I compress it into one line:
Grice trusts implicature; Vanghetti tries to engineer around it. [it.wikipedia.org]
If you want, I can now give you a tighter one-paragraph entry in your preferred
style, with the birth/death places corrected and the bibliographic anchor
shifted from the 1890 degree to a real publication.implicature di
Deutero-Esperanto – Grice’s theory of reason-governed conversational meaning
explains how hearers rationally recover more than is said by presuming
cooperation and attributing to the speaker an intention that is meant to be
recognized as such; conversational implicature, on this view, is not a
decorative surplus but the calculable product of practical reasoning under
shared norms (purpose of the exchange, maxims, and audience-directed
intentions). Vanghetti, by contrast, belongs to a tradition in which
“implicature” is best understood not as an inferential mechanism inside an
already-fixed natural language, but as a design problem for an international
auxiliary language: his esperantido projects (Latin-Ido and Latin-Esperanto),
explicitly positioned between Peano’s Latino sine flexione and Esperanto/Ido,
aim to reduce morphological and lexical friction so that what is meant becomes
more uniform, cross-national, and less hostage to local pragmatic guesswork.
Where Grice theorizes how rational agents bridge gaps left open by ordinary
language (and even exploit those gaps), Vanghetti’s Deutero-Esperanto impulse
is to narrow the gap in advance by engineering a semi-latin, rule-governed code
whose very appeal is that cooperative communication should require fewer
culture-specific implicatures; the comparison thus turns on two conceptions of
rationality in communication, Grice’s as inferential accountability in
real-time talk exchanges, Vanghetti’s as an ideal of planned transparency and
portability in the linguistic instrument itself, coupled with his insistence
(in the policy debate around Esperanto) that such instruments should facilitate
cooperation without coercive imposition. la scuola di Greve in Chianti – la
scuola di Firenze – filosofia fioretina – filosofia toscana -- filosofia
italiana (Greve in Chianti). Abstract. Keywords:
Deutero-Esperanto. laureato a BOLOGNA, Durante la guerra mondiale è volontario
assimilato della C. R. I. È l'ideatore dell'amputazione cinematica per prostesi
cinematica, cioè del motore plastico (v. amputazioni; cineplastica). Per tale
idea, del tutto nuova e originale, gli fu conferita la medaglia d'oro della
C.R.I. Egli ha chiamato cinematizzazione ogni operazione basata su questo
principio: "In un'amputazione o disarticolazione attuale o pregressa, il
tendine o il muscolo provvisto della necessaria protezione fisiologica (pelle,
vasi, nervi, ecc.) potrà in generale servire alla prostesi cinematica, qualora
con esso possa formarsi un punto d'attacco artificiale sottoposto alle medesime
condizioni di protezione". Il miglioramento della tecnica prostetica ha
contribuito e più contribuirà in avvenire a dimostrare l'utilità del motore
plastico nella massima parte delle amputazioni. Ha scritto: Plastica e prostesi
cinematiche, Milano, e in Arch. di ortopedia; Vitalizzazione e prostesi cinematiche,
relazione alla III conierenza interalleata per lo Studio delle questioni
riguardanti gl'invalidi di guerra; Arcimeccanica e cineprostesi, in Scritti
biologici); congresso Soc. ital. ortop., Pellegrini, Cinematizzazioni: primo
trentennio della teoria vanghettiana, Bologna 1929.I progetti e l'influsso del
Latino sine flexione di PEANO , interessante. Nonostante la fama inferiore
rispetto ad altre LAI, è innegabile che, in seguito alla pubblicazione dei
lavori di PEANO , si assisté a una proliferazione dei progetti di inter-lingua
di base latina, ispirati proprio a quella del matematico piemontese. I numerosi
tentativi sono testimoni del fatto che molti esponenti della comunità dei
filosofi italiani condivide il pensiero che la lingua latina, opportunamente
modificata, puo divenire il mezzo perfetto per la comunicazione. Per i
primi tentativi d’emulazione si devono aspettare a quando il filosofo italiano
Vanghetti, esperto di lingue moderne e internazionali, pubblica le sue proposte
di carattere esperantido, il Latin-Ido e il Latin-Esperanto. Con il termine
“Esperantido” si intendono quelle lingue inventate ad uso internazionale che
presentano un certo numero di caratteri tipici dell'Esperanto – cf. Grice,
“Deutero-Esperanto in One Easy Lesson” -- entrambe si configurano come
commistione delle idee di PEANO e di altri sistemi, presentando un
vocabolario di base ispirato al Latino sine flexione accostato rispettivamente
alla struttura grammaticale dell'IDO (cf. Grice, Studies in the Way of IDO”
-- e dell'Esperanto. A Empoli, mentre è membro della commissione,
nominata dalla Società Italiana per il Progresso delle Scienze, che dove
occuparsi della promozione dell'uso e dello studio delle lingue internazionali,
commissione di cui fa parte anche lo stesso PEANO - pubblica nella
rivista “Riforma” anche un saggio intitolato «Questione de lingua auxiliario
internationale in Italia» a riprova del suo particolare interesse per la
materia. Leggi Cronologia Strumenti V. V. M. Empoli -- è stato un
medico ortopedico italiano, famoso per aver condotto innovative sperimentazioni
di protesi per arti amputati, in particolare quelli superiori. Di un certo
rilievo fu anche il suo interesse alla linguistica: conoscitore di molte
lingue, si occupò della promozione degli studi sulle lingue ausiliarie
internazionali: l'interlingua e il latino sine flexione di PEANO . Dopo i primi
studi a Greve in Chianti, dove il padre modo non è obbligatoria. Anche
astrazion fatta da ragioni politiche *contro* l'esperanto, non è ammissibile
l'obbligatorietà dello studio di esso nelle pubbliche scuole, come neppure
quello di alcun altra delle lingue artificiali, nessuna delle quali è
ancora perfettissima. La Società delle Nazioni, respinse alla quasi
unanimità detta pretesa; e pur rimandando la questione generale allo
studio dell’Intesa Intellettuale, mostra propensione alla
base inter-latina. Deutero-Esperanto. Grice: Buongiorno, dottor Vanghetti! Ho letto
con grande interesse le sue ricerche sulle protesi cinematiche e, soprattutto,
sulla sua idea di “Deutero-Esperanto”. Secondo lei, una lingua ausiliaria
internazionale può davvero favorire una comunicazione universale tra i popoli?
Vanghetti: Caro Grice, la ringrazio della domanda. Penso che una lingua come il
Deutero-Esperanto, influenzata dal Latino sine flexione di Peano e dagli
esperantidi, possa rappresentare un ponte tra culture. Tuttavia, credo sia
fondamentale lasciare libertà di scelta: nessuna lingua artificiale è perfetta
e l’imposizione sarebbe, a mio avviso, controproducente. Grice: Una posizione
molto saggia. Nel suo percorso, ha notato resistenze ideologiche verso
l’esperanto e le lingue ausiliarie? Mi sembra che il dibattito sia ancora
acceso, nonostante le potenzialità di queste lingue per la cooperazione
internazionale. V.: Assolutamente, Grice. A Empoli, nella commissione per lo
studio delle lingue internazionali, ho visto come motivazioni politiche e
culturali influenzino il giudizio. La Società delle Nazioni, ad esempio, ha
respinto l’obbligatorietà dello studio dell’esperanto nelle scuole. Però noto
una crescente apertura verso le interlingue latine, come la mia proposta di
Deutero-Esperanto. Il dialogo continua! Vanghetti, Giuliano (1890). Laurea in medicina. Bologna.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vanini –
Ossia: Grice e Vanini: la ragione conversazionale e l’implicatura
conversazionale dei peripatetici del lizio. Note su Physici commentarii. Il Gruppo di Gioco di H. P. Grice. Giulio Cesare Vanini (Taurisano, Lecce,
Puglia): Institutionally, Giulio Cesare Vanini and H. P. Grice are not
comparable in the modern academic sense at all. Grice’s formula is
exact in the Oxford sense. Fellow and Tutor in philosophy at St John’s means a
college office with tutorials, students, and membership in the governing life
of the college. CUF University Lecturer in philosophy means a university-wide
faculty appointment. So Grice combines the two characteristic Oxford functions:
college tutor and university lecturer. Vanini belongs to an entirely different
world: the early modern world of religious orders, universities, wandering
intellectuals, patrons, embassies, confessional danger, and judicial
repression. He took Carmelite vows in Naples, earned the doctorate in civil and
canon law there, moved to Padua, fled via Venetian and English channels,
published in France, and died in Toulouse under a sentence for impiety and
blasphemy. He was not a don, not a fellow, and not a lecturer in the Oxford
sense. He was a heterodox philosopher-theologian and itinerant libertine
intellectual in a censorious Europe. The standard biographical sources identify
Giulio Cesare Vanini as born at Taurisano in 1585, taking Carmelite vows in
Naples in 1603, taking the doctorate in utroque iure in 1606, moving to Padua,
fleeing to England in 1612 under the protection of Dudley Carleton and the
Archbishop of Canterbury, publishing in France in 1615 and 1616, and being
executed at Toulouse in 1619. [link.springer.com], [treccani.it], [galileo.li...y.rice.edu]
So the clean institutional contrast is this. Grice belongs to the
tutorial-collegiate and university-faculty world. Vanini belongs to the
confessional, itinerant, and persecuted world of early modern radical
naturalism. That institutional difference fits your philosophical comparison
rather well. Grice works at the micro-level of rational communication: how a
hearer recovers what a speaker means by recognising intentions and inferring
implicatures under shared norms. Vanini, by contrast, works in a world where
the gap between surface and intention is not mainly a tidy matter of
conversational calculation but often a matter of intellectual survival. In his
case, irony, learned indirection, strategic ambiguity, and the posture of commentary
or dialogue are not merely stylistic choices but means of advancing heterodox
naturalist views under hostile conditions. So the sharpest formulation is this.
Grice explains how conversation can mean more than it says under cooperative
rationality. Vanini exemplifies how writing and disputation can mean more than
they dare say under persecution. That is why your comparison is actually
strong. Grice’s implicature is built into ordinary rational cooperation.
Vanini’s obliqueness belongs to a much harsher world: one in which the distance
between literal surface and intended upshot can be a weapon, a shield, or both.
There are, however, two important corrections. First, the final bibliographic
line you give is not safe. One should not write Vanini, Giulio Cesare (1601).
Physici commentarii. Napoli as though there were a securely attested surviving
printed book by that title from Naples in 1601. The secure modern biographical
sources state instead that his early Neapolitan production included works such
as De generatione et corruptione, De contemnenda gloria, Liber physico-magicus,
and Apologia pro Mosaica et Christiana Lege, all now lost. The Treccani
biography explicitly says that the long stay in Naples goes back to 1601 and
that his first philosophical production in that city included those lost works;
it does not confirm a surviving printed Physici commentarii from Naples in
1601. [treccani.it] Second, your long discussion of Physici commentarii as a
cited earlier work or notebook is clever and philosophically fruitful, but
bibliographically it must remain cautious. At best one should say that Vanini
refers to earlier physical commentaries or commentarii in a way that may
indicate lost notes, notebooks, or an earlier work. It is not safe to turn that
into a firm standalone publication entry without further manuscript evidence.
So the short clean answer is: H. P. Grice was an Oxford don in the precise
collegiate sense, both Fellow and Tutor in philosophy at St John’s and CUF
University Lecturer in philosophy at Oxford. Giulio Cesare Vanini, by contrast,
was a Carmelite-turned-radical philosopher, jurist, and wandering libertine
intellectual, formed at Naples and Padua, entangled in confessional flight and
publication in England and France, and executed at Toulouse. Institutionally,
Grice belongs to the tutorial-collegiate world; Vanini to the precarious and
censorious world of early modern philosophical heterodoxy. Philosophically, the
contrast is equally clear: Grice analyses the inferential micro-mechanics of
speaker-meaning and implicature, whereas Vanini exemplifies a broader combative
rationalism in which learned ambiguity, irony, and strategic indirection are
tools for pushing inquiry beyond the limits imposed by orthodoxy. And if I
compress it into one line: Grice theorises implicature as cooperation; Vanini
practises indirection as intellectual resistance. If you want, I can now give
you a tighter one-paragraph entry in your preferred style, with the unsafe
Physici commentarii line replaced by the secure early-lost-works formula and
the England–Toulouse trajectory made central.la ragione conversazionale e
l’implicatura conversazionale dei peripatetici del lizio – Grice’s
theory of reason-governed conversational meaning treats “what is meant” as an
achievement of cooperative rational agency: speakers design utterances with
audience-directed intentions, hearers presume a shared purpose in the
talk-exchange, and implicatures are inferred by attributing to the speaker
conformity (or artful flouting) of rational norms such as relevance,
informativeness, and sincerity. Vanini, by contrast, is not offering a
technical account of speaker-meaning, but a polemical, early-modern
“conversational reason” in which disputation, scholastic erudition, and
rhetorical indirection serve a broader program: the emancipation of inquiry
from medieval theology through a radical naturalism and an often strategically
oblique presentation of heterodox theses. If Grice makes implicature a
principled bridge from saying to meaning under norms that make conversation
intelligible as cooperative enterprise, Vanini exemplifies how, in a
confessional and censorious environment, a writer can make the space of
dialogue itself do political-intellectual work: insinuation, irony, and learned
ambiguity become not merely pragmatic phenomena but survival-techniques and
instruments of cultural demolition and refoundation. Where Grice’s “reason” is
fundamentally a normative logic of mutual understanding (a theory of how
rational interlocutors can and do converge on communicated content), Vanini’s
“reason” is a combative rationalism enacted in conversational and dialogical
form, exploiting the gap between literal surface and intended upshot less to
model coordination than to press, evade, and destabilize orthodox authority.
“If you speak Italian, you should never confuse Vanini with Vannini” -- Grice.
– Grice: “When this American philosopher, G. P. Baker, of New Jersey, called me
a ‘heretic,’ I don’t know what he was _meaning_!” -- V. Spirito inquieto, che si sente investito del compito civile di un profondo
rinnovamento politico-culturale dell’uomo e della società, Giulio Cesare Vanini
conduce agli albori dell’età moderna una sistematica demolizione del sapere
teologico medievale e rinascimentale nell’ottica di un razionalismo radicale,
quasi preilluministico, e apre la strada a una rifondazione del sapere sulla
base dell’autonomia della ragione e della natura, con esiti spesso eversivi dei
valori etici e culturali della tradizione cristiana. Nato da Giovan
Battista e da Beatrice López de Noguera, V. prende i voti con il nome di fra
Gabriele nel convento napoletano del Carmine Maggiore e, qualche anno più
tardi, consegue la laurea in utroque iure presso il Collegio dei dottori,
annesso allo Studio partenopeo. Si trasferì a Padova nell’intento di seguire i
corsi accademici in teologia o forse in artibus, ma le sue aspettative sono
bruscamente interrotte da un grave provvedimento disciplinare del generale
dell’ordine carmelitano, Silvio, che mirava a relegarlo in un oscuro convento
del Cilento. Associatosi al confratello Ginocchio, V. preferì tentare la fuga
in Inghilterra, dove forse spera di affermarsi come filosofo-teologo, critico
dei principi del Concilio tridentino. La via della fuga fu accuratamente
preparata dall’ambasciatore inglese a Venezia, Dudley Carleton, che lo affida
alle cure dell’amico Chamberlain e lo pone sotto la protezione del potente
primate d’Inghilterra, Oxford, La statua all’aperto di V., “Il medaglione di V.
a Roma. G. What are you reading, S.? S. Italian. G.
That narrows it down to either cooking or heresy. S. Heresy with footnotes. The archive sort. G. Read me the offending line. S. “La composizione dei Physici
Commentarii risale presumibilmente a tale anno.” G. Risale. S.
Risale. G. I would have used
risalgono. S. Because you’ve already
decided whether the Commentarii are one thing or many. G. Precisely. “Commentarii” are plural. Plural
wants plural. S. Italian is not obliged
to respect your Latin. G. Italian is
obliged to respect sense. Risale makes it sound like a single monolith. S. The phrase “la composizione” makes it
singular anyway. G. That’s another
trick: you singularise the act so you can singularise the object. S. It’s bureaucratic Italian. It likes singular
nouns. G. And “presumibilmente” is the
other giveaway. S. Yes. Presumibilmente
means “we don’t have a dated manuscript, but we’re not fools.” G. It’s the archive’s way of saying “don’t sue
us.” S. Precisely. It’s a hedge with an
academic gown on. G. Now: “a tale anno.”
Which year? S. 1601. G. When he’s sixteen. S. About sixteen. G. So the story is: sixteen-year-old Vanini in Naples,
writing Physici Commentarii. S.
“Writing,” yes—though we are now going to argue about what “commentarii”
commits him to. G. Of course we are.
S. The archive says he “si stabilisce a
Napoli per studiare diritto civile e canonico.” G. Utroque iure. S. Exactly. G.
So: law student, and he writes Physici Commentarii. S. Or he later says he did. G. Ah. Here comes the self-citation. S. You’ll like this. It sounds like your own
favourite evasions. G. Quote it. S. “uti in nostris Physicis Commentariis fusius
lucubrati sumus.” G. That is
magnificent. S. Magnificent because it
avoids explaining. G. Exactly. “We’ve worked
it out more fully elsewhere.” Elsewhere being conveniently lost. S. Or conveniently inaccessible. G. Or conveniently nonexistent. S. That’s your thesis, is it? Fake? G. Not yet. “Works as if it were true” is not
the same as “is true.” S. You’re going
to say it’s a performative reference. G.
No, you are. I’m going to say it’s a rhetorical device. S. Device for what? G. For economy: do not expand; gesture to an
earlier labour; borrow authority from your younger self. S. Borrowing authority from your
sixteen-year-old self seems risky. G.
Only if you imagine sixteen-year-olds are always stupid. S. They usually are. G. Yet Oxford is built on the assumption that
eighteen-year-olds can do Plato. S.
Touché. G. Now, “Physici
Commentarii.” What does “physici” do there? S.
It’s an adjective. Physical. G.
And that matters. S. Because it
may mean “commentaries about physics,” not “a book called PHYSICI COMMENTARII.”
G. Exactly. No capitals in the mind.
S. Whereas modern bibliographies add
capitals and make it look like a title-page. G.
Titles are often retrofits. S.
But “in nostris Physicis Commentariis” sounds pretty title-like. G. It can also mean “in my physical
commentings,” i.e., in those occasions on which I commented on physical things.
S. You mean “commentarii” as a common
noun: notes, jottings. G. Exactly.
Commentarii as notebooks, not as a published work. S. That helps your “fake-but-works” theory.
G. It helps the “not necessarily a book”
theory. S. Fine. Now, what is he doing
when he says “fusius lucubrati sumus”? G.
He is signalling diligence. S.
Lamp-light scholarship. G. Yes:
“I stayed up for this.” And therefore: “trust me.” S. So it’s ethos-building. G. Exactly. S.
And the topic where he does it, you said, is conception of the foetus?
G. You said it. But yes, he uses it when
things get biologically messy. S. The
archive claims he refers to the Commentarii most extensively in Exercitatio L
of De admirandis. G. That’s plausible.
S. And it’s also your sort of move:
avoid the hard bit by citing an earlier, fuller treatment. G. My hard bits are usually in print,
unfortunately. S. You prefer your
evasions recoverable. G. Yes. A
gentleman leaves tracks. S. Vanini
leaves a track to a book that’s vanished. G.
Or never existed. S. Or existed
as a bundle of notes. G. Precisely. Now,
the Italian again. Risale. S. You still
dislike it. G. I dislike it because it
suggests the archive knows more than it does. S. “Presumibilmente” fixes that. G. “Presumibilmente” is the verbal equivalent of
a shrug. S. A shrug with a bibliography.
G. Exactly. S. Now, the other thing: he’s in Naples for law.
G. Utroque iure. S. And yet he’s writing on physica. G. That’s not inconsistent in early modern
education. S. But your story is that
he’s a southern naturalist—Telesio type. G.
A type Bacon liked. S. And we
don’t. G. We like Locke. S. Why do we like Locke? G. Because he makes “nature” safe by making it
“experience” and “ideas.” S. Whereas
Telesio makes it heat and cold and bodies. G.
And Vanini makes it scandalous by making it natural. S. Naturalism didn’t save him from the stake.
G. There’s your punchline, and it’s not
mine. S. It’s yours now. G. Fine: naturalism is no fireproofing. S. Why wouldn’t it be? G. Because the stake is not about your physics,
it’s about your theology. S. But he
thinks theology is bad physics. G. And
that’s exactly why theology burns him. S.
So the Physici Commentarii are already a kind of provocation? G. Not at sixteen. At sixteen it’s safer to call
it “commentary.” S. Commentary is
obedient. G. Yes. “I am only
commenting.” The classic shield. S.
That’s your point about performative. G.
Commenting can be a performative posture: “I am not asserting; I am only
glossing.” S. But you said you can
comment to yourself in the bath. G. I
can. S. So no addressee required.
G. Correct. Commentary can be private.
S. Then “in nostris commentariis” could
mean private notebooks. G. Exactly.
S. Yet he uses it publicly as authority.
G. Yes: private labour leveraged for
public credibility. S. That’s a very
modern academic trick. G. It’s an old
scholastic trick: “I have a longer treatment; I won’t bore you.” S. And the longer treatment is always
“elsewhere.” G. Somewhere uncheckable,
if possible. S. Which makes it
suspicious. G. Suspicious, but
effective. S. So your conclusion is: it
might be fake, but it works. G. My
conclusion is: even if it’s real, the way it’s used is rhetorical. S. That is less exciting. G. Philosophy often is. S. Now, about London. He was “in London too,”
you said. G. Briefly. Not sightseeing.
S. Not the Tower. G. More Lambeth. S. That’s Bruno’s Oxford story shifted south.
G. Yes. People hear “England” and
imagine Oxford; Vanini’s England is Canterbury’s shadow. S. And then he crosses back the Channel. G. For good, effectively. S. And then France, then the books, then the
fire. G. The fire being the one
publisher you can’t refuse. S. Now
you’re enjoying yourself. G. A little.
The phrasing invites it. S. Back to the
title: Physici Commentarii. G. If we
keep it adjectival, it’s “physical commentaries,” not “The Physical
Commentaries.” S. But the archive
capitalises it as a title. G. Archives
love titles. S. Because titles make
cataloguing possible. G. Exactly.
S. But Vanini himself might have meant
only “notes I wrote on physica.” G. Or
“my earlier discussions of physica.” S.
And “physica” means nature. G. In
that period, yes: physica as natural philosophy. S. Not metaphysica. G. He’d keep metaphysica at arm’s length, at
least in that posture. S. “Never
metaphysics—it's all physics to him,” you said. G. It’s a caricature, but not a silly one.
Naturalists like to pretend metaphysics is just bad bookkeeping. S. Yet he uses metaphysical words when it suits
him. G. Everyone does. Even Locke.
S. So the Physici Commentarii are a way
of signalling: I have done the hard natural work. G. Exactly. S.
And thus: I am entitled to make the bolder claim here. G. Yes. It’s a warrant. S. “As I showed elsewhere.” G. Exactly. S.
Now, your bath example. You said you can comment to yourself on Ptolemy.
G. I can. S. In a clear voice? G. If I’m alone, yes. S. Then “commentary” is not essentially
communicative. G. It can be monological.
S. So Vanini could be using
“commentariis” as “I once thought through.” G.
Yes. S. But the Latin is
“lucubrati sumus,” which is writing. G.
It is writing-like labour. It suggests writing, not mere thinking.
S. So more than bath. G. Yes. More lamp than bath. S. Now, your idea that he didn’t use capitals.
G. No one did in the modern sense.
Capitals don’t settle ontology. S. Yet
we treat them as if they do. G. Bibliographers
do. S. Philosophers should not. G. Philosophers should distrust everything that
looks like a title. S. Except when
they’re writing. G. Exactly. S. So, is it fake? G. The safe conclusion is: we don’t know.
S. You hate that. G. I love that. “We don’t know” is the start of
honesty. S. But you also love a sharp
hypothesis. G. Yes. So here is one: the
“Physici Commentarii” were probably a set of youthful notes, later inflated
into a rhetorical authority by a man who needed to look as if he had always
known what he was doing. S. That sounds
plausible. G. It also sounds like
Oxford. S. And yet it didn’t save him
from the stake. G. Nothing saves you
from the stake if the stake is decided by people who think physics is
insolence. S. Why would they? G. Because physics, when it refuses theology,
becomes moral. S. So naturalism is a
moral insult. G. Exactly. S. Then the irony is that his most “physical”
posture is what gets him burned. G.
That’s the punchline. S. You
promised a punchline from you. G. Fine.
Here: Vanini could say “uti in nostris Physicis Commentariis…” for the rest of
his life, and it would still end the same way—because the one commentary nobody
allowed was his comment on God. S.
Brutal. G. Accurate. S. And very 1950. G. In 1950, we prefer our heretics in books, not
in flames. S. And yet you’re pleased by
his rhetorical economy. G. I’m pleased
by any economy that exposes the structure of persuasion. S. Even if it’s a bluff? G. Especially if it’s a bluff. A bluff is an
intention made visible by risk. S. So:
fake, but it works. G. Or real, and it
works the same way.Grice: Carissimo Vanini, lasciami dire che trovo
affascinante la parola "lizio" nei tuoi scritti! C’è un suono che evoca misteri e radici antiche. Puoi raccontarmi qualcosa
in più sul suo significato? O forse c’è, come immagino, una di quelle ambiguità
intenzionali che tanto mi piacciono?
Vanini: Ah, Grice, colpisci proprio nel segno! Il termine “lizio” gioca
con un’ambiguità voluta: da un lato richiama la terra di Lidia, dall’altro il
“likaion”, il luogo sacro al lupo, che gli antichi greci associavano al
ginnasio dove Aristotele, espulso dal Giardino di Eakdemos, trovò rifugio per
filosofare. Insomma, un piccolo enigma—come piace a te—tra storia e mito! Grice: Che meraviglia! Allora, tra “lizio” e
“lupo”, Aristotele non si faceva mancare nulla: dalla cacciata al filosofare in
compagnia del mistero. Mi sa che i tuoi giochi linguistici mi fanno quasi
invidia! Vanini: Ma caro Grice, tu sei
il vero maestro delle sfumature! Se Aristotele fosse qui, si unirebbe a noi per
brindare al piacere delle parole che mordono… come un vero “likaion”! Vanini, Giulio Cesare (1601). Physici
commentarii. Napoli.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vanni –
Ossia: Grice e Vanni: la ragione conversazionale dell’azione e l’implicatura
conversazionale dell’inter-azione conversazionale. Note sulla Filosofia della vita morale. Il Gruppo di Gioco di H. P. Grice. Icilio Vanni
(Città della Pieve, Perugia, Umbria): Compared institutionally, Icilio Vanni is
much closer to H. P. Grice than a poet, actor, or Roman magistrate, because
both are recognisably university intellectuals; but they still belong to very
different academic ecologies. Grice’s formula is exact in the Oxford sense.
Fellow and Tutor in philosophy at St John’s means a college office with
tutorials, students, and membership in the governing life of the college. CUF
University Lecturer in philosophy means a university-wide faculty appointment.
So Grice combines the intimate tutorial culture of the college with the wider
faculty structure of the university. Icilio Vanni belongs to the Italian
university-state world of public chairs, faculties, and legal-philosophical
instruction. He studied at Perugia, became professor there, then taught
philosophy of law at Pavia, Parma, Bologna, and Rome. So he was not a college
fellow in the Oxford sense, but a jurist-philosopher of the chair system,
working in the public university and in the broader nineteenth-century Italian
world of legal theory, sociology, and positivism. That gives the clean
institutional contrast. Grice belongs to the tutorial-collegiate world. Vanni
belongs to the public-professorial and chair-based world of the Italian
university-state system. That institutional difference fits your philosophical
comparison very well. Grice works at the micro-level of rational communication:
how a hearer gets from what is said to what is meant by recognising intentions
and inferring implicatures under shared norms. Vanni works at the macro-level
of law, custom, social action, and institutional normativity. In his world,
speech is one form of social action among others, and its meaning is tied not
only to what one agent intends another to recognise, but to the larger
structures of custom, legislation, and practice that make an utterance count as
binding, relevant, or authoritative in the first place. So if you want the
sharpest formulation, it is this. Grice explains how rational agents coordinate
meanings in conversation. Vanni explains how social agents coordinate conduct
in a normative order. That is why your emphasis on action and inter-action is
genuinely apt. For Grice, conversation is itself a species of rational
interaction, but his main explanatory interest lies in the inferential route
from utterance to meaning. For Vanni, by contrast, utterance is already
embedded in larger practical realities: custom, obligation, law, and the social
life of institutions. If Grice asks how help can be implicated without being
said, Vanni asks what kind of social world must exist for “help” to count as an
intelligible or binding move at all. Your use of consuetudine is also exactly right.
The strongest concrete anchor for Vanni is his early dissertation Della
consuetudine nei suoi rapporti col diritto e colla legislazione, and the first
paragraphs you quoted already show the whole structure of his later philosophy:
theory and history together, law not reduced to legislation, custom as a
formative and surviving source of normativity, and a methodological attempt to
rescue what is true in the historical school without surrendering to
system-spirit. There are only two factual cautions. First, the final
bibliographic tail should be cleaned slightly. It should be Della consuetudine nei suoi rapporti col diritto e colla
legislazione, not conseutudine. Second, “Sotto. Perugia.” is
too vague as a bibliographic endpoint. If you want a proper citation, one would
ideally specify the actual printer or publishing details if they are available
from the title page, rather than just “under” or “thesis under.” So the short
clean answer is: H. P. Grice was an Oxford don in the precise collegiate sense,
both Fellow and Tutor in philosophy at St John’s and CUF University Lecturer in
philosophy at Oxford. Icilio Vanni, by contrast, was an Italian jurist and
philosopher of law, formed at Perugia and later teaching at Perugia, Pavia,
Parma, Bologna, and Rome in the public chair system. Institutionally, Grice
belongs to the tutorial-collegiate world; Vanni to the university-state and
legal-professorial world. Philosophically, the contrast is equally clear: Grice
analyses the inferential micro-mechanics of speaker-meaning and implicature,
whereas Vanni investigates the broader practical and juridical order in which
custom, legislation, and social interaction shape what counts as norm, action,
and coordinated conduct. And if I compress it into one line: Grice theorises
how talk coordinates minds; Vanni theorises how custom and law coordinate
lives. If you want, I can now give you a tighter one-paragraph entry in your
preferred style, or a short note just on Vanni’s Della consuetudine as a
proto-pragmatic text about social normativity.la ragione conversazionale
dell’azione e l’implicatura conversazionale dell’inter-azione conversazionale. Grice’s
theory of reason-governed conversational meaning explains implicature as a
rational upshot of cooperative interaction: speakers are presumed to be
pursuing shared purposes in talk, and hearers reconstruct what is meant (often
beyond what is said) by reasoning about why a contribution was made in that
form, at that point, under norms like relevance and appropriate quantity.
Icilio Vanni (Città della Pieve; jurist and philosopher of law associated with
a “positivismo critico” and a practical orientation to ethics, custom, and
social life) makes a contrasting partner because his emphasis—at least as your
passage frames it—falls less on inference from utterance-content to intended
meaning and more on action and inter-action as the primary reality in which
norms operate: “ragione” shows up as the critical regulation of practices
(including juridical ones), not merely as an interpretive procedure in the
hearer’s head. In that light, Grice’s conversational rationality looks like a
micro-theory of how agents coordinate meanings through intention-recognition,
while Vanni’s “inter-azione” lens suggests a macro-theory in which speech is
one species of regulated social action, continuous with obligation, custom
(consuetudine), and the institutional conditions that make an imperative like
“aiuta!” intelligible as more than a word—namely as a socially binding prompt
to cooperative conduct. Put sharply: Grice models how “help” can be implicated
without being said; Vanni invites the thought that the very point of such
implicatures is practical coordination in a community, where the deepest
“meaning” of an utterance is often its role in shaping or licensing action
within a shared normative order. aiuta, etologia, aiuta conversazionale, imperativo d’aiuta conversazionale.
Filosofo perugino. Filosofo umbro. Filosofo italiano. Città della Pieve,
Perugia, Umria. Essential Italian philosopher. Filosofo italiano. Filosofo e
giurista. M. Roma. Laureato a Perugia, è nominato professore di storia del
diritto nella stessa università; passa a insegnare la filosofia del diritto a
Pavia e quindi a Parma; è chiamato a BOLOGNA e a Roma. Nella filosofia in
genere, e in quella giuridica in specie, segue piuttosto il corrente indirizzo
positivista, ma non ciecamente e con metodo empirico, ché anzi egli è uno dei
più strenui propugnatori del metodo critico. Tra le sue molte opere ricordiamo:
Sulla consuetudine – cf. Grice, costume – sitte -Perugia --; Lo studio
comparativo delle razze nella sociologia -- Perugia; I giurisii della scuola
storica di Germania nella storia della sociologia e della filosofia positiva,
Rivista di filosofia scientifica; Saggi critici sulla teoria sociologica della
popolazione, Annali dell'università di Perugia; Prime linee di un programma
critico di sociologia, Perugia; Gli studii di Maine e le dottrine della
filosofia del diritto, Verona; Il sistema etico-giuridico di Spencer --
prefazione alla traduzione di Spencer, La Giustizia, Città di Castello; La
funzione pratica della filosofia dei diritto, Prelezione, BOLOGNA; Il diritto
nella totalità dei suoi rapporti, Prelezione, Rivista italiana di sociologia;
La teoria della conoscenza come induzione sociologica, e l'esigenza critica del
positivismo; Lezioni di filosofia del diritto, Bologna, riproduzione del corso
tenuto a Roma. Inizia la carriera a Perugia e successivamente insegna a Parma,
Bologna, e Roma. Tra i fondatori del positivismo soziale, la sua
filosofia si ispira a Kant e agli principali filosofi del positivismo. action,
interaction, azione, interazione, Vico, positivismo, positivismo critico,
etologia, ethology, azione ed inter-azione.
G.: Let us begin with the title, because in these
matters the title already tells us that a jurist is trying to sound less dry
than he means to be. Della consuetudine nei suoi
rapporti col diritto e colla legislazione. S.: It is a
magnificent title. It sounds as if custom has been invited to dinner with law
and legislation and is expected to explain itself. G.: Precisely. And Vanni is
not content with one relation. He wants the relation of custom to law, and the
relation of custom to legislation, which means at once that he is
distinguishing two things the ordinary mind often confuses. S.: Diritto and
legislazione. G.: Yes. Law not merely as enacted law. The juridical not merely
as the written code. That is why the thing is philosophically alive from the
first line, despite coming wrapped in the polite dust of a law faculty. S.: And the epigraph? G.: Le droit est la vie. S.: A dangerous sentence. G.: Quite. Any sentence in which law is
identified with life is either a profundity or a nuisance. With luck, both. S.:
Before the profundity, a little bureaucracy. Perugia, 1876, Facoltà di
Giurisprudenza, summer session, dissertation read, publication ordered, poor
Vanni pushed into print by statute, rector, printer, and destiny. G.: Yes. The
formalities are worth remembering because they tell us that this is not a
posturing young man deciding to launch himself as an author. It is a university
object. A dissertation chosen freely, read in session, and then ordered into
print. S.: Which I still maintain sounds more coercive than literary. G.: In
law, coercion is often just administration with a seal. S.: And yet we have the
touching dedication to his dead father, Camillo. G.: Which saves the book from
being merely institutional. There is university machinery on page two and
filial piety on page three. That is Italy. S.: Also very unlike the image of a
cold little jurist chanting statutes. G.: Exactly. We must not let
giurisprudenza make him look duller than he is. The dedication tells us at once
that this first work is also a monument, or rather the young man’s apology for
not yet having a worthier monument. S.: And then immediately the first
paragraph turns into philosophy of history. G.: Read it. S.: Ricercare in via teoretica e provare storicamente quale
sia stata l’influenza della consuetudine nel processo formativo del diritto e
nelle legislazioni dei popoli, stabilire qual conto debba farsi di essa nella
compilazione delle leggi, qual valore le resti dopo che la legge è scritta ed
un Codice è promulgato; ecco i tre punti fondamentali su cui per la sua stessa
natura deve aggirarsi il mio tema. G.: Very good.
There it is. Theory first, then history. Influence in the formation of law and
in the legislations of peoples. Then the role of custom in the making of laws.
Then the value left to it after the law is written and a code promulgated. S.:
Three points, he says. G.: And they are already better than many whole books.
One, what custom did in the genesis of law. Two, what custom should count for
in legislation. Three, what remains of custom once codification arrives. S.:
Which is, if you like, the whole nineteenth-century problem in one sentence.
G.: Quite. And not only nineteenth-century. The old question whether law grows
or is made. Whether it is discovered in usage or imposed in writing. Vico and
Savigny are already waiting in the footnotes to make sure no one forgets. S.: I
was struck by the phrase in via teoretica e provare storicamente. He is almost
over-polite. As if saying, I know this is not enough as pure theory; I shall
also show you that history has actually done this thing. G.: Exactly. The
jurist must not float away. He will theorise, but he will then prove
historically. That pairing is very important. S.: Also rather Kantian, is it
not? Since consuetudine starts sounding like Sitte. G.: Yes, though one should
not flatten the thing too quickly into Kant. Consuetudine in Vanni is not
simply custom as mere habit. Nor is it already ethics in the full Kantian or
Hegelian sense. But yes, the traffic between custom, ethos, mores, Sitte,
morality, and law is exactly where the interest lies. S.: One hears the old
ladder: mos, moris; mores; custom; ethos; ethics. G.: And one hears too the
modern anxiety: if law is merely legislation, then custom looks primitive. If
law is broader than legislation, then custom becomes foundational. Vanni is trying to prevent both simplifications. S.: Continue. Tema del
quale io non dissimulai certo a me stesso la gravità e la difficoltà
imprendendo a trattarlo, mentre ad esso fanno capo questioni e problemi che
formano, direi quasi, il punto principale di divergenza delle diverse scuole e
dei vari sistemi della scienza giuridica. G.: There is a
good old-fashioned sentence. He does not conceal from himself the gravity and
difficulty of the theme. S.: A nice piece of pre-emptive modesty. G.: Modesty,
yes, but also a claim. If the theme is the principal point of divergence among
schools and systems of jurisprudence, then his little dissertation has chosen,
not a corner, but the crossroads. S.: Which is already less dry than “I have
written a little thing on custom.” G.: Much less dry. He is saying: here is
where the schools divide. Here is where jurisprudence shows its philosophy. S.:
So this is why the law faculty matters. It is not merely teaching poor boys to
cite the code. G.: Exactly. The law faculty in the nineteenth century is still
thick with philosophy of history, philosophy of law, the German school,
codification debates, the relation between people, state, and legislation. S.: Then he grows a little sharper. Si aggiunga che le vere e giuste
teoriche formulate sull’argomento vennero spesso per spirito di sistema confuse
colle esagerazioni e cogli errori della scuola che le avea originate, e colle
altre teoriche di essa repudiate ad un fascio. G.: Yes.
That is an excellent complaint. True and just doctrines have often been
confused, from spirit of system, with the exaggerations and errors of the
school from which they arose. S.: In other words, people throw out the good
with the bad because they hate the school. G.: Precisely. If custom is favoured
by the historical school, then those who dislike the historical school dismiss
custom along with all the rest. Vanni is trying to rescue what is true from
what is partisan. S.: That already sounds like a critical positivist before the
label hardens. G.: Yes. He is not blindly historical, not blindly positivist,
not blindly anti-historical either. He is making distinctions where schools
prefer banners. S.: Which is why he quotes Vico first? G.: Vico first in the
note is very significant. The vera origine del diritto divinata dal Vico.
Splendid. Vico divined the true origin of law; the German historical school
then demonstrated scientifically what Vico had divined. S.: Divined first,
demonstrated later. Intuition and science, Naples and Germany. G.: Quite. And
the presence of Savigny immediately after Vico tells you where Vanni’s axis
lies. Law is not first the sovereign’s command. Law arises historically in the
life of a people, in institutions, usage, custom. S.: Volkgeist, but made
respectable in Perugia. G.: Respectable, yes, and also Italicised. Vico gives
the jurist a native ancestor so that Savigny does not seem like a German
importation without passport. S.: Let us dwell on consuetudine itself. G.:
Gladly. It is a lovely word. Not merely habit. Not merely usage. It is
something grown by repeated social practice, with normative force attaching to
repetition not as repetition alone, but as recognised repetition. S.: So custom
is not just “what people happen to do often.” G.: Exactly. Otherwise every tic
would become law. Consuetudine names a socially acknowledged pattern with
authority. S.: More like the point at which usage thickens into expectation and
expectation thickens into obligation. G.: Excellent. That is exactly the
movement. And this is why Kant lurks nearby. Sitte is not mere habit either. It
is custom in the thick sense, social norm sedimented into life. S.: And once
social norm thickens enough, it begins to look ethical. G.: Or juridical. That
is Vanni’s whole problem. How does the thickened social norm relate to law
proper and then to legislation? S.: The distinction is almost irresistible.
Diritto can include consuetudine; legislazione writes. Diritto may be broader
than what legislators have enacted. G.: Precisely. Written law is one species
of juridical form. Custom may pre-date it, guide it, survive it, even undermine
it. S.: Which brings us back to his third question: what value remains to
custom after codification. G.: A beautiful question. For codification always
claims finality. The code says: here the law is written, arranged, promulgated,
closed. Vanni asks: yes, but does custom simply vanish because the printed code
has arrived? S.: And I suspect he thinks not. G.: I suspect so too. But one
ought to re-read the whole thing, as I indeed must, because these early pages
already show the architecture of the answer without settling every detail. S.:
You keep saying “I must re-read,” which is philosopher’s Italian for “I do not
yet dare dogmatise.” G.: Quite. I leave dogmatising to codifiers and the
younger Kantians. S.: Let us bring Kant in more sharply. If custom is Sitte, where
does law stand? In Kant one has legality and morality, external law and inner
motive. G.: Yes, but Vanni is not simply reproducing Kant’s map. He is nearer
the legal-historical question of how objective norms arise in social life.
Kant’s moral law is not made by custom. Vanni’s point is rather that custom is
a real historical source of juridical normativity, and that legislation ignores
this at its peril. S.: So consuetudine is not the moral law within, but the
social law before the law. G.: Very nice. The social law before the law, and
sometimes beneath the law, and sometimes after the law. S.: And perhaps against
the law. G.: Indeed. Every codifier hopes otherwise. Every society proves him
wrong eventually. S.: The etymology of consuetudine? G.: From consuescere, to
become accustomed, to grow used together. The con- matters. Not solitary habit,
but shared habituation. S.: Shared habituation becoming norm. G.: Exactly. And
that is why one must not reduce it to mere frequency. The force lies in the social
recognition that this is how things are done, and therefore how they ought, in
some measure, to be done. S.: So when sociology becomes ethics? G.: Or better,
when social fact begins to carry normative weight. Which is precisely the
dangerous moment. For the sociologist may say, this is what occurs. The jurist
asks, does this occurrence have juridical value? The moralist asks, should it?
Vanni is standing where all three begin quarrelling. S.: And there is Vico
behind them all, saying that law emerges from the life of peoples, their
institutions, their history, their poetic wisdom perhaps. G.: Yes. Vico is
there as Italian ancestor and as rebuke to the pure legislator. Law begins in
life before it is written in codes. S.: Le droit est la vie. G.: Exactly. Which
is why the epigraph is not decorative. It is the thesis in miniature. S.: And
yet dangerous, as I said, because one may then make all life juridical or all
law vitalistic. G.: True. But Vanni’s first paragraph suggests he is more
cautious. He wants influence, role, residue. He is not simply collapsing law
into life. He is tracing relations. S.: The word rapporti in the title is doing
work. G.: Very much so. Rapporti implies articulation, not identity. Custom in
its relations with law and legislation. Not custom is law, nor custom versus
law, but relations. S.: That sounds almost like your beloved category of
relation. G.: Everything sounds like relation if one has read enough Aristotle
and enough law. S.: I was amused by the bibliography in the footnote. Vico,
Savigny, Puchta, Stahl, Comte, Scolari, Saredo, Cavagnari, Pepe. It is half
legal history, half philosophy of history, half sociology before sociology
knows its name. G.: Three halves, which is already jurisprudence. S.: So the
law dissertation is not a small provincial thing at all. It is reading Germany,
Vico, codification, history, sociology. G.: Precisely. That is why the Perugia
faculty matters. Giurisprudenza in the 1870s is still philosophically ambitious
in a way later law schools are often embarrassed to be. S.: And the printer
Santucci is unwittingly publishing a little treatise on the philosophy of
history under the title of law. G.: Quite. Poor Santucci thought perhaps he was
setting a dissertation on custom and legislation. He was typesetting the
quarrel of schools. S.: Let us imagine the general reader who picks it up. G.:
A dangerous general reader, but yes. S.: He opens it expecting perhaps
practical reflections on whether custom counts after the code. Instead he gets
theoretical research, historical proof, schools of jurisprudence, and Vico in
the first note. G.: Which is the right kind of bait-and-switch. One promises
law and delivers philosophy with footnotes. S.: Vico as first note also means
Vanni knows exactly how to make the thing Italian before he lets Germany take
over. G.: Yes. He can say, in effect: what the Germans have made scientific,
Vico had already divined. The Italian jurist need not feel intellectually
colonised. S.: That would have appealed to a Grice who liked to hear Oxford
called Boum Vadum and everything else given its proper ancestral vanity. G.:
Certainly. Grice would have appreciated the way a first footnote can do
genealogical politics. S.: And the dissertation being undivided, one title, no
subsections, all numbered paragraphs. G.: That too is important. The thing
proceeds as one argument. No modern padding, no little headings to flatter the
hurried reader. You must follow the reasoning, not skip to “Section IV: Key
Takeaways.” S.: A blessing. G.: Quite. Also a sign that the intended reader is
serious, or at least being compelled to be serious. S.: I suppose with no
headings the footnotes do even more orienting work. G.: Indeed. The footnotes
are the hidden architecture. They tell you the schools, authorities, disputes,
and lineages while the main text keeps an oratorical surface. S.: So again not
unlike the old law-faculty style: the main line smooth, the subterranean
apparatus bristling. G.: Exactly. Jurisprudence on top, philosophy underneath,
history everywhere. S.: Do you think Vanni’s point about custom surviving the
code would have interested Kant? G.: Not Kant as pure moral legislator,
perhaps, but Kant as legal philosopher could not ignore it. For positive law
always lives in a social world whose practices pre-structure obedience,
interpretation, and legitimacy. S.: So even the categorical imperative cannot
stop people doing what they are used to doing. G.: Quite. And legislators
ignore consuetudine at their peril because a code without custom beneath it is
merely paper with ambition. S.: That is a sentence worthy of the title page.
G.: Thank you. Santucci might have set it badly. S.: Let us return to the
phrase processo formativo del diritto. G.: Very important. Law is not simply
posited at once. It has a formative process. Custom is influential in that
process. That alone already resists the fantasy that law begins where
legislation begins. S.: Which is a fantasy codifiers and schoolboys both love.
G.: Yes. Schoolboys because it is neat. Codifiers because it is flattering. S.:
But Vanni begins with process and peoples. G.: And with legislazioni dei
popoli, not of one state only. That comparative breadth matters. He is already
thinking historically and comparatively, not merely doctrinally. S.: Which also
makes the title of the dissertation narrower than the first paragraph. The
first paragraph almost opens a universal jurisprudence. G.: Quite. A good title
contains a tractable object. A good first paragraph reveals that the object is
a gateway to everything. S.: So if one wanted a Gricean point, one could say
the explicit theme is custom and law, the implicated theme is the entire
contest over the sources of normativity. G.: Very nice. And the implicature is
not accidental. Vanni knows that to speak of consuetudine in 1876 is already to
invoke Vico, Savigny, codification, positive science, sociology, and the
quarrels of schools. S.: Another dry joke. One writes “on custom” and ends up
with the fate of jurisprudence. G.: That is the only respectable way to write a
dissertation. S.: I am still thinking about your distinction between law and
legislation. It feels almost like langue and parole, except juridical. G.: A
little dangerous, but suggestive. Legislation is a formal act, codified, dated,
promulgated. Diritto is the broader juridical order in which such acts take
their place and from which they derive authority or contest it. S.: Then custom
is the sediment that makes positive law intelligible. G.: Often so. And
sometimes the residue that survives when positive law fails. S.: Which makes
Vanni already a little sociological. G.: Yes, but not sociology without norm.
He is not merely observing habits; he is asking their juridical significance.
S.: So more than sociology, less than pure metaphysics. G.: Exactly. Or rather,
metaphysics smuggled in through juridical history. S.: Which is perhaps the
only way metaphysics survives in a law faculty without making the students
flee. G.: Very likely. S.: Let us have Vico again. La vera origine del diritto
divinata dal Vico. G.: I love the divinata. Vico did not merely speculate; he
divined. There is almost an oracular dignity in it. S.: Then Savigny proves
scientifically what Vico divined poetically. G.: Yes. That pairing is perfect
for nineteenth-century Italy. Native genius first, German science second.
National vanity reconciled with scholarly dependence. S.: And Vanni sits in
Perugia making the whole thing sound sober. G.: Exactly. Sobriety is one of the
great masks of ambition. S.: Do you think the thing would have been read by a
general reader at all? G.: Perhaps not many. But the general reader who did
open Santucci’s little volume would find, beneath the legal typography, a live
quarrel about the life of law. S.: So not wholly narrow after all. G.: Narrow
in title, broad in implications. Which is often the right measure. S.: And the
law-faculty order to print the dissertation almost improves the joke. The
institution compels into print a little treatise explaining that law is older
and wider than institutions think. G.: Very good. The faculty orders
publication of a dissertation whose first move is to remind legislation and
institutions that they are not the beginning of law. S.: That is very nice
indeed. G.: Bureaucracy often unknowingly sponsors its own relativisation. S.:
Shall we bring in Grice more directly? G.: Only lightly. Grice would not care
for custom in the legal-historical sense as such, but he would care intensely
about the way social practice underwrites normativity without always being
explicit. His maxims presuppose a background of shared practice. Vanni’s
consuetudine is one way of naming that background on the juridical side. S.: So
where Grice says conversational practice, Vanni says custom. G.: More or less.
Though Vanni’s scale is larger and institutional. Grice is micro-juridical, if
one may put it that way. Vanni is macro-pragmatic. S.: I am stealing that. G.:
Theft is permitted in scholarship if properly footnoted. S.: Let us end where
we began: Perugia, 1876, summer session, law faculty, dissertation read,
publication ordered, dedication to father, and then this first paragraph
opening a world. G.: Exactly. That is the right frame. The book begins as a
university object and immediately becomes a philosophy of juridical life. S.:
And one must now go through the 150 pages to see whether the promise of the
first paragraph is kept. G.: Yes. One must. Philosophy often begins in a title,
reveals itself in a first paragraph, and then depends for its honour on whether
the remaining hundred and fifty pages are not mere obedience to the printer.
S.: Santucci did his part. G.: He did. Vanni, we shall see, must do the rest.
S.: And if he does? G.: Then the little Perugian dissertation on consuetudine
turns out not to be a relic of juridical antiquarianism but a live document in
the struggle to explain how law grows from life without dissolving into mere
life. S.: Le droit est la vie. G.: Yes. And the jurist’s task is to say that
without becoming a windbag. S.: Which is why one starts with Vico and ends with
caution. G.: Precisely.Grice: Professore Vanni, sappia che è solo
grazie alle sue riflessioni sull’inter-azione che oggi posso, con tutta la
gravità che l’occasione richiede, presentare al mondo l’“imperituro” Principio
dell’Aiuta Conversazionale! (Applausi immaginari, prego!) Vanni: Caro Grice, se
l’inter-azione ha dato vita a un principio così solenne, mi sento quasi un
etologo premiato! Ma mi dica: ci sarà anche una statuetta dorata per il miglior
aiuto conversazionale? Grice: Altroché! Prevedo una gran cerimonia, con
discorsi pieni di sottointesi e applausi tra le righe. E magari, per
tradizione, una stretta di mano all’insegna della massima cooperazione…
conversazionale, s’intende! Vanni: Ecco, Grice, era ora che qualcuno
riconoscesse il valore dell’aiuta! Se Aristotele avesse potuto, avrebbe
aggiunto un capitolo sulle chiacchiere ben fatte: “Etica a Nicomaco… e a
Conversaco!” Vanni, Icilio
(1876). Della conseutudine nei suoi rapporti con diritto e colla legislazione.
Sotto. Perugia.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vannuchi
– Ossia: Grice e Vannucchi: la ragione conversazionale – filosofia italiana.
Note su I Giacobini. Il Gruppo di Gioco di H. P. Grice. Luigi Vannucchi
(Caltanisetta): Compared institutionally, V. and Grice belong to very different
worlds. Grice’s formula is exact in the Oxford sense. Fellow and Tutor in
philosophy at St John’s means a college office with tutorials, students, and
membership in the governing life of the college. CUF University Lecturer in
philosophy means a university-wide faculty appointment. So Grice combines the
two characteristic Oxford functions: college tutor and university lecturer.
Luigi Vannucchi, by contrast, belongs to the theatrical and performative world
rather than to a collegiate or professorial one. He studied at the Accademia
Nazionale d’Arte Drammatica in Rome, acted with major companies, moved through
stage and television, and became known through roles in classical tragedy,
Shakespeare, modern drama, and television productions. He studied philosophy
alongside acting, but his institutional identity remained that of actor and
performer, not tutor or lecturer. So the clean institutional contrast is this.
Grice belongs to the tutorial-collegiate and university-faculty world.
Vannucchi belongs to the theatrical, dramatic-academic, and
broadcast-performance world. That institutional difference fits your
philosophical comparison rather well. Grice works at the micro-level of
rational communication: how a hearer recovers what a speaker means by
recognising intentions and inferring implicatures under conversational norms.
Vannucchi, by contrast, works in the medium that makes those phenomena visible
in a public and embodied form. Theatre and recitation make pause, intonation,
timing, facial tension, and silence part of meaning itself. In that sense, what
Grice analyses abstractly, Vannucchi operationalises performatively. The
actor’s craft is to make the audience recover more than the sentence says,
reliably and at scale. So the sharpest formulation is this. Grice explains how
meaning exceeds the sentence in ordinary conversation. Vannucchi demonstrates
how meaning exceeds the sentence in performance. That is why your choice of the
1958 Cetra record is actually excellent. A recited political speech, especially
something like Saint-Just on the trial of Louis XVI, is exactly the kind of
object where tone, pacing, and rhetorical force do much of the work that a
philosopher would call pragmatic or implicatural. The line is not merely a
proposition; it becomes a cue to the audience’s inference about necessity,
virtue, inevitability, danger, or terror. There are, however, two factual
cautions. First, the birthplace line “Caltanisetta” should be checked carefully.
The biographical note you give places the family in Cirenaica, then Rome, then
Modena, and one would want a secure source before fixing a heading in that way.
Second, the title line at the end should be treated as a performance/document
record, not a normal philosophical publication. “I Giacobini,” Cetra, Collana
Letteraria Documento, CL 0435, with text recited by Zardi and side A devoted to
Saint-Just’s discourse, is the right kind of citation if you are treating
Vannucchi as curator, editor, or authorial frame in a performative medium. But
it is not the same sort of bibliographical object as a monograph. So the short
clean answer is: H. P. Grice was an Oxford don in the strict collegiate sense,
both Fellow and Tutor in philosophy at St John’s College and CUF University
Lecturer in philosophy at Oxford. Luigi Vannucchi, by contrast, was an actor
trained in the dramatic academies and companies of modern Italy, active in
theatre and television rather than in a university-faculty structure. Institutionally,
Grice belongs to the tutorial-collegiate world; Vannucchi to the theatrical and
performative world. Intellectually, however, the contrast is illuminating:
Grice analyses the inferential micro-mechanics of meaning in conversation,
whereas Vannucchi shows, through disciplined performance, how timing, pause,
tone, and public expectation make the unsaid inferable to an audience. And if I
compress it into one line: Grice theorises how conversation implies; Vannucchi
performs how speech exceeds itself. If you want, I can now give you a tighter
one-paragraph entry in your preferred style, or a shorter note specifically on
Vannucchi as an actor of implicature.la ragione conversazionale. Grice’s
theory of reason-governed conversational meaning explains how an audience gets
from what is said to what is meant by attributing intentions under shared norms
of cooperative talk; implicatures are what a competent hearer is rationally
entitled to infer when an utterance appears (on its face) under-informative,
oblique, or otherwise non-maximal, yet is still presumed to be a purposeful
move in the exchange. Vannucchi), read through the theatrical trajectory in
your passage (classical training, philosophical study alongside acting, major
stage roles such as Laerte, Tieste, Antigone, Prometeo, and the famous Don
Rodrigo on television), supplies a concrete analogue: theatre makes
conversational reason visible by turning pragmatic inference into a public
skill—timing, pause, gaze, and intonation become systematic devices for getting
the audience to infer what is not explicitly stated. Where Grice offers a
general explanatory model (maxims, calculability, cancellability) of how
implicature arises in ordinary talk, Vannucchi’s medium operationalizes the
same rational dependence on shared expectations: a line can be literally bland
yet, in context, carry the real content because the actor’s delivery cues the
viewer to recover it. The contrast is thus methodological and evidential: Grice
argues from idealized conversational rationality to the structure of meaning;
Vannucchi demonstrates, in performance, that meaning routinely exceeds the
sentence and is governed by disciplined audience-design, so that “ragione
conversazionale” is not only a philosopher’s reconstruction but an actor’s
daily craft—an art of making the unsaid inferable, reliably, to a room of
strangers. filosofo È il padre dell'attrice Sabina V. Onorato e V. in una scena
di Uomini e topi V. nei panni di Don Rodrigo e Girotti in una scena de I
promessi sposi V. nacque in una famiglia colta e agiata. Molto presto la famiglia si trasferì in Cirenaica per motivi di lavoro, e
dopo tre anni torna in Italia per stabilirsi a Roma, dove V. trascorse
l'infanzia. Durante la guerra il padre accetta di lavorare a Modena all'ufficio
del Catasto. Qui V. frequenta brillantemente il liceo classico e si interessa
alla letteratura e alla poesia. Alla fine del liceo, contro il parere dei
genitori, decide d'iscriversi all'accademia nazionale d'arte drammatica di
Roma, diplomandosi assieme ad attori del calibro di Mauri, Graziosi, Sperlì e
all'allora allievo regista Camilleri; già durante i corsi ha modo di segnalarsi
come attore promettente in occasione dei saggi di fine anno. Prima ancora di
diplomarsi, i suoi docenti Amico e Costa lo fanno debuttare nella parte di
Cristo nel lavoro teatrale Donna del Paradiso. Studia contemporaneamente
filosofia -- entra a far parte della compagnia Gassman-Squarzina, e ottenne
successo con rappresentazioni classiche: affianca Gassman in Amleto,
interpretando la parte di Laerte, poi interpretò Tieste, I Persiani, Antigone e
Prometeo. Passa alla compagnia del Teatro Nuovo di Bosio con diversi
spettacoli, tra cui la trasposizione teatrale di Buio a mezzogiorno di Köstler.
Ardenzi lo coinvolse in una tournée nell'America del Sud - Brasile, Argentina,
Uruguay - organizzata con l'appoggio del Ministero dello Spettacolo. Fra i
partecipanti attori del calibro di Anna Proclemer, Giorgio Albertazzi, Renzo
Ricci, Eva Magni, Tino Buazzelli, Glauco Mauri, Davide Montemurri, Franca Nuti
e Bianca Toccafondi. A parte il Re Lear di Shakespeare, che vedeva riuniti
nello stesso spettacolo tutti gli attori principali della compagnia, il
repertorio era tutto italiano: Corruzione al Palazzo di giustizia di Betti. G. You’ve brought me music. S. I’ve brought you a disc. G. That’s what I meant: something with
instruments, not with tribunals. S. This
is an instrument. It’s just an instrument of the guillotine. G. Don’t be melodramatic. S. It’s Saint‑Just. G. In Italian? S. In Italian. G. That is the first eccentricity. S. Not the last. It’s under Vannucchi’s name.
G. Luigi Vannucchi? S. Luigi Vannucchi. 1958. Cetra.
Collana Letteraria Documento. CL 0435. G.
You’ve memorised the label like a creed. S. I’ve memorised it because you can’t bear
details unless they’re printed. G. And
who speaks? S. Federico Zardi. G. So: Saint‑Just wrote, Zardi recites,
Vannucchi edits, Italy presses, and you buy. S.
Exactly. A cooperative enterprise aimed at a very non‑cooperative event.
G. Put it on.
S. Side A. “Discorso di Saint‑Just sul
processo a Luigi XVI.” G. “Sul
processo.” Not “per.” Not “in difesa.” Good. S. You sound relieved. G. I’m relieved only that it isn’t titled “It is
my pleasure.” S. Don’t start. G. Fine. But I thought you were bringing music,
and it’s a speech. S. A speech is music
if you dislike melody enough. G. I
dislike speeches precisely because they think they are music. S. Listen. It’s all cadence. G. It’s all doom. Now, why have it in Italian?
S. Because someone decided that French
terror should be exportable. G. Or
because Italian actors can’t resist rhetorical theatre. S. Vannucchi, remember, is theatre. The whole
point is performance as reasoning. G.
That’s your Gricean moral, is it? S.
Yes: implicature by intonation. G.
In a discourse about killing a king. S.
Exactly. The crowd laughs at a pause and the blade falls on a premise.
G. You’re still being melodramatic.
S. You’re avoiding the obvious
comparison. G. Charles I. S. Yes. G.
The English did it with a block and a prayer, not with a machine and a
pamphlet. S. And with considerably less
theatrical theory. G. Less theory, more
ceremony. S. Saint‑Just is theory as
ceremony. G. He’s also youth with
certainty, which is always alarming. S.
Like an undergraduate with a first and a guillotine. G. Now, the comparison: does Saint‑Just sound
like the English regicides? S. Not
quite. The English tend to justify by scripture and legality. G. Whereas Saint‑Just justifies by “the people,”
and treats legality as a costume. S. And
the guillotine makes the costume look clean. G.
There: the machine. It changes everything. S. Because it turns execution into procedure.
G. Exactly. “We’re not murdering; we’re
administering.” S. Like examinations.
G. Don’t insult examinations. S. The Examination Schools would be flattered.
G. The French would have held the trial
in a hall and sold tickets. S. They did,
in effect. G. And now Cetra sells it on
vinyl. S. Which is the oddest part: a
long‑playing record for a short‑lived king. G.
How long is it? S. Long enough to
remind you that rhetoric can be stretched like a sentence. G. And this is all in Italian. S. That’s what delights me. Italian doing the
work for French about a king of France. G.
It’s like translating an execution into an aria. S. Precisely. G.
Now: Charles I. Imagine an LP: “Discorso di Cromwell sul processo a
Carlo I.” S. It would sell poorly in
Oxford. G. It would sell too well in
some other places. S. And nobody wants
to hear our own macabre history read aloud in the sitting room. G. We prefer it footnoted. S. Whereas the Italians prefer it performed.
G. Now, Vannucchi’s role: he’s
presumably curated or adapted. S. Yes:
he’s the named “author” because someone has to be responsible. G. Responsibility is the one thing guillotines
always outsource. S. And records, too.
G. Now, compare the rhetoric. Saint‑Just
speaks as if the king’s death is a syllogism. S. And the syllogism is: if king, then enemy; if
enemy, then death. G. Whereas the
English argued as if they were still hoping to be lawful. S. They wanted to be lawful while doing
something law had never licensed. G.
Exactly. The French were at least honest about the rupture. S. Honest, or merely louder. G. Louder. But in Italian it becomes… what?
S. More operatic. Even when it tries to
be dry. G. I can hear the vowels
rounding the knife. S. And Zardi gives
it the Roman actor’s weight. G. Which
makes it feel like tragedy rather than pamphlet. S. But it was pamphlet. G. And that’s the difference: the LP dignifies
it. S. Like printing minutes. G. Like publishing “verbali.” S. Exactly. G.
So what you’ve bought is a performed document: rhetoric disguised as
record. S. Or record disguised as
rhetoric. G. Now, what’s the Gricean
angle? S. That the discourse is designed
to make the audience infer necessity. G.
Necessity? S. Yes: not “we choose
to kill him,” but “we must.” G. That’s
the implicature: inevitability. S. And
it’s done by making alternatives unspeakable. G. Underinformativeness with a blade behind it.
S. Exactly. G. And in Italian, the underinformativeness
becomes even stranger, because Italy isn’t killing Louis. S. So the audience is only overhearing. G. Overhearers of a revolutionary speech,
sixty‑odd years late, in another language. S.
Which means the speech becomes pure performance. G. It loses the immediate coercive force.
S. And gains aesthetic force. G. Which is precisely what worries me about it.
S. Because aesthetic force can make
cruelty feel noble. G. Yes. S. Whereas the English version of Charles I’s
death always feels muddy. G. Because the
axe is messy. S. And the language is
legalistic. G. And the crowd is cold
rather than ecstatic. S. The guillotine
is a machine that makes death look efficient. G. And efficiency looks like reason, which is
the great fraud. S. Saint‑Just sells
death as reason. G. Vannucchi sells
Saint‑Just as theatre. S. And Cetra
sells theatre as “Documento.” G. This is
beginning to feel like a chain of authorship designed to erase guilt. S. You’re being moral. G. I’m being English. S. Compare: Charles I. No LP. G. Thank goodness. S. But we do have printed speeches. G. Yes, but we don’t put them on a turntable.
S. We put them on a syllabus. G. Which is worse. S. How? G.
Because then you examine them. S.
You examine Saint‑Just too, apparently. G. I examine the fact you bought him. S. I bought Vannucchi, really. G. That’s your Italian defence. S. Exactly. “I bought it for the acting.”
G. And therefore the content is
incidental. S. Like buying poison for
the bottle. G. Don’t push it. S. All right. What do you think Saint‑Just would
have said about Charles I? G. He’d have
been bored. S. Why? G. No machine. No clean logic. Too much prayer.
S. And what would Cromwell have said
about Louis XVI? G. He’d have thought
the French were theatrically impatient. S.
That’s accurate. G. The English
like their regicide to look accidental. S.
The French like it to look necessary. G.
And the Italians like it to sound beautiful. S. That’s your prejudice. G. It’s my experience of vowels. S. Listen: Zardi is now doing the bit where
inevitability becomes virtue. G. Yes. He
makes “must” sound like “noble.” S.
Which is the actor’s craft. G.
And Grice would say: the audience supplies the rest. S. The implicature, yes. G. The implicature is: if you hesitate, you are
complicit. S. That’s the most coercive
implicature there is. G. And it makes me
grateful we didn’t press an LP of Charles I. S.
Because then we’d have to listen to ourselves. G. And English self‑listening is always
embarrassing. S. Whereas Italians enjoy
it. G. They call it “bella voce.”
S. So what shall we do with this record?
G. Put it back in its sleeve and pretend
it was music. S. That’s cowardly. G. No. That’s civilized. S. Then your punchline? G. If you must have Saint‑Just on vinyl, at
least admit what the format means: the Revolution has become background music. S. And mine? G. Go on. S.
That if anyone ever makes “Discorso su Carlo I” as an LP, we’ll call
it—Collana Letteraria Documento—CL 0001: “Testo recitato da un boia; lato A:
silenzio.”Grice: Vannucchi, ho letto con curiosità la sua esperienza tra
filosofia e teatro. Secondo lei, la scena teatrale può aiutare a spiegare
meglio le implicature conversazionali di cui tanto discutiamo? Vannucchi: Caro
Grice, assolutamente! Il teatro, come la filosofia, vive di sottointesi e
sguardi. Ogni battuta cela significati che vanno oltre le parole, e il pubblico
sa coglierli con una sensibilità speciale. Grice: È vero, spesso la verità si
nasconde tra le righe. Mi chiedo: qual è, secondo lei, il valore della
conversazione nella formazione dell’attore e del filosofo? Vannucchi: La
conversazione, Grice, è l’anima di entrambe le discipline. Nel dialogo si
scoprono nuove prospettive e si affinano le emozioni. Senza lo scambio vivo, né
la filosofia né il teatro potrebbero rinnovarsi davvero! Vannucchi, Luigi (1958). I Giacobini.
Cetra (Collana Letteraria Documento), CL 0435. (Testo recitato da Zardi; lato
A: Discorso di St. Just sul processo a Luigi XVI.)
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vannucci
– Ossia: Grice e Vannucci: la ragione conversationale. Note su Libertà dello spirito. Il Gruppo di Gioco di H. P. Grice. Giovanni Vannucci (Pistoia): Institutionally, Giovanni Vannucci is very
different from Grice, though both are recognisably teachers in worlds shaped by
disciplined verbal practice. Grice’s formula is exact in the Oxford
sense. Fellow and Tutor in philosophy at St John’s means a college office with
tutorials, students, and membership in the governing life of the college. CUF
University Lecturer in philosophy means a university-wide appointment in the
faculty structure. So Grice combines the two classic Oxford functions: college
tutor and university lecturer. Giovanni Vannucci belongs to a different
institutional ecology altogether. He was a Servite priest, biblical scholar,
teacher of exegesis and biblical languages, and later spiritual master and
founder of a community at the hermitage of San Pietro alle Stinche. His
authority came not from a collegiate tutorial post but from religious
formation, theological study, teaching within the Servite world, and the
ethical-spiritual force of his preaching, writing, and communal life. So the
clean institutional contrast is this. Grice belongs to the tutorial-collegiate
and university-faculty world. Vannucci belongs to the ecclesial-theological and
eremitical-communal world. That institutional difference fits the philosophical
comparison rather well. Grice works at the micro-level of rational
communication: how a hearer gets from what is said to what is meant by
recognising intention and inferring implicature under shared norms. Vannucci,
by contrast, works at a different level and toward a different end. In his
world, conversation is not primarily an inferential technique for recovering hidden
speaker-meaning. It is a spiritual practice of listening, welcoming, silence,
prayer, and communal transformation. The unsaid is often not a calculable
implicature but a space in which another person, or God, may be received. So
where Grice is primarily epistemic and pragmatic, Vannucci is ascetical and
ethical. That gives the sharpest contrast. Grice explains how one interlocutor
means something to another. Vannucci treats speech and silence together as a
discipline by which persons are formed toward truthfulness, charity, and shared
spiritual recognition. Your comparison is therefore good, but it should remain
clear that Vannucci is not really a theorist of implicature in the Gricean
sense. He is closer to a theologian of conversation and silence. If one uses
the Gricean lens at all, one should say that in Vannucci the implicit is not
chiefly a hidden proposition but an invitation, a dispositional opening, or a
transformation of stance. The bibliographic line you give is also plausible in
spirit, but it should be handled carefully. Libertà dello spirito in 1967, in
the ecumenical setting you describe, is a good anchor for this phase of
Vannucci’s thought, especially because it places him in a world where speech is
already communal and ecumenical rather than merely private or propositional.
But if one were finalising a dossier, I would want a secure catalogue record
for the exact imprint details before fixing them. So the short clean answer is:
H. P. Grice was an Oxford don in the strict collegiate sense, both Fellow and
Tutor in philosophy at St John’s College and CUF University Lecturer in
philosophy at Oxford. Giovanni Vannucci, by contrast, was a Servite priest,
teacher of biblical languages and exegesis, and later spiritual guide whose
life moved between theological teaching, social initiatives, and eremitical
community. Institutionally, Grice belongs to the tutorial-collegiate world;
Vannucci to the ecclesial and communal world of theological and spiritual
formation. Philosophically, the contrast is equally clear: Grice analyses the
inferential micro-mechanics of conversational meaning, whereas Vannucci treats
conversation and silence as a practice of spiritual truthfulness, hospitality,
and transformation. And if I compress it into one line: Grice theorises how
conversation means; Vannucci exemplifies how conversation, and silence, can
sanctify. If you want, I can now give you a tighter one-paragraph entry in your
preferred style, or a shorter note specifically on Vannucci and the relation
between speech, silence, and spiritual authority.la ragione
conversationale -- Grice’s theory of reason-governed conversational
meaning explains how hearers get from what is said to what is meant by assuming
cooperation and rationality in a talk exchange (the Cooperative Principle and
maxims), so that implicature is the orderly product of an interpreter’s
reasoning about why an apparently under-informative, indirect, or stylistically
marked utterance was nonetheless the right contribution at that point. Giovanni
Vannucci (1913–1984), Servite priest and biblical theologian shaped by the
Angelicum, teaching of exegesis and biblical languages, and the lived
alternation between city initiatives (with David Maria Turoldo) and eremitical
life at San Pietro alle Stinche, frames “ragione conversazionale” less as an
inferential calculus for recovering hidden propositions than as a spiritual
discipline of relation: conversation becomes a practice of ascolto,
accoglienza, silenzio, and communal formation, where what is not said (pause,
prayer, contemplative reticence) is often the primary medium rather than a
secondary layer to be computed. In Grice, the rational norm is primarily
epistemic and interpersonal—how an audience can justify an inference to a
speaker’s intention on the basis of shared conversational expectations; in
Vannucci, the norm is ascetical and ethical—how speech and silence together can
dispose persons toward truthfulness, charity, and a shared search for meaning
that exceeds explicit formulation. The contrast is sharpened by the
bibliographical framing: Libertà dello spirito appears in 1967 as an anthology
in the Quaderni di ricerca of the Centro Studi Ecumenici Giovanni XXIII (with a
Turoldo preface and later expanded re-editions), and the ecumenical setting underscores
that Vannucci’s “implicature,” so to speak, often functions as invitation
rather than proposition—an opening of the interlocutor to
transformation—whereas Grice’s implicature is classically accountable to
reasons, cancellable, and tied to what a speaker can be taken to have meant in
a determinate exchange. filosofo, dell'Ordine dei Servi di Maria. Ordinato sacerdote, ottenne la Licenza in Teologia presso l'Ateneo
Pontificio "Angelicum". Insegna esegesi, ebraico e greco
biblico negli istituti dei Servi di Maria. Si associò per un anno, con
alcuni confratelli, alla comunità di Nomadelfia, animata da Saltini. Con
Turoldo, organizza iniziative sociali, come la “Messa della carità”, nella
città di Firenze. Da vita a una nuova comunità – dedita al lavoro,
all'accoglienza e alla preghiera – all'Eremo di San Pietro a Le Stinche, nel
Chianti. Da allora lascia l'Eremo solo per tenere incontri ed esercizi
spirituali, oltre che corsi di Storia delle religioni presso la Pontificia
Facoltà Teologica "Marianum". Le sue attività e i suoi
insegnamenti sono di particolare ispirazione per Ronchi. Opere Il libro
della preghiera universale, Libreria Editrice Fiorentina. Invito alla
preghiera, Libreria Editrice Fiorentina, La vita senza fine, CENS; Servitium,
Ogni uomo è una zolla di terra, Edizioni Borla, Il passo di Dio. Meditazioni
per l'Avvento, Edizioni Paoline, con Maria di Campello) Il canto dell'allodola.
Lettere scelte, Qiqajon, Alchimia e liturgia, Lorenzo de' Medici Press, Camici,
Uomo di luce: mistagogia e vita spirituale in Giovanni Vannucci, Il Segno dei
Gabrielli, Roberto Taioli, La preghiera cosmica di Giovanni Vannucci, su
gianfrancobertagni.it. Portale Biografie Portale Cattolicesimo
Categorie: Presbiteri italiani Teologi italiani Nati a Pistoia Morti
a Bagno a Ripoli Serviti italiani. Grice: Padre Vannucci, ho letto con grande
interesse le sue riflessioni sulla preghiera universale e sull’accoglienza.
Secondo lei, come può la spiritualità aiutare a costruire un dialogo autentico
tra le persone? Vannucci: Caro Grice, credo che la spiritualità sia un ponte
tra gli uomini. Quando ci apriamo con sincerità, lasciando spazio all’ascolto e
all’accoglienza, nasce una conversazione che va oltre le parole e tocca il
cuore. Grice: È un pensiero molto bello. Nel suo percorso tra l’eremo e la
città, ha notato differenze nel modo in cui le persone comunicano la propria
fede e i propri valori? Vannucci: Senz’altro, Grice. In città si avverte spesso
un bisogno di trovare senso e comunità, mentre nell’eremo la comunicazione
diventa più silenziosa e contemplativa. In entrambi i casi, però, la
conversazione spirituale nasce dal desiderio di condividere la vita e di
scoprire la luce che abita in ogni uomo. Vannucci, Giovanni (1967). Libertà dello spirito.
Bergamo: Centro di Studi Ecumenici Giovanni XXIII.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Varino –
Ossia: Grice e Varino: la ragione conversazionale o la rettorica filosofica.
Note sullr Regulæ
grammaticales, Biblioteca Marciana, MS Lat. XIII, 143 (= 4042). Il Gruppo di Gioco di H. P. Grice. Guarino Varino da Varona (Verona,
Veneto): Compared institutionally, Guarino Veronese and H. P. Grice belong to
very different academic worlds. Grice’s formula is exact in the Oxford
sense. Fellow and Tutor in philosophy at St John’s means a college office with
tutorials, students, and membership in the governing life of the college. CUF
University Lecturer in philosophy means a university-wide faculty appointment.
So Grice combines the two classic Oxford functions: college tutor and
university lecturer. Guarino da Verona, by contrast, belongs to the Renaissance
humanist world of courts, private teaching, civic schools, and revived
classical learning. He was not a fellow-tutor in a residential college, nor a
university lecturer in the modern sense. He was a humanist master, moving
between Verona, Constantinople, Venice, Florence, and Ferrara, teaching Greek
and Latin, training elite pupils, and shaping the studia humanitatis through
pedagogical authority and manuscript culture rather than through a formal
tutorial-faculty system. So the clean institutional contrast is this. Grice belongs to the tutorial-collegiate and
university-faculty world. Guarino belongs to the humanist pedagogical and
courtly-civic world. That institutional
difference fits the philosophical comparison rather well. Grice works at the
micro-level of rational communication: how a hearer gets from what is said to
what is meant by recognising intentions and inferring implicatures under shared
conversational norms. Guarino, by contrast, works at the macro-level of
rhetorical and educational formation: the social creation of agents who can
speak, persuade, infer, allude, and understand decorum, brevity, suggestion,
and classical exemplarity. He is not theorising the Cooperative Principle, but
he is helping build the culture in which such inferential and rhetorical
sensitivity becomes second nature. So if you want the sharpest formulation, it
is this: Grice explains how rational
hearers recover implied meaning in a local exchange. Guarino helps train a
civilization to hear and deploy indirectness, allusion, and audience-sensitive
speech at all. That is why your
comparison is genuinely good: Guarino does not anticipate Grice by stating a
theory of implicature, but he does provide the rhetorical-pedagogical
infrastructure for a world in which meaning often depends on what is not fully
said. There are, however, two important corrections. 1) The Corpus Christi, Oxford line is wrong
There is no basis for saying that someone in Guarino’s position would go “to
Corpus Christi at Oxford” to learn Greek. That is anachronistic and
historically mistaken. The secure and standard fact is: Guarino went to
Constantinople to study Greek under Manuel Chrysoloras. That is the decisive
educational fact. So the contrast should be: not Oxford or Constantinople, but
rather: Italy had to import Greek learning through Byzantine channels, and
Guarino is one of the figures who makes that possible. 2) Your final bibliographic line is too neat
The line: Varino, Guarino (1418). Regulæ grammaticales. Venezia. Venezia, Biblioteca Marciana, MS Lat. XIII,
143 (= 4042). needs caution. If the
work survives as a manuscript witness in the Marciana, it should be cited as a
manuscript, not as though it were a clean printed Venetian imprint from 1418.
So the safe bibliographic style is something like: Guarino Veronese. Regulae grammaticales. Manuscript witness: Venice, Biblioteca Nazionale
Marciana, MS Lat. XIII, 143 (= 4042). If you have external
bibliographical evidence for the date 1418, that may be added cautiously, but
not in the form of a simple modern title-page citation unless the evidence is
firm. So the short clean answer is: H.
P. Grice was an Oxford don in the precise collegiate sense, both Fellow and
Tutor in philosophy at St John’s College and CUF University Lecturer in
philosophy at Oxford. Guarino Veronese, by contrast, was a Renaissance humanist
teacher, trained in Latin at Verona and Greek at Constantinople, later active
in Venice, Florence, and Ferrara, and central to the revival of classical
rhetorical and linguistic education. Institutionally, Grice belongs to the
tutorial-collegiate and faculty world; Guarino to the humanist pedagogical and
courtly-civic world. Philosophically, the contrast is equally clear: Grice
analyses the inferential micro-mechanics of speaker-meaning and implicature,
whereas Guarino exemplifies the broader rhetorical and educational culture in
which indirectness, allusion, and audience-sensitive completion of sense become
habits of an educated public. And if I
compress it into one line: Grice theorises how conversation means more than it
says; Guarino trains speakers to make it do so elegantly. If you like, I can
now give you a tighter one-paragraph entry in your own register, with the
Corpus-Christi mistake removed and the Constantinople–Chrysoloras line made
central.la ragione conversazionale o la rettorica filosofica – Grice’s
theory of reason-governed conversational meaning treats talk as a rational,
cooperative practice in which hearers infer what a speaker means (including
implicatures) by assuming an “accepted purpose or direction” and by repairing
apparent departures from relevance, sufficiency, clarity, or sincerity through
intention-recognition. Guarino Varino (Guarino da Verona / Guarino Veronese,
1374–1460), by contrast, represents the Renaissance humanist reconstruction of
conversational reason as rhetorical and pedagogical: his program of studia
humanitatis (Ciceronian Latin style, training in eloquence, and the revived
Greek curriculum learned via Constantinople and manuscripts) aims to form
agents who can speak aptly in civic and courtly settings, where persuasion,
decorum, and audience-design are central virtues. So where Grice gives a
general, formally minded explanation of how meaning is rationally recoverable
beyond what is said (implicature as a calculable product of shared norms), Guarino
supplies the cultural infrastructure that makes such norms socially powerful:
rhetorical education that sharpens sensitivity to what is left unsaid, to
strategic indirection, to enthymeme and allusion, and to the audience’s role in
completing sense. In Gricean terms, Guarino is less a precursor who states the
Cooperative Principle than a humanist who trains conversationalists to exploit
it—teaching how to manage inference in others through style, brevity, and
classical exempla—so that “reason in conversation” appears not only as logical
constraint (Grice) but as cultivated civic art (Guarino), with implicature
functioning as the modern name for what Renaissance rhetoric treated as
controlled suggestiveness within an educated κοινόν / res publica of interpreters.
Renaissance educator who revitalised classical rhetorical training. Grice: “I
like him!” Keywords: rettorica. Matteo de' Pasti, medaglia di
Guarino Veronese, Guarino da Verona Guarino Veronese o Guarino da Verona – m.
Ferrara -- è stato un poeta e umanista italiano. Il suo nome di
battesimo è V. ma, per corruzione, è chiamato “Guarino,” uno pseudonimo che
poi, sotto la forma di "Guarini", trasmite ai suoi discendenti. Venne
contraddistinto come "veronese" o, più raramente, "da
Verona". Per tutti fu, dunque, Guarino Veronese o Guarino da
Verona. Edizione delle opere È avviato allo studio dei classici
latini da CONVERSINI e proprio studiando la filosofia latina si
incuriosa a proposito dei filosofi a cui le opere spesso alludeno e decide di
cominciare a studiare la lingua greca. All'epoca però non è diffuso in Italia
l'insegnamento del greco e quindi l'unica possibilità di apprenderlo è quella
di andare ad impararlo a Corpus Christi a Oxford – come Grice – o
Costantinopoli. Così si trasfere nella capitale bizantina dove è presentato ad
Crisolora, stimato studioso e letterato, che decide di fargli da maestro. I
suoi studi però si interruppeno bruscamente quando i turchi prendeno sotto
assedio Costantinopoli e l'imperatore Paleologo invia Crisolora in Italia per
chiedere aiuto ai principi cattolici. Ma ormai, dopo anni d’intenso lavoro, V.
raggiunge la piena fluenza nella lingua greca e quindi puo tranquillamente fare
ritorno in Italia. L'unicità della sua formazione
linguistico-letteraria gli permite di affermarsi a Venezia come insegnante
privato di greco finché, da Firenze, gli giunge un'interessante proposta di
lavoro dal letterato e mecenate Niccoli che gl’offre la cattedra di greco
presso lo studio fiorentino. Cattedra che per anni era stata di Crisolora ma
che lascia per trasferirsi a Roma. Ed era stato proprio Crisolora ad aver
indicato in V. la persona più adatta a sostituirlo. Ma, a Firenze, V. non trovò affatto la gloria. Latin grammar keywords (good as index terms /
tags) Parts of speech (partes orationis)
littera, syllaba, dictio, oratio (a very traditional fourfold
progression; “littera/syllaba” → “word/utterance”) [core.ac.uk] nomen,
pronomen, verbum, participium, adverbium, praepositio, coniunctio, interiectio
(the standard “Donatist/Priscianic” list)
Cases (casus) nominativus,
genitivus, dativus, accusativus, ablativus, vocativus you can also tag rectus
(for nominative) vs obliqui (oblique cases), and declinatio Number / gender singularis, pluralis masculinum, femininum,
neutrum genus, numerus Verb system
(verbum) persona (prima/secunda/tertia)
tempus: praesens, imperfectum, futurum, perfectum, plusquamperfectum, futurum
exactum modus: indicativus, coniunctivus, imperativus, infinitivus (and often
gerundium, supinum are treated in this orbit) vox: activum, passivum (and you
can tag deponens / semideponens if relevant) coniugatio Agreement and construction (morphosyntax
“light”) Humanist grammars can be morphology-first but still use these: concordantia (agreement), especially nomen–adiectivum
and nomen–verbum regimen (government), constructio Orthography / phonology adjuncts (often
attached, as you noted) orthographia
diphthongus (Guarino is explicitly said to have prepared a “treatise on
diphthongs”) [digitallib...y.univr.it] accentus, quantitas (syllable length),
prosodia for the “AE/Œ” question: diphthongus ae/oe; (and in practice ligatura
æ/œ as scribal/typographic, not “elision”)
These are the sorts of terms you can use as “keywords” without needing
to claim any specific chapter headings.Grice: Caro Varino, ho sempre pensato
che la conversazione sia come una buona retorica: parte filosofica, parte arte
del convincere. Ma dimmi, ti è mai capitato di convincere qualcuno solo
con la parola, senza nemmeno filosofeggiare troppo? Varino: Eh, Grice, a Verona
si dice che “la lingua batte dove il filosofo vuole”! Ma vedi, la vera arte sta
nel far sembrare la filosofia una chiacchierata tra amici—magari davanti a un
bicchiere di Valpolicella, senza perdere il filo né il sorriso. Grice: Ah,
allora sei più maestro di retorica che di dialettica! Io invece, da buon
inglese, preferisco la precisione: ma a volte la conversazione ha più
implicature che argomenti. E tu, tra greco e latino, come te la cavi con i
sottintesi? Varino: Grice, fra un proverbio veneto e un’allusione classica, il
non detto è il sale della retorica! Se i turchi mi han fatto scappare da
Costantinopoli, è solo perché non capivano le mie battute… Ma almeno a Ferrara,
tra filosofi e umanisti, il sorriso è sempre stato il miglior argomento! Varino, Guarino (1418). Regulæ
grammaticales. Venezia. Venezia, Biblioteca Marciana, MS Lat. XIII, 143 (=
4042).
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vario –
Ossia: Grice e Vario: la ragione conversazionale della filosofia della vita a
Roma – Philosophy of Life. Note su De morte. Il Gruppo di Gioco di
H. P. Grice. Lucio Vario Rufo (Turbigo, Milano, Lombardia):
Compared institutionally, Grice and Lucius Varius Rufus are not comparable in
the academic sense at all. Grice’s formula is exact in the modern
Oxford sense. Fellow and Tutor in philosophy at St John’s means a college
office with tutorials, students, and membership in the governing life of the
college. CUF University Lecturer in philosophy means a university-wide faculty
appointment. So Grice combines the two characteristic Oxford functions: college
tutor and university lecturer. Varius Rufus belongs to an entirely different
world. He was not a don, not a fellow, and not a university lecturer. He was an
Augustan poet moving in the literary and philosophical circles of late
Republican and early imperial Rome, connected with Virgil, Horace, Maecenas,
and—if the Epicurean line is right—with Philodemus’ Garden and that whole
ethical-aesthetic culture of friendship, poetry, and philosophy. So
institutionally he belongs to a circle, a salon, a patronage network, and a
poetic-philosophical milieu, not to a school or a chair. That institutional
difference fits your philosophical comparison very well. Grice works at the
micro-level of rational communication: how a hearer gets from what is said to
what is meant by recognising intentions and inferring implicatures under shared
norms. Varius, in the way you frame him, belongs to a very different economy of
reason: not a model of conversational calculation, but a model of philosophical
conversation as a way of life. In the Epicurean register, conversation is not
chiefly about reconstructing hidden speaker-meaning; it is about therapy,
friendship, moral steadiness, and the disciplining of fears. So the sharpest
formulation is this. Grice explains how conversation works as a rational
inferential practice. Varius exemplifies conversation as an ethical practice of
living. That is why your “hortus” line works. The Garden is already a place
where discourse is governed, but it is governed by the end of tranquillity
rather than by the maxims of ordinary talk. If one insists on a Gricean gloss,
one can say that Epicurean conversation produces a kind of “lived implicature”:
the explicit thesis may be mors nihil ad nos, but the real work of the
discourse is the shaping of the soul toward fearlessness, measure, and
friendship. There are, however, two factual cautions. First, the birthplace
line “Turbigo, Milano, Lombardia” is not safe. Lucius Varius Rufus is a Roman
poet of Augustan age, but his precise birthplace is not securely known in the
way that phrase suggests. Second, the final bibliographic line “De morte.
Roma.” is too confident as a standalone citation. Varius’ De morte survives
only in very fragmentary or indirect form if at all, and it should not be cited
as though it were a secure Roman book publication like a modern imprint. So the
clean answer is: H. P. Grice was an Oxford don in the precise collegiate sense,
both Fellow and Tutor in philosophy at St John’s College and CUF University
Lecturer in philosophy at Oxford. Lucius Varius Rufus, by contrast, was an
Augustan poet associated with philosophical-literary circles rather than with
any academic institution. Institutionally they are not comparable.
Intellectually, however, the contrast is illuminating: Grice analyses the
inferential micro-mechanics of speaker-meaning and implicature, whereas Varius
belongs to a tradition in which conversation is an ethical regimen of
friendship and tranquillity, and where the point of discourse is less the
calculation of intended meaning than the cultivation of a life free from fear
and excess. And if I compress it into one line: Grice theorises how
conversation means; Varius exemplifies how conversation heals. If you want, I
can now give you a tighter one-paragraph entry in your preferred style, or a
short note just on the Philodemus/Garden angle, with the De morte caution built
in.la ragione conversazionale della filosofia della vita a Roma – Grice’s
theory of reason-governed conversational meaning explains how hearers
rationally move from what is said to what is meant by presuming cooperative,
purposive talk and inferring speaker intentions (with implicature arising when
a maxim such as relevance, quantity, or manner is apparently not met but can be
made intelligible as a rational conversational strategy). The Vario material,
by contrast, makes conversational reason look less like a general inferential
engine and more like an Epicurean practice of life: in the hortus with
Philodemus, sermo and amicitia are instruments of ataraxia, and “mors nihil ad
nos” is not a hidden content extracted from maxim-flouting but an explicitly
therapeutic end that disciplines discourse, desires, and fear; conversation
functions as a moral technology for steadying the soul rather than as a model
for reconstructing communicative intentions. Still, the passage’s bridle image
(the moderator habenae who restrains and trains) creates a natural point of
contact with Grice: where Grice thinks of rational constraints as principles
governing contribution to a talk exchange, Vario’s Epicurean frame casts
rational constraint as self-governance achieved through conversation—reason
shows up as the capacity of talk to curb rush, exaggeration, and anxiety and to
keep inquiry within what matters for living well. Historically, this fits what
we know of Lucius Varius Rufus as an Epicurean-associated Augustan poet in
Philodemus’ circle (alongside figures linked to Virgil and Tucca), with a De
morte tradition in the background; so the comparison can be put sharply as
follows: Grice systematizes the inferential norms by which interlocutors
recover intended meaning in any conversation, whereas Vario exemplifies a
tradition in which conversation is itself an ethical regimen—its
“implicatures,” if one insists on the word, are less calculable pragmatic
add-ons than the lived, guiding upshot that talk in the Garden is for:
tranquillity, friendship, and freedom from the fear of death. Philosophy of
Life -- IL GIARDINO. In Grice’s time, philosophy was not studied as a separate
subject, but under classics. Philosophy wss introduced upon completion of five
terms into the B. A. Lit. Hum. Mundle complained: Grice referred to ordinary
language as the language employed by any philosopher who had earned a first at
Greats – as his pupil Strawson never did! -- Filosofo italiano. L’orto. Friend
of FILODEMO (vedi). A poet. One of his works, “On death,” was doubtless shaped
by L’Orto. He had a significant influence on VIRGILIO (vedi). His tutor was
SIRO (vedi). Orazio legge davanti
al circolo di Mecenate, di cui faceva parte anche Vario Rufo (dipinto di Fedor
Bronnikov, conservato presso il Museo d'arte di Odessa). Lucio Vario Rufo (in
latino Lucius Varius Rufus; Turbigo -- è stato un poeta romano dell'età
augustea. Biografia Lo stesso argomento in dettaglio: Storia della
letteratura latina. (latino) «quem non ille sinit lentae moderator habenae qua
velit ire, sed angusto prius ore coercens insultare docet campis fingitque
morando. (italiano) «Che il guidatore della flessibile briglia non lascia
andare dove vuole, ma prima frenandolo nella bocca (“ore”), tenuta stretta, gli
insegna a galoppare nella piana e trattenendolo lo ammaestra» (Vario Rufo,
Frammento Traglia) Amico di Virgilio, di cui era certamente più grande,
Vario fu anch'egli epicureo, come attestato anche da Quintiliano, che lo
definisce esplicitamente epicureus[1] e da Filodemo di Gadara, che gli dedicò
un trattato Sulla morte[2]. Avrebbe, comunque, introdotto Virgilio nel
circolo di Mecenate e, con lui, presentato anche Orazio. Che Virgilio ne fosse
amico e ammiratore traspare dal fatto che, negli anni Quaranta, Virgilio, sotto
lo pseudonimo di Licida, rimpiangeva di non aver prodotto fino a quel momento
nulla di paragonabile alla poesia di Vario o di Elvio Cinna. GRICEVS: O VARI, amice, audivi te cum Philodemo
in horto saepe disseruisse de vita et morte; dic mihi, quomodo Epicureus tam
gravia leviter—id est sapienter—tractat? VARIVS: GRICEVE, non leviter sed sine
metu: mors nihil ad nos; dum vivimus, vita colenda est—amicitia, sermo, et illa
tranquillitas quae in horto nascitur. G.: Pulchre; et mihi videtur ipsa
conversatio rationis esse quasi frenum lentae habenae: non sinit animum quo
velit ruere, sed ore coercens docet recte currere. VARIVS: Ita est—sermo nos
format; et si Virgilium ad Maecenatem adduxi, hoc quoque fuit: ut poeta,
philosophus, et amicus in uno convivio convenirent, ne vita sine ratione—aut
ratio sine vita—maneret. Vario Rufo, Lucio (DCCX A. V. C.). De morte. Roma.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Varisco –
Ossia: Grice e Varisco: la ragione conversazionale, o l’implicatura
conversazionale del sommario di criticismo. Note su La conoscenza e il pensiero. Il Gruppo di Gioco di H. P. Grice. Bernardino Varisco
(Chiari, Lombardia): Compared institutionally, Bernardino Varisco is not an
Oxford don in the Gricean sense, but he is much closer to Grice than many of
the Roman, Renaissance, or literary figures you have been comparing, because
both are recognisably academic philosophers shaped by university life. Grice’s
formula is exact in the Oxford sense. Fellow and Tutor in philosophy at St
John’s means a college office with tutorials, students, and membership in the
governing life of the college. CUF University Lecturer in philosophy means a
university-wide faculty appointment. So Grice combines the intimate, collegiate
tutorial world with the wider faculty structure of the university. Varisco
belongs to a different academic ecology: the Italian university-state world of
public chairs, faculties, and national educational structures. He was formed
first in the Collegio Nazionale di Torino and then at Padua, where he published
his first scientific saggio in mechanics in 1871, and he later moved through
the full public-professorial world of late nineteenth- and early
twentieth-century Italy. He is not a college fellow in the Oxford sense, but an
Italian professor and public intellectual whose career develops through the
university chair system. That is the basic institutional contrast. Grice
belongs to the tutorial-collegiate world. Varisco belongs to the
public-professorial and chair-based world of the Italian university-state
system. That institutional difference fits your philosophical comparison rather
well. Grice works at the micro-level of rational communication: how a hearer
gets from what is said to what is meant by recognising intention and inferring
implicatures under cooperative norms. Varisco, by contrast, works at a more
reflexive and critical level. Even in the youthful scientific saggio you quote,
one can see a habit of mind that later becomes central: not the urge to
proclaim a system, but the willingness to circle some principles, to examine
the conditions under which one can responsibly claim knowledge. That becomes,
in his mature critical philosophy, a concern with subjectivity, self-knowledge,
and the limits of scientific or objectivist accounts of the human world. So if
you want the sharpest formulation, it is this. Grice explains how one speaker
makes meaning rationally recoverable for another in a local exchange. Varisco
asks how a subject can become answerable to itself and to others at all, and
under what critical conditions it may claim to know itself or the world. That
is why your gnothi seauton comparison is actually apt. For Grice, the other is
needed as addressee and interpreter. For Varisco, the other is also needed as a
condition of self-clarification. The Delphic imperative behaves, in your nice
way of putting it, like a directive whose force exceeds its literal content. It
says less than it demands, and that demand is partly second-personal. A few
factual corrections and clarifications matter. First, your final bibliographic
line is secure and useful: Varisco, Bernardino (1871). Intorno ad alcuni
principj di meccanica. Padova: Sacchetto. That is a strong early anchor and
much better than the insecure thesis-type line you had for Vasoli. Second, one
should be careful not to overstate the continuity between this youthful
mechanics saggio and the later critical philosophy, but the continuity is real
enough in style: modesty of claim, attention to method, resistance to easy
system, and a concern for how a public of intelligent readers can judge and
correct one’s work. Third, if you want the mature Varisco line, then yes, the
later explicitly philosophical works like Sommario di filosofia critica and
Conosci te stesso are where the comparison with Grice becomes most
philosophically direct. The 1871 mechanics tract is better as an institutional
and temperamental beginning than as the full doctrinal anchor. So the short
clean answer is: H. P. Grice was an Oxford don in the precise collegiate sense,
both Fellow and Tutor in philosophy at St John’s College and CUF University
Lecturer in philosophy at Oxford. Bernardino Varisco, by contrast, belongs to
the Italian public-university and chair system, beginning with a Paduan
scientific-philosophical education and later developing into one of the
important voices of Italian critical philosophy. Institutionally, Grice belongs
to the tutorial-collegiate world; Varisco to the university-state world.
Philosophically, the contrast is equally clear: Grice analyses the inferential
micro-mechanics of speaker-meaning and implicature, whereas Varisco is
concerned with the more reflexive critical conditions of subjectivity,
self-knowledge, and rational responsibility, where even the apparently direct
injunction know thyself carries a surplus of second-personal and normative
force. And if I compress it into one line: Grice theorises how one mind
addresses another; Varisco theorises how a mind can become answerable to itself
only through a critical relation that already involves another. If you want, I
can now give you a tighter one-paragraph entry in your preferred style, or a
small two-stage note: young Varisco (mechanics, Padua, 1871) versus mature
Varisco (critical philosophy, self-knowledge, Conosci te stesso).la ragione
conversazionale, o l’implicatura conversazionale del sommario di criticismo – Grice’s
theory of reason-governed conversational meaning locates the engine of “what is
meant” in rational, intention-based inference: a hearer treats an utterance as
a move in a cooperative practice and works out speaker-meaning (including
implicature) by attributing communicative intentions constrained by norms of
relevance, informativeness, sincerity, and clarity. Varisco, coming from his
“filosofia critica” and his sustained concern with self-knowledge (Conosci te
stesso) and the limits of science versus the irreducibility of “opinione” and
faith, pushes the comparison in a different direction: the rationality that
governs meaning is not only inferential but also reflexive and normative, tied
to the structure of subjectivity and to the conditions under which a subject
can responsibly claim knowledge of self and world. Where Grice explains how a
“thou” can rationally recover what an “I” intends to convey beyond what is
said, Varisco’s perspective (as your passage highlights with the oracular
gnothi seauton) foregrounds that self-knowledge itself is dialogically mediated
and partly indirect: even the imperative “know thyself” presupposes an address,
an authority, and a standpoint outside the self, so that its “oracular” force
functions like a pragmatic surplus over literal content. In Gricean terms, the
Delphic injunction behaves less like a straightforward assertion than like a
directive whose uptake generates further implicated commitments (about
accountability, examination, ethical orientation), while in Varisco the same
surplus is philosophically diagnostic of the human condition: reason is
inseparable from a critique of its own grounds, and the meaning of our highest
injunctions is not exhausted by what they say but by what they demand of a
subject who can only become fully intelligible to itself through a
second-person or communal axis of recognition. gnothi seauton, implicatura
dell’oracolo. Filosofia critica. Filosofo lombardo. Filosofo italiano.
Chiari, Brescia, Lombardia. Essential Italian philosopher. Filosofo
italiano. Grice: “We all learned about the ‘gnothi seauton’ at Clifton –
Varisco composed a full tract about it! Calogero has analysed the implicatures!
The idea is that you need a ‘thou’ to tell ‘thou’ ‘knowest THYself” – although
the oracular mystique is still there!” Nasce da Carlo, direttore del ginnasio locale, e da Giulia Bonatelli,
sorella del filosofo BONATELLI . Il padre è un cultore appassionato delle
lingue e delle civiltà classiche, ma, privo di ambizioni sia accademiche sia
scientifiche, rimane per tutta la vita a dirigere il ginnasio di Chiari,
giungendo al punto di ri-fiutare la presidenza del liceo di Rimini offertagli,
probabilmente per il suo orientamento patriottico, dal governo dello stato
unitario, di recente proclamazione. La madre di V. è la seconda moglie del
padre, che dalla prima, scomparsa in giovane età, aveva avuto un solo figlio,
morto da bambino. Con Giulia, Carlo V. ebbe, oltre a Bernardino, tre
figlie. Rimasto vedovo una seconda volta, si sposa per la terza, di nuovo con
una Bonatelli, alla quale pure sopravvisse. L’infanzia e
l’adolescenza di V. sono contraddistinte da un’educazione ispirata a sentimenti
patriottici e irredentistici, pervasi da una profonda religiosità. Dopo aver
concepito, senza riuscire a portarlo a termine, il disegno di arruolarsi
nell’esercito italiano allo scoppio della guerra di indipendenza –
quando è allievo del collegio nazionale di Torino –, in occasione dell’esame
con il quale corona il suo percorso scolastico scrive un componimento intriso
di un così profondo e sincero sentimento nazionale e contraddistinto da
un’enfasi letteraria tanto efficace che gli valse la medaglia d’oro del re,
venendo valutato come la migliore prova scritta di italiano. know theyself,
oracular implicature, Calogero, per un sommario di filosofia critica. G.: Let us begin
with the title, because youth always reveals itself most quickly in titles. S.:
Intorno ad alcuni principj di meccanica. G.: Exactly. Not sui principj, not de
principiis, not a treatise on the one true foundation, but intorno ad alcuni.
S.: Around some. G.: Around some. A splendidly evasive phrase. One does not
seize the principle; one circles it. S.: And some. Alcuni. How many is that
supposed to be. G.: Enough to justify a pamphlet and too few to commit oneself
to a system. S.: But surely a principle, if it is a principium, ought to be
one. Primus. Beginning. How many beginnings can there be. G.: More than one, if
one is young and mathematical. One may have several beginnings before one has a
philosophy. S.: Or several firsts, which sounds like bad arithmetic. G.: Bad
arithmetic perhaps, but very good title-page strategy. Intorno ad alcuni
principj means: I know there are principles; I am not arrogant enough to claim
them all; but I have seen enough to print. S.: Which is why I love the
subtitle: saggio. G.: Yes, and even better, saggio dello studente B. L.
Varisco. S.: The cheek. G.: The perfect cheek. Modesty in posture, ambition in
print. S.: We are all students, though. G.: Quite. But not all of us go to
Sacchetto at twenty and say: set this up in type, I have some mechanics to
publish. S.: Padua, 1871. G.: Precisely. Padua, 1871. The first little public
object. Still a student, not yet dottore, but already in print and already
apologising. S.: Ah yes, the preface. He says, more or less, I wrote this for
my own exercise. G.: And publishes it for a few intelligent readers. S.: Which
is exactly the point. He says it is per mio esercizio and yet he also wants
alcune persone intelligenti to read it and tell him his errors. G.: So it is
not a diary. S.: No. It has a potential addressee. G.: Exactly. Not one named
public, not a faceless mass, but an open class of those few intelligent and
benevolent enough to read a student’s scrittarello and say where it goes wrong.
S.: Which already feels oddly like our own business. G.: Our own business if
one is kind, or vanity if one is less kind. S.: And before the preface, the
dedication. G.: Yes. The dedication to Cesare Losana, signed B. L. Varisco. S.:
Which still irritates me. Why B. L. G.: Because youth likes initials, and
because the young scholar enjoys becoming a typographical person. S.: It is
very unlike the later Bernardino Varisco, though. G.: Exactly. That is what
makes it good. The youthful self signs itself more elaborately and the mature
world later simplifies him. S.: Like Paul Grice dropping Herbert. G.: Except
inversely. But let us not turn everything into naming before we have done
mechanics. S.: Very well. Intorno. I still cannot get over intorno. G.: Nor
should you. It is wonderfully unimperial. He does not say I establish the
principles. He says, in effect, I move around some of them. S.: A perimeter
philosophy. G.: A circumambulatory mechanics. S.: And then alcuni. Suppose
there are three. G.: There may be one and a half. Alcuni is wisely
indeterminate. S.: But if there is a principle of mechanics, should one not say
il principio? G.: That is what one says once one has become old and German. In
1871, in Padua, under Minich, one says alcuni principj and preserves one’s
exits. S.: And meccanica. We became philosophers and forgot what the word once
contained. G.: Statics, dynamics, moments, levers, centres of gravity, things
that actually move or do not move. S.: Whereas philosophers now call almost
anything a “mechanism” when they are too lazy to give an account. G.: Yes. The
sciences begin with exactness and end as metaphors in our hands. S.: He says
somewhere the greater part of the work is founded on the theory of moments. G.:
Which is beautiful. Not pure motion in the abstract, but moments. Turning
effect. Balance. Rotation. The point at which a force begins to matter. S.: It
sounds almost moral. G.: Everything sounds almost moral to philosophers. But it
is also splendidly concrete. A force is not merely a quantity. It operates at a
distance from a fulcrum. It acquires significance by position. S.: Which is
perhaps why he says intorno rather than su. G.: Good. A principle in mechanics
may itself be relational. One approaches it by configuration. S.: You are being
charitable to the title. G.: One should always be charitable to a young man’s
title if he is willing to call his book a saggio. S.: He does more than that.
In the preface he all but says: I do not want to pass for a presumptuous fellow,
one of those who make a noise instead of working. G.: Which means, naturally,
that he already knows there are such fellows in Padua. S.: Or in himself. G.:
Possibly. A preface like that is half self-protection, half self-advertisement.
S.: I wrote this for my own exercise; I publish it only so that intelligent
people may tell me my errors. G.: Exactly. A request for correction disguised
as modesty and modesty disguised as a publication. S.: Would you say he cares
who reads it. G.: He does and he does not. He does not care for a public as
market. He cares for a public as tribunal. S.: A few intelligent readers. G.:
Yes. The ideal audience of every young philosopher-scientist: small, competent,
and kind. S.: We should say something about Cesare Losana. G.: At least that
the dedication shows this is not a pure monologue. The friend is named; the
indefinite intelligent reader is invited; Minich gets the presentation copy;
and so the pamphlet already lives in a social field. S.: So one writes per mio esercizio and publishes per altrui giudizio. G.: Admirably put. S.: Mechanics then becomes a kind of addressed
exercise. G.: Exactly. And this is why I resist the silly thought that a
solitary pamphlet lacks audience. It lacks a crowded audience. It does not lack
an intended uptake. S.: Which takes us back to Grice, though we had promised
not to turn everything into him. G.: We fail honourably. S.: Let us return to
meccanica. Statics and dynamics. G.: And one should add kinematics if one wants
to sound properly nineteenth-century. S.: I thought kinematics came later in
our undergraduate lives when the mathematicians began to look superior. G.: It
may have. But for a student pamphlet in 1871, mechanics still has the good old
face: forces, moments, equilibrium, perhaps some motion, perhaps some
beginnings of formal relation. S.: The phrase teoria dei momenti still delights
me. G.: It should. A moment is exactly the sort of word that crosses from
science into philosophy too easily. S.: Yes. We talk of “the moment” as if it
were temporal. In mechanics it is rotational leverage. G.: A force multiplied
by arm. A significance produced by position. S.: So if Varisco is writing
intorno ad alcuni principj di meccanica and much of it concerns moments, he is
already moving in a space where relation matters more than sheer stuff. G.:
That would be one way of making him philosophically respectable before his
official philosophy begins. S.: Which is exactly what one likes to do with
young authors. G.: Naturally. We rescue their first scientific pamphlet from
mere science by finding the metaphysics in the prefatory modesty and the
mechanics in the title. S.: It helps that he was in Padua. G.: It always helps
that someone was in Padua. The city makes even a small pamphlet sound Renaissance.
S.: And Minich. G.: Yes, Minich hovering behind the inscription: al Ch.o prof.
S. R. Minich omaggio del suo discepolo B. L. Varisco. S.: Ch.o, which still
sounds to me like clear professor. G.: Distinguished professor by old courtesy,
but clear professor if one wants the joke. S.: It would suit mechanics. G.:
Quite. A clear professor for a book on principles. S.: We should say something
about Sacchetto too. G.: Sacchetto as the printer of youthful self-assertion.
Padua provides the thought, Sacchetto the type, and Varisco the apologetic
confidence. S.: I like that the thing is short. G.: Twenty-three pages in your
Ca’ Foscari record, thirty-five in the digital ecosystem, depending on counting
covers and preliminaries. Short enough to be a saggio, long enough to exist.
S.: And no sprawling chapter headings. G.: No. One title, one movement, one
student voice. Excellent discipline. S.: The preface again: he says he has
tried to give the few theories he mentions the aspect that seemed most natural
to him. G.: Which is a marvellous phrase. Not the most rigorous aspect, not the
most orthodox, but the most natural. S.: So he is already refusing scholastic
display. G.: Or confessing that he cannot yet manage it. The line between
honesty and incapacity is often very fine in the young. S.: Then he says most
of the work is founded on the theory of moments, introduced by considerations
not exactly the usual ones and perhaps therefore not so rigorous. G.: There is
his whole future in embryo. “Not exactly the usual ones.” An admission and a
boast. S.: He hopes to be forgiven because he wanted to present himself. G.:
Exactly. He wanted the public to see the path that presents itself
spontaneously to him in these studies. S.: Which is a lovely way of saying:
here is how my mind naturally goes. G.: Yes. Publication as self-diagnosis. S.:
There is something almost touching in that. G.: Deeply touching. The first
pamphlet is less a doctrine than a prospectus of the young mind. S.: But all
under the title of mechanics. G.: Which is what makes it bearable. Nobody would
tolerate at twenty an abstract prospectus of a self. Call it mechanics and you
may smuggle in the self through a preface. S.: We have not yet quarrelled
enough over principi. G.: Very well. You wanted one principle because
principium means beginning. S.: Yes. I still think there should be one. G.:
Then you confuse etymology with science. A science may have many first things,
or many axiomatic starting points, or several practical principles governing
different domains. S.: Statics one way, dynamics another. G.: Exactly.
Equilibrium does not exhaust motion; motion does not exhaust rotational
balance. “Some principles” is wiser than one slogan. S.: And intorno protects
him from system. G.: Yes. Around some principles. A title for a man still
circling what he can later own. S.: You make all this sound too good. G.:
Better too good than dead. A pamphlet must be made to live by commentary or it
remains only paper. S.: The interesting thing is that his first authorial move
is not philosophical grandiosity but technical humility. G.: Technical humility
and social ambition. S.: Because he still prints it. G.: Precisely. The truly
modest man does not go to Sacchetto. S.: Nor sign as B. L. Varisco. G.: Quite.
S.: Shall we guess Luigi again. G.: We shall not. We shall leave the L as a
youthful flourish and let librarians suffer. S.: One should make a note of the
“few intelligent persons” again. It really does sound like an audience without
an audience. G.: Yes. A public imagined not by number but by quality. S.: Which
is all a student can reasonably want. G.: Or all he can decently claim to want.
S.: There is also the sentence about not wanting to pass for one of those who,
unwilling to work, try to make themselves noticed by noise and facile doctrine.
G.: That sentence has claws. The boy knows the species. S.: One sees already a
polemic against easy system. G.: Or against schoolboy windbags. S.: He must
have known some. G.: He was at a university. Of course he knew some. S.: And
perhaps became one later. G.: Universities are full of such metamorphoses. S.:
Let us review what we have learned before we became philosophers and then
forgot. G.: In mechanics? S.: Yes. That there are bodies, forces, lines of
action, moments, equilibrium, motion. G.: Also that a principle is not merely a
verbal ornament but a way of structuring what counts as explanation. S.: And
that one may circle some principles without yet claiming the science entire.
G.: Which is perhaps a lesson philosophy forgets more quickly than mechanics.
S.: Because philosophers adore total titles. G.: Indeed. Being, Time, Reason,
Mind. No one dares anymore to write Around Some Principles of Anything. S.:
Which is a pity. G.: A great pity. It would make us all more honest. S.: I feel
almost protective of the little volume now. G.: As one should. It is a
student’s first public object, apologetic, precise, ambitious, and addressed to
a friend, a professor, and an indefinite tribunal of the intelligent. S.: And
all for his own exercise. G.: Naturally. Every good first publication is for
one’s own exercise and everyone else’s judgment. S.: We have not yet mentioned
the date on the dedication. Padova, 5 maggio 1871. G.: Good. The date anchors
the self. A student in Padua on 5 May 1871, signing B. L. Varisco, asking the
world to read his poor saggio with more pity than blame. S.: I liked that
phrase too. More pity than blame. G.: A fine calculus of reception. S.: Better
than indifference. G.: Far better. Indifference kills. Blame can educate. Pity
may print a future. S.: So the pamphlet is really a request for diagnostic
charity. G.: Exactly. Not applause, not disciples, not canonisation. Just
enough competent attention to tell him where his forces lie. S.: Which is
perhaps the most honourable motive for an early publication. G.: Certainly more
honourable than pretending one has solved mechanics before one has even taken
the degree. S.: He is still dello studente. G.: Yes. And because he says so, we
forgive the cheek. S.: Would you say this first scientific Varisco is already
the later philosopher. G.: In one sense no; in another, obviously yes. The
later philosopher begins exactly when the student decides that his exercise
requires intelligent readers. S.: So the philosophy lies as much in the preface
as in the principles. G.: Often more. Titles advertise subjects; prefaces
advertise souls. S.: And mechanics? G.: Mechanics keeps the soul honest by
forcing it to deal with moments rather than grand abstractions. S.: We ought
perhaps never to have forgotten it. G.: We ought perhaps never to have
forgotten many things learned before philosophy made us think forgetting them
was sophistication. S.: Such as statics. G.: Such as statics, and the truth
that not all movement is progress. S.: And that some principles are enough. G.:
Yes. One need not have all the beginnings to begin. S.: That sounds too good to
waste. G.: Then do not waste it. Put it under the
title page. S.: Intorno ad alcuni principj di meccanica. G.: Precisely. Around
some principles. Around enough. Which is, for a first saggio, exactly
right.Grice: Caro Varisco, ho deciso una volta per tutte che nei miei tutorial
non userò mai più “Kant”, né “Cant”, né tantomeno “Kantiano” o “Cantiano”.
D’ora in poi diremo solo Kritik, rigorosamente in tedesco con la vecchia grafia
gotica – perché, diciamolo, tutto ciò che quel signore ci ha lasciato è la
Kritik, giusto? Varisco: Bravo Grice!
Finalmente qualcuno che va al sodo. Kant è come la pasta: tutti la nominano, ma
alla fine il vero sapore lo dà solo la Kritik – meglio se servita alla
tedesca! Grice: Esatto! Niente più
“-iano” o “-iano” a caso, solo Kritiker seri. Così almeno non rischiamo di
impastare il pensiero critico con i biscotti, né con le cantine! Varisco: Grice, la tua perspicacia merita una
medaglia d’oro – magari non quella del re, ma almeno quella del migliore
filosofo critico. Alla salute della Kritik, e che l’implicatura oracolare ci
illumini! Varisco,
Bernardino (1871). Intorno ad alcuni principi di meccanica. Padvoa: Sacchetto.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Grice e
Vasoli: la ragione conversazionale e l’implicatura a MERTON ecc Note su Vasoli, Cesare (1947). La crisi della
morale. Il Gruppo di Gioco di H. P. Grice. Cesare Vasoli (Firenze, Toscana): Compared institutionally, Cesare
Vasoli is much closer to H. P. Grice than a poet, politician, or chancery
writer, because both are recognisably university philosophers; but they still
belong to very different academic ecologies. Grice’s formula is exact in the
Oxford sense. Fellow and Tutor in philosophy at St John’s means a college
office with tutorials, students, and membership in the governing life of the
college. CUF University Lecturer in philosophy means a university-wide faculty
appointment. So Grice combines the intimate tutorial culture of the college
with a public lecturing role in the wider faculty. Cesare Vasoli belongs to the
Italian state-university and research-institute world, not to a residential
tutorial college. He was formed in Florence under Eugenio Garin, Delio
Cantimori, and Raffaello Morandi, then taught medieval philosophy and later
Renaissance philosophy at Cagliari, Bari, Genova, and finally Florence, while
also leading major scholarly institutions such as the Istituto di Studi sul
Rinascimento and later the Lincei. He is therefore not an Oxford don in the
collegiate sense, but an Italian professor and historian of philosophy working
within the chair system and in major learned institutions. The standard
biographical sources present Cesare Vasoli as trained at Florence under Garin,
Morandi, and Cantimori, later professor at Cagliari, Bari, Genova, and
Florence, and an institutional leader in Renaissance studies and the Accademia
dei Lincei. So the clean institutional comparison is this. Grice was a modern
Oxford don with a dual college-and-university role. Vasoli was an Italian
professor and historian of philosophy in the state-university and
learned-institute system. That institutional difference fits your philosophical
comparison rather well. Grice works at the micro-level of rational
communication: how a hearer gets from what is said to what is meant by
recognising intentions and inferring implicatures under cooperative norms.
Vasoli, by contrast, works at the macro-level of the historical formation of
rational discourse itself. His central terrain is the long history of medieval
dialectic, Renaissance rhetoric, humanist method, and the intellectual
institutions that trained Europe to treat discourse as a regulated practice of
reasons. That is why your contrast is genuinely apt: Grice explains how
rational hearers calculate what is unstated in a local exchange; Vasoli
explains how a civilisation built the curricular and institutional habits that
make such reason-governed exchange feel natural in the first place. The secure
biographical and bibliographical record supports exactly this picture. One of
Vasoli’s key books is La dialettica e la retorica dell’Umanesimo: Invenzione e
metodo nella cultura del XV e XVI secolo, first published by Feltrinelli in
1968 and later reissued; it is explicitly about the historical technologies by
which argument, invention, and method were shaped in humanist culture. The
bibliographical record confirms Cesare Vasoli’s La dialettica e la retorica
dell’Umanesimo as a major 1968 work on invention and method in fifteenth- and
sixteenth-century culture. That makes the sharpest formulation this. Grice
theorises rational uptake in conversation. Vasoli historicises the disciplines
and institutions that make rational uptake a teachable civil habit. There are
two important corrections to your note. First, the final bibliographic line is
not really a proper book citation. “Vasoli, Cesare (1947). La crisi della
morale. Relatore: Garin. Firenze.” is not a standard bibliographic item in the
way your other entries usually are. It looks like a laurea thesis descriptor or
internal academic title rather than a normal published citation. Unless you
have a library record for it, I would not use it as a firm bibliography line.
Second, if you want a clean early anchor for Vasoli, the better secure titles
are those already attested in standard catalogues and reference sources: La
dialettica e la retorica dell’Umanesimo, Umanesimo e Rinascimento, Magia e
scienza nella civiltà umanistica, and La filosofia medievale. The strongest
secure bibliographic anchors for Cesare Vasoli are the major published studies
on medieval philosophy, Renaissance rhetoric, and humanist culture rather than
the provisional 1947 thesis line. So the short clean answer is: H. P. Grice was
an Oxford don in the strict collegiate sense, both Fellow and Tutor in
philosophy at St John’s and CUF University Lecturer in philosophy at Oxford.
Cesare Vasoli, by contrast, was an Italian professor and historian of
philosophy, formed at Florence under Garin, Morandi, and Cantimori, and later
teaching medieval and Renaissance philosophy in the state-university system
while leading major research institutions. Institutionally, Grice belongs to
the tutorial-collegiate world; Vasoli to the university-and-institute world of
historical scholarship. Philosophically, the contrast is equally clear: Grice
analyses the inferential micro-mechanics of speaker-meaning and implicature,
whereas Vasoli reconstructs the long historical formation of the rhetorical,
dialectical, and pedagogical norms that make disciplined reasoning in discourse
possible at all. And if you want the neatest one-line dossier formula, I would
suggest this: Grice explains how reasons work in conversation; Vasoli explains
how Europe learned to make reasons work in discourse. If you want, I can now
give you a tighter one-paragraph entry in your preferred style, with the
insecure 1947 thesis line replaced by the 1968 Dialettica e retorica book as
the main bibliographic anchor.la ragione conversazionale e l’implicatura a
MERTON ecc –medieval. Grice’s theory of reason-governed
conversational meaning locates the source of “what is meant” in a rationally
reconstructible link between what is said, the speaker’s intentions, and the
shared norms of cooperative talk (maxims and their principled floutings), so
that implicature is an achievement of practical reason operating in ordinary
exchange rather than a merely stylistic residue of rhetoric. Vasoli, by
contrast, is best read as supplying (in historical rather than formal terms)
the long prehistory of those rational norms in the medieval and humanist
disciplines that trained Europe to treat discourse as rule-bound conduct:
scholastic dialectic as an institution of regulated disputation (quaestio,
objections, replies, solutio) and Renaissance rhetoric as an art of invention
and method, i.e., techniques for generating, ordering, and managing reasons in
public and pedagogical settings. Where Grice offers an abstract,
transhistorical model of conversational rationality (a logic of inference from
utterance to intended meaning), Vasoli’s perspective highlights how “reason in
talk” is socially reproduced by curricula and genres—university practices of disputation,
commentary, and forensic exchange—that make it intelligible why participants
expect relevance, sufficiency, and orderly contribution in the first place. The
“angels on a pin” motif in your passage thus marks a difference in evaluative
stance: Grice jokes at scholastic virtuosity as if it were empty
hair-splitting, yet his own implicature-mechanism arguably redescribes the same
culture of disciplined inference in miniature, while Vasoli’s historiography
treats those medieval and humanist techniques (dialectic/retoric,
inventio/methodus) as the very schooling of reason that later permits Grice’s
conversational principles to look natural. In short: Grice explains how
rational hearers calculate unstated meaning within a cooperative exchange;
Vasoli explains how a civilization historically built the argumentative and
rhetorical norms that make such calculation a stable, transmissible habit of
mind. Keywords: medieval. Grice: “They said we were frivolous, but what about
those mediaeval discussions about how many angels could dance on the tip of a
needle? -- Filosofo fiorentino. Filosofo
toscano. Firenze, Toscana. m. Firenze. Storico della filosofia italiano.
Formatosi alla scuola di grandi maestri dell'ateneo fiorentino – GARIN ,
MORANDI , CANTIMORI --, e poi docente in diverse università
italiane, in più di quarant'anni di ricerche e interventi compiuti in Italia e
all'estero V. esplora i più diversi aspetti delle idee e della cultura.
Laureatosi all'univ. di Firenze sotto la guida di GARIN , è stato prima
assistente e poi libero docente e incaricato di Storia della filosofia nella
facoltà di Lettere e filosofia della stessa università; prof. ordinario di
storia della filosofia alle univ. di Cagliari, Bari e Genova, poi a Firenze di
filosofia morale, di storia della filosofia, quindi di storia della filosofia
del Rinascimento. Socio nazionale dei Lincei. Storico della filosofia italiano.
Si formato con GARIN e si laurea a Firenze con un saggio di
filosofia morale. Al suo maestro è rimasto sempre profondamente legato,
riprendendo e sviluppandone in modo originale temi e motivi. Assistente e
libero docente e incaricato di Storia della FILOSOFIA MEDIEVALE fnella facoltà
di filosofia a Firenze. È stato professore ordinario di storia della FILOSOFIA
MEDIEVALE a Cagliari, Bari e Genova, poi a Firenze di filosofia morale, di
storia della filosofia, quindi di storia della FILOSOFIA DEL
RINASCIMENTO. Dottore honoris causa della Sorbona e del Centro studi sul
Rinascimento di Tours. Presidente dell'Istituto di Studi sul Rinascimento, di
cui è consigliere, e dei Lincei. Autore di una vasta bibliografia, tra i
suoi saggi si ricordano: La filosofia medievale (Feltrinell), La
dialettica e la retorica dell'Umanesimo: "Invenzione" e "Metodo" (Feltrinelli;
Città del sole) Umanesimo e Rinascimento (Palumbo) Magia e scienza nella
civiltà umanistica (Il Mulino). Implicatura. G. You
look pleased with yourself, S. S. I’m
browsing abstracts. That’s the only permitted way to look pleased in 1947. G. After being demobilised, one is allowed two
pleasures: tea and the illusion that words mean what they used to. S. Then you won’t like this: “la crisi della
morale.” G. Crisi. That’s the word to
underline. Everyone underlines it now, even when they’re not sure what it is.
S. You’re reading it as if it were a
summons. G. It is a summons. It summons
the tone of seriousness. But what does it mean? A crisis can be a rupture, a
turning-point, a diagnosis, an excuse, or a fashion. S. Or a title that makes an ordinary thesis
sound unavoidable. G. Exactly. And the
name attached? S. Vasoli. Firenze. G. Vasoli. It sounds like a surname that already
wants to be a footnote. S. He’s just
taken his laurea, apparently. Italians have the decency to tell you the day. G. Yes, they like dates. We like to hide behind
terms. “Michaelmas” is our way of avoiding arithmetic. S. “Crisi della morale.” In 1947, that’s almost
redundant. G. Redundant, yes, but not
pointless. A crisis is not the same as a wreck. S. What’s the difference? G. A wreck is just wreckage. A crisis is the
wreckage plus the idea that you can read a moral in it. S. So “crisi” is already interpretive. G. It’s a doctor’s word smuggled into
philosophy: κρίσις, decision, turning,
diagnosis. S. Like an examination.
G. Precisely. A crisis is an exam the
world sits without choosing. S. Then
“morale” is what’s being examined. G. Or
what’s failing. S. Or what’s being blamed.
G. Yes. Now the mischief: whose crisis?
Italy’s? Europe’s? Humanity’s? S. Or
Vasoli’s? G. Or a generation’s. Titles
do that: they universalise private perplexity. S. But you said you wanted to keep it on Vasoli,
not on the other name. G. I do. I’m
interested in why a young Florentine in 1947 chooses “crisi” and “morale” as
his public nouns. S. Because Firenze is
a city built of past greatness and present rubble. G. That’s very poetic. S. It’s also literal. G. Fair. Now: you said “losing side” and
“winning side” a moment ago. S. We’re on
the winning side, technically. G.
Technically. That’s another word like crisis: it lets you sound honest
while keeping your hands clean. S. And
Vasoli is on the losing side, technically. G.
Italy lost, then reclassified itself as liberated, then joined the
winners’ vocabulary. S. That is a neat
trick. G. It is a bureaucratic
implicature. S. So when Vasoli says
“crisi della morale,” he could mean: we have to rebuild our moral language
because the old one collaborated. G.
Exactly. Morality is the thing that got compromised by slogans. S. And by uniforms. G. Yes. And by the fact that both sides
discovered they could kill with good conscience. S. That makes crisis a word for everyone, not
just for the defeated. G. Precisely.
Winners also experience a crisis; they just call it “adjustment.” S. Or “reconstruction.” G. Or “a new world order,” which is crisis with a
tie on. S. What’s funny is that “crisis”
sounds like emergency, but it’s also an invitation to systematise. G. Yes. A philosopher sees crisis and reaches
for a taxonomy. S. So Vasoli is reaching
for a taxonomy of moral breakdown. G. Or
moral transformation. Crisis can mean “end” or “decision.” κρίσις is judgment, after all. S. Judgment of what? G. Of values. Of the difference between valuable
and non-valuable, as you put it. S. That
sounds Nietzschean whether we like it or not. G. It does. But notice: the title doesn’t say
“la crisi dei valori.” It says “della morale.” S. Morale is narrower. G. Or more social. Morale is the public code;
values can be private. S. So he’s
interested in the code, not just the inner drama. G. That would fit 1947. Codes have been publicly
disgraced. S. What would “crisis of
morality” mean in Oxford? G. In Oxford
it means we have too many committees and too little shame. S. In Firenze it might mean we have too much
shame and no stable code to attach it to. G.
Very good. Now, why “crisi” and not “fine”? S. Because “fine” would be final. Crisis keeps
the door open. G. Yes. Crisis promises a
recovery, or at least a new equilibrium. S.
So “crisi” is a hopeful word masquerading as a grim one. G. That’s exactly why it sells. S. You’re implying Vasoli is also being
“publishable.” G. Everyone is
publishable in 1947. Even tragedy tries to get into print. S. What would be the dry Oxford paraphrase of
“crisi della morale”? G. “We have
noticed inconsistencies between what we say we ought to do and what we have
just done.” S. That’s very English.
G. It’s also very accurate. S. Then the interesting bit is the name: Vasoli.
G. Yes. Because names in Italy come with
city-air. S. Firenze-air. G. Exactly: humanist air, Renaissance air, and
then suddenly post-war air—dust, rationing, politics. S. So a Florentine writing “crisis of morality”
in 1947 is almost a civic gesture: the city of moral art talking about moral
collapse. G. That’s well put. S. And what would you, as a recently demobilised
philosopher, ask him? G. I would ask: is
“crisi” your diagnosis of the time, or your tactic for making the time your
topic? S. Both, probably. G. Likely. And I’d ask: whose morality?
Catholic? civic? Kantian? wartime morality of orders and duty? S. Or morality as obedience. G. Exactly. “Morale” can mean “morality” or
“morale” in the sense of spirits. S.
That’s another ambiguity 1947 enjoys. G.
Yes. And it’s not accidental that English “morale” means spirits: war
collapses the two. S. So “crisi della
morale” could even be heard as “crisis of morale”—everyone’s spirits broken.
G. And he chooses the phrase that lets
both readings haunt it. S. You’re making
him sound clever. G. I’m making the
title clever. The title is doing a lot of work. S. What about the winning side and losing side
again—can we say anything without being crude? G. We can say this: winners are allowed to
forget; losers are forced to remember. S.
So losers are forced into “crisis” talk. G. Yes. But winners need it too, because
forgetting is not the same as repair. S.
And philosophers, being philosophers, prefer repair to forgetting. G. Or at least prefer talking about repair.
S. So what is the crisis, in one line?
G. A crisis is the moment when inherited
moral language no longer commands assent, but new moral language has not yet
earned it. S. And in 1947 that’s true in
both Firenze and Oxford. G. Yes—except
Oxford pretends its language still commands assent because it’s spoken in the
right accent. S. Firenze can’t pretend,
because the ruins are visible. G.
Exactly. Which is why I’m interested in a Florentine naming it. S. Do you think he’s accusing Nietzsche of
causing it? G. Unlikely. More likely
he’s using Nietzsche as a lens, not as a culprit. S. So Vasoli is not “blaming” but “reading.”
G. Yes. Crisis as hermeneutics. S. That sounds like something an Italian would
do. G. Italians do hermeneutics as a
civic duty. We do it as a private eccentricity. S. And you, in 1947, are reading abstracts like
a man looking for the shape of the new world. G. I’m looking for who has the nerve to name it.
“Crisi della morale” is nerve. S. Or
opportunism. G. Those two are often
twins. S. Would you like to meet Vasoli?
G. Only if he will tell me what he means
by “crisis” without turning it into a sermon. S. And would he? G. In Firenze, perhaps. In Oxford, he’d be
trained out of it. S. So what do we do
with the title, as readers? G. We treat
it as a move. It’s not just a label; it’s a bid for seriousness in a world
where seriousness has been abused. S.
That’s your “pragmatic” habit again. G.
Yes. And it lets me be sympathetic without being sentimental. S. Because “crisis” is a word that can be used
badly. G. Exactly. But in 1947, almost
every word can be used badly. The question is whether anyone can use it
honestly. S. Vasoli is trying. G. That’s already worth noting. S. Even if we don’t yet know what he argues. G. Especially if we don’t yet know. Titles are
where philosophers reveal their first intentions. S. And the intention here is: don’t let anyone
pretend morality survived intact. G.
Yes. And perhaps: don’t let anyone pretend the crisis belongs only to
the defeated. S. That’s a generous
reading. G. It’s also the only reading
that makes the title more than propaganda. S.
Then we’ll file it under Firenze, 1947, and the word “crisi.” G. And we’ll keep an eye on the name: Vasoli. S. Because the name will turn up
again? G. Names like that always
do.Grice: Caro Vasoli, devo confessare che quando sono diventato “Hammondworth
Senior Scholar” per Merton mi sono sentito come se avessi finalmente scovato
l’essenza della filosofia! Non so nulla di Bononia, ma se la Sorbonne gira
tutto attorno a Monsieur Sorbonne, allora Vadum Boum — la nostra Oxford —
meriterebbe di essere chiamata “MERTONIA”! Dico, che cos’ha da offrire Vadum
Boum alla philosophia (o alle Lit. Hum. in generale) che non si trovi già a
Merton? Forse balli medievali sulla punta di uno spillo? V.: Ah, Grice, il tuo spirito britanno è
sempre affilato! Ma vedi, a Firenze, tra Garin, Morandi e Cantimori, la
filosofia si respira persino tra i corridoi — altro che MERTONIA! Da noi, gli
angeli non danzano solo sulle punte degli spilli, ma discutono pure se sia
logico farlo in latino o volgare! Grice:
In effetti, Vasoli, la dialettica medievale non conosce limiti… Ma chissà,
magari a Merton non abbiamo gli angeli, però abbiamo implicature
conversazionali che sanno saltare, correre e pure inciampare nei problemi del
Rinascimento! Ti garantisco: ogni implicatura qui ha almeno una laurea honoris
causa in acrobazie logiche! Vasoli:
Grice, mi fai venire voglia di fondare un club internazionale: “Gli spilli
filosofici e le implicature danzanti”! Ma se c’è una cosa che ho imparato —
specialmente tra Mertonia, Sorbonne e Firenze — è che, come dice il proverbio:
“Ogni scuola ha il suo ago… ma la filosofia, la sua cruna!” Vasoli, Cesare (1947). La crisi della
morale. Relatore: Garin. Firenze.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vatinio –
Ossia: Grice e Vatinio: la ragione conversazionale a Roma – l’implictaura
conversazionale della setta di Crotone. Note sulla Epistula ad Ciceronem. Il Gruppo di Gioco di H. P. Grice. Publio Vatinio
(Roma, Lazio) Compared institutionally, Grice and Publius Vatinius are not
comparable in the academic sense at all. Grice’s formula is
exact in the modern Oxford sense. Fellow and Tutor in philosophy at St John’s
means a college office with tutorials, student responsibility, and membership
in the governing life of the college. CUF University Lecturer in philosophy means
a university-wide faculty appointment. So Grice combines the two characteristic
Oxford functions: college tutor and university lecturer. Publius Vatinius, by
contrast, was a Roman politician of the late Republic: quaestor, tribune of the
plebs, praetor, consul, and later proconsul, deeply entangled in Caesar’s camp
and in the forensic-political battles of the 50s BCE. He belongs not to a
school or academy but to the Roman forum, senate, lawcourts, and
military-political machine. The standard modern summary identifies Publius
Vatinius as a Caesarian tribune in 59 BCE, later praetor, consul in 47 BCE, and
proconsul of Illyricum. [en.wikipedia.org], [oxfordreference.com] So the clean
institutional contrast is this. Grice was a modern Oxford philosopher with a dual
college-and-university role. Publius Vatinius, by contrast, was a Roman
political operator whose authority came from office, alliance, legislation,
witness-giving, advocacy, and public conflict rather than from any teaching
institution. [en.wikipedia.org], [oxfordreference.com] That institutional
difference fits your philosophical comparison rather well. Grice works at the
micro-level of rational communication: how a hearer gets from what is said to
what is meant by recognising intentions and inferring implicatures under
cooperative norms. Publius Vatinius, by contrast, belongs to a world where
discourse is public, strategic, and civic from the start. The relevant
communicative setting is not ordinary conversation but the forum, the court,
the political letter, and the witness-stand. In that world, ethos, standing,
faction, and public danger are built into the uptake. Cicero’s In Vatinium is a
perfect example: not an analysis of meaning, but a performance designed to
discredit a witness by shaping the audience’s whole evaluative frame. The
standard presentation of In Vatinium confirms that it was delivered against
Publius Vatinius in 56 BCE in a highly charged forensic setting.
[loebclassics.com], [attalus.org], [hup.harvard.edu] So if you want the sharpest
formulation, it is this. Grice explains how one utterance can rationally mean
more than it literally says. Publius Vatinius exemplifies a Roman public world
in which meaning is inseparable from institutional setting, patronage, status,
and rhetorical force. That is why your long letter-analysis is actually
excellent. Vatinius’ letter to Cicero is not merely a request for help; it is a
carefully staged attempt to make one response — Cicero’s public support —
appear as the only consistent and honourable course. In Gricean terms, Vatinius
engineers not just belief but action by arranging the inferential burden on the
addressee. The secure historical summaries confirm that Publius Vatinius was
later genuinely reconciled with Cicero, and that their relation moved from
invective to forensic defence and political utility. [en.wikipedia.org],
[oxfordreference.com] There are, however, two important corrections. First,
“Roma, Lazio” is not a safe biographical heading for Publius Vatinius. The
better modern summaries do not simply give Rome as birthplace; one source even
suggests a possible origin near Rieti, but this is not secure. So I would avoid
fixing Rome as his natal place. The modern summary for Publius Vatinius gives
the birthplace only tentatively, as Rieti “possibly,” not securely as Rome.
[en.wikipedia.org] Second, your final bibliographic tail “Vatinio, Publio
(DCCIX A.V.C.). Epistula ad Ciceronem. Roma.” is too confident and not
bibliographically safe. What is secure is that one of Vatinius’ letters to Cicero
survives in the Ciceronian correspondence, especially Ad familiares 5.9, and
that the exchange belongs to the post–civil war politics of reconciliation. But
it is not correct to present it like a standalone Roman publication in Rome.
The relevant secure anchor is Ad familiares 5.9, not a free-standing “Epistula
ad Ciceronem. Roma.” [en.wikipedia.org], [it.wikipedia.org] So the short clean
answer is: H. P. Grice was an Oxford don in the precise collegiate sense, both
Fellow and Tutor in philosophy at St John’s College and CUF University Lecturer
in philosophy at Oxford. Publius Vatinius, by contrast, was a late Republican
Roman politician, tribune, praetor, consul, and Caesarian partisan, active in
the world of public law, faction, witness-giving, and political letters rather
than in any academic institution. Institutionally they are worlds apart.
Intellectually, however, the contrast is illuminating: Grice analyses the
inferential micro-mechanics of meaning in ordinary conversation, whereas
Publius Vatinius exemplifies a Roman civic rhetoric in which public speech aims
to bind audiences through obligation, status, and political leverage, and in
which the “more-than-said” is inseparable from patronage and public
consequence. [en.wikipedia.org], [loebclassics.com], [attalus.org],
[oxfordreference.com] And the cleanest bibliographic anchors for your dossier
are these: Cicero. In Vatinium, 56 BCE. The key forensic text against Publius
Vatinius. [loebclassics.com], [attalus.org], [hup.harvard.edu] Cicero, Ad familiares
5.9. Vatinius to Cicero, the later reconciliation letter. [en.wikipedia.org],
[it.wikipedia.org] If you want, I can now give you a tighter one-paragraph
entry in your preferred style, or a brief note just on the rhetoric of Ad
familiares 5.9 as a Gricean case of influence rather than mere persuasion.la
ragione conversazionale a Roma – l’implictaura conversazionale della setta di
Crotone, Grice’s theory of reason-governed conversational meaning treats “what
is meant” as an inferential achievement: speakers are presumed to be
cooperating in a talk-exchange with an accepted direction, and hearers
reconstruct speaker-meaning by attributing intentions under rational
constraints (the Cooperative Principle and its maxims), so that implicature is
generated precisely when what is said would otherwise be conversationally
unsuitable and the hearer supplies a rational explanation. The Vatinian
material you quote frames a contrasting, Romanized picture of conversational
reason: Vatinio is cast less as a theorist of intention-and-inference and more
as a figure for publicly staged ratio, where meaning emerges from civic
disputation and forensic performance (Cicero’s courtroom combat, the
“publicus/populus” etymology of Publius) rather than from a general, psychologically
articulated rational norm governing all talk; on this reading, “ragione
conversazionale a Roma” is anchored in institutional settings (forum, courts,
political alliances) and in the ethical-political telos of the common good,
whereas Grice’s reason-governed meaning is anchored in a more abstract,
trans-situational norm of cooperative rationality that applies equally to
tavern talk and tribunals. Historically, Publius Vatinius is indeed the target
of Cicero’s In Vatinium (56 BCE), delivered when Vatinius appeared as a witness
against Sestius, and the Ciceronian setting sharpens the contrast: for
Cicero/Vatinius, persuasion and credibility are inseparable from character,
status, and public antagonism, while for Grice the core explanatory engine is
not ethos or civic theatre but the rational recoverability of intentions from
what is said plus shared assumptions. The “Crotone” motif then works as a third
term inside the comparison: “la scuola di Crotone” evokes a tradition of
disciplined, semi-esoteric philosophical practice (silence, initiation,
internal rule) that your dialogue opposes to Roman publicity; Grice’s model
aligns with neither wholly, but can be made to illuminate both—he can explain
how Roman oratory exploits implicature by strategic maxim-flouting, and how a
Crotonian reserve would create meaning by systematic underinformativeness—yet
the Vatinian emphasis remains that Roman conversational reason is
constitutively public and civic, whereas Grice’s is constitutively rational and
intention-based, with “public service” at most a contingent conversational
purpose rather than a defining source of meaning. Grice: “I often wondered if
the Roman name ‘Publius’ means something like a ‘prostitute’! However, the
Roman praenomen – given name – Publius – is thought to derive from the same
Latin root as the words ‘populus’ and ‘publicus,’ meaning of the people or
public. The name Publius, therefore, carries the meaning of being connected to
the people, serving the public, or relating to civic duty. This reflects the
Roman ideals of public service and governance for the common good. While
Publius was a very common praenomen used by both patrician andplebeian families
throughout Roman history, some scholars have also suggested a possible ETRUSCAN
origin, noting the use of the name in the form ‘PUPLIE” by the Etruscans.
Keywords: CROTONE. Grice: “Italians refer to Pythagoreanism as ‘la scuola di
Crotone,’ seeing that that was where the Master settled. One may well speak of
the dialettica crotonese – Crotonian dialectic, Athenian dialectic, Oxonian
dialectic. Filosofo italiano. A politician, supporter of GIULIO (vedi) CESARE
and a friend of CICERONE, who at different times, attacks and defends him. V.
calls himself a Pythagorean, but Cicerone questions V’s right to do so on
account of his dubious behaviour. Vatinius’s first extant letter to Cicero (Ad familiares 5.9) is
basically a bid for political reconciliation and goodwill: Vatinius writes in a
friendly tone, emphasizes past services/loyalty, and tries to get Cicero to
treat him as a useful ally rather than as a target—i.e., it’s about smoothing
relations and positioning himself on Cicero’s good side in the post–civil war
context. If you want, paste the Latin incipit of Fam. 5.9 (just the first
couple of lines) and I’ll tell you exactly what he is doing rhetorically
(captatio benevolentiae, self-justification, implied requests) using your own
text only. G. You’ve found it, then.
M. You have found something, certainly.
Whether you have found it in the moral sense remains to be seen. B. Sir, it begins with a sneeze: “S. V. B. E. E.
V.” M. It begins with an address line,
boy, not with a sneeze. Continue. G.
It’s Vatinius speaking. He’s the utterer. M. Good. Keep your eye on the utterer. This is
not “Latin as wallpaper.” This is Latin as a move. E. And it’s to Cicero, sir? M. Yes. And note the seriousness: he is writing
to a man who can harm him merely by declining to help. G. The first move is flattery by presupposition:
si tuam consuetudinem… servas. M. Exactly.
He starts by treating Cicero’s help as already a habit, already a rule. B. So if Cicero refuses, he violates his own
“consuetudo.” M. You’re learning.
Refusal becomes not just refusal but inconsistency. G. Then he frames himself as cliens. M. That’s a social claim, a binding. He is not
“asking a favour.” He is invoking a relation. E. And advenit—he’s “arrived,” as if the case is
already at Cicero’s doorstep. M.
Everything is proximate in Latin when you want urgency without panic. G. “Qui pro se causam dicier vult”—he wants a
cause to be pleaded. M. He wants the
thing said on his behalf. Notice: dicier, not just dici. The passive flavour
fits his posture. B. He wants someone
else to do the speaking. M. Exactly.
He’s arranging agency. Keep that in mind: he is influencing, not merely
informing. G. Then: non, puto,
repudiabis in honore, quem in periculo recepisti. M. That’s a beautiful bit of pressure: you
accepted him in danger; will you reject him in honour? E. So rejecting him now would look petty.
M. And inconsistent. Again: moral
constraint. G. He’s building a trap of
ethos. M. “Trap” is too modern. Call it
a net. Roman nets are polite. B. Then he
says: “Ego autem quem potius adoptem aut invocem…” M. Two verbs of choosing and calling. Adoption
and invocation. Both theatrical. G. He
implies there’s no better patron than Cicero. M. Not “implies.” He says it with the grammar of
inevitability. E. Then the line: quo defendente
vincere didici. M. Yes. He says Cicero
taught him to win. That makes Cicero responsible for his future victories.
G. So if Cicero refuses, he abandons his
own pupil. M. You see the pattern.
Vatinius makes Cicero’s refusal costly in every available register. B. Then: an verear ne… M. Here comes the pseudo-anxiety. He pretends to
worry in order to praise. G. “Qui
potentissimorum hominum conspirationem neglexerit pro mea salute…” M. Notice what he’s doing: he credits Cicero with ignoring a conspiracy of
the most powerful for Vatinius’ safety. E.
That’s a claim about courage. M.
And about loyalty. He is inflating Cicero’s past service to purchase
present service. G. Then: is pro honore
meo pusillorum ac malevolorum obtrectationes… M. The contrast: greatest men conspire, small
men slander. Cicero crushes both. B. He
calls his enemies pusilli. That’s already a rhetorical shove. M. It’s also a cue to Cicero’s self-image.
Cicero likes to imagine himself trampling pusilli. G. “Prosternat atque obterat”—he wants not
merely rebuttal but annihilation. M.
Roman advocacy is rarely gentle. E.
Then the key move: quare, si me, sicut soles, amas… M. There it is again: sicut soles. The “as you
usually do” clause is a hook. G. If Cicero
doesn’t do it now, he’s changed. M.
Exactly. Vatinius frames refusal as deviation from character. B. Then: suscipe me totum. M. “Take me up entirely.” It’s totalising.
G. He offers the case as onus and munus.
M. Yes: burden and duty. He flatters
Cicero by calling it duty. E. “Pro mea
dignitate tibi tuendum ac sustinendum puta.” M.
He makes Cicero the custodian of
Vatinius’ dignitas. That is pure influence. G.
This is not persuasion by reasons; it’s persuasion by entanglement.
M. Good. Keep that distinction.
Persuasion is about what you show; influence is about what you make the other
have to be. B. Then: Scis meam fortunam…
facile obtrectatores invenire. M.
Self-pity as a device. He makes himself the sort of man fate targets.
G. “Non meo quidem mehercules
merito”—the oath is an emotional reinforcement. M. He wants sincerity to be inferred, even if
it’s performative. E. Then: sed quanti
id refert… M. That’s a sly concession:
“What does it matter, if it happens anyway?” It’s fatalism used to solicit
help. G. It says: I can’t change fate,
but you can. M. Exactly. He relocates
agency to Cicero. B. Then: si qui forte
fuerit, qui nostrae dignitati obesse velit… M.
He re-opens the conditional space: “if anyone should wish to harm our
dignitas.” G. Nostrae. He’s pulling
Cicero into “our.” M. Very good. That
plural is an influence move: joint identity. E.
Then the request: peto a te… M.
But he has already made it hard to refuse, so the explicit request
arrives after the work is done. G. “Ut
tuam consuetudinem et liberalitatem… praestes.” Again: habit and generosity.
M. The two virtues he wants Cicero to
display publicly. Refusal would deny Cicero his own virtues. B. Then: in me absente defendendo mihi praestes.
M. He asks for action in his absence:
deputised ethos. G. This is the core: he
wants Cicero to speak when Vatinius isn’t there. M. And that is exactly why it is influence
rather than argument. If Vatinius were there, he could argue. Being absent, he
must rely on Cicero’s performance. E.
Then: litteras ad senatum… infra tibi perscripsi. M. He provides material. Not just flattery; he
supplies evidence to be deployed. G.
It’s like handing Cicero talking points. M. Precisely. He is shaping Cicero’s future
utterances. B. Then a sudden shift:
Dicitur mihi tuus servus anagnostes fugitivus… M. Yes. Now he shows usefulness. G. He’s saying: I’m not only a client, I’m an
agent. I do favours too. M. Exactly.
Reciprocity is the hidden engine. E. He
says: de quo tu mihi nihil mandasti. M.
That’s a gentle reproach: you didn’t ask, but I did it anyway. G. He is influencing Cicero’s gratitude. M. Gratitude is a form of obligation. B. Then: ego tamen, terra marique ut
conquireretur, praemandavi. M. Hyperbole
of diligence. “On land and sea.” He makes his effort sound empire-sized.
G. This is a pragmatic move: proving
reliability by action. M. Yes. He builds
credibility not by stating “I am loyal” but by describing costly behaviour.
E. “Et profecto tibi illum reperiam…”
M. Promise. He binds his future action
to Cicero’s interest. G. “Nisi si in Dalmatiam aufugerit, et inde tamen aliquando
eruam.” M.
Even the exception is converted into inevitability: even if Dalmatia,
I’ll drag him out. B. “Eruam” is vivid.
M. It is. He wants Cicero to picture the
recovery. G. Then the closing: Tu nos
fac ames. M. Imperative softened into
Roman courtesy: “Make that you love us.” E.
Nos again. M. Again the plural.
Again the attempt to make Cicero’s relation collective and durable. G. Vale. Dated: A. d. V. Idus Quinctiles.
M. Note the calendar. He’s in camps: ex
castris, Narona. B. Where’s Narona?
M. A place where Romans do Roman things
and then write letters as if they were in the Forum. G. So the setting matters: he writes as a
commander, but he writes like a dependent. M.
That’s politics. Rank in one domain doesn’t cancel dependence in
another. E. Sir, what is Vatinius’ main
intent here? M. To secure Cicero’s
patronage in litigation and reputation management. But do not reduce it to
“asking for help.” G. He’s doing more:
he’s arranging Cicero’s self-conception so that helping is the only consistent
move. M. Excellent. B. Is that what you mean by influence? M. Yes. Persuasion gives reasons. Influence
gives a situation in which refusing damages the refuser. G. Like “sicut soles” and “consuetudo” and
“liberalitas.” M. Exactly. Those are not
arguments. They are levers. E. And “in
honore, quem in periculo recepisti”—that’s a lever too. M. A lever with a moral finish. G. He also manages Cicero’s face: if Cicero
refuses, he looks cowardly, inconsistent, or ungenerous. M. That’s all face-work. In Latin, face-work is
done with virtues. B. And he names
Cicero as a man who crushes conspiracies and slanders. M. Flattery that forces. Praise as constraint.
G. This reminds me of the other passage
we did: the historian making Rome’s desire look like policy. M. Good. Here, the letter-writer makes his
desire look like Cicero’s duty. E. So
the implicatures are structured. M. Yes.
Not accidental. That is why it’s worth reading. G. The move “cliens advenit” is already a
framing: the client “arrives,” the patron is the natural endpoint. M. Exactly. The narrative is built into the
first line. B. Sir, why is it so long? M. Because influence takes time. The writer must
create enough commitments that the reader cannot easily step out. G. He also alternates registers: moral praise,
legal request, practical favour (the runaway slave). M. That alternation is intelligent. It keeps
Cicero from treating the letter as one kind of thing only. E. It’s almost like he’s saying: I can be your
dependent, and I can be your helper. M.
Yes. Mutuality disguised as hierarchy. G. So in our terms: the utterer designs a
sequence of moves to make the addressee’s best reply be “yes.” M. Correct. B.
And if Cicero says “no”? M. Then
Cicero must pay a reputational cost: he must explain why “sicut soles” no
longer applies. G. Which makes “no”
harder than “yes.” M. Exactly. That is
why good influence makes refusal expensive. E.
Sir, is this “pragmatics”? M. If
you must use the word, yes. But call it what the Romans called it: ars. G. The art of making another man’s will align
with yours. M. Or the art of making your
will sound like his. B. And he does it
without ever saying “I am persuading you.” M.
Because if you say it, you lose it. G.
That’s the best part: the letter is itself evidence that language can do
work beyond its literal content. M. Yes.
Now you sound as if you’re about to invent a theory. G. Only noticing a practice, sir. M. Good. Notice it, don’t sermonise it. E. But the whole thing is also soaked in values:
dignitas, liberalitas, consuetudo. M.
Roman persuasion is always moralised. G.
So “influencing” here is really “binding through virtues.” M. Exactly. B.
And “Tu nos fac ames” is the punchline. M. It is. He ends not with “do this” but with
“love us.” That’s Roman: the request is emotional, the machinery is political.
G. Sir, you said earlier Paterculus
wasn’t “little father.” What about Vatinius? M.
Vatinius is not “a little vat,” boy. Back to work. G. So what is our takeaway? M. That the letter is a case study in
intentional action through words: the utterer designs an uptake. E. And that uptake is not merely belief but
action—Cicero defending him. M.
Precisely. He wants Cicero to do things: speak, crush, sustain, adopt.
G. So the intended effect is practical.
M. And reputational. The Forum is a
theatre; the letter is backstage. B.
Sir, are we allowed to laugh at “terra marique”? M. You may laugh privately. Publicly you must
admire. G. It’s also a way of saying “I
am competent.” M. Yes. Competence is
another lever: “I can help you, therefore you should help me.” E. That’s almost transactional. M. Roman friendship is often transactional with
a moral vocabulary. G. The moral
vocabulary is the disguise. M. And the
disguise is the whole point. B. So, in
the end, Vatinius is shaping Cicero’s future talk. M. Exactly: he is writing a script for Cicero’s
public performance. G. Which makes the
letter itself a kind of pre-utterance. M.
Very good. Now stop being pleased with yourself and read it again,
silently, as if you were Cicero deciding whether you can afford to say “no.”Gricevs: Salve, Vatini! Dic mihi, quid sentis de illo Cicerone, qui
semper tam petulanter et pedanter disputat? Vatinivs: Gricevs, Cicerone magister dialecticae est, sed
interdum nimis argutatur. Ego tamen credo
illum, sicut Crotoniani, ad veritatem semper inquirere, licet via eius sit
ardua. Gricevs: Ha! Sed
Crotoniani magis silentio et meditatione veritatem quaerunt, Vatini; Cicerone
vero orationibus tumultu facit! Forsitan ratio Romana ab illa Crotoniana
differt? Vatinivs: Ita vero! Ratio Romae ex publicis disputationibus oritur,
dum Crotonenses doctrinam secretam sequuntur. Sed utrumque genus philosophiae
ad civitatem et bonum commune spectat—hoc, ut ait Publius, nomen ipsum
significat. Vatinio, Publio (DCCIX A. V. C.). Epistula ad Ciceronem. Roma.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vattimo –
Ossia: Grice e Vattimo: la ragione conversazionale e l’implicatura
conversazionale dell’implicatvm o impiegato come comunicatvm debole. Note su Il soggetto e la storia. Il Gruppo di Gioco di H. P. Grice. Gianteresio
Vattimo (Torino, Piemonte): Compared institutionally, Gianteresio Vattimo is
much closer to H. P. Grice than many of your earlier figures, because both are
unmistakably academic philosophers; but they still belong to very different
university worlds. Gianteresio Vattimo was born in Turin in 1936, studied
philosophy under Luigi Pareyson at the University of Turin, graduated in 1959,
then studied in Heidelberg with Hans-Georg Gadamer and others, before returning
to Turin as assistant professor in 1964, full professor of aesthetics in 1969,
and professor of theoretical philosophy in 1982. [en.wikipedia.org],
[iep.utm.edu], [encyclopedia.com] So the clean institutional comparison is
this. Grice was a modern Oxford don in the strict collegiate sense: Fellow and
Tutor in philosophy at St John’s, plus CUF University Lecturer in philosophy at
Oxford. Vattimo, by contrast, was an Italian professor in the continental chair
system, formed at Turin and Heidelberg, later also a major public intellectual
and Member of the European Parliament, rather than a college tutor in an Oxford
residential setting. Institutionally, Grice belongs to the tutorial-collegiate
world; Vattimo to the state-university and public-intellectual world of
continental philosophy. [en.wikipedia.org], [iep.utm.edu], [encyclopedia.com]
That institutional difference fits the philosophical contrast you want to draw
rather well. Grice works at the micro-level of rational communication: how a
hearer gets from what is said to what is meant by recognising intentions and
calculating implicatures under conversational norms. Vattimo, by contrast,
works at the macro-level of interpretation, history, and ontology. His pensiero
debole is not a doctrine about “weak implicatures” in the Gricean technical
sense, but a broader anti-foundational stance: a weakening of metaphysical
closure, a refusal of strong finality, and an ethic of interpretive openness.
The major reference sources define weak thought precisely in this way: not as a
defect of force, but as a philosophical and ethical choice in favour of
plurality, historicity, and hermeneutic charity. [iep.utm.edu],
[philopedia.org], [en-academic.com] So if you want the sharpest formulation, it
is this. Grice explains how defeasible meaning works in conversation. Vattimo
explains how non-finality works in philosophy and culture. In other words:
Gricean weakness is a property of certain inferences: they can be cancelled,
revised, defeated by further evidence. Vattimo’s weakness is an ontological and
ethical stance: discourse should resist closure, authority, and metaphysical
domination. [iep.utm.edu], [philopedia.org] That is why your phrase implicatum
come communicatum debole is a clever comparative gloss, but it should remain a
gloss. It captures the overlap, but it should not obscure the difference in
scale. For Grice, to communicate “weakly” would mean that the speaker leaves
room for withdrawal, refinement, and context-sensitive recovery. For Vattimo,
weak communication would be a principled refusal of strong, unilateral
finality, a way of leaving the truth open to history and interpretation.
[iep.utm.edu], [philopedia.org] There are also two factual corrections worth
making. First, the name. The standard biographical sources overwhelmingly use
Gianni Vattimo, though Gianteresio Vattimo is his full given name. If you are
filing him in a scholarly headnote, Gianni is the standard public form.
[en.wikipedia.org], [iep.utm.edu] Second, your final bibliographic line cannot
be securely confirmed from the search results as given. I do not have a
verified search result for Il soggetto e la storia, Turin, Rosenberg &
Sellier, 1963. What I can securely confirm from standard bibliographic
summaries is that early Vattimo includes Il concetto di fare in Aristotele
(1961), Essere, storia e linguaggio in Heidegger (1963), and Ipotesi su
Nietzsche (1967). The major bibliographical summaries of Vattimo list Il
concetto di fare in Aristotele (1961), Essere, storia e linguaggio in Heidegger
(1963), and Ipotesi su Nietzsche (1967) among his early works.
[encyclopedia.com] So the short clean answer is: H. P. Grice was an Oxford don
in the precise collegiate sense, both Fellow and Tutor in philosophy at St
John’s and CUF University Lecturer in philosophy at Oxford. Gianni Vattimo, by
contrast, was an Italian professor of aesthetics and theoretical philosophy,
trained at Turin under Pareyson and in Heidelberg under Gadamer, later also a
public intellectual and European Parliament member. Institutionally, Grice
belongs to the tutorial-collegiate world; Vattimo to the continental chair
system and public philosophy. Philosophically, the contrast is equally clear:
Grice analyses the inferential micro-mechanics of speaker-meaning and
defeasible implicature, whereas Vattimo articulates a broader “weak thought,”
in which discourse renounces strong finality and leaves truth open to
interpretation, history, and plurality. [en.wikipedia.org], [iep.utm.edu],
[encyclopedia.com] And if you want the neatest dossier formula, I would suggest
this: Grice theorises defeasibility within conversation; Vattimo radicalises
weakness into an ontological and ethical style of communication itself.
[iep.utm.edu], [philopedia.org] If you want, I can now give you a tighter
one-paragraph entry in your preferred style, with the early bibliographic
anchor corrected to one of the securely attested books.la ragione
conversazionale e l’implicatura conversazionale dell’implicatvm o impiegato
come comunicatvm debole –debole, forte. Grice’s theory of
reason-governed conversational meaning explains how what a speaker means is
rationally recoverable by a hearer from what is said plus cooperative norms,
yielding implicatures that are calculable and defeasible (cancellable when
stronger evidence or an explicit clarification arrives). Vattimo’s “pensiero
debole” shifts the center of gravity: instead of treating weakness as merely a
pragmatic feature of certain implicatures (some implications are weaker, more
context-sensitive, easier to retract), he treats “weak communication” as a
philosophical and ethical posture—an anti-foundational way of speaking that
resists the “strong” metaphysical urge to impose final, unilateral meanings,
and that keeps interpretation open as an ongoing hermeneutic event. So where
Grice analyses weakness/strength in terms of the inferential force of what is
implicated relative to what is said (and how readily that implication can be
defeated), Vattimo treats weakness/strength as a cultural-ontological stance
toward truth and authority: “strong” discourse aims at closure and grounding,
“weak” discourse aims at plurality, historicity, and freedom. The overlap is
real—both make room for indirection and for meaning that can be withdrawn
without contradiction—but the contrast is that for Grice defeasibility is a
technical property of conversational inference under rational cooperation,
while for Vattimo “weakness” is the point: a principled commitment to
non-closure that turns communication into an invitation to dialogue rather than
a bid for finality. Implicatum come communicatum debole. Grice: make a stronger
statement. DEFEASIBILITY – can be defeated. Filosofo torinese. Filosofo piemontese. Filosofo italiano. Torino,
Piemonte. Essential Italian philosopher. Grice: “It may be
argued that what V. means by ‘strong’ is what I mean by ‘weak’ and viceversa –
With Popper, ‘I know’ is weaker than ‘I believe’ and ‘every x’ is weaker than
‘some (at least) one’ or ‘the’ – I have explored ‘the’ – Keyword: massima della
debolezza conversazionale; massima della forza conversazionale” – Filosofo
italiano. -- not one that provinicial Beaney would include in his handbooks and
dictionaries. Vattimo’s philosophy shares quite a bit with Grice’s programme,
as anyone familiar with both Vattimo and Grice may testify. Vattimo has
philosophised on Heidegger and Nietzsche, and one of his essays is on the
subject and the maskanother on reality. There is a volume in his honour. Filosofo e uomo politico italiano. M.
Rivoli. Esponente della filosofia ermeneutica, teorizza l'abbandono delle
pretese di fondazione della metafisica e la relativizzazione di ogni
prospettiva filosofica (Il pensiero debole, in collab. Con Rovatti. Allievo di
PAREYSON , dal quale derivano i suoi originari interessi per l'estetica, studia
poi a Heidelberg sotto la guida di Gadamer. Prof. di estetica, poi di filosofia
teoretica a Torino, da cui si è congedato. Deputato al Parlamento europeo,
quindi ricandidatosi come indipendente nelle liste dell'Italia dei Valori,
euro-deputato nell’Alleanza dei democratici e dei liberali per l’Europa, ha
aderito al Partito comunista italiano. Studioso e continuatore dell'ermeneutica
filosofica – cf. Grice, PERI HERMENEIAS --, nell'indagine sui suoi presupposti
storici e teorici dedica la sua attenzione a Schleiermacher, Nietzsche,
Heidegger e allo stesso Gadamer -- debole/forte – implicatum come communicatum
debole. Grice: Professore Vattimo, sono
molto incuriosito dal suo concetto di “implicatum debole”. Nel mio lavoro ho
spesso distinto tra implicature forti e deboli; mi chiedo cosa significhi per
lei comunicare qualcosa in modo volutamente “debole”. Vattimo: Caro Grice, per
me il comunicare “debolmente” significa riconoscere che ogni nostra
affermazione è sempre situata, relativa, mai assoluta. È una sorta di umiltà
ermeneutica: accettare che il senso non è mai una verità definitiva, ma un’apertura
al dialogo e all’interpretazione. Grice: Capisco, dunque anche il linguaggio,
per lei, si fonda su una massima di debolezza conversazionale: non imporre, ma
suggerire, lasciare spazio. In fondo, anche le mie implicature sono sempre
“defeasible”, possono essere modificate dal contesto o dalla risposta
dell’altro. Vattimo: Esattamente! E aggiungerei che proprio questa fragilità
rende possibile la libertà del pensiero. Se ci affidassimo solo alla forza
delle affermazioni, chiuderemmo la porta al nuovo e al diverso. Preferisco
pensare, parafrasando il suo stile, che una conversazione è davvero riuscita
quando ciò che resta è più una domanda che una risposta. Vattimo, Gianteresio (1963). Il
soggetto e la storia. Torino: Rosenberg & Sellier.
Catalogue
Raisonné of J. L. Speranza’s Publications – H. P. Grice e J. L. Speranza: La
Conversazione – I Verbali: VE
Speranza, J. L.
(n. d.). ‘Grice e Veca: la ragione conversazional e l’implicatura
conversazionale della massima dell’altruismo conversazionale. Note su Brecht e la contraddizione di Galileo. Il Gruppo di Gioco di H. P. Grice. Salvatore Veca
(Milano, Lombardia): l Compared institutionally, Salvatore Veca is much closer
to H. P. Grice than many of the figures you have been discussing, because both
are unmistakably academic philosophers; but they still belong to very different
institutional ecologies. Salvatore Veca was born in Rome in 1943, studied
philosophy in Milan, and became professor of political philosophy in Florence
and then Pavia, where he later served as preside of the Facoltà di Scienze
Politiche and directed the Centro interdipartimentale di studi e ricerche in
filosofia sociale. He was also president of the Fondazione Giangiacomo
Feltrinelli and of the Casa della Cultura in Milan, which already shows that
his intellectual life stretched beyond the university into the institutions of
public culture. [filosofian...ensiero.it] So the clean institutional comparison
is this. Grice was a modern Oxford don in the strict collegiate sense: Fellow
and Tutor in philosophy at St John’s, plus CUF University Lecturer in
philosophy at Oxford. Salvatore Veca, by contrast, was an Italian professor of
political philosophy in the state-university system, active also in the
extra-academic world of foundations, publishing, and civic institutions.
Institutionally, Grice belongs to the tutorial-collegiate world; Salvatore Veca
to the world of university chairs and public philosophy.
[filosofian...ensiero.it] That institutional difference suits your
philosophical comparison very well. Grice works at the micro-level of rational
communication: how a hearer gets from what is said to what is meant by
recognising intentions and calculating implicature under conversational norms.
Salvatore Veca, by contrast, works at the macro-level of justice, cooperation,
public reason, and civic argument. He began with Marx, especially the epistemological
dimensions of Marx’s theoretical programme, but then turned decisively toward
Anglo-American ethics and political philosophy, especially John Rawls, becoming
one of the central figures in the Italian reception of Rawls after the collapse
of the old Marxist horizon. The standard biographical sources describe
Salvatore Veca exactly in these terms: from Marxist epistemology to Rawlsian
justice, public reason, emancipation, and the civil function of philosophy.
[filosofian...ensiero.it] So if you want the sharpest formulation, it is this.
Grice explains how rational cooperation makes meaning possible in a local
exchange. Salvatore Veca explains how cooperation must itself be judged,
organised, and moralised within a shared civic space if it is to count as just
rather than merely efficient. In your own apt idiom, Grice gives you the
inferential machinery of cooperation; Salvatore Veca gives you the normative
horizon in which cooperation becomes reciprocity, fairness, and public
justification. [filosofian...ensiero.it] That is why your phrase “massima
dell’altruismo conversazionale” is actually quite good as a comparative gloss,
even if it is not Veca’s own formula. One can say: for Grice, helping in
conversation is mainly epistemic and interpretive: make your contribution
useful so that others can infer what you mean; for Salvatore Veca, the helping
becomes explicitly moral and political: offer reasons in ways that others can
accept within fair terms of cooperation. [filosofian...ensiero.it] There are two
important corrections, though. First, your final bibliographic line is wrong. I cannot verify “Salvatore Veca (1964). Brecht e la contraddizione di
Galileo. aut aut.” The secure early bibliographical anchor is instead
Saggio sul programma scientifico di Marx, published in 1972 by il Saggiatore.
That is the first major book everyone cites in the biographical records.
[filosofian...ensiero.it] Second, if you want a truly central later anchor for
the phase you are interested in, the cleanest is [La società giusta] from 1982,
which very visibly marks the Rawlsian and justice-centred turn. So the short
clean answer is: H. P. Grice was an Oxford don in the precise collegiate sense,
both Fellow and Tutor in philosophy at St John’s and CUF University Lecturer in
philosophy at Oxford. Salvatore Veca, by contrast, was an Italian professor of
political philosophy, formed in Milan, active in Florence and Pavia, and deeply
involved in the public institutions of philosophy and culture beyond the
university. Institutionally, Grice belongs to the world of college tutorials
and faculty lectures; Salvatore Veca to the world of university chairs,
foundations, and public reason. Philosophically, the contrast is equally clear:
Grice analyses the inferential micro-mechanics of speaker-meaning and
implicature, whereas Salvatore Veca theorises the ethical and political
conditions under which cooperation, reciprocity, and the exchange of reasons
can count as fair and emancipatory. [filosofian...ensiero.it] And the clean
bibliographic anchors for your dossier are these. Salvatore Veca. Saggio sul programma scientifico di Marx. Milan: il
Saggiatore, 1972. [filosofian...ensiero.it] [Salvatore Veca]. [La società
giusta]. Milan: [il Saggiatore], 1982. If you want, I can
now give you a tighter one-paragraph entry in your preferred register, or a
short note specifically on Veca and Rawls, with your “altruismo
conversazionale” gloss sharpened into a public-reason formula.a ragione
conversazional e l’implicatura conversazionale della massima dell’altruismo
conversazionale – Grice’s theory of reason-governed conversational meaning
explains how what a speaker means is rationally recoverable by a hearer from
what is said plus shared cooperative norms (maxims), so that implicatures are
in principle calculable, defeasible, and attributable to the speaker’s
intention within a practice of mutually accountable talk. Veca, as your passage
frames him (from early Marx-epistemology to Anglo-American ethics and Rawlsian
political philosophy, with an emphasis on public reason, justice, and the civil
function of philosophy), shifts the emphasis from Grice’s micro-pragmatics of
inference to a macro-ethics of cooperation: “altruismo conversazionale” reads
like the moralization of the Cooperative Principle, where the point is not just
how hearers infer extra meaning, but how interlocutors ought to conduct
themselves so that conversation can serve as a fair medium for justification,
mutual aid, and the distribution of reasons in a shared civic space. Put
together, Grice supplies the formal-pragmatic machinery for explaining how
cooperation makes meaning possible (including strategic indirectness), while
Veca supplies the political-moral horizon in which cooperation becomes a
normative ideal (conversation as a practice of reciprocity and fairness,
continuous with Rawls-style public justification): for Grice, the “help” you
give is primarily epistemic and interpretive (making your contribution
appropriately informative, relevant, and sincere so others can infer what you mean),
whereas for Veca the “help” is also ethical and institutional (shaping
conversational exchanges so that reasons are offered in ways others can accept,
and so that cooperation is not merely efficient but just). la scuola di Roma –
filosofia romana – filosofia lazia -- altruism, Hampshire, Hart, Grice,
giustizia, cooperare, aiuta, ragione, le mosse della ragione, ragione
conversazionale -- Filosofo italiano. M. Milano.
Professore di filosofia politica [cf. A. M. Quinton] a Firenze e Pavia, dove è
stato preside della facoltà di SCIENZE POLITICHE ed è direttore del Centro
interdipartimentale di studi e ricerche in filosofia sociale. È stato
presidente della Fondazione Feltrinelli, per la quale ha diretto la collana
della Biblioteca europea, e della Casa della Cultura di Milano. Inizialmente
interessato al marxismo, in particolare agli aspetti epistemologici delle
teorie marxiane, ha in seguito orientato le sue ricerche verso l'etica
anglo-americana. In questa nuova fase ha particolarmente studiato la teoria
della giustizia di Rawls – che cita Grice, in ‘Justice as fairness – Rawls cita
Grice, ‘Personal identity’--, contribuendo a diffonderla in Italia in un
tentativo di rinnovamento della cultura di sinistra dopo il crollo del
marxismo. Della sua copiosa produzioone saggistica si citano qui: Saggio sul
programma scientifico di Marx; La società giusta; Una filosofia pubblica; Etica
e politica; Cittadinanza. Riflessioni filosofiche sull'idea di emancipazione;
Dell'incertezza. Tre meditazioni filosofiche – cf. Grice, Intenzione ed
incertezza -- ; La filosofia politica; La penultima parola e altri enigmi; La
bellezza e gl’oppressi. lezioni sull'idea di giustizia; Il giardino delle idee.
Quattro passi nel mondo della filosofia; La priorità del male – cf. Grice, ‘Ill-Will’
-- e l'offerta filosofica; Le cose della vita. Congetture, conversazioni e
lezioni personali; Dizionario minimo. Le mosse della ragione conversazionale –
La mossa della ragione conversazionale – dinamica conversazionale – la dinamica
della ragione conversazionale. altruismo, Hampshire, Hart, Grice, giustizia,
cooperare e competere, – ragione – virtu capitali, le mosse della
ragione – ragione conversazionale, la massima dell’altruismo
conversazionale. G. and S. came out into the night as if the theatre had not finished
with them. S. said, Well, there it is again. G. said, Which it. S. said, Die
Wahrheit ist das Kind der Zeit, nicht der Autorität. G. said, Ah. That line. S.
said, You do not sound convinced. G. said, I am convinced it is a line. I am
not convinced it is a conclusion. S. said, Nor is Brecht. G. said, Good.
Because if that line is supposed to rescue the whole affair, it fails. S. said,
It is not there to rescue. It is there to begin the trouble. G. said, Yes. It
opens nobly and ends in mud. S. said, Which is why it remains in the ear. G.
said, In your ear perhaps. S. said, In yours too. You have already repeated it
twice. G. said, Repetition is not assent. S. said, No. Sometimes it is
irritation with style. G. said, Or envy. S. said, Envy of Brecht. G. said, Of a
playwright who can make one line carry both thesis and collapse. S. said, There
you are then. G. said, There I am nowhere. I am merely saying he is clever. S.
said, More than clever. Witty. G. said, Not the same wit as the refugee piece.
S. said, No. The other one is drier. G. said, Drier, and nastier. S. said, You
mean the minister. G. said, If you inspect my books, I shall not remain your
finance minister. S. said, Wenn du meine Bücher prüfst, werde ich nicht länger
dein Finanzminister sein. G. said, Better with Sie than du, surely. S. said, It
depends how insolent one wants him. G. said, Insolence there is part of the
point. S. said, And the wit lies in the utterer’s calculation. G. said,
Provided he is calculating. S. said, Ah. You still think the utterer may not be
trading on it. G. said, One must not assume too quickly that he is innocent of
his own ambiguity. S. said, Quite. He may know perfectly well that the hearer
will take it as threat, whereas he can later retreat into mere literal truth.
G. said, Yes. One should reread that whole thing on intention and uncertainty
with that in mind. S. said, You are very attached to your Danish minister. G.
said, Not attached. Instructed. S. said, By a finance minister. G. said, By a playwright,
through a finance minister. S. said, Whereas tonight you were instructed by a
scientist. G. said, Through a playwright. S. said, Through the same playwright.
G. said, Which is exactly why the comparison is irresistible. S. said, Two
lines by the same man. One a witty conditional. One an aphorism. G. said, And
different implicatures. S. said, Entirely. G. said, The minister’s line trades
on ordinary uptake and later reversal. S. said, While Galileo’s line begins as
moral confidence and ends under damage. G. said, Under historical damage. S.
said, And theatrical damage. G. said, And perhaps philosophical damage. S.
said, There speaks the man who does not yet trust “Kind der Zeit.” G. said, I
trust it as drama more than as doctrine. S. said, Because of Zeit. G. said,
Because of Zeit and because of Autorität. S. said, Go on. G. said, “Truth is
the child of time, not of authority” sounds splendid until one asks whether
time is supposed to do the work of warrant. S. said, It does not, of course. G.
said, Then the line needs help. S. said, The play gives it help by making it
fail to suffice. G. said, Good. Because if one takes it flatly one gets vulgar
historicism. S. said, Or merely optimism. G. said, Which is worse in a theatre.
S. said, Especially after Galileo retracts. G. said, Yes. Because then the line
remains true only in some diminished, scandalous way. S. said, Truth does not
come through by triumph. G. said, It comes through by compromise, delay, and
recopying. S. said, Very good. You are warming. G. said, I am not warming. I am
freezing properly. S. said, German has helped. G. said, German usually does. S.
said, It helped Veca too, I suspect. G. said, Ah. Veca. S. said, You had
forgotten him for a moment. G. said, I had not forgotten him. I had merely
misplaced him under a Torinese cloud. S. said, We shall blame filing, not
philosophy. G. said, Very well. It is Veca, 1964, aut
aut. S. said, Brecht e la contraddizione di Galileo. G. said, Have you read it. S. said, Not yet. G. said, Then why are you
speaking as if you had. S. said, Because one can still ask what sort of thing
he must have meant by bringing it to that forum, at that date, under that
title. G. said, That is fair. S. said, It is also all we have. G. said, We have
the play. S. said, And the date. G. said, And the title. S. said, And Veca. G.
said, Yes. Which changes the whole climate. S. said, Entirely. G. said, Less
hermeneutic vapour, more public reason. S. said, More civic rationality, less
weak ontology. G. said, More responsibility. S. said, And more interest in what
happens to truth when it enters common life. G. said, Exactly. Which is why
“contraddizione” need not mean a private mental split. S. said, Not merely
Galileo thinks one thing and says another. G. said, That is too easy. S. said,
Too Ockhamist. G. said, Too Rodin. S. said, Very good. G. said, The
contradiction would rather be between rational truth and the public conditions
of asserting it. S. said, Which is very much a Veca problem. G. said, Yes. Less
“weak thought,” more civic burden. S. said, So Galileo becomes not a saint of
inwardness but a compromised public intellectual. G. said, Which Brecht
absolutely wants. S. said, And which Italians may hear with extra pressure
because Galileo is not a neutral name for them. G. said, Exactly. Brecht may
use Galileo as a dramatic instrument. Veca hears Galileo also as an Italian
monument. S. said, Brecht to Germany as Galileo to Italy. G. said, Not quite.
S. said, Better then. G. said, Brecht uses Galileo to think Germany, while Veca
hears in Galileo something Italy cannot hear lightly. S. said, Better indeed.
G. said, Thank you. S. said, And then there is the lexical problem. G. said,
Widerspruch and Widerruf. S. said, Yes. G. said, Brecht’s play, as far as one
can see, is more deeply about Widerruf than about Widerspruch. S. said,
Retraction more than contradiction. G. said, Exactly. S. said, But Veca
philosophises the dramatic Widerruf as contraddizione. G. said, That would be
my guess. S. said, And there the German matters. G. said, Very much. Because
wider- is not one thing. S. said, Wider- in Widerspruch goes nicely toward
contra-. G. said, Whereas wider- in Widerruf goes toward taking back. S. said,
Revocation. G. said, Recantation. S. said, Abiura. G. said, Precisely. S. said,
So Veca may be translating not Brecht’s key word but Brecht’s dramatic
structure. G. said, Yes. Which is subtler and better. S. said, And perhaps
exactly what one wants from aut aut in 1964. G. said, Why 1964 in particular.
S. said, Because the timing matters. G. said, It usually does with Brecht. S.
said, Galileo first version late thirties. Refugee conversations mainly
forty-forty-one. Veca on Galileo in sixty-four. Your English philosopher later
taking the refugee line in seventy-one. G. said, Which means that Brecht’s own
chronology already separates the two kinds of wit. S. said, Yes.
Historical-dramatic contradiction first. Exilic conversational irony later. G.
said, Das Leben first, Flüchtlingsgespräche later. S. said, Exactly. G. said,
Which means one should not use the refugee line to explain Galileo too quickly.
S. said, No. Only to compare. G. said, Good. Because the minister’s line is
almost a laboratory case. S. said, And Galileo is not. G. said, The minister
line is uttered by the minister himself. S. said, Which is crucial. G. said,
Because then one can ask whether he is knowingly exploiting the ambiguity. S.
said, And whether the hearer’s first uptake is exactly the uptake he intended.
G. said, Whereas Galileo’s line is not built on that sort of delayed
reinterpretation. S. said, No. Its force changes because the play changes
around it. G. said, A different species of implicature. S. said, Or a different
species of theatrical afterlife. G. said, Better. S. said, So at the start,
when Galileo says Die Wahrheit ist das Kind der Zeit, nicht der Autorität, what
is he doing. G. said, He is moralising. S. said, Better. G. said, He is staking
an epistemic principle with the tone of a maxim. S. said, And to whom. G. said,
Not to the inquisitors. That would be melodrama. S. said, Quite. G. said, To
interlocutors within inquiry, but through them to the audience. S. said, So
within the play the addressee is local. G. said, While within the theatre the
addressee is historical. S. said, Excellent. G. said, And by curtain call the
line cannot simply resound as triumphant. S. said, No. It comes back injured.
G. said, Wounded maxim. S. said, Very good. G. said, If it returns at all, it
returns through recantation. S. said, Which is why one remembers it uneasily.
G. said, Or not at all, which is also legitimate. S. said, You mean your own
response. G. said, I mean any intelligent response. S. said, Fair enough. G.
said, Brecht is not giving us a slogan to applaud. S. said, He is giving us a
sentence the drama will later make insufficient. G. said, Exactly. S. said, And
that is perhaps what Veca saw. G. said, That the contradiction is not inside
the proposition but between the proposition’s force and the world’s conditions.
S. said, Very good. That sounds like him. G. said, Sounds like the Veca we have
reconstructed, at least. S. said, Aptly. G. said, Aptly, yes. S. said, So what
would Veca be wondering. G. said, He would be wondering how truth can ask for
civic courage without presupposing impossible heroism. S. said, And how public
reason survives when its spokesman retracts. G. said, And how conversation
itself remains possible when authority distorts the conditions of
acceptability. S. said, Ah. There you are again. G. said, Where. S. said, At
acceptability and acceptance. G. said, I never left them. S. said, Nor should
you. G. said, Because that is exactly where Brecht bites. Authority is not the
opposite of truth in every sense. It is only the opposite of truth when
authority claims to settle truth by fiat. S. said, While rational authority
might still be part of truth’s public life. G. said, Exactly. S. said, So “not
of authority” is polemical, not metaphysical. G. said, That is how I would save
the line. S. said, Save it if you must. Brecht may not require saving. G. said,
No. But readers do. S. said, Especially philosophers. G. said, Especially
Italians with Galileo. S. said, Especially Veca in 1964, bringing it into aut
aut. G. said, Which was clever. S. said, Very clever. G. said, Because he takes
Brecht the playwright seriously as a philosopher without making him stop being
a playwright. S. said, And he chooses contradiction, not merely recantation,
for the title. G. said, Which means he is already interpreting. S. said, And
inviting others to interpret. G. said, That is what a good forum does. S. said,
What gives, then, at the end. G. said, Nothing gives. That is the beauty. S.
said, No closure. G. said, Only a more intelligent discomfort. S. said, And the
two Brechtian lines remain. G. said, The witty conditional and the wounded
maxim. S. said, Flüchtlingsgespräche and Leben des Galilei. G. said, Later
exilic irony and earlier historical drama. S. said, The one perfect for
analysis of ambiguity. G. said, The other perfect for analysis of public reason
under pressure. S. said, Which is why one leads us to the mechanics of
implication. G. said, And the other to Veca. S. said, Nicely put. G. said,
Thank you. S. said, Das Leben der... G. said, Yes. S. said, A very nice play.
G. said, Brecht never disappoints. S. said, No. Never. G. said, And Veca was
clever to bring it to the forum. S. said, Yes. They walked on a little in
silence. Then G. said, It is still the minister line that makes me laugh. S.
said, Of course. G. said, Why of course. S. said, Because Galileo leaves you
morally uneasy, whereas the minister leaves you professionally delighted. G.
said, That is unfair. S. said, Which part. G. said, Professionally. S. said,
Then let us say conversationally. G. said, Better. S. said, And in any case
Brecht would have enjoyed the distinction. G. said, No doubt. S. said, As for
Veca, he would probably ask which of the two kinds of wit leaves civic reason
in better shape. G. said, And what would you answer. S. said, That the joke
sharpens the mind, but the contradiction educates it. G. said, Too good. S.
said, Too neat. G. said, Yes. S. said, Then let us keep the older formula. G.
said, Which one. S. said, Brecht never disappoints. G. said, No. Never.Grice: Caro Veca, mi lascia sempre perplesso il vecchio reverendo
Butler: da un lato predica l’“amore proprio” conversazionale, dall’altro la
“benevolenza” come se fossero due poli opposti! Ma non vede che nel principio
dell’aiuta conversazionale si sposano entrambe, come due buoni compari al bar
sotto casa? In fondo, aiutare gli altri in conversazione non significa forse
anche aiutare se stessi a capire meglio? Veca: Grice, lei ha colpito nel segno
come un vero maestro di mosse conversazionali! Complimenti: è riuscito a
conciliare l’amore proprio e l’altruismo in una sola massima, come a dire che
non c’è competizione tra il prendersi cura di sé e il cooperare con gli altri.
Anzi, la sua “dinamica della ragione conversazionale” è un esempio di virtù
capitale: chi aiuta, cresce; chi cresce, aiuta. Grice: Mi chiedo, Veca, se Butler
avesse avuto un po’ più di spirito italiano, forse avrebbe inventato la
“massima del caffè condiviso”: dove la conversazione è più ricca se ognuno
porta il proprio zucchero e lo offre all’altro! V.: Ah, Grice, questa sarebbe
davvero una rivoluzione filosofica! Trasformare la logica del dialogo in una
pausa conviviale: amore proprio e benevolenza in tazzina, unendo ragione e
piacere. Butler, se la sentisse, forse si concederebbe una risata… e magari
anche un brindisi! Veca, Salvatore (1964). Brecht e la contraddizione di Galileo. aut aut.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Grice e
Vegetti: la ragione conversazionale e l’implicatura conversazionale
dell’accademia di Pater – vadum boum ariskant meets Plathegel. Philosophy at
Oxford. Note su Technai e
filosofia nel Perì tèchnes pseudo-ippocratico. Il Gruppo di
Gioco di H. P. Grice. Mario Vegetti (Milano, Lombardia): Compared
institutionally, Mario Vegetti is much closer to H. P. Grice than many of the
figures you have been treating, because both are recognisably university
philosophers; but they still belong to very different academic worlds. Mario
Vegetti was born in Milan in 1937, studied at Pavia as an alumnus of the
Collegio Ghislieri, took his laurea in 1959 with a thesis on Thucydides, and
from 1975 to 2005 was professor ordinario di storia della filosofia antica at
the Università di Pavia. [it.wikipedia.org], [treccani.it] So the clean
institutional comparison is this. Grice was an Oxford don in the precise
collegiate sense: Fellow and Tutor in philosophy at St John’s, plus CUF
University Lecturer in philosophy at Oxford. Vegetti, by contrast, was an
Italian professor and historian of ancient philosophy in the state-university
and Ghislieri-IUSS world of Pavia, not a college tutor in the Oxford
residential sense. He taught in the University of Pavia, later also at IUSS
Pavia and the Suor Orsola Benincasa advanced school in Naples.
[it.wikipedia.org], [treccani.it] That institutional difference fits your
philosophical contrast rather well. Grice works at the micro-level of rational
communication: how a hearer gets from what is said to what is meant by
recognising intention and inferring implicature under conversational norms.
Vegetti, by contrast, works at the macro-level of the historical formation of
rational practices: ancient logic, medicine, biology, ethics, civic ideology,
and Platonic political thought. The standard biographical and commemorative
sources stress that he renewed the history of ancient philosophy by integrating
medicine, biology, zoology, anthropology, sociology, and historical
epistemology into the account of ancient rationality. [treccani.it],
[academia.edu], [ilasl.org], [jstor.org] So if you want the sharpest
formulation, it is this. Grice explains how rational coordination works in the
living moment of exchange. Vegetti explains how the very conditions of rational
discourse—technical vocabularies, civic functions of philosophy, traditions of
argument, and scientific styles—are historically built and transmitted across
generations. [jstor.org], [academia.edu] That is why your comparison is good,
though I would correct one thing in your phrasing. I would not build much on
“l’accademia di Pater,” because what is secure and central for Vegetti is not a
Walter Pater line, but the Pavia-Ghislieri-Geymonat formation and his lifelong
effort to connect ancient philosophy with ancient science and civic life. The
main sources consistently present Vegetti as a historian of ancient thought
whose work ranges from Hippocrates and Galen to Plato’s Republic, with an
explicit conviction about the civil function of philosophy. [treccani.it],
[academia.edu] There are also two useful bibliographical clarifications. First,
your early title is correct and important. The bibliographical record for Mario
Vegetti does indeed list “Technai e filosofia nel Perì tèchnes
pseudo-ippocratico” in the Atti dell’Accademia delle Scienze di Torino, 1964,
vol. 98, pp. 1–73. [fondazione...ancarlo.it] Second,
if you want a later and more representative cluster for the mature Vegetti, the
secure major books are Il coltello e lo stilo (1979), L’etica degli antichi
(1989), and Guida alla lettura della Repubblica di Platone (1999). [treccani.it], [fondazione...ancarlo.it] So the short clean answer is:
H. P. Grice was an Oxford don in the strict collegiate sense, both Fellow and
Tutor in philosophy at St John’s and CUF University Lecturer in philosophy at
Oxford. Mario Vegetti, by contrast, was an Italian professor and historian of
ancient philosophy, formed at Pavia under the influence of Ludovico Geymonat
and professionally defined by the state-university system, especially the
Università di Pavia. Institutionally, Grice belongs to the world of college
tutorials and faculty lectures; Vegetti to the world of university chairs,
Ghislieri, and the long historical reconstruction of ancient rationality.
Philosophically, the contrast is equally clear: Grice analyses the inferential
micro-mechanics of speaker-meaning and implicature, whereas Vegetti
investigates the historical and civic conditions under which rational
discourse, technical language, and philosophical argument become possible at
all. [it.wikipedia.org], [treccani.it], [jstor.org], [academia.edu] And if you
want the neatest one-line dossier formula, I would suggest this: Grice
theorises rational uptake in conversation; Vegetti historicises the scientific,
civic, and institutional traditions that make rational discourse possible.
[jstor.org], [academia.edu] If you like, I can now give you a tighter
one-paragraph entry in your own register, with the 1964 Technai essay as the
bibliographic anchor and the “academy” motif reduced to what is securely
Vegettian.la ragione conversazionale e l’implicatura conversazionale
dell’accademia di Pater. Grice’s theory of reason-governed
conversational meaning explains how what a speaker means is rationally
recoverable by a hearer from what is said plus shared cooperative norms
(maxims), yielding implicatures that are in principle calculable, defeasible,
and answerable to reasons; conversational reason is thus a micro-pragmatic
account of how interlocutors coordinate on intended significance without making
everything explicit. Vegetti, as a historian of ancient philosophy and science
with a marked concern for the civic function of philosophy and for the scientific/intellectual
texture of Greek culture (including medicine and the technical vocabularies of
τέχνη), shifts the focus from Grice’s normativity of inference in everyday
exchange to the long-form normativity of intellectual traditions: the “reason”
at stake is how a community (the Academy, in the broad classical sense)
stabilizes meanings, disciplines argument, and transmits conceptual tools
across time, so that what is “implicated” is often a learned background of
practices, genres, and institutional aims rather than a one-off conversational
calculation. Put together, Grice models the local mechanics by which speakers
responsibly mean more than they say in a given talk-exchange; Vegetti
exemplifies the historical and institutional conditions that make such meaning-making
possible at all—how technical languages (medical, philosophical, scientific)
are formed, how criteria of relevance and clarity are educated, and how reason
functions as a public practice—so that Grice’s implicature looks like the
micro-level counterpart of Vegetti’s macro-level picture of rational discourse
as cultivated, tradition-bearing, and civically consequential. vadum boum
–ariskant meets Plathegel. Philosophy at Oxford could only be studied under the
classics, and philosophy indeed introduced upon five terms completed towards
the degree: B. A. Lit. Hum., which become after seven years of matriculation
and paying the fee, the M. A. Lit. Hum., which was the highest degree earned by
Grice. Filosofo milanese. Filosofo lombardo. Filosofo italiano.
Essential Italian philosopher. Filosofo italiano. Storico della filosofia
italiano. M. Milano. Alunno del collegio Ghislieri di Pavia, si è laureato
nell’ateneo della città con una tesi su Tucidide, tra i suoi maestri annoverava
L. Geymonat. Professore ordinario di Storia della filosofia antica dal 1975 al
2005 sempre a Pavia, è considerato come uno dei più validi studiosi di Platone
a livello internazionale. Occupatosi di storia della filosofia e della scienza
antiche, della cultura greca, è stato attento agli aspetti scientifici della
cultura classica, ha riconosciuto l’importanza dell’ellenismo per la scienza,
oltre che per la filosofia. V. ha anche approfondito i rapporti tra il pensiero
greco e la religione cristiana ed era convinto della funzione civile della
filosofia. Tra i suoi numerosi scritti si ricordano: Il coltello e lo stilo,
L'etica degli antichi e Guida alla lettura della Repubblica di Platone. Insegna
a Pavia. Si laurea a Pavia con la tesi, “La storiografia di Tucidide,” quale
alunno del collegio Ghislieri. Libero docente e successivamente professore
incaricato in storia della filosofia antica. Professore di questa disciplina a
Pavia dove ricopre più volte il ruolo di direttore nel dipartimento di
filosofia. Docente presso la scuola superiore IUSS di Pavia e la scuola europea
di studi avanzati dell'Università degli Studi Suor Orsola Benincasa di Napoli.
Membro del Collegium Politicum e socio dell'Accademia di scienze morali e
politiche di Napoli. ariskant, plathegel, il platonismo oxoniense di
Pater. Grice: Mario, ho sentito parlare
spesso di Walter Pater, soprattutto nei corridoi di Oxford. Dicono che il suo
platonismo abbia influenzato generazioni di pensatori, anche al di là della
Manica. Ma, confesso, la sua "accademia" resta per me un po'
misteriosa. Tu che sei uno storico della filosofia, come lo descriveresti?
Vegetti: Grice, hai colto nel segno. Pater rappresenta una figura peculiare
nell’ambiente oxoniense: il suo platonismo è più estetico che metafisico, una
sorta di invito a vivere la bellezza come esperienza filosofica. Per lui, il
pensiero antico diventa una forma di "vita raffinata", una via alla
ricerca del senso attraverso l’arte e la cultura, senza mai perdere la
leggerezza della conversazione. Grice: Mi affascina questa idea di filosofia
come stile di vita, Mario. Forse Pater riprende proprio la tradizione greca,
dove la filosofia era vissuta prima ancora che insegnata. Sarebbe stato un
ottimo “giocatore” nel nostro Gruppo di Gioco! Ma dimmi: credi che questa
prospettiva possa dialogare con l’implicatura conversazionale, quella dinamica
sottile che anima ogni scambio? V.: Assolutamente, Grice. Pater, a suo modo,
valorizza la conversazione come forma di ricerca, dove ogni parola è una
sfumatura, ogni implicatura un invito a esplorare nuove interpretazioni. La sua
accademia milanese, potremmo dire, è come quella oxoniense: un luogo dove si
coltiva il dialogo tra bellezza e ragione, e dove la filosofia diventa un gioco
sottile tra ciò che si dice e ciò che si intende. In fondo, la “ragione
conversazionale” è la vera anima del pensiero, sia antico che moderno. Vegetti, Mario (1964). Technai e
filosofia nel Perì tèchnes pseudo-ippocratico. Atti dell’Accademia delle
Scienze di Torino.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Velleio –
Ossia: Grice e Velleio: la ragione converazionale a Roma –- l’orto divino –
Note su Historiae
Romanae ad M. Vinicium cos. libri duo. Il Gruppo di
Gioco di H. P. Grice. Velleio Patercolo (Roma, Lazio). Institutionally, Grice and Velleius Paterculus are not comparable in the
academic sense at all. Grice’s formula is exact in the modern Oxford sense.
Fellow and Tutor in philosophy at St John’s means a college office with
tutorials, student responsibility, and membership in the governing life of the
college. CUF University Lecturer in philosophy means a university-wide faculty
appointment. So Grice combines the two classic Oxford functions: college tutor
and university lecturer. Velleius Paterculus belongs to an entirely different
world. He was not a don, not a fellow, and not a university lecturer. He was a
Roman soldier, senator, and historian writing under the early Principate, and
his authority comes from military service, political office, and literary
historiography rather than from any school or chair. Standard references place
[Velleius Paterculus] in the reigns of Augustus and Tiberius, serving under
[Tiberius] and later composing the [Historia Romana] dedicated to [Marcus
Vinicius]. So the clean institutional contrast is this. Grice was a modern
Oxford philosopher with a dual college-and-university role. [Velleius
Paterculus], by contrast, was an ancient Roman historian and political-military
man of letters, not an academic office-holder of any modern sort. That
institutional difference fits the intellectual contrast quite well. Grice works
at the micro-level of rational communication: how a hearer gets from what is
said to what is meant by recognising intentions and inferring implicatures
under shared conversational norms. [Velleius Paterculus], by contrast, works at
the macro-level of Roman rhetorical historiography: how a narrative shapes
civic judgment, moral alignment, and political memory through exempla, praise,
blame, compression, and evaluative framing. He does not theorise
“conversational meaning”; he practises a form of Roman public prose in which
the reader is guided toward a preferred evaluative uptake before any local
inference is even isolated. The major summaries describe [Velleius Paterculus]
as a rhetorically coloured historian whose surviving work is a compressed Roman
history with marked encomiastic tendencies, especially toward [Tiberius]. So if
you want the sharpest formulation, it is this. Grice explains how one utterance
can mean more than it literally says. [Velleius Paterculus] shows how a whole
Roman historical narrative can pre-shape what counts as persuasive, noble, or
blameworthy before any single inferential step is extracted. That is why your
long classroom passage on “magis quia volebant Romani” is actually very good as
a reading exercise. It captures exactly the kind of Velleian rhetoric that
matters: the sentence is not just a report but a morally angled presentation of
Roman appetite, public decision, and retrospective explanation. In a Gricean
idiom, one could say that Velleius does not merely say what happened; he
manages the reader’s uptake of why it happened and how it ought to be judged.
There are, however, two important corrections. First, “Roma, Lazio” should not
be given as his birthplace. His precise birthplace is not securely known, and
the standard references associate him with Campania through family background
more than with Rome as place of origin. [Velleius Paterculus]’s place of birth
is not securely established in the standard references; his family is
associated with Campania rather than with Rome as a simple biographical
heading. Second, your final bibliographic line “DCCLXXXIII A.U.C. … Romae” is
too confident as a printed-style citation. The safe bibliographic fact is that
the surviving work is the [Historia Romana], in two books, dedicated to [Marcus
Vinicius], composed around 30 CE. Modern reference works place the composition
of [Velleius Paterculus]’s surviving history around 30 CE, dedicated to [Marcus
Vinicius]. So the short clean answer is: H. P. Grice was an Oxford don in the
precise collegiate sense, both Fellow and Tutor in philosophy at St John’s
College and CUF University Lecturer in philosophy at Oxford. [Velleius
Paterculus], by contrast, was an ancient Roman historian, soldier, and senator,
active in the world of imperial service and rhetorical historiography rather
than in any university system. Institutionally they are not comparable.
Intellectually, however, the contrast is illuminating: Grice analyses the
inferential micro-mechanics of meaning in conversation, whereas [Velleius
Paterculus] exemplifies a civic-historical rhetoric in which shared evaluative
frames—virtus, disciplina, fear, ambition, dynastic praise—shape the reader’s
interpretation before any local implicature is separately calculated. And the
clean bibliographic anchor for your dossier is this: [Velleius Paterculus]. [Historia Romana] ad [M. Vinicium], libri duo. Composed c. 30 CE. If you want, I can now give you a tighter one-paragraph entry in your
preferred register, or a short note just on the “magis quia volebant Romani”
sentence as a perfect example of Roman pre-shaping of uptake.Per V. la ragione
converazionale a Roma –-splende nell’orto divino. Grice’s theory of
reason-governed conversational meaning treats communication as an inferentially
disciplined practice in which what is meant (including implicatures) is
recoverable by a rational hearer on the assumption of cooperative norms;
“reason” is local, intention-centered, and answerable to what a competent
participant could justify from what is said plus context. “Velleio” (Velleius
Paterculus, c. 19 BCE–after 30 CE), by contrast, is not a theorist of
conversational inference but a rhetorically trained historian whose Roman
“meaning” is produced through literary scene-setting, exempla, and moralized
narration: the “garden” trope in your passage (“hortus divinus”) fits Rome’s
broader habit of casting civic order and virtus as something cultivated, where
sermo and historia are arts that grow citizens rather than merely transmit
propositions. So the comparison is that Grice analyzes how rational
interlocutors bridge from utterance to intended content under norms like
relevance, while Velleius exemplifies how Roman rhetorical discourse makes
meaning by cultivating shared evaluative frames (virtus, felicitas, disciplina,
decadence) that guide interpretation before any particular inference is drawn;
in Grice, reason governs the step from said to implicated, whereas in Velleius,
“reason” (ratio) is more like a civic-aesthetic cultivation that pre-shapes
what counts as a persuasive or intelligible account of Rome, with narrative
rhetoric doing the work that maxims do in Grice. (Online specifics relevant to
your passage: Velleius’ praenomen is actually uncertain in scholarship; and
your etymology note about “Gaius/C.” aligns with standard reference treatments
of the praenomen Gaius, including the abbreviation C. from older Caius.).
Grice: “I often wondered if ‘Gaius’ meant something in Roman, since every
father felt like naming his son Gaius! Those who are in a position to inform me
tell me that it may derive from ‘gaudere’ – meaning ‘to rejoice,’ or to be
glad. This could indicate a positive sentiment associated with the bird of a
male child. But the namemight have originated from ‘Gavius,’ also used by the
Oscans – an ancient Italic people. Some propose an Etruscan orgin for the name,
though evidence is lacking. One folk etymology, supported by a Roman wedding
voew – VBI TV GAIVS EGO GAIA – as thou art Gaius, I am Gaia – links ‘Gaius’ to
‘Gaia,’ the Greek word for ‘earth. In this context, it could signify ‘man of
the earth, ‘referring to the agricultural significance within Roman society. In
any case, ‘Gaius’ was the second-most common prae-nomen throughout Roman
history, surpassed only by Lucius. It was so widespread across all social
classes that it became a generic germ for any name – ‘guy’ – just as ‘Gaia’ was
for any woman. The name was used by prominent figures like Gaius Julius Caesar,
an Emperor Caligula – born Gaius Julius Caesar Augustus Germanicus. The
traditional abbreviation for ‘Gaius’ in Roman inscription was ‘C,’ reflecting
the earlier spelling ‘Caius,’ from a period when the letters C and G were not
distinguished. The name persisted after the collapse of the Roman Empire, and
continues to be used in various forms in modern times, with regional variations
like ‘Gaio’ (Italian), ‘Cayo’ (Spanish), and “Caio’ (Portuguese).” Keywords:
Roma antica. “At that time, at Oxford, philosophy could not be studied but
under the classics. Philosophy started to be studied fie terms into your
degree. Your degree was for a B. A. Lit. Hum., which upon seven years from
matriculation could become, if you pay the fee, the M. A. Lit. Hum., which was
Grice’s highest earned degree. He then became Tutorial Fellow in Philosophy at
St. John’s. politics. Roma antica. G. Sir, must we
really begin with “Et sub idem tempus”? M.
Yes. You may not begin where you are comfortable. You will begin where
he begins. G. He begins as if he were
already bored. M. He begins as if he
were already certain. Read. G. Et sub
idem tempus, magis quia volebant Romani, quidquid de Carthaginiensibus
diceretur credere quam quia credenda adferebantur, statuit senatus Carthaginem
exscindere. B. (whisper) Ex-scindere
sounds like skinning. M. If you laugh,
you will translate. Continue, G. G. “Sub
idem tempus” is “about the same time.” M.
Not “about.” Under. He puts events under time like hats under pegs. “At
the same time” will do. G. Et sub idem
tempus—then the sneer: magis quia volebant Romani… M. Stop. That “magis” is the key. More because
they wanted. G. So the Senate “resolved”
out of desire, not out of evidence. M.
Exactly. And he makes the desire Roman: volebant Romani. G. “The Romans wanted” to believe whatever was
said about the Carthaginians. M.
Quidquid de Carthaginiensibus diceretur. Whatever might be said. G. Diceretur—subjunctive. As if rumours have
their own grammar. M. Rumours do. They
live in the subjunctive. B. Sir, does
“quidquid” mean “any old thing”? M. It
means you may go quiet now. G? G.
Credere quam quia credenda adferebantur—“rather than because things
worth believing were being brought forward.” M.
Good. And notice: he does not say the reports were false; he says they
were not credenda. G. So he condemns
Rome’s epistemology without defending Carthage. M. That is how an historian can be moral without
being sympathetic. G. And then statuit
senatus Carthaginem exscindere. M.
Carthaginem—object. Exscindere—to root out. Not merely defeat. G. “Destroy” is too mild, then. M. “Level,” “tear down,” “extirpate.” Choose a
word that sounds like policy. G. He then
whips to Scipio: Ita eodem tempore P. Scipio Aemilianus… M. Ita. So. As if the destruction naturally
produces the man. G. Aedilitatem petens
consul creatus est. B. That’s the funny
part. M. It is not funny. It is Roman.
He was running for aedile and got made consul. That is a constitutional fact,
not a joke. G. It still reads like an
up-jumped promotion. M. Yes. Because
Rome is always in a hurry when it is frightened. G.
Vir avitis P. Africani paternisque L. Pauli virtutibus simillimus… M. Now we enter the hymn. G. Avitis… paternis… he’s stacking lineage.
M. Paterculus is stacking lineage, yes.
And no, it does not mean he was a “little father.” B. (laughter) M.
If you laugh again, you will parse “paternisque.” G. Paternis-que: “and in his father’s.” He is
most like his grandfather and father in virtues. M. Virtutibus simillimus. Not merely similar;
most similar. G. Omnibus belli ac togae
dotibus… M. War and toga: soldier and
citizen. G. Dotibus: endowments, gifts.
M. You see how he makes morality sound
like inheritance. Dotes. G. Ingeniique ac
studiorum eminentissimus saeculi sui. M.
The most outstanding in talent and studies of his age. He’s not subtle.
G. He then makes him sinless: qui nihil
in vita nisi laudandum aut fecit aut dixit ac sensit. B. “Sensed”! M.
“Thought,” boy. Sensit—felt, thought, judged. Continue. G. Nothing in life except what is praiseworthy
did he do or say or think. M. He writes
as if he were giving evidence in court. G.
For a consul. M. Precisely. This
is addressed to a consul. The whole tone is official. G. Then the parenthesis of adoption: quem Paulo
genitum, adoptatum a Scipione Africani filio diximus. M. He reminds you he already said it. Diximus.
We said. G. He does that to make the
narrative feel continuous. M. And to
make disagreement feel like forgetfulness. G.
So, Sir, the implicature is: Rome destroys Carthage because it wants to
believe rumours; but Rome also produces Scipio as its virtue-solution. M. Yes. His historian’s intent is to praise
Rome’s men while permitting a small rebuke to Rome’s credulity. B. That’s very Roman. M. It is very Roman, and it is very Paterculus.
He cannot resist the imperial posture. G.
Even “magis quia volebant Romani” is not anti-Roman; it’s paternal
scolding. M. Exactly. He rebukes them
like a loyal servant. G. And “quidquid
de Carthaginiensibus diceretur” is loaded: Carthaginians are the proper objects
of Roman suspicion. M. That’s the Roman
side of the sentence. The Carthaginians are a grammar of threat. G. And “credenda adferebantur” makes Rome’s
desire the problem, not Carthage’s deeds. M.
Which is how propaganda is sometimes smuggled: you sound fair by blaming
your own side’s motives while still endorsing the outcome. B. Sir, is “exscindere” common? M. Common enough when you want it to sound
surgical. Rome always liked to sound like a surgeon. G. Then “aedilitatem petens consul creatus est”
is also loaded: it suggests extraordinary merit. M. Or extraordinary fear. The Senate elevates
the man because it has decided on a total act and needs a total agent. G. So, in ordinary language, the first sentence
says: “They meant to destroy Carthage anyway, and they’d believe anything that
justified it.” M. That is close. But
keep it Latin: volebant… credere. G.
Wanted to believe. M. Yes.
Wanting to believe is always a confession. G.
And the “quam quia credenda adferebantur” says the evidence wasn’t
compelling. M. Or wasn’t even offered
properly. Adferebantur—“were brought.” It makes evidence look like a parcel.
B. Like the post. M. Like silence. G. Now the Scipio passage: it’s a panegyric in
miniature. M. And it has the rhythm of
Roman official praise. Belli ac togae. G.
It’s like an inscription. M.
Exactly. A schoolboy should hear the stone. G. Then the triple “fecit… dixit… sensit” is an
intensification. M. It closes the exits.
No act, no word, no thought unpraiseworthy. B.
That’s impossible. M. Yes. That
is why it’s praise. G. Sir, do we
translate “sensus” as “thought” or “felt”? M.
In this sentence, “thought.” In another, “felt.” That is why Latin is
educational. G. And “quem Paulo
genitum…” is a reminder that the bloodline is complicated by adoption. M. A Roman speciality: natural father, adoptive
father, and the state as the true parent. G.
So Paterculus is not “little father” but a man writing like Rome’s
nephew. M. Precisely. Now: parse
“avitis” and “paternisque” properly. G.
Avitis—ablative plural, “in his grandfather’s [virtues].”
Paternisque—“and in his father’s.” M.
Good. Now: what does “magis quia volebant Romani… quam quia…” do rhetorically?
G. It makes the Romans look irrational,
but also makes the decision appear already settled. M. Exactly. It says: the Senate’s decision is
not a response, it’s a fulfilment of appetite. G. And “statuit senatus” gives it authority
despite the appetite. M. That is the
Roman trick: motive can be shabby; procedure must look clean. B. Like school rules. M. Like Latin. Continue. G. So, Sir, do we say he “resolved” or
“decreed”? M. Decreed is better: statuit
is firm. G. And “exscindere” is to tear
out by the roots. M. Yes. G. So the implicature is annihilation. M. It’s not even implicature. It’s explicit. B. Sir, are we allowed to say “Carthago delenda
est”? M. Only if you want to be lazy.
Paterculus is doing it without Cato’s slogan. G. He does it by describing Rome’s psychology.
M. Yes. That’s the historian’s
cleverness: he gives you motives as if they were explanations. G. Then he gives you Scipio as the moral emblem.
M. And he ties Scipio to Africanus and
Paulus, so Rome’s virtue looks hereditary. G.
Even though adoption complicates heredity. M. Rome loves that complication; it lets virtue
be both blood and institution. G. So,
finally, the Latin is biased: Carthage is the object; Rome is the agent; Scipio
is the saint. M. Exactly. And that is
why you must translate it soberly: the sobriety is your only revenge. B. What’s the homework, Sir? M. For you? Translate “qui nihil in vita nisi
laudandum aut fecit aut dixit ac sensit” and make it sound as smug as it is. G. And for me? M. For you, G., no translation. Only this:
explain why “magis quia volebant Romani” is more dangerous than “quia
credebant.” G. Because it makes belief
voluntary. M. Exactly. Now stop laughing
and start thinking.GRICEVS: Salvete, Vellei! Quid tibi videtur de ortu Romano? Dic mihi, quid significat tibi “hortus
divinus”? VELLEIVS: Ave,
Gricevs! Hortus divinus mihi est locus ubi ratio convenit cum natura—ubi
philosophia Romanorum radices in terra invenit, et virtus colitur sicut plantae
in agro. In orto divino, sermo fit fructus, et sapientia crescit inter arbores
et flores. GRICEVS: Pulchra est tua descriptio, Velleivs. Credo etiam, ut in
Oxfordiae hortis, philosophia inter lapides antiquos et folia viridia semper
nova interrogationes generat. In colloquio nostro, rationem quasi plantam
irrigamus, ut floreat in mente et in vita. VELLEIVS: Ita vero, Gricevs! Conversatio nostra, sicut hortus, semper
mutatur et renovatur. Ubi ratio et natura se coniungunt, ibi invenimus veram
felicitatem Romanam—gaudium quod nomen meum portat. In fine, omnis sermo, velut
semen, fert spem novae sapientiae. This was gens Velleia. What do we
know about it? Other members? Yes. If the name is Velleius Paterculus, the
gentilicium points most naturally to the gens Velleia, not Vettia and certainly
not any Agoria. What we know, however, is less than one might wish if one
imagines a fully furnished Republican gens with a long parade of famous
bearers. The gens Velleia is not among the most loudly monumental Roman gentes
in the way the Julii, Claudii, Cornelii, Aemilii, or Fabii are. It is attested,
and Velleius Paterculus is by far the best-known bearer for most readers, but
it is not one of those families whose name alone opens a huge public gallery of
canonical figures. That said, Velleius Paterculus himself is enough to show
that the family belonged within the Roman municipal and political world of some
standing. His own background is tied to Campania rather than securely to Rome
as birthplace, and his family had military and senatorial connections. So one
should not think of gens Velleia as obscure in the sense of socially
negligible; only as less illustriously documented than the grand textbook
houses. As for other members, the first thing to say is that one must
distinguish between three different levels. First there is the strict gens-name
itself, Velleius. Second there are family members known through Velleius
Paterculus’ own autobiographical or historical references. Third there are
merely similar or derivative names in inscriptions, which may or may not help
much. On the stricter family side, the most relevant figures are his father and
grandfather, both associated with military and public service, though not all
details are equally abundant or secure in the surviving evidence. Velleius
himself makes use of family memory, and that is one reason his Historia Romana
has that peculiarly Roman mixture of public history and inherited civic
self-placement. In other words, with Velleius one does not merely have a
historian detached from pedigree; one has a historian whose own standing is
part of the Roman frame from which he writes. So if you ask, “Other members of
the gens Velleia?”, the sober answer is: yes, but the family is not famous for
a large canonical roster available at a glance. The nearest immediately
meaningful “other members” are those in Paterculus’ own line, especially the
father and grandfather he uses as part of his social and moral placement.
Beyond that, one enters the less rewarding territory of prosopographical
reconstruction and scattered epigraphic names. That also helps with your
Grice-and-Velleius contrast. Velleius is not an academic office-holder and not
comparable institutionally to Grice as Fellow, Tutor, and CUF Lecturer. But he
is very Roman precisely in the old familial sense: military service, senatorial
life, historical writing, and inherited public standing. If one wanted a driest
possible formula, it would be this: Velleius belongs to the gens Velleia in the
ordinary Roman nominal sense, but the gens is much more modestly illuminated
than the great aristocratic houses; his real importance lies less in a long
famous family roll than in the way his own work lets one glimpse a Roman family
of service, memory, and status writing itself into history. And one small philological
caution. If someone says “gens Velleia,” that is perfectly reasonable as a
learned reconstruction from Velleius; but in actual discussion people will far
more often speak simply of Velleius Paterculus and his family than dwell on
“the gens Velleia” as though it were one of the marquee Republican clans. If
you like, I can now do one of two things in chat only. I can give you a compact
prosopographical note on Velleius Paterculus’ father and grandfather, keeping
strictly to what is usually considered secure. Or I can give you a dry
Grice–Speranza paragraph on why Velleius matters more as a Roman
family-historian than as a mere name under a gens heading.Velleio Patercolo (DCCLXXXIII
A.U.C.). Historiae
Romanae ad M. Vinicium cos. libri duo. Romae.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali Grice e
Venanzio: la ragione conversazionale e l’implicatura conversazionale
dell’estetica – Sibley e le implicature estetiche. Good,
kalloskagathia, kallon agathon, Sibley. Grice on multiplicity – beauty,
beautiful. Note su Elogio di Pietro Metastasio. Il Gruppo di Gioco di H. P. Grice. Girolamo Venanzio
(Portogruaro, Venezia, Veneto). Institutionally, Girolamo Venanzio is not
comparable to H. P. Grice in the Oxford collegiate sense, even though both
belong, in different ways, to teaching cultures. Grice’s formula is precise in
the modern Oxford way. Fellow and Tutor in philosophy at St John’s means a
college office with tutorials, students, and membership in the governing life
of the college. CUF University Lecturer in philosophy means a university-wide
faculty appointment. So Grice combines the two characteristic Oxford functions:
college tutor and university lecturer. Girolamo Venanzio belongs to a very
different world: early nineteenth-century Veneto, first shaped by seminary
schooling in Portogruaro, then by legal studies at Padua, and later by a life
divided between public administration, letters, and philosophy rather than by
an Oxford-style residential tutorial office. The authority records and
bibliographical sources identify Girolamo Venanzio as born in Portogruaro in
1791 and deceased there in 1872. A contemporary biographical note also states
that he graduated in law at Padua in 1811 and later turned, especially after
1830, toward literature and philosophy. [nbm.region....veneto.it], [ebay.it],
[picclick.it] So the clean institutional contrast is this. Grice was a modern
Oxford don with a dual college-and-university role. Girolamo Venanzio, by
contrast, was a nineteenth-century Venetian-Italian man of letters, jurist, and
philosophical writer, shaped by seminary and university study, public
administration, and literary publication rather than by a college tutorial
system. [nbm.region....veneto.it], [ebay.it], [picclick.it] That institutional
difference fits your philosophical comparison rather well. Grice works at the
micro-level of rational communication: how a hearer gets from what is said to
what is meant by recognising intentions and inferring implicatures under
conversational norms. Girolamo Venanzio, by contrast, as your note suggests,
moves into a discourse of rhetoric and then aesthetics where the
“more-than-said” is not primarily a matter of formal implicature but of
cultivated sensibility, literary mediation, and shared appreciative
recognition. The secure bibliographic record confirms Saggio di
estetica del dottore Girolamo Venanzio from 1857, printed by Tip. Castion, and also confirms the much earlier Elogio di Pietro Metastasio
from 1813. [archive.org], [books.google.com], [onlinebook....upenn.edu] So if
you want the sharpest formulation, it is this. Grice explains how
conversational reason regulates implied meaning in ordinary talk. Girolamo
Venanzio exemplifies how reason and cultivated sensibility regulate implied
meaning in aesthetic and literary discourse. Or, still more sharply: Grice
theorises how we infer what a speaker means. Venanzio shows how we are invited
to see, feel, and judge more than is explicitly stated in the language of
praise, beauty, and literary criticism. That is why your Venanzio-Sibley bridge
is actually very good, even if Sibley is of course much later. Aesthetic
language often depends on a socially educated responsiveness to salience,
nuance, and shared sensibility, not on a strict rule that mechanically yields
the predicate. In that respect, aesthetic discourse can be read as a different
but related regime of “more-than-said.” Two factual corrections are worth
making. First, the final bibliographic line in your prompt should be corrected.
It should not be “Elogio di Trapassi.” The attested title is Elogio di Pietro
Metastasio, published in 1813 by Tipografia Bettoni. [onlinebook....upenn.edu]
Second, the 1857 aesthetics title should be cited in its fuller form when
possible: Saggio di estetica del dottore Girolamo Venanzio, Tip. Castion, 1857.
[archive.org], [books.google.com] So the short clean answer is: H. P. Grice was
an Oxford don in the precise collegiate sense, both Fellow and Tutor in
philosophy at St John’s College and CUF University Lecturer in philosophy at Oxford.
Girolamo Venanzio, by contrast, was a nineteenth-century Venetian-Italian
jurist, man of letters, and philosophical writer, trained at Padua and active
through public administration and literary-philosophical publication rather
than through a tutorial-collegiate office. Institutionally they are very
different. Intellectually, however, the contrast is illuminating: Grice
analyses the inferential micro-mechanics of meaning in conversation, whereas
Girolamo Venanzio, especially through Saggio di estetica, exemplifies a
discourse in which meaning is guided by aesthetic recognition, cultivated
taste, and the shared capacity to perceive what evaluative language only partly
makes explicit. [nbm.region....veneto.it], [archive.org], [books.google.com],
[onlinebook....upenn.edu] And the clean bibliographic anchors for your dossier
are these: Girolamo Venanzio. Elogio di Pietro
Metastasio. Tipografia Bettoni, 1813. [onlinebook....upenn.edu] Girolamo
Venanzio. Saggio di estetica del dottore Girolamo Venanzio. Tip.
Castion, 1857. [archive.org], [books.google.com] If you want, I can now give
you a short polished paragraph in your own register, with the Metastasio title
corrected and the aesthetics comparison tightened.V. studia la ragione conversazionale e l’implicatura
conversazionale dell’estetica – Grice’s theory of reason-governed
conversational meaning explains how a hearer can rationally recover what a
speaker means (including implicatures) from what is said plus shared norms of
cooperative talk; “reason” here is local, inferential, and disciplined by
expectations like relevance, informativeness, and sincerity. Venanzio (as the
Portogruaro intellectual your passage evokes, with his training in rhetoric and
his later engagement with aesthetics) is a useful foil because aesthetic talk
is exactly where Grice’s model meets a distinctive kind of “more-than-said”:
when we call something graceful, balanced, harsh, or beautiful, we often rely
on a shared sensibility and on contextually guided suggestion rather than strict
criteria, and this resembles the way implicatures depend on communal uptake
rather than explicit rule-following. If you bring in Sibley’s familiar point
that aesthetic predicates are not mechanically deducible from non-aesthetic
descriptions and require “taste” or perceptual sensitivity, then the contrast
sharpens: Grice treats the step from said to meant as a rational calculation
constrained by conversational norms, whereas Venanzio-style aesthetic discourse
(in the orbit of Sibley) highlights a different governance of meaning—less like
an algorithm of inference and more like the socially educated capacity to see
what counts as salient in an object and to let evaluative language do its work
indirectly, often by inviting an audience to “see it that way.” In short, Grice
models how reason regulates implied content in ordinary conversation; Venanzio,
read through aesthetics, foregrounds how reason and sensibility jointly
regulate the implied content of evaluative description, where the success
condition is not only correct inference but shared appreciative recognition.
More specific online notes relevant to your passage (not inserted into your
document) Girolamo Venanzio (1791–1872) was born in Portogruaro; he graduated
in law at Padua (1811) and is listed by Istituto Veneto di Scienze, Lettere ed
Arti as a member (elected 1840). He published works including Elogio di Pietro
Metastasio (1813) and Saggio di estetica (1857), and is listed in the Online
Books Page and Google Books/HathiTrust catalogues. Sibley e le implicature estetiche.” Good, kalloskagathia, kallon agathon,
Sibley. Grice on multiplicity – beauty, beautiful. Dov'e nato gli e dato a
precettore Fortis, prete onesto, né senza ingegno. A' tredici anni studiò nel
patrio seminario belle lettere e filosofia; ed è ben curioso a pensare, come a
quel tempo, che pur anch'esso gloriavasi di civiltà e cominciava a combattere
la tirannia de vecchii errori, non mancasse più d'uno che con ra-gionamento,
meglio specioso che giusto, sentenziasse doversi apprendere prima filosofia e
poscia retorica, perché, innanzi di scrivere, era debito d'imparare a pensare.
Una fedele immagine di quelle scuole ci presenta lo stesso V. In retorica
continue traduzioni dei classici latini, affatto pedantesche, per non dire
meccaniche; della letteratura italiana neppure un cenno; Dante, Petrarca,
Tasso, Ariosto, nomi ignoti; non si prefiggeva allo scrivere italiano altro
modello, che il Cesarotti nei versi, ed il Thomas nella prosa; onde chi
produceva versi più sonanti, o periodi più tronchi, più smozzicati, più era
lodato. In FILOSOFIA, la lettura di qualche TESTO LATINO DI LOGICA E DI
METAFISICA, che poscia si mandava alla memoria senza bene intenderlo; qualche
libamento di fisica; le quattro operazioni fondamentali dell'aritmetica ed una
occhiata al calcolo delle frazioni; le prime proposizioni d'Euclide; a ciò
tutto riducevasi allora il tirocinio filosofico'». qualche cosa. Il Venanzio
abbracciò coll'acutezza dell'ingegno e con solerte diligenza la filosofia e la
giurisprudenza: nella quale fu addottorato; e fra la gravità degli studii
continui, che lo fecero prematuramente vecchio, fra le publiche cure e
l'esemplare affetto alla sua famiglia può dirsi ch'egli abbia spesa la vita. Filocallia, callofilo, il bello, l’estetica, Sibley. G. What are you reading with that expression of
dutiful suspicion? S. “Elogio di Pietro
Metastasio.” G. That’s a remarkably
compact title for something that pretends to be solemn. S. It’s the “di” that makes it dangerous.
G. Which “di”? S. Both. “Elogio di” and “di Pietro
Metastasio.” G. Good. “Elogio di” first: a praise of. Almost a eulogy. S. Except we reserve “eulogy” for the dead and
“elogio” can be for the living, inconveniently. G. Oxford likes to praise the living as if they
were dead. It saves jealousy. S. So
“elogio” is praise without the hearse. G.
Now the second “di”: “di Pietro Metastasio.” Who is being praised? A
man, a name, or a mask? S. A mask,
surely. Metastasio is a pseudonym. G.
Blatantly. It practically tells you it’s a pseudonym. Meta-stasio:
beyond stasis, beyond standing still, beyond the man. S. You’re being etymological, not biographical.
G. I’m being tidy. If the name
advertises transformation, it invites the suspicion that it is not the
baptismal certificate talking. S. Then
the “elogio” is of the literary persona, not of the man. G. But a persona cannot float free of a person
forever. S. That is exactly the point.
The author praises “Pietro Metastasio” as if that were a stable entity, but
it’s a crafted public object. G. So we should ask: Elogio di chi? S. Di Pietro Metastasio. G. No, no. Di chi, in the deeper sense: di
Trapassi. S. You remember
the real name. G. I remember that
Metastasio is not the real name; Trapassi is the one people use to puncture the
grandeur. S. If the title were “Elogio
di Trapassi,” it would be a different game. G.
It would be praise of the man who passes across, rather than of the man
who metastasises. S. Yet that would also
be a trick. Because you can’t praise the “real man” without praising the
literary production that makes him visible. G.
Precisely. There is no Trapassi you can reach without stepping on
Metastasio’s stage. S. So the title’s
“di” is a convenient blur: it lets you praise the name and thereby praise the
works, while pretending you’re praising a person. G. A title as a safe compromise between
biography and bibliography. S. And
perhaps between sincerity and opportunism. G.
Now, a question in English: what is “Elogio di Pietro Metastasio” in our
tongue? S. “In praise of Pietro
Metastasio.” G. Sounds like an after-dinner
speech. S. Or a school prize-day.
G. Or a funeral with the body omitted.
S. Which is exactly what the author
wants: ceremony without inconvenience. G.
But why praise the persona? Why not praise the poems? S. Because praising the persona is a way of
praising the poems without having to quote them. G. Quoting is always risky; it allows checking.
S. And an elogio is not meant to be
checked. G. It is meant to be nodded at.
S. Like most “occasional” literature. G. Now let’s play your game. Suppose: “Elogio di
George Eliot.” S. Which is praise of a
persona, not of Miss Evans. G. Exactly.
And if you titled it “Elogio di Mary Ann Evans,” you’d sound either intimate or
aggressive. S. Or both: intimate
aggression is the English speciality. G.
And yet everyone knows the work under “George Eliot.” So the elogio
would be forced back to the persona anyway. S.
Because that is the public object that can be praised without
embarrassment. G. Another example:
“Elogio di Bourbaki.” S. That’s worse.
Because there isn’t even a single person to retreat to. G. Only a committee pretending to be a man.
S. Then “elogio” becomes praise of an
institutional voice. G. Which is exactly
what Oxford does to itself. S. So
“Elogio di Metastasio” is somewhere in between: one person, but mediated by a
chosen name. G. A person pretending to
be a persona, a persona pretending to be a person. S. It’s a perfect loop. G. Now, back to the “di.” In Italian, “di” does
too much work. S. That’s why Italians
like it. G. It covers authorship,
possession, topic, dedication, and sometimes mere adjacency. S. Whereas English has to choose: “of,” “by,”
“about.” G. Yes. And the choice forces
honesty. S. So is it “Elogio by X” or
“Elogio about Metastasio”? G. The title
doesn’t tell you. S. It tells you only
that the object of praise is the name “Pietro Metastasio.” G. So the author is trading on the pseudonym’s
authority. S. Which makes the elogio
itself a bit parasitic. G. That’s too
moral. S. It’s accurate. Now the
interesting question you wanted: why would a person publish an elogio like
this? G. Yes. Why would he think it
necessary? S. Because Metastasio is
safely canonical: praising him signals taste. G. And perhaps signals membership in a literary
world. S. Exactly. It’s a social
credential in prose form. G. Would
Metastasio read it? S. If he were alive,
he would probably prefer not to. G.
Because praise is always an awkward gift: the receiver must accept it
without looking vain. S. And the giver
must give it without looking servile. G.
Hence the title’s ceremonial stiffness: it attempts to keep both parties
dignified by keeping the language abstract. S.
Praise the persona, not the flesh. G.
That way the real man can hide behind the mask while being praised.
S. And the writer can hide behind genre
while flattering. G. So it is
profitable, in a broad sense: it buys goodwill. S. And it buys a place in print near a famous
name. G. Which is like dining near High
Table. S. Exactly: proximity as
prestige. G. Now, the pseudonym point.
You said: the author knows it’s a pseudonym. S.
He must. Otherwise he’s asleep. G.
Then his “elogio” is knowingly directed to a constructed object. S. That’s what makes it interesting
philosophically: can one praise a construct? G.
We do it constantly. We praise “England,” “Oxford,” “Reason.” S. And “the Spirit of the Age.” G. Which is no more real than “Metastasio,” and
often less well written. S. So the
question isn’t whether we can praise a persona, but what we think we are doing
when we do. G. We are praising a
publicly recognisable bundle: works, style, reputation, a voice. S. And that bundle has a name. G. Exactly. The name is the handle. S. Then Trapassi is irrelevant. G. Not irrelevant. Just not what the elogio is
about. S. So if someone insisted “But
his real name was Trapassi,” we would say— G.
“That is a biographical correction, not a literary objection.” S. And we would still file it under Metastasio.
G. Yes. Because libraries are practical
metaphysicians. S. Then the title is
doing library work: it points to the shelf. G.
It is, in that sense, already profitable: it guarantees discoverability.
S. So “Elogio di Pietro Metastasio” is
praise, but also indexing. G. Precisely.
A eulogy that functions as a catalogue entry. S. Which is why Oxford likes it. G. Now, a final pedantic question: is “elogio”
here praise of a man or praise of the name? S.
Praise of the persona under the name. G.
And the persona is a constructed agent of style. S. Yes. G.
Then our English translation should not pretend it’s simply praise “of a
man.” S. It should be something like:
“In praise of ‘Pietro Metastasio’.” G.
With scare quotes. S. Exactly.
G. And then everyone will think we’re
being clever. S. Which is the only
praise Oxford reliably understands. G. Good. Now close the book before it prejudices you.Grice: Caro Venanzio, ti
confesso senza remore che l'αἴσθησις era la mia seconda natura a Clifton: la percezione estetica mi veniva
spontanea come un sorso d'acqua fresca. Ma quando sono arrivato al Vadum Boum,
l'università, e ho filosofato sull'estetica insieme a Warnock, tutto ruotava
attorno al SENSVS. Sembrava che l'αἴσθησις fosse ormai svanita, persa per sempre tra i meandri della ragione! Venanzio: Ahimè, Grice! Mi dispiace sentire
che quell'αἴσθησις originaria si sia dissolta come la nebbia sulla laguna di Venezia. Ma non
dubito che tu, da vero filosofo, abbia fatto tutto il possibile per tener vive
le radici Graeco-Roman—anzi, graeco-romae—dell’estetica, anche quando la moda
accademica spingeva verso il SENSVS.
Grice: Ma certo, Venanzio! Non sono tipo da lasciar morire le antiche
radici: ho seminato parole greche e latine tra i miei studenti come il
contadino sparge semi nella terra veneta. Se anche l'αἴσθησις ha preso il volo, almeno il SENSVS manteneva un profumo d'antichità. Venanzio: E hai fatto bene! Perché senza
quella filocallia, senza quell’amore per il bello e il suo radicarsi tra
graeco-romae pensieri, rischiamo di ridurci a traduzioni pedantesche e periodi
smozzicati, proprio come ai miei tempi in seminario! Meglio una filosofia che
sappia ancora sorridere e gustare la bellezza, che una ragione arida e senza αἴσθησις. Venanzio, Girolamo
(1813). Elogio di Trapassi. Padova: Bettoni.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali Grice e
Venini: la ragione conversazionale propriamente detta. Grice. Note su De
loquela tanquam rationis auxilio considerata. Il Gruppo di Gioco di H. P.
Grice. Antonio Venini (Morbegno, Valtellina). Compared
institutionally, Grice and Antonio Venini are not counterparts in the same
academic format. Grice’s formula is exact in the Oxford sense. Fellow and Tutor
in philosophy at St John’s means a college office with tutorials, students, and
membership in the governing life of the college. CUF University Lecturer in
philosophy means a university-wide faculty appointment. So Grice combines the
two classic Oxford functions: college tutor and university lecturer. Antonio
Venini belongs to a very different world: the early nineteenth-century
medical-philosophical university, specifically the Pavia environment of
inaugural dissertations, rectorial oversight, and learned Latin publication. He
is not a fellow-tutor in anything like the Oxford sense. He is better described
as an Italian medico-philosophical author whose work emerges from a university
dissertation culture in which physiology, psychology, and language theory still
belong to one intellectual field. So the clean institutional contrast is this.
Grice was a modern Oxford don with a dual college-and-university role. Venini
was a Pavia dissertation-world scholar in medicine and philosophy, not a
residential college tutor and not an Oxford-style lecturer. That institutional
difference fits the philosophical comparison very well. Grice works at the
micro-level of rational communication: how a hearer gets from what is said to
what is meant by recognising intentions and inferring implicatures under
cooperative norms. Venini works at a more basic enabling level: why speech is
needed at all, and how articulated voice functions as an aid to reason where
natural gestures are weak, imperfect, and often unusable. So if you want the
sharpest formulation, it is this. Venini explains why rational creatures need
speech. Grice explains how, once speech is in place, rational creatures use it
to mean more than they literally say. That is why your comparison is actually
very good. Venini’s loquela is not yet Gricean implicature. It is the
physiological and practical condition that makes any Gricean conversational
rationality possible in the first place. I would also say that your note about
propriamente detto is excellent as a Gricean-Veninian bridge. For Venini,
loquela is an auxilium rationis because it allows ideas and animi sensus to be
made public and stable. For Grice, properly speaking is one of those
conversational devices by which speakers mark, refine, and renegotiate criteria
within an already functioning rational exchange. There are only two cautions.
First, I would not overstate Venini’s convergence with Grice. It is a genuine
comparison, but Venini is not theorising intention-recognition or implicature.
His focus is speech as medium and faculty, not conversation as inferential
game. Second, your bibliographic line at the end is strong and should stay,
because it is the cleanest concrete anchor in the whole note: Venini, Antonio
(1819). De loquela tanquam rationis auxilio considerata dissertatio. Ticini: ex
typ. Fusi et soc. success. Galeatii. That is exactly the kind of early item one
wants here. So the short plain-English answer is this. H. P. Grice was an
Oxford don in the strict collegiate sense, both Fellow and Tutor in philosophy
at St John’s College and CUF University Lecturer in philosophy at Oxford.
Antonio Venini, by contrast, belongs to the early nineteenth-century Pavia
world of medical-philosophical dissertation culture, where speech is studied as
a physiological and rational faculty rather than as a topic in tutorial
philosophy. Institutionally, Grice belongs to the tutorial-collegiate world;
Venini to the dissertation-and-faculty world of medicine and philosophy.
Philosophically, the contrast is equally clear: Grice analyses the inferential
micro-mechanics of conversational meaning, whereas Venini investigates the more
basic conditions under which speech becomes an aid to reason at all, by
stabilising and extending signification beyond the fragility of gesture. And if
I compress it to one line: Venini gives you speech as the condition of rational
coordination; Grice gives you conversation as the refinement of that
coordination into a rule-governed economy of meaning. If you want, I can now
give you a tighter one-paragraph entry in your preferred style, or a slightly
more philological note just on loquela, sermo, lingua, and vox.Per V.
la ragione conversazionale propriamente detta e
quella di Grice:” Grice’s theory of reason-governed conversational
meaning explains how what a speaker means is rationally recoverable by a hearer
from what is said plus shared expectations of cooperation (maxims), so that
implicatures are accountable, in-principle calculable, and tied to intention
and uptake within a talk-exchange. Venini, as your passage presents him through
De loquela tanquam rationis auxilio considerata, converges with Grice precisely
on the idea that language is an auxilium rationis, but he approaches it from
the side of natural-sign and faculty psychology: speech is needed because
nonverbal signs (gestus) are “weak and imperfect,” easily blocked by darkness
or obstacles, and so articulated voice becomes the distinct medium by which
desideria and animi sensus are made manifest and ideas become
communicable—i.e., speech is a practical-physiological technology that enables
reason to operate socially and reliably. The comparison, then, is that Grice
theorizes how rational agents exploit norms of cooperative discourse to mean
more than they say (implicature as a refinement within an already linguistic
practice), whereas Venini motivates the very necessity of the linguistic
practice itself as the stabilization and amplification of signification beyond
fragile natural gestures: for Venini, loquela is what makes rational
coordination possible at all; for Grice, once that coordination is in place,
conversational reason is the rule-governed inferential economy by which interlocutors
manage precision (“propriamente detto”), negotiate criteria, and systematically
bridge from the literal to the intended.“De loquela tanquam rationis auxilio
considerate” is a medical-philosophical dissertation authored by V. It is an
inaugural dissertation, submitted to Pavia under the approval of the rector and
faculty directors. The title translates to "On speech considered as an aid
to reason." The work explores the physiological and philosophical
intersection of LA LINGUA and human thought, treating speech not just as
communication but as an essential tool for the development of rational
intellect. The dissertation reflects the Enlightenment-era interest in how a
physical faculty such as speech influence cognitive processes such as reason.
It sits at the cross-roads of the philosophy of language, biology, and the
philosophy of mind. V. DE LOQUELA TANQUAM RATIOSIS AUXILIO CONSIDERATA
DISSERTATIO AsSUEWTIBOS MaGNIFICO DOMINO ReCTOBE AC CELEBEHB.IJHIS DISSERTATIO
DE LOQVELA TANQUAM RATIONI AVXILIO CONSIDERATA. haberi queunt nisi DESIDERIA –
GRICE – VOLITIVE DESIRABILITY -- aliquo modo innotescant. Ast naturam, dicere posset aliquis, ad desideriorum expositionem nobis
varia SIGNA – GRICE SIGN -- sponte suppeditat, qualia sunt ex. gr. GESTVS:
heccae vero SIGNA manca frtmis, et imperfecta sunt, ut ipns nostra desideria
ostendi queant. Eadem praeterea doeentibus eeleb. Loke et
SOAVE duobus gravissimis iocommodis sunt exposita: quum aliquis in
tenebris versatur, vel obstaculum quodcumque impedit, quominus ab illo , % cui
aliquid patefacere cupit, aspiciatur, omnes gestus inutites evauunt, Aliorum
igitur signorum necessitas elucet vocum nempe, quae sint ARTICULAZIONE
distinctæ, atque ad animi sensus EXPRIMENDOS conveniant, quid quod secundum
Stoicos PORTICVS loquelaoi constituit. Inter modos omnes, qui ad ideas
COMMUNICANDAS GRICE COMUNICATVS apti. esse possunt, magis utilis certe loquela
evadit: humanæ mentis operationes ipsa faciliores reddit, animi motus
manifestos profert. G. You’ve
brought me evidence, I see. A. Only the
sort Oxford approves: Lewis and Short, and a word that looks innocent until you
try to put it in English. G. Loquela.
Yes. A thing I never read before reviewing it; it prejudices a man so. A. That was about books, sir, not about nouns.
G. Nouns are worse. They come with fewer
footnotes and more confidence. Read the entry. A. “speech, language, words, discourse.” G. Four English words and not one of them quite
right. A. Then the citations. G. Start with Plautus. A. “commoda loquelam tuam,” Plaut. Cist. 4, 2,
76. G. “Arrange your loquela.” Which
sounds like “tidy up your speech.” A. Or
“fix your mouth.” G. Already we’re in
trouble: English makes it sound like elocution lessons. A. “Loquela” in Plautus sounds like the thing
you can amend: your patter. G. Yes,
speech as performance. Next. A.
“fuditque has ore loquelas,” Verg. A. 5, 842. G. “Poured forth these loquelas from his mouth.”
That’s poetry talking about talk. A. It
makes speech sound like liquid. G. Poets
can do that because no one examines them on it. A. Then Lucretius: “nutricis blanda loquela,”
Lucr. 5, 230. G. “The nurse’s bland
loquela.” Bland is already a warning. A.
Nurse-talk. Baby-talk. Loquela as soothing noise. G. That’s closer to “speech” than “language,”
and yet it’s almost “tone.” A. Then Varro.
G. At last, a man who deserves to define
a word instead of merely using it for atmosphere. A. “hinc quidam loquelam dixerunt
verbum,” Varr. L. L. 6, § 57 Müll. G. Now this is delicious. “Hence some have called loquela ‘word’.” A. So loquela is not just speech, but a single
“verbum.” G. Or at least some people
used it that way. A. Lewis and Short
label that “Transf. A. A word.” G. And
then they proceed as if English “word” were one thing. A. Then Ovid: “Graia loquela,” Ov. Tr. 5, 2, 68.
G. Ovid is always irritating when he
turns a nation into an adjective. A.
Greek loquela: “the Greek language.” G.
Or “Greek speech,” which in English sounds like an impediment. A. We’re not happy with any of the English glosses,
are we? G. “Speech, language, words,
discourse.” It’s a polite way of saying: we can’t decide what level of thing
this is. A. If “sermo” is discourse and
“lingua” is language and “vox” is voice, where does loquela sit? G. Somewhere between “speaking” as an act and
“what is spoken” as product. A. That
sounds like “utterance.” G. It does. And
now you’ve smuggled in “utter-,” which is just a Latin verb wearing Anglo-Saxon
shoes. A. But “utterance” has the right
shape: something produced by speaking. G.
True, but it makes loquela sound like a discrete item, while Plautus and
Lucretius suggest a manner or flow. A.
So “speech” again. G. “Speech” in
English is hopeless: it is both faculty and occasion and formal address.
A. “He gave a speech” is not “his
speech” in Lucretius. G. Exactly. Now
“locution”—look at us. A. Loc-ution.
Same root-family, only now you’ve dragged in “loqui” by the collar. G. And you’re laughing. A. I’m trying not to, sir. G. Don’t bother trying. Trying is also an Oxford
locution. Now: why do you think Venini chose loquela? A. Because he wants loq-, not dic-. G. Yes. Not “to say” but “to speak.” Not
assertion but articulation. A. And
because loquela can be the medium of reason, “auxilium rationis.” G. Good. Now, what do we do with Varro’s line?
Translate it properly. A. “From this
some have called ‘loquela’ ‘verbum’.” G.
Too stiff. “From this” makes it sound like a geometry proof. A. “Hence some have called loquela ‘a word’.” G. Better. But what’s “hinc” pointing to? We’re
missing context. A. Varro is defining
terms and noting rival usages. G. So
he’s reporting an etymological or classificatory move: people take loquela and
treat it as equivalent to verbum. A.
Then in English: “Some people use loquela to mean ‘a word’.” G. That’s the honest translation. A. But it loses the bite of “dixerunt.” G. “Called.” It’s a naming act: they labelled it
so. A. “Some have applied the term
loquela to what we call a single word.” G.
Now you’re doing my work for me: adding the ordinary-language
paraphrase. A. Lewis and Short also have
that note: “incorrectly written loquel-la.” G.
Yes, the dictionary’s moralism about spelling. A. Imagine if the Little Oxford Dictionary cared
like that. G. The Little Oxford
Dictionary does care; it just pretends not to by pretending it is small. A. Still, the double-l looks like a diminutive:
loquella. G. And they say it’s
“incorrect.” As if language waited for permission. A. Perhaps Venini liked the correct one to avoid
sounding cute. G. Or he liked the
correct one because dissertations dislike cuteness. A. Yet the poets are allowed to be liquid,
bland, and national. G. Poets are
allowed everything except accuracy. A.
Is that fair? G. It’s
traditional. Now, if we reject “language” and “words” and “discourse,” what
remains? A. “Speech,” in the sense of
speaking. G. And “loquela” then would be
“speech” as an activity and its audible product, without committing to meaning
as dicere does. A. That seems right for
Venini: he’s contrasting gestus with voces articulatas. G. Exactly. So loquela is the articulated-voice
system as used by humans. A. Then Ovid’s
“Graia loquela” is annoying because it treats “speech” as a national property.
G. Yes. It makes Greek a kind of
costume. A. Whereas Varro is doing
analysis. G. Varro is always doing
analysis, even when he is wrong. A. So
the best support for Venini’s choice is Varro’s metalinguistic remark. G. Yes: not because it gives Venini his meaning,
but because it shows loquela is a thing Latin speakers themselves could talk
about as a term. A. And the
rest—Plautus, Vergil, Lucretius—show it lives in real usage. G. Real usage, yes, but poetically contaminated.
A. So what’s our verdict on Lewis and
Short’s English list? G. Overgenerous.
They’ve tried to help too much, and as usual, helpfulness is not the same as
precision. A. Which English word would
you pick, if you had to pick one? G.
“Speech,” with a footnote that says: not a speech. A. That’s very Oxford. G. It’s the only way to survive dictionaries
without becoming their accomplice. A.
And if someone insists on “language”? G.
Tell him to read Ovid and be ashamed. A.
And if he insists on “words”? G.
Tell him Varro says some do, and Varro is the most honest person in the
room. A. And if he insists on
“discourse”? G. Tell him “sermo” is
waiting next door, and loquela doesn’t want to be mistaken for it. A. Then we agree loquela is an unnecessary
locution. G. Not
unnecessary—unavoidable. It exists because Latin wanted a noun for “speaking”
that wasn’t already loaded with “saying.” A.
So we keep it. G. We keep it, and
we pretend we didn’t enjoy it. A. And we
don’t read it before reviewing it? G.
Exactly. Otherwise we might start liking it, and that would be the end
of scholarship.Grice: Venini, mi dai una mano? Mi sono impigliato in quell’italiano “propriamente detto” — quasi un dictum
proprium ciceroniano. Io lo uso per essere preciso… e subito mi accorgo che sto
chiedendo: che cosa vuol dire “preciso” propriamente parlando? Venini:
Volentieri. “Propriamente detto” è un bisturi che, appena lo impugni, ti taglia
anche il polso: serve a delimitare il campo, ma lo delimita con un’espressione
che chiede a sua volta delimitazione. È come dire: “Ecco l’uso corretto” — e
intanto apri un processo sul significato di “corretto”. Grice: Quindi,
propriamente parlando, “propriamente parlando” è… impropriamente necessario. Se
non lo dico, mi accusano di vaghezza; se lo dico, mi accusano di
metalinguaggio. Un paradosso conversazionale: per parlare propriamente devo
parlare di come si parla propriamente. Venini: Esatto — e qui la tua “ragione
conversazionale” fa la sua comparsa in camice medico. La loquela è davvero
“auxilium rationis”: non solo comunica idee, ma le rende possibili e
governabili. “Propriamente detto” è una mossa di prudenza: segnala al tuo
interlocutore “adesso sto fissando un criterio”. E la tua gratitudine è lecita:
perché il criterio, propriamente parlando, esiste solo quando due persone lo
riconoscono… propriamente parlando. Venini, Antonio (1819). De loquela tanquam
rationis auxilio considerata dissertatio. Ticini: ex typ. Fusi et soc. success.
Galeatii.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali Grice e
Venturi: il coraggio della ragione conversazionale – Italia dei lumi. Note su Illuminismo e rivoluzione. Il Gruppo di Gioco di H. P. Grice. Franco Venturi
(Roma, Lazio): Compared institutionally, Franco Venturi is much closer to Grice
than a poet or public polemicist, because both are recognisably university
intellectuals; but they still belong to very different academic ecologies.
Grice held the specifically Oxford double role of college Fellow and Tutor plus
University Lecturer. Franco Venturi, by contrast, was an anti-fascist
historian, first formed in exile and clandestine politics, then a professor of
modern history in the Italian state-university system, teaching at Cagliari,
Genova, and above all Torino, where his career took definitive shape. Franco
Venturi studied at the Sorbonne, was active in Giustizia e Libertà, suffered
imprisonment and confinement at Avigliano, and after the war became professor
of modern history and a central historian of the Enlightenment and Russian
populism. [it.wikipedia.org], [treccani.it], [Archos. Bi...co Venturi],
[anpi.it] So the clean institutional comparison is this. Grice was an Oxford
don in the strict collegiate sense, both Fellow and Tutor in philosophy at St
John’s and CUF University Lecturer in philosophy at Oxford. Franco Venturi, by
contrast, was an historian in the continental and Italian chair system, whose
intellectual life was inseparable from exile, clandestine political journalism,
resistance, and later the public university. Institutionally, Grice belongs to
the tutorial-collegiate world; Franco Venturi to the civic-historical world of
anti-fascist militancy, state universities, and the long public labour of
historical scholarship. [it.wikipedia.org], [treccani.it], [Archos. Bi...co
Venturi], [anpi.it] That institutional difference suits the philosophical
contrast very well. Grice works at the micro-level of rational communication:
how a hearer gets from what is said to what is meant by recognising intention
and calculating implicature under conversational norms. Franco Venturi, by
contrast, works at the macro-level of civic reason: how critical discourse
survives under repression, how Enlightenment argument becomes a public force,
how writing and publication help sustain a sphere in which reason can still
operate historically and politically. In his case, “the courage of reason” is
not the local tact by which one manages speaker-meaning in a conversation, but
the larger virtue by which criticism, scholarship, and intellectual
independence persist under pressure. The principal reference sources describe
Franco Venturi as an active member of Giustizia e Libertà, later director of
Giustizia e Libertà in Turin, and a major historian of the Enlightenment and of
Russian populism. [it.wikipedia.org], [treccani.it], [Archos. Bi...co Venturi],
[anpi.it] So if you want the sharpest formulation, it is this. Grice explains
how reason works in conversation. Franco Venturi shows how reason works in
history and public life. Or, still more sharply: Grice theorises the
inferential discipline that makes meaning accountable in an exchange. Franco
Venturi exemplifies the civic courage by which reason becomes historically
effective in journals, clandestine writing, anti-fascist resistance, and
scholarship. [it.wikipedia.org], [treccani.it], [anpi.it] Your 1938 Diderot
point is actually a good anchor, and it is verifiable. Franco Venturi did
publish “Addition aux Pensées philosophiques” in the Revue d’histoire
littéraire de la France in 1938, and modern bibliographical traces confirm the
article’s presence in volume 45 of the journal. The bibliographical records for
the 1938 volume of the Revue d’histoire littéraire de la France list Franco
Venturi’s “Addition aux Pensées philosophiques,” and the text itself appears in
the journal’s 1938 run. [gallica.bnf.fr], [books.google.com], [jstor.org] So
the short clean answer is: H. P. Grice was an Oxford don in the precise collegiate
sense, both Fellow and Tutor in philosophy at St John’s and CUF University
Lecturer in philosophy at Oxford. Franco Venturi, by contrast, was an
anti-fascist historian and later professor of modern history, formed in exile
at the Sorbonne, active in Giustizia e Libertà, imprisoned and confined by the
fascist regime, and eventually professor at Cagliari, Genova, and Torino.
Institutionally, Grice belongs to the world of tutorials and faculty lectures;
Franco Venturi to the world of exile, clandestine journalism, public
scholarship, and the state university. Philosophically, the contrast is equally
clear: Grice analyses the inferential micro-mechanics of meaning in ordinary
conversation, whereas Franco Venturi exemplifies the historically situated courage
of reason in the public sphere, where ideas survive not by quiet calculability
alone but by lucid resistance, publication, and institutional struggle.
[it.wikipedia.org], [treccani.it], [Archos. Bi...co Venturi], [anpi.it] And the
clean bibliographic citation for the 1938 item is: Venturi, Franco. “Addition aux Pensées philosophiques.” Revue d’histoire littéraire de la
France, vol. 45, 1938. [gallica.bnf.fr], [books.google.com],
[jstor.org] If you want, I can now give you a tighter one-paragraph entry in your
preferred style, or a short bibliographic note separating the early Diderot
article from the later Venturi of Italia dei lumi and Settecento riformatore.il
coraggio della ragione conversazionale – Grice’s theory of reason-governed
conversational meaning treats “what is meant” as what a rational hearer can
infer from what is said by assuming cooperative norms (maxims), so that
implicature is a disciplined, accountable route from utterance to
speaker-meaning. Venturi, as your passage frames him (Italia dei lumi;
anti-fascist exile and resister; historian of Enlightenment and of the
political uses of ideas), shifts “reason” from Grice’s micro-pragmatics to a
civic-historical register: the courage of reason is not primarily the speaker’s
rational management of inference in talk, but the public, risky practice of
criticism, publication, and political engagement through which Enlightenment
rationality is defended, transmitted, and made effective against repression and
ideological distortion. Put side by side, Grice explains how conversational
participants can responsibly mean more than they say without abandoning
rational constraint, whereas Venturi exemplifies how “reason” functions as an
historically situated virtue—lucid, polemical, resistant—whose communicative
success is measured less by correct implicature-calculation than by its
capacity to sustain a critical public sphere (journals, clandestine writing,
scholarship) in which reason can survive pressure, mobilize audiences, and
reframe collective self-understanding. Italia dei
lumi. Insegna a Torino, studioso dell'Illuminismo e del populismo russo. È
esule anti-fascista, detenuto nelle carceri fasciste e attivo nella Resistenza
nelle file di Giustizia e Libertà. Nipote di Adolfo V. e figlio di
Lionello V., i noti critici d'arte, la sua famiglia si trasfere da Roma a
Torino, dove il padre assume la cattedra di storia dell'arte. V. studia nel
Liceo, da cui dove ritirarsi per seguire la famiglia in esilio a Parigi.
Infatti Lionello V. si rifiuta di prestare giuramento di fedeltà al fascismo e
si trasfere con la famiglia a Parigi dove V. s'iscrisse alla facoltà di arte
della Sorbona, conosce numerosi esponenti dell'emigrazione anti-fascista e
adere al movimento Giustizia e Libertà di ROSSELLI . Collabora al settimanale
Giustizia e Libertà e ai Quaderni di Giustizia e Libertà, tenendovi la rubrica
Stampa amica e nemica di commento della stampa fascista, criticandovi la
politica italiana e la collaborazione della chiesa con le dittature fasciste.
V. al confino d’Avigliano. Contemporaneamente indirizza i suoi studi alla
storiografia, con un particolare interesse per l'illuminismo. Il risultato è la
pubblicazione del saggio Jeunesse de Diderot, e lo studio su VASCO . La sua
famiglia si era già trasferita a New York e V., quando cerca di raggiungerla,
dopo l'occupazione tedesca di Parigi, è arrestato in Spagna e detenuto per
quasi un anno nel sotterraneo di un convento adibito a carcere. La fame
sofferta gli suggere d’assumere il soprannome Nada -- niente, in spagnolo --
nella lotta anti-fascista. Consegnato alle autorità italiane, è
incarcerato a Torino e poi trasferito ad Avigliano. Qui rimane fino alla caduta
di Mussolini. Tornato a Torino, è parte attiva del partito d'azione con Agosti,
Bianco, i fratelli Garrone, e Vaccarino. Cura la redazione del supplemento
piemontese del giornale di partito L'Italia libera e la sua
diffusione clandestina nel Piemonte occupato dai tedeschi. Uscirono numeri,
dedicati agli scioperi delle fabbriche torinesi e alle iniziative dei partigiani.
il coraggio della ragione. In the most economical scholarly answer: Diderot adds a later, much
sharper anti-theological continuation to the 1746 Pensées philosophiques, and
he does so in order to push the critique of revealed religion further than the
earlier deist text had publicly done. [journals.o...dition.org],
[fr.wikipedia.org], [en.wikipedia.org] More exactly, the later text is the
Addition aux Pensées philosophiques, also circulated under the fuller title
Objections diverses contre les écrits de différents théologiens. It is not
simply “more of the same”: it radicalizes the original work. The 1746 Pensées
philosophiques had still occupied a deist position, defending natural religion
while criticizing fanaticism and theology; the Addition moves further into
explicit objections against theologians and positive religion.
[fr.wikipedia.org], [en.wikipedia.org] And why did he add it? Two linked
reasons emerge from the sources. First, because the success and controversy of
the original 1746 book invited a sequel or continuation. The standard
nineteenth-century editorial tradition, echoed in modern scholarly
presentation, says Diderot composed the Addition as a “suite” to the Pensées
philosophiques after the reactions to the earlier work, but kept it unpublished
for prudential reasons. [fr.wikisource.org], [fr.wikipedia.org] Second, because
the Addition gave him a more tactical and forceful vehicle for anti-theological
argument. The key source here is the note on Venturi’s discovery: the later text
was not wholly “original” in the modern sense but was Diderot’s reshaping or
abridging of the clandestine manuscript Objections diverses contre les écrits
de différents théologiens. That kind of abridgement was common in clandestine
eighteenth-century philosophical literature precisely because a tighter, more
incisive text could circulate more effectively and hit harder polemically.
[jstor.org], [jstor.org] So, if you ask what Diderot “added,” the answer is: he
added a later sequence of anti-theological objections, more radical than the
1746 text, and he did so both as a response to the earlier Pensées and as a
strategic recasting of clandestine deist/anti-religious material into a
sharper, more usable form. [jstor.org], [fr.wikisource.org], [fr.wikipedia.org]
And this is exactly where Venturi’s 1938 article matters. Venturi showed that
the Addition was connected to a real source text, the Objections diverses,
rather than being just an entirely free-standing later invention. In other
words, Diderot was adding to his Pensées philosophiques by adapting and
compressing already circulating radical material into a form that could
function as its sequel. [jstor.org], [jstor.org] If you want, I can now give
you either: a very short one-sentence formulation for your note, or a slightly
more philological distinction between what Diderot added in 1762 and what
Naigeon later published in 1770.Grice: Caro Venturi, mi è sempre piaciuto il
“coraggio della ragione”! Pensando ai miei
vecchi esempi, potremmo dire che se Jill afferma che Jack è un inglese, allora
Jack è non solo “coraggioso”, ma anche ragionevole e razionale. Insomma, un
vero eroe filosofico: affronta le avversità con la logica e un pizzico di humor
britannico! Venturi: Ah, Grice, mi fai
ridere! Così Jack non conquista solo la bandiera, ma pure il cuore della logica
italiana. Forse dovrebbe mettere sul suo passaporto: “coraggioso, ragionevole,
razionale… e possibilmente spiritoso!” Grice:
Esattamente, Venturi! La vera forza sta nel sapere che per essere veramente
“illuministi” bisogna unire il coraggio della ragione con il coraggio di
ridere. Senza un po’ di ironia, la ragione rischia di diventare troppo
seria! Venturi: Concordo, caro Grice!
Come diceva mia nonna piemontese, “Quando la ragione si prende troppo sul
serio, ci pensa il buon senso a sdrammatizzare.” E poi, ridere è sempre un atto
profondamente ragionevole! Venturi, Franco (1938), Additions aux Pensées
philosophiques. Revue d’hisoire
littéraire de la France.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I
Verbali Grice e Venturini: la ragione conversazionale e l’identità
tras-personale. Note su Le opere di Gramsci. Il Gruppo di Gioco di
H. P. Grice. Riccardo
Venturini (Roma, Lazio): Compared institutionally, Riccardo Venturini is closer
to Grice than a poet or publicist, because both are recognisably university
intellectuals; but they still belong to very different academic ecologies.
Grice held the specifically Oxford double role of college Fellow and Tutor plus
university lecturer. Riccardo Venturini, by contrast, was formed in the Roman
university world, first in philosophy under Ugo Spirito and later in medicine,
eventually becoming professor of clinical psychophysiology at La Sapienza.
[it.wikipedia.org], [aspi.unimib.it], [aspi.unimib.it] So the clean
institutional comparison is this. Grice was an Oxford don in the strict
collegiate sense: Fellow and Tutor in philosophy at St John’s College, plus CUF
University Lecturer in philosophy at Oxford. Venturini, by contrast, was an
Italian philosopher-psychologist-physiologist shaped by the state-university
system: philosophy at La Sapienza, Paris training at the Sorbonne,
assistantship at Messina under Adriano Ossicini, work in cultural programming
at Rai, and then a long career back at La Sapienza, culminating in the chair of
clinical psychophysiology. [it.wikipedia.org], [aspi.unimib.it],
[aspi.unimib.it] That institutional difference fits the intellectual contrast
rather well. Grice works at the micro-level of rational communication: how a
hearer recovers what a speaker means by recognising intentions and inferring
implicatures under shared conversational norms. Venturini, by contrast, works
at several larger levels at once: first, the philosophical and ideological
level of formation, where Gramsci matters; second, the psychological and
psychophysiological level, where states of consciousness, bodily regulation,
and clinical method matter; and later, the transpersonal and
comparative-religious level, where the very unit of identity is no longer
simply the individual speaker in a conversational exchange. The main
biographical sources describe Venturini as formed by Italian idealism, French
existentialism, and Gramscian Marxism, then progressively drawn toward
experimental psychology, physiology, states of consciousness, and later
transpersonal themes. [it.wikipedia.org], [aspi.unimib.it], [eurom.it],
[culturabud...weebly.com] So if you want the sharpest formulation, it is this.
Grice explains how one interlocutor means something to another here and now.
Venturini, especially in the line you are drawing from the 1955 Rassegna di
filosofia engagement with Gramsci, points toward the macro-level at which shared
horizons, ideological common sense, and transpersonal or collective formations
shape what can count as meaning and identity in the first place.
[it.wikipedia.org], [aspi.unimib.it] That is why your comparison is promising,
but it needs one important caution. The 1955 Rassegna di filosofia piece on
Gramsci is mentioned in the biographical notices, but I do not have a fully
verified standalone bibliographic record for the exact title line “Le opere di
Gramsci” from the search results. So I would treat that reference as plausible
and biographically grounded, but not yet bibliographically fixed. The available
biographical sources state that among Venturini’s early works were a critical
survey of the works of Antonio Gramsci and studies on the methodology of topological
psychology and neo-behaviourism, but they do not, in the results I have here,
fully verify the exact journal citation line. [it.wikipedia.org],
[aspi.unimib.it], [aspi.unimib.it] So the short clean answer is: H. P. Grice
was an Oxford don in the precise collegiate sense, both Fellow and Tutor in
philosophy at St John’s College and CUF University Lecturer in philosophy at
Oxford. Riccardo Venturini, by contrast, was an Italian philosopher,
psychologist, physician, and later professor of clinical psychophysiology,
formed at La Sapienza under Ugo Spirito, trained further in Paris, and active
across philosophy, psychology, medicine, and states-of-consciousness research.
Institutionally, Grice belongs to the tutorial-collegiate world; Venturini to
the state-university and clinical-research world. Philosophically, the contrast
is equally clear: Grice analyses the inferential micro-mechanics of meaning in
conversation, whereas Venturini works on the broader psychophysiological,
ideological, and eventually transpersonal conditions under which identity,
consciousness, and shared meaning can be formed and transformed.
[it.wikipedia.org], [aspi.unimib.it], [eurom.it], [aspi.unimib.it],
[culturabud...weebly.com] And if you want the neatest one-line dossier formula,
I would suggest this: Grice theorises rational uptake between persons;
Venturini investigates the wider psychophysiological and transpersonal horizons
within which persons, and their shared meanings, are constituted.
[it.wikipedia.org], [eurom.it], [culturabud...weebly.com] If you want, I can
now give you a tighter paragraph in your preferred register, or a short note
separating three phases of Venturini: the early Gramscian-philosophical phase,
the psychophysiological phase, and the later transpersonal phase.la ragione
conversazionale e l’identità tras-personale, Grice’s theory of reason-governed
conversational meaning explains how what a speaker means is rationally
recoverable by a hearer from what is said plus context, on the assumption that
talk is a cooperative enterprise governed by publicly recognizable norms
(maxims), so that implicatures are in principle calculable and answerable to
reasons. Venturini’s 1955 Rassegna di filosofia piece on the Opere di Antonio
Gramsci, by contrast, belongs to a tradition in which “reason” is not primarily
modelled as a local inferential mechanism for deriving speaker-meaning, but as
a historically and socially situated practice (Gramsci’s rational critique of
ideology, common sense, and cultural hegemony), where what is communicated
often works through indirectness, alignment, and the management of shared
horizons rather than through explicit statement alone. Put together, Grice
gives a micro-pragmatic account of how conversational agents justify
interpretations in real-time exchanges (why an utterance licenses a particular
implicature), whereas Venturini—reading and assessing Gramsci—foregrounds the
macro-pragmatics of how discourse functions within communities and institutions
(how “common sense” is formed, stabilized, and contested), so that
“conversational reason” looks less like a set of maxims underwriting inference
and more like the ongoing social labor by which meanings become authoritative,
contested, or transformative in collective life. Filosofo, medico e psicologo italiano, è stato professore ordinario di
Psico-fisiologia clinica presso l’Università degli studi di Roma “La Sapienza”,
studioso degli stati di cui che Grice chiama “coscienza.” Laureatosi in
filosofia con lode -- relatore SPIRITO -- Università di Roma “La
Sapienza” --, riceve una formazione fondata sugli insegnamenti dell'idealismo
italiano, dell'esistenzialismo e del marxismo di GRAMSCI . Di quegli anni è la
collaborazione con la rivista Rassegna di filosofia, edita dall'Istituto di
filosofia dell'Università di Roma, e con gl’uffici redazionali di enciclopedie
pubblicate dalla casa editrice Sansoni di Firenze. Borsista presso l'Institut
de Psychologie Sorbona di Parigi, dove segue i corsi di metodologia, psicologia
sperimentale e psico-patologia -- Fraisse, Lagache, Lacan --, V. approfondisce
lo studio della psichiatria fenomenologica e dell'indirizzo psico-analitico
della Société psychanalytique de Paris.Assistente incaricato di Psicologia
nell'Università di Messina -- cattedra d’Ossicini --, V. è stato
successivamente funzionario di programmi culturali della Rai. Si
laurea in medicina e chirurgia con lode, relatore Cerquiglini -- presso
l'Università degli Studi di Roma “La Sapienza”, dove è stato assistente
incaricato e poi ordinario di fisiologia umana -- cattedra di Martino e di
Cerquiglini. Libero docente di fisiologia umana, professore
incaricato di fsicologia fisiologica all'Università di Roma], è stato
professore straordinario e poi ordinario di psicologia fisiologica e,
successivamente, di psico-fisiologia clinica -- disciplina da lui introdotta
nell'insegnamento universitario italiano e di cui è stato il primo docente --,
sempre nell'Università degli Studi di Roma La Sapienza. Dei primi
lavori di V. vanno ricordati la rassegna critica delle Opere di Gramsci --
Einaudi di Torino -- e gli studi sulla metodologia della psicologia topologica
di Lewin e del neo-comportamentismo di RYLE – citato da Grice -- e Tolman. G.: Carissimo Venturini, devo confessare che
quando scrivevo il mio famoso “Personal identity”, non conoscevo ancora la sua
ricerca sull’identità tras-personale. Le garantisco: se l’avessi letta, avrei
mandato il mio manoscritto direttamente a “Mind”… oppure a “Minds”, così
avremmo avuto almeno due riviste per discutere la questione! Venturini: Grazie,
Grice! Non si preoccupi, il mondo accademico è fatto apposta per perdersi e
ritrovarsi. Se ci fossimo incrociati prima, forse avremmo scritto insieme
“Identità tras-personale e conversazione tra menti”—titolo perfetto per
confondere i nostri colleghi! Grice: Le assicuro, Venturini, che la prossima
volta che mi viene un’idea sulla coscienza, la mando a Roma—con raccomandata e
moka inclusa. Chissà, magari nasce una nuova teoria tra un caffè e un
laboratorio di psicologia! Venturini: Sorrido all’idea, caro Grice! In fondo,
l’identità tras-personale non si trova solo nei libri, ma anche nelle
chiacchiere filosofiche… e forse, tra un espresso e una pausa, nasce sempre una
nuova coscienza! Venturini,
Riccardo (1955). Le opere di Gramsci. Rassegna di filosofia.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali Grice e
Vera: l’astuzia della ragione conversazionale e l’implicatura conversazionale
dell’idealismo. Note su Introduzione alla filosofia. Il Gruppo di Gioco di
H. P. Grice. Augusto Filippo Nicola Olimpiade Vera (Amelia,
Umbria). Compared institutionally, Augusto Vera is closer to Grice than a poet
or chancery writer, because both are recognisably teachers of philosophy; but
they still belong to very different academic worlds. Grice held the
characteristically Oxford double role of college Fellow and Tutor plus
university lecturer. Augusto Vera, by contrast, was a nineteenth-century
university professor shaped by Rome, Paris, France, Switzerland, England,
Milan, and Naples: a travelling academic, then a state-university professor,
and later a senator of the Kingdom of Italy. [it.wikipedia.org], [treccani.it],
[senato.it] So the clean institutional comparison is this. Grice was a modern
Oxford don with a dual college-and-university role. Augusto Vera, by contrast,
was an Italian professor and public intellectual in the continental chair
system: trained at Rome and the Sorbonne, teaching in France and Switzerland,
exiled to England after the 1851 coup, then professor at Milan and Naples, and
finally senator. [it.wikipedia.org], [treccani.it], [senato.it],
[beweb.chie...ttolica.it] That institutional difference suits the philosophical
contrast very well. Grice works at the micro-level of rational communication:
how a hearer gets from what is said to what is meant by recognising intention
and calculating implicature under conversational norms. Vera, by contrast,
works at the macro-level of idealist reason: not how one speaker means
something in one exchange, but how Reason, in the Hegelian sense, realises
itself through history, religion, politics, and philosophy. The “astuzia” here
is not a conversational technique but the Hegelian cunning of reason, mediated
through events and institutions rather than through cooperative maxims. The
standard philosophical notices present Vera as the major nineteenth-century
Italian transmitter of orthodox Hegelianism, substantially faithful to Hegel
and concerned above all with expounding and disseminating the system.
[it.wikipedia.org], [treccani.it], [beweb.chie...ttolica.it] So if you want the
sharpest formulation, it is this. Grice explains how meaning is locally
recoverable in conversation. Vera explains how reason is globally realised in
history. If you want the contrast in even plainer terms: Grice’s rationality is
interpersonal and inferential. Vera’s rationality is historical and
teleological. [it.wikipedia.org], [treccani.it] That is why your phrase
“astuzia della ragione conversazionale” is a clever comparative gloss, but it
should remain a gloss. It is not Vera’s own category in the Gricean sense. For
him, “astuzia della ragione” belongs to the Hegelian register of
world-historical mediation, not to a theory of speaker-meaning. If one adapts
it Griceanly, one gets the thought that conversation itself often proceeds by
indirectness, understatement, and omission; but for Grice that cunning is still
local, defeasible, and anchored in intention, whereas for Vera it is part of
reason’s unfolding through institutions and history. [it.wikipedia.org],
[treccani.it] There are a few factual corrections and refinements. First, the
birthplace. Your heading says “Terni, Umbria,” but the more exact biographical
sources say Amelia, now in the province of Terni. So the safer form is: Amelia,
near Terni. [it.wikipedia.org], [senato.it], [beweb.chie...ttolica.it] Second,
the 1857 bibliographic line is not quite right as you phrase it. Introduzione
alla filosofia di Hegel is originally a French work, Introduction à la
philosophie de Hegel, first published in 1855, with a later second edition in
1865. A modern Italian edition exists, but the original is not a Milan 1857
Bocca publication. The standard reference entries identify Introduction à la
philosophie de Hegel as a French work of 1855, not an 1857 Milan Bocca
original. [treccani.it], [treccani.it] Third, your note about Il problema
dell’assoluto is much stronger bibliographically than the Introduction line as
you gave it. This work is securely attested in Naples from 1872 onward, in
multiple volumes or instalments. The catalogues clearly attest Problema
dell’assoluto as an 1872 Neapolitan publication by Augusto Vera.
[books.google.com], [search.lib...y.ucla.edu], [catalog.ha...itrust.org],
[onlinebook....upenn.edu] So the short clean answer is: H. P. Grice was an
Oxford don in the precise collegiate sense, both Fellow and Tutor in philosophy
at St John’s College and CUF University Lecturer in philosophy at Oxford.
Augusto Vera, by contrast, was a nineteenth-century Italian professor, Hegelian
expositor, and public intellectual, trained at Rome and the Sorbonne, teaching
in France, Switzerland, England, Milan, and Naples, and later serving as
senator of the Kingdom of Italy. Institutionally, Grice belongs to the
tutorial-collegiate world; Vera to the continental chair system and the public
life of philosophy. Philosophically, the contrast is equally clear: Grice
analyses the inferential micro-mechanics of speaker-meaning and implicature,
whereas Vera articulates the macro-logic of idealist reason, in which rationality
advances through history, institutions, and dialectical mediation rather than
through the local cooperative intelligence of conversation. [it.wikipedia.org],
[treccani.it], [senato.it], [beweb.chie...ttolica.it] And if you want the
neatest bibliographic correction for your dossier, I would suggest these two
anchor points: Vera, Augusto. Introduction à la philosophie de Hegel. Paris,
1855. Earliest major Hegelian exposition securely tied to the English-exile
period. [treccani.it], [treccani.it] Vera, Augusto. Problema dell’assoluto.
Naples, 1872–82. Major later Italian work on the absolute. [books.google.com],
[search.lib...y.ucla.edu], [catalog.ha...itrust.org] If you want, I can now
give you a tighter one-paragraph entry in your preferred style, or a short note
on Vera’s earliest datable philosophical work versus his most influential
Italian publications.V. spiega l’astuzia della ragione conversazionale e
l’implicatura conversazionale dell’idealismo.” Grice’s
theory of reason-governed conversational meaning treats “what is meant” as what
a rational hearer can infer from what is said by presuming cooperative norms
(maxims), speaker intention, and the calculability and defeasibility of
implicatures; conversational reason is thus a normative, micro-pragmatic
mechanism that explains how interlocutors responsibly get from sentence-meaning
to speaker-meaning in real exchanges. Vera’s “astuzia” (cunning) belongs to a
different register of rational governance: in the Hegelian-idealist tradition
he helped transmit, reason is not primarily a set of conversational constraints
on inference but a world-historical intelligence that realizes itself through
mediations (often behind the backs of agents), so that “cunning” names the way
rationality advances by working through contingent aims, rhetoric, and
institutional conflict. Put side-by-side, Grice gives an account of how
conversational participants, as intentional agents, make meaning intelligible
through publicly defensible inferences, whereas Vera offers a picture in which
reason’s “success” is not mainly the mutual recognition of intention in talk
but the larger dialectical leverage by which ideas (ideare/ideatum) and social
forms are brought into being; if one adapts Vera’s idiom to Grice, “l’astuzia
della ragione conversazionale” would name not a metaphysical agency but the
systematic way conversation itself uses indirectness (implicature, strategic
understatement, controlled omission) to let rational coordination occur without
full explicit statement—yet for Grice the cunning remains methodologically
local and intention-based, while for Vera it is expansive, teleological, and
bound up with the idealist story of reason’s realization in history and
politics. Grice: What V. and Speranza call, improving on Hegel,
‘l’astuzia della ragione conversazionale’!” Keywords: ideare, ideatum, astuzia
della ragione conversazionale. DAL VOCABOLARIO ideare v. tr. [der. di idea] (io
idèo, ecc.; poco usate le forme del pres. indic. e cong., e soprattutto
rarissime, per ragioni di eufonia, pur essendo le sole regolari, le forme
ideiamo dell’indic. e ideiamo, ideiate del cong.). – Concepire con la mente
l’idea, cioè determinare le linee generali, il progetto o il programma di
qualche cosa che sarà, o dovrebbe essere, poi realizzata: i. un’opera, un
poema, un sito web; i. uno scherzo; il palazzo è stato eseguito in modo diverso
da come l’aveva ideato l’architetto. Più genericam., ma meno com., proporsi di
fare qualche cosa: avevo ideato una bella escursione in montagna. Grice:
“Essential Italian philosopher.” Senatore del Regno d'Italia. Grice: “One of my
own favourite unpublications is “Absolutes,” which took its inspiration from a
little tract by Vera which was especially influential on Flaubert, “Il problema
dell’assoluto.” Strawson remarked: “it was a boojum, you see!” Senatore del
Regno d'Italia. Compe i suoi studi alla Sapienza
di Roma, terminandoli alla Sorbona di Parigi. Mostra subito un immenso talento
per l'insegnamento, caratterizzato da lucidità di esposizione e genuino spirito
filosofico, reggendo svariate cattedre in città importanti della Francia e
della Svizzera. Il colpo di stato di Napoleone lo costringe a rifugiarsi
in Inghilterra a causa delle sue idee eterodosse. Qui intraprese la stesura in
francese dell’“Introduzione alla filosofia” di Hegel. Torna in Italia,
riuscendo a diventare il più geniale e originale comunicatore della filosofia
di Hegel, insegnando storia della filosofia dapprima all'accademia di Milano, e
poi, su invito di SANCTIS, a Napoli. Continua a intrattenere scambi fecondi con
la Società filosofica di Berlino e con gl’ambienti hegeliani. I doveri e i
diritti dell’uomo e del citladino. La camorra. Pena di morte, Spaventa. G.: Vera, lei è noto per l’astuzia della
ragione conversazionale. Mi incuriosisce: come vede il ruolo dell’ideare nella
filosofia italiana, soprattutto in rapporto all’idealismo? Vera: Caro Grice,
ideare non è solo concepire un progetto, è un atto creativo che trasforma il
pensiero in realtà. L’astuzia della ragione consiste proprio nell’andare oltre
il visibile, nel riconoscere come ogni idea sia già un seme di cambiamento.
L’idealismo, per me, è la capacità di vedere oltre ciò che si presenta. G.: Mi
trova d’accordo! D’altronde, lei ha saputo diffondere lo spirito filosofico
persino nei momenti più difficili della storia, portando la filosofia di Hegel
in Italia con una brillantezza tutta sua. C’è un esempio concreto in cui
l’astuzia della ragione ha fatto la differenza? V.: Certamente! Penso alla
camorra, alla pena di morte: l’astuzia della ragione conversazionale non si
limita a riflettere, ma suggerisce soluzioni e nuovi modelli di giustizia. Come
dice il proverbio umbro: “Dove non arriva il braccio, arriva la testa.” È il
dialogo che trasforma il pensiero in azione. Vera, Augusto Filippo Nicola Olimpiade
(1857). Introduzione alla filosofia. Milano: Bocca.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali Grice e
Vernia: la ragione conversazionale e l’implicatura conversazionale dei
peripatetici del lizio. Living thing. Grice soul psuche bios
Joachim logically developing series. Zen psuche. Note su Utrum anima intellectiva humano
corpori unita tanquam vera forma substantialis dans ei esse specificum
substantiale, aeterna atque unica sit in omnibus hominibus Paolo
Nicola Vernia (Chieti, Abruzzo), Institutionally, Paolo Nicola Vernia is not
comparable to H. P. Grice in the Oxford collegiate sense at all. Grice’s formula is exact in the modern Oxford way. Fellow and Tutor in
philosophy at St John’s means a college office with tutorials, student
responsibility, and membership in the governing life of the college. CUF
University Lecturer in philosophy means a university-wide faculty appointment.
So Grice combines the two characteristic Oxford functions: college tutor and
university lecturer. Vernia belongs to a very different world: the late
fifteenth-century Paduan university, dominated by chairs, public disputation,
commentary, and the tension between scholastic argument and ecclesiastical
oversight. He was not a fellow-tutor in a residential college, but a professor
in the Studium of Padua, first as student of Nicoletto Vernia’s teachers and
then as teacher himself, succeeding Nicoletto. He taught in the same
intellectual environment in which Pomponazzi later emerged, and his work
belongs to the genres of quaestio, commentary, and anti-Averroist disputation
rather than to the tutorial-lecture structure of modern Oxford. So the clean
institutional contrast is this. Grice was a modern Oxford don with a dual
college-and-university role. Paolo Nicola Vernia was a Renaissance university
professor in the Paduan chair-and-disputation system. Grice’s world is
collegiate, tutorial, and faculty-based. Vernia’s world is public, scholastic,
commentarial, and institutionally vulnerable to episcopal intervention. That
fits the philosophical contrast very well. Grice works at the micro-level of
rational communication: how a hearer gets from what is said to what is meant by
recognising a speaker’s intention and inferring implicatures under cooperative
norms. Vernia works at a very different normative level. His central concern is
not conversation in Grice’s sense, but the interpretation and defence of
Aristotelian psychology and natural philosophy within the highly formalised practices
of scholastic disputation. In his case, the question of “what follows from
what” is governed by syllogistic, commentary tradition, doctrinal boundaries,
and the institutional policing of permissible theses. That is why your bridge
line is right: Gricean implicature is to ordinary conversation what Vernian
inference is to academic disputation. Both are normative practices of licensed
conclusion. But the governing rules differ sharply. There are a few factual
refinements worth making. First, the date line at the end of your prompt should
not be given as if the Marciana manuscript itself were “Vernia, Paolo Nicola
(1460).” What you have there is a manuscript item, not a printed publication,
and 1460 cannot be the date of that specific text in any secure way unless you
have codicological grounds for it. So I would not cite the Marciana piece with
that date as if it were a normal bibliographic publication line. Second, the
broad intellectual profile is plausible and well aligned with known Padua
history: student of Sigerio/Siger of Pergola and Gaetano da Thiene; successor
in the Aristotelian line; colleague-context for Pomponazzi; teacher of figures
such as Nifo; initial support for the unity of intellect thesis, later modified
under pressure; concern with the autonomy of natural philosophy from
metaphysics; anti-Averroist and De anima materials. That is the right cluster,
even if some of the exact manuscript and print details would need careful
bibliographical checking before being fixed in an entry. Third, your Latin
title is excellent as a manuscript descriptor, and it does exactly what you
want conceptually: it puts the issue where Vernia’s world actually lives, in a
scholastic quaestio on the intellective soul, substantial form, eternity, and
unity across humans. But again, the safe formula is manuscript witness, not
ordinary book citation. So the short clean comparison is this. H. P. Grice was
an Oxford don in the precise collegiate sense, both Fellow and Tutor in
philosophy at St John’s College and CUF University Lecturer in philosophy at
Oxford. Paolo Nicola Vernia, by contrast, was a Renaissance Aristotelian
professor in the University of Padua, active in the institutional world of
quaestiones, commentaries, and public disputation under scholastic and ecclesiastical
constraints. Institutionally they are not comparable. Intellectually, however,
the contrast is illuminating: Grice analyses the inferential micro-mechanics of
meaning in conversation, whereas Vernia exemplifies a formal academic
rationality in which meaning, doctrine, and conclusion are governed by
commentary, syllogism, and the regulated interpretation of authoritative texts.
And if I compress it into one line: Grice theorises rational uptake in talk;
Vernia practises rational uptake in scholastic disputation. One bibliographic
caution, since you asked earlier for clean citations. For Vernia, I would not
present the Marciana item as a normal printed bibliographic entry. I would
instead write something like: Vernia, Paolo Nicola. Utrum anima intellectiva
humano corpori unita tanquam vera forma substantialis dans ei esse specificum
substantiale, aeterna atque unica sit in omnibus hominibus. Manuscript witness, Venice, Biblioteca Nazionale Marciana, Lat. VI, 105
(=2656), ff. 156r–160v. That is much safer than assigning it a clean book-date
it may not deserve. If you want, I can now give you a tighter one-paragraph
headnote on Vernia in your preferred style, or I can help turn the Marciana
item into a more cautious scholarly citation note.V, accompagna la ragione
conversazionale e l’implicatura conversazionale dei peripatetici del lizio.” Grice’s
theory of reason-governed conversational meaning treats “what is meant” as
something a rational hearer can infer from what is said by assuming cooperative
norms (maxims) and speaker intentions, so that conversational reason is
fundamentally an inferential discipline linking utterances to implicatures
under public standards of accountability. Vernia, by contrast, represents a
late-medieval/early-Renaissance Aristotelian project in which reason is
governed not by conversational maxims but by demonstrative and dialectical
norms anchored in De anima: the analysis of psyche as the form and principle of
living things, the hierarchy of soul-powers, and (in the Paduan Averroist
setting) high-stakes disputes about intellect and immortality that were
constrained by ecclesiastical authority (e.g., Pietro Barozzi’s 1489
intervention against public disputation on the unity of the intellect). In that
sense, where Grice explains how agents manage meaning in everyday talk through
cooperative inference, Vernia exemplifies how “rationality” is instituted by
scholastic practices of quaestio, commentary, and disputatio—reason as
rule-governed argument, interpretation of authoritative texts, and the policing
of permissible theses—so that the “governance” of meaning is primarily
logical-textual and institutional rather than pragmatic-conversational; if one
wanted a bridge, Grice’s implicature is to ordinary conversation what Vernia’s scholastic
inference and exegesis are to academic disputation: both are normative accounts
of how conclusions are licensed beyond what is immediately given, but their
governing norms (maxims vs. syllogistic/dialectical and institutional
constraints) and their arenas (talk exchange vs. commentary/disputation) are
importantly different. Living thing. Grice soul psuche bios Joachim logically
developing series. Zen psuche. Filosofo abruzzese. Filosofo italiano. Chieti,
Abruzzo. Grice: “I love V., but then any Englishman would, especially when
learning that Saint Thomas (Aquino) would have made such a fuss about
him!” Essential Italian philosopher. Allievo a Padova di
PERGOLA e Thiese e successore di quest'ultimo. Ha come collega POMPONAZZI. Tra
i suoi allievi: NIFO e PICO. Seguace dell'ermetismo imperante a Padova, cura
un'edizione di Aristotele, il lizio. V. sostenne l'unità dell'intelletto --
dottrina poi abbandonata a causa di una condanna inflittagli dal vescovo di
Padova --, l'autonomia della fisica rispetto alla meta-fisica, e la superiorità
della scienza della natura sulle scienze dell'uomo. Saggi: “Contra perversam
Averrois opinionem de unitate intellectus et de animae felicitate”; De unitate
intellectus et de animae felicitate; Expositio in posteriorum capitulum
secundum in fine; Expositio in posteriorum librum priorem; Quaestio de gravibus
et levibus; Quaestio de rationibus seminalibus; Quaestio de unitate
intellectus; Quaestio in De anima. Bellis, L’aristotelismo – del lizeo
(Firenze, Olscheki, Enciclopedia Italiana. Esaminiamo in prima quali sieno le
sue cose stampate, le quali sono poco conosciute, si perché si trovano inserite
in altre opere, si perché scritte con caratteri molto fitti, danno pena
all'occhio anche molto paziente. La dissertazione più conosciuta é
l'ultima, contro l' unità dell'intelletto di Averroe; tanto è vero, che nella
seconda iscrizione apposta al monumento trasportato dalla chiesa di S.
Bartoloneo all'oratorio dell'ospedale civile di Vicenza, è precisamente questo
ultimo scritto ricordato. Di V. sono stampate sei dissertazioni. La prima è:
quuestio un ens mobile sit toliusphilosopine nuturalis siljectum. Essa si trova
nel commento sul de general. et corrupt. I parepatetici, i parepatetici
padovani – i parepatetici di padova, il lizio, unita, Aquino, method in
philosophical psychology “living thing”, viva Aristotele! G. You’ve brought it as if it were contraband.
D. It is contraband. Only not from the
police—จาก the undergraduates. G. The undergraduates would confiscate it for
cruelty to English. D. They would
confiscate it for cruelty to breath. Read it again. G. Utrum anima intellectiva humano
corpori unita tanquam vera forma substantialis dans ei esse specificum
substantiale, aeterna atque unica sit in omnibus hominibus. D. If you say that in the
Examination Hall, the invigilators will offer you water. G. I intend to say it in the Hall precisely to
demonstrate why ordinary language was invented. D. You will demonstrate why silence was
invented. G. It is Vernia. D. It is attributed to Vernia. G. It is a manuscript in Venezia, Marciana.
D. Marciana, named after Mars, so that
even the library sounds belligerent. G.
And we are marching toward the Hall as if toward battle. D. We are. CUF “Philosophical Psychology.” The
title is already a truce between disciplines. G. Now, ordinary language. How do we translate?
D. Into what? Into a sentence that will
not frighten the beadle? G. Into a
sentence that will not be examined as Latin composition. D. Try: “Is the thinking soul, joined to the
human body as its real substantial form which gives it its specific being,
eternal and one and the same in all humans?” G.
That’s still too much. D. It’s
the same thing in a different hat. G.
Let’s take it piece by piece. Utrum. D.
Whether. G. Already the
scholastic itch: either-or. D. It’s a
question, not a sermon. G. anima
intellectiva. D. “The intellective
soul.” G. Intellectiva is an adjective,
feminine, agreeing with anima. D. As if
the soul were a lady with a faculty. G.
And “intellectus” itself would be masculine, but here the point is: it’s
the soul that is “intellective,” not the intellect that is “soulish.” D. You’re already making it ordinary-language:
which noun is doing the work. G. Then
humano corpori. D. “To the human body.”
G. Dative. Not “in” the body, not “with”
the body, but “to” it—like a sort of metaphysical address. D. The soul posted to the body. G. And “humanus” matters. Not any corpus, but
the human one. D. Not a cabbage-body,
not a cricket-body. G. Not even a
cadaver-body, perhaps. D. Don’t be
theological. G. unita. D. “United.” G.
Passive, feminine again. But united by whom? D. That’s the first implicature: the grammar
refuses to name the agent. G. It
smuggles in a union without a unifier. D.
Convenient, in a university. G.
tanquam vera forma substantialis. D.
“As if a true substantial form.” G.
Not S.’s “logical form.” D. No.
Forma as in what makes a thing the kind of thing it is. G. Substantialis from sub-stantia, that which
stands under. D. Now you’re going to do
Greek. G. Better: ὑπόστασις, not ὑποκείμενον. D. You’re right. ὑποκείμενον is more “subject,” like grammatical subject. G. Whereas ὑπόστασις is what later Latin likes as substantia. D. So “substantial form” is: the form that
belongs to the ὑπόστασις, the being that stands there.
G. Yes, and it gives esse specificum
substantiale. D. “Specific substantial
being.” G. That’s two substantials for
the price of one. D. Scholastic thrift:
repeat the adjective until it becomes a philosophy. G. dans ei esse. D. “Giving it being.” G. Now we’ve personified form as a donor.
D. The form hands out being like a
bursar. G. Now: aeterna atque unica.
D. “Eternal and unique.” G. Eternal: the physicists in 1960 will laugh.
D. They will say, “Nothing is eternal
except our grant applications.” G. But
scholastics mean “not perishing.” D. Or
“not decomposing.” G. Unica: one.
D. One what? One in each? One overall?
G. Now we reach in omnibus hominibus.
D. “In all men.” G. Omnis can be distributive: omnis homo, each
man. D. Or collective: all men taken
together. G. Here it’s plural: omnibus
hominibus. It tempts the collective reading. D.
But the doctrine it’s aiming at is the strong one: one intellective soul
for all humans. G. That’s the famous
irritation. D. “One mind, many bodies.”
A committee structure. G. Now, our
ordinary-language rendering should be: “Is there one thinking mind shared by
all humans, or does each human have his own?” D. That drops the “substantial form” apparatus.
G. We can put it back as a gloss: “and
if so, how can it be the form of each body?” D.
You’re turning a Latin sentence into an English syllabus. G. That’s our job. D. Your job is to make it sound as if it was
always obvious. G. And your job is to
object when I do. D. Good. Now about
intellectiva versus intellectus again: why doesn’t he just say “intellectus”?
G. Because the question is about anima
in Aristotelian psychology: the soul’s powers. D. So “intellective” marks a faculty-type.
G. Exactly: vegetative, sensitive,
intellective. D. And in ordinary
language: “the part of you that thinks.” G.
Which makes it sound like a part, not a form. D. Ordinary language is always anatomically
tempted. G. Now: “unita.” If union has
to be done, who does it? D. The
scholastic answer: God. G. The
Aristotelian answer: nature. D. The
Oxonian answer: the examiners. G. In our
class, we should let the question bite: can “being united” be a brute fact?
D. You will say: the grammar hides an
agent and that’s already philosophically instructive. G. Yes. D.
And then you will smile in the Hall. G.
Only slightly. D. Now: Marciana.
We should mention it properly. Venezia, Biblioteca
Nazionale Marciana. G. And “Lat. VI,
105.” D. You’re a catalogue now. G. It matters: it keeps the
scholastic monster tied to a shelfmark. D.
A monster with an address. G. And
“ff. 156r–160v.” D. That is the
friendliest part of the whole thing. G.
Because it’s finite. D. Exactly.
Even “aeterna” is bounded by folios. G.
Now, how do we end the class? D.
With the ordinary-language punchline: “Is ‘one soul for all’ the first
theory of shared office space?” G. Too
modern. D. Then: “If there is one
intellect for all, the Examination Hall should issue one script for all.”
G. That will get a laugh. D. And if it doesn’t? G. Then we’ll say, in Latin, that the laughter
was unica atque aeterna—only it didn’t unite to our human bodies. D. Excellent. And we’ll be examined
for it. Grice: Carissimo Vernia, devo confessare che solo gli italiani riescono
a nominare il “lizio” con tanta grazia! Da noi, nel mio Vadum Boum, siamo
costretti a tradurlo grossolanamente e, ogni volta, mi sembra di portare un bue
attraverso il guado invece che passeggiare tra le colonne del sapere come fate
voi. Dimmi, cos’è che rende il lizio così irresistibile da dedicargli tutta una
vita filosofica? Vernia: Ah, caro Grice, il lizio è più di un luogo: è uno
stato d’animo! Tra le pietre di Padova e i dialoghi peripatetici, ogni passo è
una domanda, ogni ombra una risposta. Noi italiani, si sa, preferiamo
passeggiare e discutere anziché portare buoi, e il lizio è la nostra pista da
ballo filosofica. Se Aristotele avesse visto Vadum Boum, forse avrebbe scritto
“De Animalibus Vadumboumibus”! Grice: Meraviglioso! In fondo, anche noi
filosofi inglesi abbiamo la nostra versione del peripatetico: si chiama “tea
time” – il pensiero scorre tra una tazza e l’altra, ma nessuno ha mai pensato
di dedicare una dissertazione al “biscotto e intelletto”. Forse dovrei proporre
un trattato: “Contra Averroem de unitate del biscotto.” Cosa ne pensi? V.: A me
sembra un’idea eccellente, Grice! Del resto, ogni vero filosofo sa che la
felicità dell’anima passa anche per lo stomaco. E come dicevano i peripatetici
padovani: “Chi filosofa al lizio non teme le briciole della vita.” Viva
Aristotele, viva il lizio e – perché no – viva il tè con i biscotti, purché
siano ben filosofici! Vernia, Paolo Nicola (1460). Utrum anima intellectiva humano corpori unita
tanquam vera forma substantialis dans ei esse specificum substantiale, aeterna
atque unica sit in omnibus hominibus. MS. Venezia: Biblioteca Nazionale
Marciana, Lat. VI, 105 (=2656), ff. 156r–160v.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali Grice e
Veronelli: la ragione conversazionale e l’implicatura conversazionale del
sadismo italiano. Philos. Aritotle logically developing
series, Joachim, Grice, recusive unification. Note su L’arte del vino. Il Gruppo di Gioco di H. P. Grice. Luigi Veronelli
(Milano, Lombardia). Compared institutionally, Luigi Veronelli is not at all
comparable to H. P. Grice in the Oxford collegiate sense. Grice’s formula is exact: Fellow and Tutor in philosophy at St John’s
means a college office with tutorials, students, and governing responsibilities
inside a residential college; CUF University Lecturer in philosophy means a
university-wide faculty appointment. Luigi Veronelli, by contrast, was a
philosopher by formation, but professionally he became a publisher, journalist,
gastronome, television figure, and public polemicist. He studied philosophy at
the University of Milan, became assistant to Giovanni Emanuele Bariè, and then
moved into publishing and journalism rather than into a tutorial-collegiate
academic career. [it.wikipedia.org], [treccani.it], [ilveronelli.it] So the
clean institutional contrast is this. Grice was a modern Oxford don with a dual
college-and-university role. Luigi Veronelli, by contrast, was an Italian
public intellectual formed in philosophy but active chiefly through magazines,
publishing, newspapers, television, and civic campaigns around food, wine, and
agricultural culture. [it.wikipedia.org], [treccani.it], [biografieonline.it]
That institutional difference actually fits your philosophical comparison
rather well. Grice works at the micro-level of rational communication: how a
hearer gets from what is said to what is meant by recognising intentions and
inferring implicatures under cooperative norms. Luigi Veronelli, by contrast,
works in a much more public, rhetorical, and polemical register. His prose and
television speech are not a theory of conversational inference, but a civil
practice of making values palpable at the table and in print: defending local
producers, naming quality, fighting homogenising institutions, and inventing a
language in which taste becomes political judgement. The best biographical
sources explicitly emphasise his battles for agricultural and alimentary
“diversità,” his creation of or advocacy for local designations, and his highly
distinctive journalistic style, full of neologisms and archaisms.
[it.wikipedia.org], [treccani.it], [ilveronelli.it] So if you want the sharpest
formulation, it is this. Grice theorises how conversational meaning is
inferentially recoverable. Luigi Veronelli exemplifies how language becomes a
polemical, convivial, and ethical practice in public culture. For Grice,
implicature is a disciplined route from utterance to intended meaning. For
Luigi Veronelli, the “more-than-said” is often a matter of style, provocation,
solidarity, and public alignment: who is being defended, what is being
dignified, what power is being mocked. [it.wikipedia.org], [treccani.it],
[biografieonline.it] There are two important corrections to your note. First,
the De Sade material should be kept factual and neutral. The secure record is
that Luigi Veronelli published De Sade in 1957, was prosecuted, and the book
was later burned in the courtyard of the questura or procura at Varese. That is
strong biographical material; but your phrase “implicatura conversazionale del
sadismo italiano” is your own polemical gloss, not something to ascribe to him.
[it.wikipedia.org], [treccani.it] Second, I cannot verify your final
bibliographic line “L’arte del vino” in 1955 with Mondadori. The web search
produced no relevant confirmation for that title and date. So I would not use
that citation. What is securely confirmed instead are his biographical
milestones: the founding of Veronelli Editore in 1956, the three magazines I
problemi del socialismo, Il Pensiero, and Il gastronomo, and then his long
collaboration with Il Giorno from 1962 onward. [it.wikipedia.org], [treccani.it],
[ilveronelli.it] So the short clean answer is: H. P. Grice was an Oxford don in
the strict collegiate sense, both Fellow and Tutor in philosophy at St John’s
College and CUF University Lecturer in philosophy at Oxford. Luigi Veronelli,
by contrast, was an Italian philosopher by training but a public intellectual
by vocation: assistant to Giovanni Emanuele Bariè, later publisher, journalist,
editor, gastronomic polemicist, and activist for local producers and cultural
diversity. Institutionally they are worlds apart. Intellectually, however, the
contrast is illuminating: Grice analyses the inferential micro-mechanics of
meaning in ordinary conversation, whereas Luigi Veronelli exemplifies a broader
civil art of polemical conviviality, in which style, irony, naming, and shared
culture make language itself an instrument of taste, solidarity, and
resistance. [it.wikipedia.org], [treccani.it], [ilveronelli.it],
[biografieonline.it] And if you want the neatest corrective note for your
dossier, I would add this: Do not rely on “Luigi Veronelli (1955). L’arte del
vino. Milano: Mondadori” unless you have an independent library record for it;
I could not verify it in the search results. The secure early anchors are the
1956 launch of Veronelli Editore, the three magazines, and the 1957 De Sade
case. [treccani.it], [it.wikipedia.org] If you want, I can now give you a
shorter polished paragraph in your own register, but with the uncertain
wine-title removed and the anarchic public-intellectual profile made central.V
vede la ragione conversazionale nell’implicatura conversazionale del sadismo
italiano.” Grice’s
theory of reason-governed conversational meaning explains “what is meant” as
what a rational hearer can infer from what is said given cooperative norms
(maxims), speaker-intentions, and the calculability/cancellability of
implicatures; conversational reason is thus a disciplined inferential bridge
from utterance to intended significance. Veronelli, by contrast, as your
passage portrays him (and as biographical sources confirm him as a
philosophically trained, anarchic, stylistically inventive public intellectual
who built a new language for wine/food and fought for local producers), treats
“ragione conversazionale” less as a formal inferential mechanism and more as a
culturally saturated practice of speaking-with-others at the table and in
print, where insinuation, provocation, neologism, and irony are tools for
unmasking power and defending “diversità” (local, material culture) against
homogenizing institutions. In Grice, implicature is a method for modelling how
meaning is responsibly recoverable under shared rational expectations; in
Veronelli, implicature (as your “sadismo italiano” joke suggests) is a way the
shared scene of convivio can carry values—discipline, sacrifice, pleasure,
critique—without stating them baldly, so that the “more-than-said” is
rhetorical, ethical, and political (who gets protected, who gets named, what
counts as authentic) rather than primarily a logic of inference. The upshot is
that Grice theorizes conversational reason as a general, norm-governed engine
of meaning-inference, while Veronelli exemplifies conversational reason as a
civil art of polemical conviviality—language deployed to cultivate taste,
solidarity, and resistance, with implicature functioning as style-driven social
action as much as (or more than) an abstract pragmatic calculation. Philos.
Aritotle logically developing series, Joachim, Grice, recusive unification. Grice: “Essential Italian philosopher.” Figura centrale nella
valorizzazione e diffusione del patrimonio eno-gastronomico. Antesignano di
espressioni e punti di vista che poi sono entrati nell'uso comune e
protagonista di caparbie battaglie per la preservazione delle diversità nel
campo della produzione agricola e alimentare, attraverso la creazione delle
denominazioni comunali, le battaglie a fianco delle amministrazioni locali,
l'appoggio ai produttori al dettaglio. V. assieme ad alcuni sommelier
F.I.S.A.R. Originario del quartiere Isola di Milano, dopo il r. ginnasio
Parini, compie studi di filosofia a Milano, diventando assistente di BARIE
(vedi). Si professa per tutta la vita di fede anarchica, rifacendosi anche alle
ultime lezioni tenute da CROCE a Milano. Inizia l'esperienza di editore, pubblicando
tre riviste: “I problemi del socialismo,” “Il pensiero”, e “Il
gastronomo.” Pubblica “La questione sociale di Proudhon” e “Historiettes,
contes et fabliaux di De Sade”. Per quest'ultima viene condannato, insieme a
MANFREDI (autore dei disegni, poi assolto), a tre mesi di reclusione per il
reato di pornografia. L’opera di De Sade e poi messa al rogo nel cortile della
procura di Varese. Subisce anche una condanna di VI mesi di detenzione per aver
istigato i contadini piemontesi alla rivolta, con l'occupazione della stazione
di Asti e dell'auto-strada, per protestare contro l'indifferenza della politica
per i problemi dei contadini e dei piccoli produttori. Diventa collaboratore de
Il Giorno. L'attività giornalistica lo impegna, e i suoi articoli, di stile
aulico e provocatorio, ricchi di neologismi e arcaismi, faranno scuola nel
giornalismo eno-gastronomico e no. Tra le testate cui collabora vanno
ricordate, oltre a Il Giorno: Corriere della Sera, Class, Il Sommelier, V. EV,
Carta, Panorama, Epoca, Amica, Capital, Week End, L'Espresso, Implicatura,
metafisica dell’amore. G.: Caro
Veronelli, sa che De Sade, nonostante tutta la sua fama, non ha mai messo piede
a Vadum Boum, la mia università? Forse temeva che lì il sadismo fosse solo un
ingrediente segreto della mensa! V.: Ah,
Grice, probabilmente De Sade avrebbe trovato più gusto nei nostri formaggi
stagionati che nei suoi eccessi letterari! A Vadum Boum la conversazione è più
piccante di qualsiasi ricetta francese.
Grice: Ma allora, caro Luigi, forse la vera implicatura conversazionale
del sadismo italiano è proprio nel gusto raffinato: si soffre per trovare il
vino perfetto, ma che felicità quando lo si trova! Veronelli: Esattamente, Grice! Del resto,
come dicono dalle mie parti: “A tavola e in filosofia, la ragione va sempre
accompagnata da un pizzico di follia.” Viva la conversazione, viva il buon cibo
– e abbasso la mensa universitaria! Veronelli, Luigi (1955). L’arte del vino.
Milano: Mondatori
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali Grice e
Veronesi: la ragione conversazionale e il diavolo del scientismo. Grice: I like
him!”Scientism Note su La chirurgia
oncologica. Il Gruppo di Gioco di H. P. Grice. Umberto Veronesi (Milano,
Lombardia). Institutionally, Umberto Veronesi is not comparable to H. P. Grice
in the Oxford collegiate sense at all. Grice’s formula is
precise for Oxford: Fellow and Tutor in philosophy at St John’s means a college
office with tutorials and student responsibility; CUF University Lecturer in
philosophy means a university-wide faculty appointment. Umberto Veronesi, by contrast,
belongs to the world of medicine, hospitals, research institutes, and public
health administration: he was a surgeon, oncologist, institute founder,
scientific director, and later Minister of Health, not a don in a tutorial
college. [ieo.it], [en.wikipedia.org] So the clean institutional contrast is
this. Grice was a modern Oxford don with a dual college-and-university role.
Umberto Veronesi, by contrast, was an Italian clinician-scientist and public
medical leader, associated above all with the European Institute of Oncology
and the National Cancer Institute in Milan, as well as national political
office. [ieo.it], [en.wikipedia.org] That institutional difference actually
strengthens the philosophical comparison you want to draw. Grice works at the micro-level
of rational communication: how a hearer gets from what is said to what is meant
by recognizing intentions and inferring implicatures under cooperative norms.
Umberto Veronesi, by contrast, exemplifies a clinical rationality in which
evidence must be translated into patient-understandable choices. His work did
not merely concern surgical technique in the abstract; it concerned how
scientific judgement, bodily integrity, prognosis, and patient values could be
aligned in practice. His most famous intervention, the move from radical
mastectomy toward quadrantectomy combined with radiotherapy, is an excellent
case: it is not just a scientific result but a change in what can responsibly
be said to a patient about cure, mutilation, dignity, and quality of life.
[ieo.it], [oncopedia.wiki], [ecancer.org], [thelancet.com] So the sharpest
formulation would be this. Grice explains how rational conversational meaning
works in principle. Umberto Veronesi shows how rational communication works
under clinical pressure, where the stakes are not simply correct interpretation
but trust, informed consent, hope, and bodily consequence. In a Gricean idiom,
the clinical setting is saturated with implicature: what a doctor means by
recommending a conservative procedure, what is conveyed by a hesitation, what a
patient hears in a phrase like “we can preserve the breast,” and what is
deliberately not said too bluntly in a consultation. [ieo.it],
[oncopedia.wiki], [thelancet.com] There are two important factual corrections
to your note. First, the title La chirurgia oncologica in 1962 is not something
I can verify from the sources in hand. What I can verify securely is his
biography, his institutional positions, and the later scientific work around
breast-conserving surgery and quadrantectomy. Second, your comparison is
strongest if you anchor it not in an uncertain 1962 monograph title but in the
clearly attested clinical innovations and leadership roles: Umberto Veronesi’s
role in developing conservative breast cancer treatment, his direction of the
National Cancer Institute in Milan from 1976 to 1994, his founding of the
European Institute of Oncology, and his term as Minister of Health in the Amato
II government from 2000 to 2001. [ieo.it], [en.wikipedia.org], [prevention...cancer.gov],
[ieo.it] So the short clean answer is: H. P. Grice was an Oxford don in the
precise collegiate sense, both Fellow and Tutor in philosophy at St John’s
College and CUF University Lecturer in philosophy at Oxford. Umberto Veronesi,
by contrast, was an Italian oncologist, surgeon, researcher, institute founder,
and public health leader, active in the clinical and scientific worlds of Milan
and later in national politics rather than in a tutorial-collegiate university
structure. Institutionally they are very different. Intellectually, however,
the contrast is illuminating: Grice analyses the inferential micro-mechanics of
meaning in conversation, whereas Umberto Veronesi exemplifies an applied
medical rationality in which evidence, explanation, and patient understanding
have to be made to converge under conditions of fear, vulnerability, and
ethical responsibility. [ieo.it], [en.wikipedia.org], [oncopedia.wiki],
[thelancet.com] And if you want the neatest one-line dossier formula, I would
suggest this: Grice theorises how meaning is rationally recovered in talk;
Umberto Veronesi exemplifies how rational explanation must be humanly
recoverable in medicine. [ieo.it], [oncopedia.wiki], [thelancet.com] If you
want, I can now give you a tighter paragraph in your preferred register, with
the uncertain 1962 book quietly dropped and the quadrantectomy example placed
at the centre.Per V. la ragione conversazionale affronta il diavolo del
scientismo.” Grice’s
theory of reason-governed conversational meaning explains how an utterer’s
meaning is rationally recoverable by a hearer via cooperative norms (what is
said plus contextually licensed inferences), so that “conversational reason” is
fundamentally an inferential discipline: a public, defeasible, accountable route
from utterance to intended meaning (including implicatures). Veronesi, as a
surgical oncologist writing early in the technicist idiom of mid-century
clinical science (e.g., La chirurgia oncologica, 1962) and later celebrated for
coupling scientific rigor with explicitly patient-centered care, puts “reason”
to work less as a theory of inference from speech and more as a clinical
rationality that must be communicated and negotiated: evidence, risk,
prognosis, and treatment choice have to be translated into
patient-understandable terms, with attention to what is left unsaid (fear,
stigma, quality of life) and to how recommendations are received. In Gricean
terms, Veronesi’s setting is saturated with high-stakes implicature (hedges,
reassurance, the meaning of silence, what a clinician implies by offering a
less mutilating option, what a patient implies by hesitation), but the contrast
is that Grice offers a formal-pragmatic account of how meaning is computed
under cooperative rational constraints, whereas Veronesi exemplifies an
applied, ethically loaded rational practice where the success condition is not
merely correct interpretation but informed, trust-sustaining alignment between
scientific evidence and a patient’s values. Grice: I like him!”Scientism -- oncologo e politico italiano. Fondatore e
Presidente della Fondazione V., ha fondato e ricoperto il ruolo di direttore
scientifico e di direttore scientifico emerito dell'Istituto europeo di
oncologia. È stato direttore scientifico dell'Istituto Nazionale dei Tumori di
Milano dal 1976 al 1994. Ha ricoperto l'incarico di Ministro della sanità nel
governo Amato II. La sua attività clinica e di ricerca è stata incentrata
per decenni sulla prevenzione e sulla cura del cancro. In particolare si è
occupato del carcinoma mammario, prima causa di morte per tumore nella
donna[3]; in tale ambito è stato il primo teorizzatore e strenuo propositore
della quadrantectomia, dimostrando come nella maggioranza dei casi le curve di
sopravvivenza di questa tecnica, purché abbinata alla radioterapia, sono le
medesime di quelle della mastectomia, ma a impatto estetico e soprattutto
psicosessuale migliore. Si è inoltre distinto per la sua lotta in difesa
dei diritti degli animali e dei diritti civili. Molti i
saggi scientifici scritti da V. con altri studiosi, come Inefficacy of
immediate node dissection in stage I melanoma of the limbs, in New England
Journal of medicine; Comparing radical mastectomy with quadrantectomy, axillary
dissection, and radiotherapy in patients with small cancers of the breast,
ibid.,; Radiotherapy after breast-preserving surgery in women with localized
cancer of the breast; Sentinel-node biopsy to avoid axillary dissection in
breast cancer with clinically negative lymph-nodes, in Lancet; Twenty-year follow
up of a randomized study comparing breast-conserving surgery with radical
mastectomy for early breast cancer, in New England Journal of medicine; Italian
randomized trial among women with hysterectomy: tamoxifen and hormone-dependent
breast cancer in high-risk women, in Journal of National Cancer
Institute. Si vedano inoltre: Un male curabile, Milano. G.:
Veronesi, lei è noto per aver portato la ragione conversazionale nel cuore
della medicina, ma c’è chi dice che il “diavolo del scientismo” rischia di
oscurare la dimensione umana della cura. Come risponde a chi teme che la
scienza possa diventare troppo dominante? V.: Caro Grice, la scienza è il
nostro faro, ma non può sostituire il rispetto per la persona. Ho sempre
creduto che la medicina debba essere dialogo: ascoltare, comprendere, e
proporre soluzioni che tengano conto non solo della biologia, ma anche dei
sentimenti e delle speranze dei pazienti. Forse, come dice il proverbio
milanese, “El cor l’è on gran dottor”, il cuore è il miglior medico. G.: Mi
trova d’accordo! La sua quadrantectomia ne è testimonianza: una tecnica che
salva vite senza dimenticare il valore psicologico ed estetico. Come vede il
rapporto tra ragione e implicatura conversazionale nella sua pratica clinica?
V.: È fondamentale. Ogni parola, ogni gesto, ogni silenzio ha un significato
implicito. La comunicazione tra medico e paziente non è mai solo informativa; è
un ponte emotivo. E anche nei miei saggi scientifici, ho sempre cercato di
trasmettere questo: la scienza e la conversazione devono camminare fianco a
fianco, perché “la cura” è un’arte che si realizza nel dialogo, mai nel
monologo. Veronesi, Umberto (1962). La chirurgia oncologica. Milano: Garzanti.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali Grice e
Verrecchia: la ragione conversazionale e l’implicatura conversazionale della
falena dello spirito. La metafisica dell’amore, Aristotle on the
recursive definition of philia – cited by Joachim, ‘logically developing
series’ Aristotle philia. Grice on friedship
philia – φιλός Note su Lichtenberg: l’eretico
dello spirito tedesco. Il Gruppo di Gioco di H. P. Grice. Anacleto Verrecchia
(Vallerotonda, Frosinone, Lazio). Compared
institutionally, Grice and Anacleto Verrecchia are not counterparts in the
Oxford sense at all. Grice held the specifically Oxford double role of college
fellow-tutor and university lecturer. Anacleto Verrecchia, by contrast, was a
philosopher, germanist, translator, journalist, and later cultural attaché,
formed in Turin and then active through journalism, literary criticism,
translation, and cultural diplomacy rather than through a residential college
or a stable Oxford-style tutorial chair. The best biographical notices identify
Anacleto Verrecchia as born in Vallerotonda in 1926, transferred young to
Torino, laureato in germanistica, later long associated with Vienna as addetto
culturale, and deeply marked by his years in the Gran Paradiso. [it.wikipedia.org],
[lunieditrice.com], [cdsconlus.it] So the clean institutional comparison is
this. Grice was an Oxford don with a dual college-and-university role. Anacleto
Verrecchia, by contrast, was an Italian public intellectual and germanist,
shaped by Torino, the Gran Paradiso, Berlin, and Vienna, not by a tutorial
college system. [it.wikipedia.org], [lunieditrice.com], [cdsconlus.it] That
institutional difference fits the intellectual contrast rather well. Grice
works at the micro-level of rational communication: how a hearer gets from what
is said to what is meant by recognising intentions and inferring implicatures
under cooperative norms. Anacleto Verrecchia, especially in his Lichtenberg
work, operates in a different register: aphorism, polemic, moral satire,
anti-systematic lucidity. His reason is not primarily the orderly inferential
reason of cooperative talk, but a literary-ethical intelligence that cuts
through pomposity, cant, metaphysical inflation, and national myth. That is why
your Verrecchia-Lichtenberg line is good, once cleaned up. The secure
bibliographical record confirms Georg Christoph Lichtenberg: l’eretico dello
spirito tedesco, published in Firenze by La Nuova Italia in 1969.
[philpapers.org], [seminariou...nfoteca.it], [catalogo.s...t.unina.it] So the
sharpest philosophical comparison is this. Grice explains how meaning is
generated and recovered under rational conversational constraints. Anacleto
Verrecchia, reading Lichtenberg, shows how style itself can become a weapon of
reason: brief, ironic, anti-dogmatic, heretical not because it rejects
cooperation as such, but because it refuses to cooperate with solemnity,
jargon, and self-deceiving systems. [philpapers.org], [it.wikipedia.org] That
is why your phrase “la falena dello spirito” works better as a metaphor for
Verrecchia’s style than as a bibliographic heading. What matters is the mode:
aphoristic light against German heaviness, lucidity against metaphysical
inflation, and prose used less to construct a common platform than to expose
the falsity of one already in place. A few factual corrections are worth
making. First, your final bibliographic line is wrong in date. The secure first
bibliographical anchor is not 1950 but 1969, with Georg Christoph Lichtenberg:
l’eretico dello spirito tedesco. The title and year are clearly attested in
PhilPapers, library catalogues, and biographical notices. [philpapers.org],
[seminariou...nfoteca.it], [catalogo.s...t.unina.it], [it.wikipedia.org]
Second, the Gran Paradiso material is strongly supported and actually central.
It was not merely a biographical interlude but something Verrecchia himself
later treated as his most formative “university.” Multiple sources confirm the
1950–1953 Gran Paradiso period and its relation to the much later Diario del
Gran Paradiso, published only in 1997 after delayed recovery of the
manuscripts. [it.wikipedia.org], [cdsconlus.it], [raicultura.it],
[lunieditrice.com] So the short, clean answer is: H. P. Grice was an Oxford don
in the strict collegiate sense, both Fellow and Tutor in philosophy at St
John’s College and CUF University Lecturer in philosophy at Oxford. Anacleto
Verrecchia, by contrast, was an Italian philosopher, germanist, translator,
journalist, and cultural attaché, formed in Torino, intellectually remade in
the Gran Paradiso, and later active in Vienna and Berlin. Institutionally they
are very different. Intellectually, however, the contrast is illuminating:
Grice analyses the inferential micro-mechanics of meaning in ordinary
conversation, whereas Anacleto Verrecchia, especially through Lichtenberg,
exemplifies an anti-systematic, aphoristic reason that uses style as critique
and prefers the moral shock of lucidity to the cooperative comforts of
conversational regularity. [it.wikipedia.org], [lunieditrice.com],
[philpapers.org], [cdsconlus.it] And the clean bibliographic correction for
your dossier is: Verrecchia, Anacleto. Georg Christoph
Lichtenberg: l’eretico dello spirito tedesco. Firenze: La Nuova Italia, 1969.
[philpapers.org], [seminariou...nfoteca.it], [catalogo.s...t.unina.it] If you
want, I can now give you one short polished paragraph in your preferred style,
or a tighter note on the earliest datable Verrecchia item versus the later
Diario del Gran Paradiso.Per V. la ragione conversazionale facilita
l’implicatura conversazionale della falena dello spirito.” Grice’s
theory of reason-governed conversational meaning treats communication as a
rational, cooperative enterprise in which what a speaker means is recoverable
by an audience through principled inference (maxims, calculability,
cancellability), so that “conversational reason” is essentially the logic of
accountable uptake from what is said to what is implicated. Verrecchia, insofar
as one can extrapolate from his 1969 monograph on Lichtenberg and the broader
public profile of him as a polemical, aphoristic moralist and translator of a
writer famous for “sudden books” of wit, shifts the center of gravity from a
normative inference-engine to a literary-ethical intelligence: reason shows up
less as a rule-governed mechanism for deriving implicatures and more as a
cultivated lucidity that exposes self-deception, cant, and rhetorical inflation
through brevity, irony, and the strategic shock of the aphorism (a practice
that aims at illuminating the reader rather than coordinating interlocutors).
In that sense, Grice models how conversational meaning is generated under shared
rational constraints inside dialogue, while Verrecchia (reading Lichtenberg)
models how meaning can be sharpened by anti-system, anti-jargon prose that
weaponizes style as critique—an “eretical” reason that does not primarily
optimize cooperation but punctures it when cooperation becomes complacency or
hypocrisy, making conversational success depend on intellectual honesty and
moral clarity rather than on maxims alone. La metafisica dell’amore, Aristotle
on the recursive definition of philia – cited by Joachim, ‘logically developing
series’ Aristotle philia. Grice on friedship
philia – φιλός Filosofo italiano. Filosofo lazio. Essential Italian philosopher. Studia a
Torino. Trascorse un certo periodo nel parco nazionale del Gran Paradiso,
considerato come il più formativo della sua vita. Lì contempla in modo
disinteressato i fenomeni della natura. Fa tre università -- e solito dire -:
quella vera e propria, che non mi ha dato nulla o quasi; la collaborazione alle
pagine dei quotidiani come elzevirista, che mi ha costretto a leggere libri che
altrimenti non avrei mai letto; e infine l'università più utile in assoluto,
vale a dire il soggiorno nel Gran Paradiso a contatto con la natura. Frutto di
quel soggiorno è il saggio che contiene la sua filosofia, potentemente
aforistica. I manoscritti riaffiorati molto più tardi spiegano la tardività
della sua pubblicazione, avvenuta presso Fògolasi tratta del Diario del Gran
Paradiso. Visse poi a Berlino ed e per addetto culturale all'ambasciata
d'Italia a Vienna. Collabora alle pagine culturali di giornali italiani, tra
cui Il Resto del Carlino, La Stampa, Il Giornale. Collabora stranieri (Die
Presse, Die Welt). Non parla volentieri della sua vita privata perché, dice, di
un filosofo ciò che interessa sono gli teorie e non le vicissitudini personali.
Traduttore di Lichtenberg, appassionato studioso di BRUNO e Nietzsche, nel suo
orizzonte culturale, però, la figura che risalta di più è senz'altro quella di
Schopenhauer, da lui considerato a tutti gl’effetti un maestro da tradurre e
continuare. Elementi caratteristici dei suoi saggi sono l'irriducibile vena
polemica e una sacra bilis, ma la sua prosa spicca anche per chiarezza ed
energia. La sua prosa insieme a quella di CERONETTI, SGALAMBRO e GIAMETTA è
stata giudicata la migliore prosa filosofica. La metafisica dell’amore,
Nietzsche a Torino, Bruno, la falena dello spirito, metafisica dell’amore. G. You’re reading Verrecchia as
if he were a customs officer. T. I’m
reading him as if he were a critic, which is worse. The title is the
provocation: L’eretico dello spirito tedesco. G. That’s what I mean. “Eretico” sounds
thrilling until you notice it presupposes an orthodoxy. T. It does. And that is precisely the point.
G. But from where I sit, Lichtenberg
looks awfully… established. He goes to England, sees the King, speaks to the
King, makes his report, gets received. T.
Received by the King can be the most heretical place to be received.
G. That is an odd defence. T. Not really. Heresy at the bottom is merely
disorder. Heresy at the top is a threat to the self-image of the top. G. So you’re saying the King is the tribunal.
T. In that period, yes: the court is the
mirror. If the mirror is mocked from within the room, it matters more than
mockery shouted from the street. G. Yet
the title “eretico dello spirito tedesco” sounds like a badge pinned on by an
Italian moralist. T. Italians pin
badges; Germans build systems. Verrecchia is doing both at once. G. He’s an Italian building a German system of
Germanness in order to declare one man heretical to it. T. Exactly. That’s why you feel the
“Establishment” smell. G. I object to
“spirito tedesco” even before “eretico.” It sounds like a national essence,
bottled. T. That is the target. “Spirito
tedesco” is the thing he wants to puncture—its solemnity, its metaphysical
inflation. G. So Lichtenberg is
heretical not because he rejects religion, but because he rejects the German
habit of turning thought into religion. T.
Better: he refuses the piety of “depth.” He refuses the moral glamour of
system. G. But he’s a professor, is he
not? T. A professor can be heretical
about the professoriate. G. I still can’t
get past the England trip. It sounds like a man doing diplomacy, not heresy.
T. The German heresy is often performed
as competence. That is why it is hard to spot. G. Verrecchia makes him sound like an “eretico”
because he is writing against some German orthodoxy of spirit. T. Yes. And the orthodoxy is not one doctrine;
it is a style: gravity, metaphysical grandeur, reverence for abstractions.
G. “Spirit” itself is one of those
abstractions. T. Exactly. “Spirito
tedesco” is the myth of seriousness. G.
And Lichtenberg is heretical by being witty. T. Witty, and empirical, and impatient with big
words that do not pay rent. G. That
sounds almost English. T. That’s the
scandal. A German who sounds English is already a kind of heretic, from the
German perspective. G. So England is not
a sign he is establishment; it’s a sign he has caught the infection. T. If you like. He goes, he looks, he returns,
and the German reader hears: he has seen an alternative mode of mind. G. But was England an “alternative mode” or
merely another court? T. Another court,
yes. But with a different public culture: clubs, experiments, practical
science, a less metaphysical style. G.
This is beginning to sound like a lecture you would give to justify
Modern Languages to a philosopher. T. I
don’t need to justify it to you. You’re already reading German polemics on a
Saturday. G. I’m reading an Italian
polemic about a German polemicist. T.
And that is even worse. G. Let’s
be concrete. Verrecchia’s phrase: “l’eretico dello spirito tedesco.”
Who is the orthodox? T. Not a
church. A habit. The tradition that wants Geist to be the master concept.
G. Hegel? T. And anyone who behaves as if Hegel were the
natural climate. G. Lichtenberg predates
Hegel. T. Precisely. Heresy can be
retroactive. Later orthodoxy can discover earlier dissent and call it heresy.
G. So Verrecchia is writing backwards:
making Lichtenberg the anti-ancestor of German solemnity. T. Yes. He is building a genealogical joke:
Germany has a German who undermines “the German.” G. And he does it by aphorism. T. Aphorism is heresy in prose form. It refuses
the long march. G. But England loved
aphorisms, too. T. England loves the
short remark, yes. But Germany loves the grand remark. G. So Lichtenberg’s England visit becomes part
of his heresy: he learns brevity and social observation. T. And he returns with eyes trained to see
German metaphysical posturing as a social costume. G. Still, meeting the King makes him look like a
loyal subject. T. Loyalty and heresy are
not opposites. Sometimes heresy is loyal: it attacks the false self-image to
rescue the real one. G. That’s
dangerously noble. T. Verrecchia likes
danger. G. He also likes sounding as if
he’s outside the club while running the club’s vocabulary. T. That is Italian polemic: you condemn the
church while borrowing its Latin. G.
Then “eretico” is a deliberate anachronism: it imports a religious drama
into Enlightenment wit. T. Yes. It makes
Lichtenberg’s intellectual attitude look morally charged. G. But doesn’t that turn him into the very thing
he resists—an emblem? T. It risks it.
Verrecchia is always at risk of turning his hero into a banner. G. And what would Lichtenberg do to banners? T. Stick a pin in them, probably. G. So the Tutor in German defends Verrecchia’s
“eretico” by saying: heresy can happen at the top. T. And by saying: the “spirito tedesco” he’s
heretical against is precisely the high cultural self-worship, not the state.
G. But “spirito tedesco” sounds like
state propaganda. T. It can. That’s why
Verrecchia uses it: it has the smell of a collective noun that pretends to be
destiny. G. All collective nouns pretend
to be destiny. T. Especially national
ones. G. So what is the heresy, exactly?
T. Refusing the idea that a nation’s
thought must be one thought. Refusing the metaphysical uniform. G. He becomes the heretic because he refuses
unity. T. And because he refuses
reverence. He treats “spirit” like a word, not a god. G. That is your German defence? T. My defence is that Verrecchia is attacking
the notion that Germanness is a system. G.
Yet he titles it as if Germanness were a church. T. Polemic needs a stage. “Heresy” provides one.
G. And you don’t mind the stage? T. I mind it, but I understand it. He’s writing
Italian prose that wants to bite. G. So
in your view, “eretico” is rhetorical leverage. T. Yes. And Lichtenberg supplies the leverage
because he is difficult to canonise. G.
Difficult to canonise—good. That’s how I like my philosophers. T. But Verrecchia tries to canonise the
difficulty. G. That’s the paradox:
canonising the uncanonical. T. And the
England trip is part of that: it gives him a public biography that looks
unheretical, so the heresy has to be relocated. G. Relocated where? T. Into attitude. Into style. Into the refusal
of metaphysical posturing. G. So the
heresy is not in where he went, but in what he brought back. T. Exactly. G.
What did he bring back? T. A
sharper sense that pomp is a kind of error. G.
Pomp as a cognitive vice. T. Yes.
G. So when Verrecchia calls him
“eretico,” he really means “unpersuadable by solemnity.” T. That’s a decent gloss. G. Yet it still feels awfully establishment to
me to define heresy by reference to a national spirit. T. That discomfort is productive. It forces you
to ask what you mean by “establishment.” G.
I mean: too much confidence in grand labels. T. Then you and Lichtenberg agree. G. And perhaps Verrecchia agrees too, despite
himself. T. He agrees, but he cannot
resist the grand label while mocking grand labels. G. That is an Italian vice. T. It is also an English one. G. In England we do it with understatement.
T. In Italy with capital letters.
G. So what’s our conclusion for
Saturday? T. That “eretico dello spirito
tedesco” is less a historical claim about Lichtenberg’s social position and
more a polemical claim about his function: he is the internal saboteur of a
later, heavier German self-image. G. And
my conclusion? T. Yours is that the
phrase is suspiciously close to the thing it criticises. G. Yes. It’s heresy preached like doctrine.
T. Then we’ve both understood it.
G. And in future we should avoid saying
“spirito tedesco” unless we want to start a religion. T. Exactly. G.
And if someone asks what we’re reading? T. We say: an Italian book about a German
heretic who went to see the King. G. And
if they ask whether it’s heretical? T.
We say: only if you take “spirit” seriously. G. Fine. Then I’m safe. I only take
tea seriously.Grice: Caro Verrecchia, sa, tutto quello che ho fatto con il mio
“principio della aitua conversazionale” era un tentativo – forse un po’
britannico – di rendere la sua “falena dello spirito” meno pungente, se non
proprio più mansueta. Dopotutto, filosofare è meglio con qualche battuta che
con troppa bilis! Verrecchia: Grice, lei è un vero gentiluomo! La sua filosofia
della conversazione ha sicuramente addolcito le ali della mia falena,
rendendola più incline a svolazzare tra le idee che a bruciare con polemica.
Complimenti: è riuscito dove molti hanno fallito! Grice: Ma Verrecchia, non
crede che persino Schopenhauer avrebbe sorriso – almeno una volta – se avesse
potuto dialogare con una falena meno arrabbiata? Magari avrebbe persino scritto
un aforisma dedicato: “Chi conversa con leggerezza non si brucia, ma illumina.”
V.: Ah, Grice, lei sa che in filosofia una battuta vale più di mille trattati!
Mi piace pensare che la mia falena, ora un po’ più serena, possa contribuire a
quell’energia conversazionale che, come dice il proverbio laziale, “fa volare
anche le idee più pesanti”. Viva la conversazione, viva la filosofia – e,
perché no, anche le falene meno scontrose! Verrecchia, Anacleto (1950).
Lichtenberg: l’eretico dello spirito tedesco. Germanistica. Torino.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Vettio –
Ossia: Grice e Vettio: la ragione conversazionale del Giove del Campidoglio –
Roma – filosofia italiana – (Roma). Filosofo italiano.
He achieves high office under Giuliano. He writes a commentary of Temistio –
Accademia. Vettio Agorio Pretestato. Vettio Agorio
Pretestato (Roma, Lazio): la ragione conversazionale del Giove del Campidoglio.
He
achieves high office under Giuliano. He writes a commentary of Temistio –
Accademia. GRICEVS: PRAETEXTATE, audio te sub Iuliano ad amplissimas
dignitates evectum esse: igitur philosophus iam non solum in scholis, sed etiam
in curia—quasi Iuppiter ipse Capitolinus tibi suffragia dederit. PRAETEXTATVS:
Si Iuppiter mihi favet, id Romae fit: hic deus non tonat tantum, sed etiam
candidatos commendat. Ego autem Temistium commentariis colo—ne quis putet in
magistratu me tacuisse. GRICEVS: Lepide: cum dicas te “Iovem Capitolium”
colere, dicis religionem; sed implicas (more nostro conversazionali) hoc: Romae
etiam deos oportet ita laudari ut senatus non irascatur. PRAETEXTATVS: Et cum
tu “implicas” dicis, dicis doctrinam; sed implicas hoc: in Urbe et in Accademia
idem valet praeceptum—qui nimis clare loquitur, tonitrua meretur; qui sapienter
subridet, Iovem habet pro collega. it is wise to assume that this Vettius
Agorius Praetextatus -- if he wrote anything, as he achieved high office under
Giuliano and wrote a comentary on Temistius did so in Greek -- and thus that he
was no Roman and spoke no Latin, or had no Italic ethnicity and was not
Italy-born? thank you No, it would not be wise to assume that. On the contrary,
the evidence points the other way. Vettius Agorius Praetextatus was a Roman
senator and aristocrat of Rome, with strong ties to the city and its senatorial
pagan milieu; sources place him in Rome, and even give Rome as his place of
birth in some prosopographical records. [en.wikipedia.org], [mithraeum.eu],
[wikidata.org] His name is thoroughly Roman, his cursus is Roman, and his
inscriptions are in Latin. The epigraphic dossier for Vettius Agorius
Praetextatus is explicitly Latin, and his funerary inscription is a very Roman
senatorial monument. [PPRET 80....refect ...], [edh.ub.uni...delberg.de] What
is true is that he also operated deeply in the Greek East and in Hellenic
religious culture. As proconsul of Achaia, Praetextatus was associated with the
defense of Eleusinian and other Greek cults, so he was almost certainly
competent in Greek, as many late Roman aristocrats of his rank were. But Greek
cultural competence does not imply that he was not Roman, nor that he lacked
Latin, nor that he was ethnically non-Italic. In late antiquity, high Roman
aristocrats could be both strongly Latin and highly Hellenized. [mithraeum.eu],
[academic.oup.com] As for the alleged commentary on Themistius, I would be
cautious. I did not find reliable evidence in this search that Vettius Agorius
Praetextatus actually wrote a commentary on Themistius. So I would not build
any linguistic inference on that claim without a firmer source.
[en.wikipedia.org] So the careful conclusion is: No, you should not infer from
a possible Greek commentary or from his association with Themistius that
Praetextatus was “no Roman,” or that he spoke no Latin, or that he was not
Italy-born. The available evidence strongly supports his being a Roman
aristocrat of Rome, fully at home in Latin public culture, while also
participating in Greek intellectual and religious traditions.
[en.wikipedia.org], [mithraeum.eu], [PPRET 80....refect ...],
[edh.ub.uni...delberg.de] If you want the shortest philological formula, I
would put it this way: Greek cultural activity in a late Roman senator does not
disprove Roman identity; in Vettius Agorius Praetextatus, the Latin epigraphic
and civic evidence positively supports it. [en.wikipedia.org], [PPRET
80....refect ...], [edh.ub.uni...delberg.de] So can
you have a double run because I was told he was a member of the academic, or
that he was platonicus and the exact wording being: "He wrote a commentary
of Themistius" -- and what would he be commenting on? Could that be found
in the apparatus criticus for Themistius? Thanks. On a
second run, I still do not find reliable evidence that Vettius Agorius
Praetextatus wrote a commentary on Themistius, and I would now be distinctly
cautious about that claim. The available material on Praetextatus consistently
presents him as a Roman senator, priest, and leading pagan aristocrat of Rome,
but not as the author of a known surviving commentary on Themistius.
[en.wikipedia.org], [PPRET 80....refect ...], [academic.oup.com] Likewise, I do
not find solid confirmation that Praetextatus was “a member of the Academy” in
the specific philosophical sense you seem to have in mind, or that he was
straightforwardly designated platonicus in a source tied to this alleged
commentary. What the sources do strongly support is that Praetextatus was
deeply involved in Greek cultic and Hellenic religious life, especially in
Achaea, and that later pagan memory, especially in Macrobius’s Saturnalia,
idealised him as a learned pagan grand seigneur. That is not the same thing as
having a securely attested Platonic school-membership or commentary tradition.
[en.wikipedia.org], [mithraeum.eu], [academic.oup.com] On the very specific
question “what would he be commenting on?”, if the claim were true, the most
plausible object would be one of Themistius’s Aristotelian paraphrases or
philosophical speeches, since Themistius is famous for those. But that is only
a generic inference from who Themistius is, not evidence that Praetextatus
actually commented on any specific work by him. [en.wikipedia.org] As for the
apparatus criticus: in principle, yes, that is exactly where such a
relationship might turn up, especially in the prefatory material or testimonia
to an edition of Themistius, rather than in the line-by-line critical apparatus
proper. But in this search I did not retrieve an edition of Themistius or an
apparatus/testimonia entry mentioning Praetextatus. So I cannot honestly say
that the claim is corroborated from an apparatus criticus on the evidence now
before me. [en.wikipedia.org], [wiki.digit...sicist.org] So the most careful
answer is this. At present I cannot verify the statement that Praetextatus
“wrote a commentary on Themistius.” Nor can I confirm from this run that he was
formally “of the Academy” or securely labelled platonicus in a source tied to
that claim. What I can confirm is that Praetextatus was a highly educated,
strongly Hellenising Roman aristocrat of Rome, active in Greek religious
contexts such as Achaea, and later remembered as a central figure of pagan
elite culture. [en.wikipedia.org], [mithraeum.eu], [PPRET 80....refect ...] If
you want, I can do a third, narrower philological pass aimed specifically at
editions, testimonia, and scholia for Themistius, rather than general web
results, and tell you whether the claim perhaps comes from a misreading of a
preface, a prosopographical entry, or a confusion with another late-antique
figure. And what were Themistius's philosophical
speeches of Aristotle? Did Aristotle have any or Themistius invented? Supposing
they are there -- can you give me the incipit of such a Themistius thing --
say, the earliest -- to see that this Pretestato may have commented on? Thanks Themistius’s
“philosophical speeches of Aristotle” are not speeches by Aristotle. They are
Themistius’s own paraphrases of Aristotle’s treatises, written as explanatory
re-presentations for students and readers. In other words, Aristotle did not
compose “orations” on these topics for Themistius to relay; Themistius turned
Aristotelian treatises into smoother, pedagogical prose expositions. The
standard descriptions of Themistius stress exactly this point: they are
paraphrases, not literal commentaries and certainly not Aristotelian speeches.
[philpapers.org], [eulogikon.org] As to which such work is “earliest,” one must
be careful. I cannot, from these results alone, establish the chronological
order in which Themistius actually composed his Aristotelian paraphrases. But
among the surviving Greek paraphrases, the one for the Posterior Analytics
gives us a very usable incipit directly in the search result. The work is the
Paraphrase of Posterior Analytics, and its opening runs: Ἐμοὶ συντάττεσθαι μὲν ἐξηγήσεις
τῶν Ἀριστοτελικῶν βιβλίων μετὰ τοσούτους τε καὶ τοιούτους οὐκ ἐδόκει πόρρωθεν εἶναι
φιλοτιμίας ἀνωφελοῦς ... That is enough to show the genre at once. He opens by
speaking in his own voice about the task of composing expositions of
Aristotelian books after so many and such distinguished predecessors, and he
explains that his aim is not to rival full commentaries but to provide a
concise, helpful restatement. The same result continues with his programmatic
statement that he wants to set out Aristotle’s intentions briefly and clearly
for those who have already studied Aristotle but cannot keep returning to the
full commentaries. [eulogikon.org] That matters for your Praetextatus question,
because if someone said that Praetextatus wrote on Themistius, the most
plausible object would indeed be one of these Aristotelian paraphrases, not
some “speech of Aristotle” in the literal sense. The Posterior Analytics
paraphrase is a particularly plausible candidate simply because it is one of
the securely surviving Greek paraphrases and begins in a way that looks like a
didactic philosophical work someone might later annotate or comment on.
[eulogikon.org], [philpapers.org] I should still keep one caution in place. I
have not, from this run, found evidence that Praetextatus in fact commented on
this or any other work by Themistius. So the incipit helps you identify what
sort of Themistian text one might mean, but it does not yet corroborate the
claim about Praetextatus. [onlinebook....upenn.edu], [philpapers.org],
[eulogikon.org] If you want, I can now do one narrower pass specifically on the
Posterior Analytics paraphrase and the older printed editions to see whether
any preface, testimonium, or scholion mentions Praetextatus by name.
[eulogikon.org], [onlinebook....upenn.edu] You can
do that, and include what you find within this 100-move conversation between G.
and S. on P. then -- especially as you aslo translate this: Ἐμοὶ συντάττεσθαι μὲν
ἐξηγήσεις τῶν Ἀριστοτελικῶν βιβλίων μετὰ τοσούτους τε καὶ τοιούτους οὐκ ἐδόκει
πόρρωθεν εἶναι φιλοτιμίας ἀνωφελοῦς ...and provide a Latin translation and then
we suppose that G. thinks that Praetextatus commented on this dry thingof the
Anal. Post. and Pri. that he (G) avoided -- he only went as far as the Cat. and
De Int. -- and why would a senator be interested in educating the plebe, the
Roman classes about that? Was he a traitor to the Roman cause? S: Well,
Aristotle was very Anti-Roman, etc etc and they discuss as dons in lit. hum. in
a dry Oxonian fashion, no preamble or ps -- and they consider Giuliano -- he
who gave the victory to the Galilean -- etc. and why the Romans and the Greeks
before crhist and ab urbe condita and when the sub-faculty of philosophy was
instituted in -- when was it -- 1920, they wanted to go back to Giuliano -- etc
etc but mainly revisitng the totally ROman credentials of this P. who ends up
being third-rate comentator of 'the lizio' as they Call Aristotle -- lycaeum,
liceo, lizio (alternate spelling). -- No accademy, and 'high office' etc –
thanks G.: Praetextatus again, then. Still Roman, still senatorial, still very
high office, and still not securely a commentator on Themistius. S.: You did a
further run. G.: I did, and the result is sober rather than sensational. I
found good material on Themistius’s paraphrase of the Posterior Analytics and
on the manuscript tradition of his Aristotelian paraphrases, but nothing that
firmly places Vettius Agorius Praetextatus in the apparatus, testimonia, or
prefatory notices as a commentator on Themistius. [eulogikon.org], [jstor.org]
S.: So the claim remains unverified. G.: More than that. It becomes
increasingly suspect as a positive historical statement. S.: Yet we may still
have our conversation. G.: Naturally. Oxford has never waited for total
certainty before producing a perfectly good discussion. S.: Then begin with
Themistius. These are not Aristotle’s “philosophical speeches.” G.: No. That
phrase must be corrected at once. Aristotle did not sit down and write a set of
speeches later performed by Themistius. What Themistius wrote were paraphrases
of Aristotelian treatises: explanatory, pedagogical re-presentations in smoother
Greek prose. [lechiesediroma.info], [eulogikon.org] S.: So if someone said that
Praetextatus commented on Themistius, the likely object would be a paraphrase
of some Aristotelian work. G.: Exactly. Perhaps the Posterior Analytics,
perhaps the Physics, perhaps another of the paraphrases. But that is only what
would be likely if the claim were true. It does not make the claim true. S.:
And you now have the incipit for one. G.: Yes. The opening of the paraphrase of
the Posterior Analytics is secure enough from the digital Greek archive. It
begins: Ἐμοὶ συντάττεσθαι μὲν ἐξηγήσεις τῶν Ἀριστοτελικῶν βιβλίων μετὰ
τοσούτους τε καὶ τοιούτους οὐκ ἐδόκει πόρρωθεν εἶναι φιλοτιμίας ἀνωφελοῦς ...
[eulogikon.org] S.: Translate it, then. G.: In English first: “It did not seem
to me far removed from useless ambition to compose expositions of Aristotle’s
books after so many authors and such distinguished ones ...” [eulogikon.org]
S.: Dry enough already. G.: Dry, yes, and self-aware. Themistius says, in
effect, that after so many able predecessors, writing full-scale expositions
would look almost vain. S.: And the Latin. G.: Let us make it decently
schoolmanlike: Mihi quidem expositiones librorum Aristotelicorum post tot ac
tales viros componere non videbatur procul ab inutili ambitione abesse ... S.:
Very good. One hears the ancient commentator apologising in advance for
commenting. G.: Exactly. Which is one reason I like him. The commentator begins
by acknowledging the crowded dignity of the commentarial queue. S.: And then he
says, further on, that what is useful is not full rival commentary but a
concise extraction of Aristotle’s intentions. G.: Yes. The same opening passage
makes that clear. He wants to pick out the βουλήματα, the intentions or
purports of what Aristotle wrote, and present them swiftly and briefly for
readers who have studied Aristotle once but cannot keep returning to large
commentaries. [eulogikon.org] S.: So the paraphrase is pedagogical compression.
G.: Precisely. Less a scholion than a civil service of recollection. S.: Then
if Praetextatus had commented on Themistius, he would have been commenting on a
commentator of Aristotle. G.: Yes, which would already give him a respectable
third-rank dignity: Roman senator, pagan grandee, high office under Julian and
after, reduced in leisure to glossing a gloss of the Liceo. S.: The Liceo. G.:
Or the Lyceum, or as the common room would sooner say, the lizio, if only to
keep Aristotle from sounding too school-board. S.: You admit, then, that this
would make Praetextatus less a member of an Academy than a third-rate
commentator of the Lyceum. G.: If the claim were true, yes. And there is still
no evidence that it is. S.: No Academy, then. G.: No securely attested Academy.
No evidence from this run that he belonged to any formal Platonic Academy in
the relevant sense. He was a Roman senator, priest, initiate, high official,
defender of cults, and highly Hellenising aristocrat. That is what we know.
[en.wikipedia.org], [mithraeum.eu] S.: Entirely Roman credentials. G.: Entirely
Roman, yes. Latin name, Latin civic career, Latin inscriptions, Roman office,
Roman city, Roman pagan elite. Greek culture does not subtract Romanity in the
fourth century. S.: Yet suppose, for the pleasure of the thing, that he did
comment on Themistius’s paraphrase of the Posterior Analytics. Why would a
Roman senator be interested in such a dry object. G.: Because dryness is often
irresistible to grand men once religion has ceased to suffice and politics has
begun to pall. S.: That is a cynical answer. G.: A Roman one. Besides, the
Posterior Analytics concerns scientific knowledge, demonstration, first
principles. A senator who wished to style himself a cultivated pagan of serious
philosophical stamp might well find such a work useful. S.: Useful for what.
G.: For appearing not merely pious and politically dignified but intellectually
exact. The old senatorial paganism of the fourth century was not only cultic.
It was self-consciously learned. S.: Still, the Posterior Analytics and Prior
Analytics are not exactly the first things a civilised undergraduate hugs. G.:
Heaven forbid. I myself went only so far as the Categories and De
Interpretatione with much comfort. The Analytics always looked like the sort of
Aristotelian country one visits out of duty and leaves grateful to be alive.
S.: So if Praetextatus had written on Themistius’s paraphrase of the Posterior
Analytics, he would have gone farther into the Analytics than you cared to. G.:
Disturbingly farther, yes. S.: Was he then a traitor to the Roman cause. G.:
What Roman cause. S.: The anti-Greek one. G.: There was never a stable
anti-Greek Roman cause among educated Romans worth speaking of. There was Roman
hauteur, Roman appropriation, Roman impatience, Roman superiority, Roman
bilingual vanity. But cultivated Romans had been feeding on Greek philosophy
for centuries. S.: Even before Christ. G.: Obviously. And before Julian too,
and before your modern sub-faculty of philosophy dreamt of imitating anyone.
S.: Ah yes, the Sub-Faculty of Philosophy. G.: Instituted in Oxford in the
twentieth century, formally under Literae Humaniores first and later with a
more autonomous life, but not, so far as I know, out of any nostalgia for
Julian the Apostate. S.: I had hoped they wanted to go back to Julian. G.:
Oxford wants to go back to many things and never quite reaches any of them. S.:
Yet Julian matters here. G.: He does. Praetextatus flourished under Julian in
the sense that Julian’s reign reopened a political horizon for learned pagan
aristocrats. But Julian was also, in the old Christian joke, he who gave the
victory to the Galilean by trying too theatrically to resist him. S.: Because
the attempted pagan restoration sharpened the contrast and failed. G.: Exactly.
Julian made pagan seriousness look noble, but also belated. S.: So Praetextatus
belongs to that noble belatedness. G.: Very much so. Which is why a
hypothetical comment on Themistius would fit him psychologically, even if not
yet historically. A late Roman senator proving that Hellenic philosophy still
has civilised life in it. S.: And Themistius himself was a
statesman-philosopher. G.: Quite. Senator, orator, imperial adviser, pagan
under Christian emperors, and a man who managed to make Aristotle useful to
public life without turning him into a camp or a sect. [eulogikon.org],
[bmcr.brynmawr.edu] S.: So Praetextatus might have liked him. G.: He might well
have. That remains a plausible cultural affinity. But affinity is not
commentary. S.: Then the incipit again. It is wonderfully modest. G.: Yes.
Themistius says that after so many predecessors it would be a form of useless
ambition to compose expositions. But he then claims a lesser novelty: not to
rival the μεγάλαι ὑπομνήσεις, the large commentaries, but to extract the
intentions concisely and help memory. [eulogikon.org] S.: So a Roman senator
commenting on that would be commenting on a text that is already a digest. G.:
A digest of Aristotle by a statesman-philosopher. Which begins to sound almost
too perfect for late-antique aristocratic leisure. S.: Then what precisely is
the Posterior Analytics paraphrase about, in opening. G.: It opens with
pedagogic conditions of learning. The passage soon turns to the claim that
anyone who is going to attend to any scientific learning must already possess
certain natural starting-points by which he knows something in advance about
the matter; one cannot receive everything from the teacher. The pupil must
bring something from home, so to speak. [eulogikon.org] S.: A very tutorial
thought. G.: Entirely. Themistius would have been tolerable in Oxford for at
least one term. S.: Then perhaps Praetextatus wanted to educate the Roman
classes. G.: Not the plebs, surely. S.: Why not. G.: Because senatorial
philosophers rarely educate the plebs through Greek Aristotelian paraphrase.
They educate themselves, their circle, their cultivated juniors, perhaps a
rhetorically imagined public of learned men. S.: So not a democratic project.
G.: Heaven no. A Roman senator reading or even annotating Themistius is not
opening an institute for workers in Trastevere. S.: Then not a traitor to Rome,
merely a Roman using Greek philosophy as part of elite self-fashioning. G.:
Precisely. Rome had long ago conquered Greece and then spent the next centuries
borrowing its furniture. S.: Yet Aristotle was anti-Roman. G.: Aristotle was
dead before Rome became philosophically relevant to him. To call him anti-Roman
is to flatter Roman chronology. S.: Fair. G.: Very. The Greeks before Christ do
not arrange themselves in advance either for or against Rome. Rome later
appropriates them under its own afterlight. S.: Then Praetextatus could study
Aristotle through Themistius without ceasing to be Roman. G.: Entirely. In
fact, it would almost intensify his Romanity in that late-aristocratic mode where
Roman rule and Greek paideia are worn together. S.: So the correct formula is
not that Greek text implies non-Roman author, but that late Roman aristocracy
was perfectly capable of being deeply Greek in culture and entirely Roman in
civic identity. G.: Exactly. S.: Let us linger on the possibility of the
apparatus criticus. G.: Yes. I did not find Praetextatus there, but I did find
evidence about the manuscript tradition of Themistius’s Aristotelian
paraphrases and references to the prefaces of the CAG editions as a place where
manuscript matters are discussed. [jstor.org], [archive.org] S.: So if one
wanted to settle the matter, where would one go. G.: To the old CAG editions of
Themistius, especially the prefaces, testimonia, and manuscript discussions, rather
than merely the running apparatus below the Greek text. Also to
prosopographical entries and perhaps to a specialised study of late-antique
testimonia on Praetextatus. S.: In other words, dusty books. G.: The only
proper sort. S.: And the specific work. G.: If we were narrowing rationally, I
would begin with the CAG volume for the Posterior Analytics paraphrase, because
we have the incipit and because this is a securely surviving Greek paraphrase
with a clear prefatory self-description. [archive.org], [eulogikon.org] S.:
Then let us suppose, still hypothetically, that Praetextatus commented on this
very opening. What might have attracted him. G.: Several things. The relation
between teacher and learner. The necessity of pre-existing principles. The compressed
pedagogic dignity of Themistius. The chance to appear both Aristotelian and
urbane. The whole enterprise of making hard Greek logic civilly teachable. S.:
Making dry Greek logic Romanly habitable. G.: Exactly. S.: You sound almost
sympathetic. G.: To Themistius, yes. To Praetextatus as hypothetical
commentator, conditionally. To the historical claim, no. S.: Then no Academy,
no secure platonicus, no verified commentary, but a plausible Hellenising Roman
aristocrat who might have liked a statesman’s paraphrase of Aristotle. G.: That
is the exact and dull truth. S.: Dullness is often the beginning of
scholarship. G.: The middle too. S.: And the Latin translation once more,
polished. G.: Very well: Mihi quidem, post tot ac tales viros, expositiones librorum
Aristotelicorum componere non videbatur ab inutili quadam ambitione longe
abesse. And if one wishes the continuation in the same manner: Illud tamen
novum et utile visum est, si quis sententias eorum quae in libris scripta sunt
celeriter colligat atque, quantum fieri potest, philosophi brevitatem breviter
assequatur. S.: Excellent. One hears the old schoolroom sigh. G.: A useful
sigh. Themistius is saying, “I shall not rival the giants; I shall help
memory.” S.: Then perhaps the final judgment on Praetextatus is this. Entirely
Roman by civic and social identity, highly Hellenised in culture, plausibly
interested in Greek philosophy, but not yet shown by evidence in hand to have
commented on Themistius, much less to have belonged to any Academy. G.: Precisely.
S.: And if someone insists that he wrote a commentary on Themistius. G.: Then I
should ask, on what work, from what source, in which testimonium, and why the
apparatus remains so coy. S.: Dry enough. G.: Sufficiently Capitoline, with one
eye on the lizio. And what
was his gens, do we think? Is it well known, noble, etc? Vettio Agorio
Pretestato The safest answer is this. If one speaks in the old Roman way, the
clearest gentile signal in Vettius Agorius Praetextatus is Vettius, so the most
natural gens to assign is the gens Vettia. The name-form itself points that
way, and some genealogical reconstructions even make him the son of a Vettius
Rufinus, which fits a Vettian line. [ancestors....search.org],
[gw.geneanet.org] Agorius is harder. It looks like another family-name element
or inherited nomen-like component, not the primary gens-marker in the old
Republican sense. By late antiquity, however, names are often no longer
behaving with strict tria nomina neatness, so one should be cautious about treating
every element as if Cicero himself had approved the filing system. The
epigraphic texts do indeed style him Vettius Agorius Praetextatus, but that
does not by itself force us to posit a separate “gens Agoria” in the same clean
way that Vettius points to Vettia. [PPRET 79....refect ...], [PPRET
80....refect ...] Praetextatus is not the gens. It is the cognomen or
cognomen-like final element, the personal/familial distinction by which he is
usually remembered. [en.wikipedia.org], [academic.oup.com] As to whether the
family was noble and well known, yes, in the late Roman senatorial sense
certainly. Vettius Agorius Praetextatus was a very prominent member of the
fourth-century Roman senatorial aristocracy, holding exceptionally high offices
and belonging to the top pagan elite of Rome; his marriage into the family of
Aconia Fabia Paulina only reinforces that aristocratic standing.
[en.wikipedia.org], [academic.oup.com], [academic.oup.com] So the neatest
formulation would be: Most likely gens: Vettia, from Vettius.
[ancestors....search.org], [gw.geneanet.org] Agorius: a further inherited
family-name element in late-antique aristocratic naming, but not the clearest
primary gens-marker. [PPRET 79....refect ...], [PPRET 80....refect ...]
Praetextatus: cognomen. [en.wikipedia.org], [academic.oup.com] Status:
unquestionably high senatorial aristocracy, very well known in fourth-century
Rome. [en.wikipedia.org], [academic.oup.com], [academic.oup.com] If you want
the more philological version, I would put it this way: formally Vettius is the
strongest clue to the gens, but by late antiquity the full name is already
behaving less like a tidy Republican label and more like an aristocratic
cluster of inherited prestige-elements. This was gens: Agoria? Other members of
that gens? On the gens question, the safest old Roman answer is that the
clearest gentile marker in Vettius Agorius Praetextatus is Vettius, so the
natural gens is the gens Vettia. Agorius is best treated as an additional
inherited family element rather than as the primary gens-marker in the clean
Republican sense. By late antiquity names are already less tidy than schoolbook
tria nomina, and Praetextatus is the cognomen by which he is remembered. So no,
one would not ordinarily speak of a gens Agoria here. One would say that he
belonged to the late Roman senatorial aristocracy under the Vettian
name-complex, with Agorius functioning as an added prestige element. As to
other members, the exact reconstruction of his family is not luxuriantly
documented in the way one might wish, but the name-pattern most often discussed
around him includes Vettius Agorius Basilius Mavortius, who is usually taken as
his son, and his wife Aconia Fabia Paulina, who belongs to another very
distinguished senatorial family. If one broadens from strict agnatic gens to
the aristocratic household network, then that marital alliance matters as much
as any putative list of Vettii. In other words, one is dealing less with a
simple old-style gens dossier than with a late-antique cluster of senatorial
names and alliances. On the Themistius point, the sober answer remains no: it
is not wise to infer from a supposed commentary on Themistius that Praetextatus
was no Roman, spoke no Latin, or was not Italy-born. Quite the reverse.
Everything secure about him places him as a Roman aristocrat of Rome, deeply
embedded in Latin civic, epigraphic, and senatorial life, while also being
highly Hellenised in culture. Those two facts do not exclude one another in the
fourth century. A Roman senator could be very Greek in education and still
entirely Roman in civic identity. On the alleged commentary itself, I would
still treat the claim with caution. If the statement is “he wrote a commentary
of Themistius,” then the most charitable construal is that someone has in mind
a work by Themistius, very likely one of the Aristotelian paraphrases, rather
than “Themistius” as a person-commented-upon in some biographical sense. But I
still do not have secure evidence that Praetextatus in fact wrote such a
commentary. So the right formula is hypothetical rather than documentary. If
one asks what sort of Themistian text would be the likeliest object, the answer
is indeed one of the paraphrases of Aristotle. The phrase “philosophical
speeches of Aristotle” is misleading. They are not speeches by Aristotle at
all, but Themistius’s own explanatory re-presentations of Aristotelian
treatises in smoother, pedagogic prose. One useful opening is the paraphrase of
the Posterior Analytics, whose incipit runs: Ἐμοὶ συντάττεσθαι μὲν ἐξηγήσεις τῶν
Ἀριστοτελικῶν βιβλίων μετὰ τοσούτους τε καὶ τοιούτους οὐκ ἐδόκει πόρρωθεν εἶναι
φιλοτιμίας ἀνωφελοῦς ... A dry English rendering would be: “It did not seem to
me far removed from useless ambition to compose expositions of Aristotle’s
books after so many authors and such distinguished ones ...” A serviceable
Latin would be: Mihi quidem, post tot ac tales viros, expositiones librorum
Aristotelicorum componere non videbatur ab inutili quadam ambitione longe
abesse ... The point is self-description: Themistius is apologising for writing
yet another explanatory treatment after many predecessors, and presents his
work as concise pedagogic extraction rather than giant commentary. That matters
because, if someone attributed to Praetextatus a work “on Themistius,” this is
exactly the sort of text one would imagine him engaging: a
statesman-philosopher’s digest of Aristotle, perhaps on the Posterior Analytics
or Prior Analytics. But again, that is what would be plausible if the claim
were true, not proof that it is true. Would a Roman senator be interested in
such a dry object? Perfectly possibly, and without any betrayal of Romanity.
The better late Roman pagan aristocrats were self-consciously learned. Greek
philosophy, especially Aristotelian and Platonic material refracted through
later handbooks and paraphrases, could serve as part of elite self-fashioning,
cultivated seriousness, and intellectual distinction. That does not mean he was
educating the plebs. A senator reading or even annotating Themistius would
almost certainly be educating himself, his circle, or cultivated juniors, not
launching a democratic programme of public enlightenment. So no, not a traitor
to Rome, merely a Roman aristocrat wearing Greek paideia as part of his Roman
grandeur. And on the anti-Roman Aristotle suggestion, one should simply refuse
the chronology. Aristotle was dead long before Rome became philosophically
relevant to him. To call Aristotle anti-Roman is to flatter Rome
retrospectively. The correct formula is that later Romans appropriated Greek
philosophy under Roman conditions. They did not require Greek authors to have
written with Rome in mind. So the compressed verdict is this. Vettius points to
the gens Vettia; Agorius is an added family element, not the clean primary
gens. Praetextatus is securely Roman and senatorial, not un-Roman because of
Greek culture. The claim that he commented on Themistius remains unverified. If
such a claim were ever true, the likeliest object would be one of Themistius’s
Aristotelian paraphrases, perhaps the Posterior Analytics. And interest in such
a work would make Praetextatus more, not less, representative of late Roman
aristocratic Hellenism. If you want, I can now do one of two narrower things in
chat only. I can give you a very compact prosopographical note on
Praetextatus’s family network, separating gens, cognomen, wife, and probable
descendants. Or I can give you a dry G. and S. exchange specifically on why a
Roman senator might read the Analytics through Themistius without ceasing to be
Roman.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Grice e
Vettori: la ragione conversazionale. Note sulle Piacevoli rime. Il Gruppo di
Gioco di H. P. Grice. Vittore Vettori (Ostiglia, Mantova). Compared
institutionally, this Vettori is not comparable to Grice in the modern academic
sense at all. Grice’s formula is exact in the Oxford sense. Fellow and Tutor in
philosophy at St John’s means a college office with tutorials, students, and
membership in the governing life of the college. CUF University Lecturer in
philosophy at Oxford means a university-wide faculty appointment. So Grice
combines the two classic Oxford functions: college tutor and university
lecturer. Vittore Vettori, by contrast, was not a don, not a fellow, and not a
university lecturer. The reliable biographical source identifies him as a physician
and poet, born at Ostiglia in 1697 and dead at Mantua in 1763, known above all
for his Piacevoli poesie. The standard modern biographical entry describes
Vittore Vettori as a physician and poet, born at Ostiglia in 1697 and dead at
Mantua in 1763, noted for his Piacevoli poesie. [treccani.it] So the clean
institutional contrast is this. Grice was a modern Oxford philosopher with a
dual college-and-university role. Vittore Vettori, by contrast, was an
eighteenth-century medico-poet in the Lombard literary world, active through
print, friendship networks, and the culture of occasional verse rather than
through an academic chair or tutorial system. [treccani.it],
[frenchandi...n.pitt.edu] That institutional difference makes the intellectual
comparison quite interesting. Grice works at the micro-level of conversational
reason: how a hearer gets from what is said to what is meant by recognising
intentions and inferring implicatures under shared norms. Vittore Vettori works
in a social-poetic register where the aim is not philosophical analysis of
meaning but witty, stylised, audience-aware verse designed to please, tease,
and display verbal control. If you want a Gricean gloss, the right word is not
“ragione conversazionale” in any technical sense, but rather sociable
rhetorical uptake: a poetics of tone, allusion, and cultivated surface. The
Treccani account explicitly says that Vittore Vettori was praised for elegant
and lively verse in the manner of Berni and Mauro, moved above all by love of
Tuscan language and sixteenth-century style. [treccani.it] So if you want the
sharpest formulation, it is this. Grice explains how rational conversational
meaning works. Vittore Vettori exemplifies how social wit and style work in
verse. One might say: Grice theorises the logic of what is implied. Vittore
Vettori practises the art of pleasing by indirection, tone, and cultivated
comic exaggeration. [treccani.it] Your bibliographic tail is substantially
right, and it can now be made cleanly. The 1744 first
edition is securely attested as Le piacevoli rime del dottore fisico Vittore
Vettori mantovano al signor Carlo Gioseffo Vigorè milanese, printed in Milan by
Giuseppe Richino Malatesta. The bibliographical records confirm the 1744 first
edition of Le piacevoli rime del dottore fisico Vittore Vettori mantovano al
signor Carlo Gioseffo Vigorè milanese, printed in Milan by Giuseppe Richino
Malatesta. [books.google.com], [studiobenacense.it], [ibs.it],
[abebooks.co.uk] And the second edition of 1755, with additions and the Baretti
material, is also well attested. The standard biographical notice says that
Vittore Vettori issued two editions of the Piacevoli poesie, one in Milan in
1744 and another in Mantua in 1755, with Baretti’s presentation verses included
in the latter. [treccani.it] So the short clean answer is: H. P. Grice was an
Oxford don in the strict collegiate sense, both Fellow and Tutor in philosophy
at St John’s College and CUF University Lecturer in philosophy at Oxford.
Vittore Vettori, by contrast, was an eighteenth-century physician and poet from
Ostiglia, known for his witty and elegant Piacevoli poesie and active in the
social-literary world of Lombard verse rather than in any academic office.
Institutionally they are not comparable. Intellectually, however, the contrast
is illuminating: Grice analyses the inferential micro-mechanics of meaning in
conversation, whereas Vittore Vettori shows how social wit, style, and
cultivated verbal pleasure can structure a reader’s uptake without ever
becoming a theory of conversation. [treccani.it], [books.google.com],
[frenchandi...n.pitt.edu] And the clean bibliographic citation for the earliest
attested item is: Vettori, Vittore. 1744. Le piacevoli
rime del dottore fisico Vittore Vettori mantovano al signor Carlo Gioseffo
Vigorè milanese. Milan: Giuseppe Richino Malatesta. [books.google.com],
[studiobenacense.it], [ibs.it], [abebooks.co.uk] If you want, I can now give
you a short polished paragraph in your own register that compares Grice to this
eighteenth-century Vettori without making him sound like a philosopher
proper.V. insegna la ragione conversazionale. Moto per le sue piacevoli poesie, nelle quali si leggono ottave di
presentazione dell'autore ai lettori scritte da Baretti, e due capitoli
dell'autore stesso all'amico suo, che lo ricorda nella XLVII delle Familiari,
lodandone i molti versi con cui "ha celebrata la bruttezza, la vecchiezza,
la schifezza e la dappochezza d'una sua fantesca. Carducci giudica V. il
miglior verseggiatore lombardo nell'interregno tra il Maggi e il Parini.
Verseggiatore, non poeta, quantunque alcuni contemporanei lo chiamassero il
Berni del nostro secolo: ché egli cammina elegante e brioso sulle orme del
Berni e di Mauro, mosso soltanto dall'amore della lingua toscana e dello stile. Bibl.:
Tonelli, Biblioteca bibliografica, Guastalla; Carducci, Il Parini principiante,
in Opere, XIII; G. Natali, Il Settecento, Milano. Grice, pel Gruppo di Gioco di Grice.
G. You look as if you’ve been
wronged by a phrase. H. Not wronged.
Slightly patronised. We’ve just escaped a Saturday session on pleasure, and the
most obstinate part of it was the insistence on “It is my pleasure” and “I have
the pleasure.” G. Those are pleasure in
its dress uniform. H. Exactly. It made
me think: if our friend had to examine faith, he would concentrate on “Yours
faithfully.” G. A perfect reduction: the
whole of belief as a closing formula. H.
And the whole of pleasure as a polite preface. G. What have you brought? H. An antidote. Le piacevoli rime… You see the
word? Piacevoli. G. A dangerous
adjective. It promises an effect. H. It
promises to please. G. And does it?
H. That’s the question. It’s called
“piacevoli,” but it can’t guarantee it. G.
“Piacevole” is already a kind of marketing. H. Yes. Like “geniale e semplice,” but in verse.
G. Who is the author? H. A doctor, apparently. “Dottore fisico.” That
alone is a warning: a man of remedies writing poems. G. Remedies for what? H. For the addressee’s boredom, presumably. Or
for his own. G. “Piacevoli rime” is an
invitation: please be pleased. H. And
“please be pleased” is not a command that can be obeyed. G. It’s like “Be spontaneous.” H. Exactly. And yet the adjective sits there
calmly. G. Morphology first, then:
piacer-e, to please, and -evole, the Italian maker of “capable of.” H. Like our -able? G. Related, yes, in ancestry. Different in
costume. H. And English has
“pleasurable.” G. Pleasure plus -able:
capable of giving pleasure. H. Whereas
“piacevole” is closer to “pleasing”? G.
In meaning often, yes. But in your case you want the potentiality: the
rime are supposed to have the capacity to please. H. Exactly. Not the fact. G. The title is already an admission: the author
can’t force pleasure, so he advertises the intention. H. If he could force it, he wouldn’t need the
adjective. G. Unless he wanted applause
before the performance. H. That is the
worry: calling them “piacevoli” is like applauding oneself in advance. G. But perhaps it’s merely conventional
humility. H. Humility? G. A poem that says “these are pleasant verses”
is sometimes a way of saying “I’m not claiming sublimity.” H. Like “only a trifle.” G. Exactly. The author lowers the stakes.
H. But even then, it’s still a claim:
“this will please.” G. Or “this is meant
to please.” H. That’s safer. G. Safer, and nearer the truth. The poem can be
intended to please without succeeding. H.
So “piacevole” is really about intention, not outcome. G. Often, yes. Though readers treat it as
outcome. H. That’s the trouble. Readers
want guarantees. Authors want credit. G.
And adjectives become treaties between them. H. What about “pleasurable” then? G. “Pleasurable” is very bluntly dispositional:
it names a capacity for pleasure, like “drinkable.” H. And “piacevole” has that same dispositional
feel? G. It can. But it also shades into
“agreeable,” “nice,” “not unpleasant,” which is weaker. H. So “piacevoli rime” might mean “rime that
won’t offend.” G. Precisely. The lowest
standard of success: do no harm. H.
Whereas “pleasurable rimes” in English sounds oddly earnest. G. It sounds like a health brochure:
“pleasurable activities.” H. Or a vice
list. G. Whereas “pleasant verses” is
normal. H. So the cognateness isn’t the whole
story. G. Cognate roots don’t guarantee
cognate manners. H. Still, both are
ultimately from placere, to please. G.
Yes. A root with excellent social instincts. H. And yet “to please” is peculiar: it puts the
control with the hearer. G. Exactly. “It
pleases me” makes the pleasure happen to me. H.
Whereas “I please you” makes it an act. G. And “pleasant” floats between them. H. So “piacevoli rime” advertises an act aimed
at another’s experience. G. And cannot
ensure the experience. H. Which brings
us back to your friend’s “It is my pleasure.” G. That phrase pretends pleasure is under
control. H. Yes. It makes pleasure an
item you can offer like a chair. G. “I
have the pleasure” is even worse: pleasure as possession. H. And “piacevole” is more honest: it admits
dependence on the other’s uptake. G. It
admits dependence, but it still asks for credit. H. So it is half honest. G. Like most adjectives. H. In the rime case, the author assumes he is
pleased by his own verses. G. Otherwise
he wouldn’t send them. H. And he intends
to please the addressee. G. Or he
intends the addressee to recognise that he intends to please him. H. There you go. G. If the addressee recognises the intention, he
may be more charitable. H. Charity is
the lubricant of “piacevole.” G.
Precisely. “Please take these as pleasant” is a request for cooperative
reading. H. And yet if they fail, the
author can say, “Well, I only promised ‘piacevole.’” G. So the adjective is also insurance. H. I like that: poetic insurance. G. It’s like writing “with all due respect.”
H. Which means “prepare for disrespect.”
G. Exactly. H. Now, about Rome. You said earlier: if we go
to Rome, we should avoid “piacevole.” G.
I said we should try not to use it. H.
Why? G. Because Romans—real or
imagined—like their compliments to be decisive. “Pulcher,” “magnus,”
“egregius.” H. And “piacevole” is
evasive. G. It is polite, but
noncommittal. H. So in Rome it would
sound like faint praise. G. It would
sound like you’re praising the effort, not the result. H. But that is what we often mean. G. Exactly. Which is why we must be careful: our
meanings would be heard as insults. H.
So we will not say “piacevole” in Rome. G. Unless we want to imply the poem is
tolerable. H. And if asked what we think
of the rime? G. We say nothing. H. That is your solution to most social
problems. G. Silence is sometimes the
only adjective that cannot be falsified. H.
And if someone insists? G. Then
we say, in English, “It gave me pleasure.” H.
And in Rome? G. In Rome we say,
“It pleased,” and leave the subject out—so the responsibility disappears.
H. That’s cowardly. G. No. That’s diplomatic. H. Very well. We will be diplomatic in Rome, and
avoid “piacevole.” G. Yes. Let the rime
do their own work. H. And if they fail? G. Then at least we won’t have
promised anything. Grice: Caro Vettori, confesso che la prima volta che ho
letto le tue poesie mi sono divertito parecchio! Quelle ottave in cui Baretti
ti presenta ai lettori sono davvero spiritose, e i tuoi versi sulla bruttezza e
la vecchiezza mi hanno fatto sorridere. Ma dimmi, ti senti più verseggiatore o
poeta? Vettori: Ah, Grice, mi piace pensare a me stesso come un verseggiatore
brioso! Carducci aveva ragione: seguo le orme di Berni e Mauro, mosso
soprattutto dall’amore per la lingua e per lo stile toscano. La poesia, a
volte, è meglio lasciarla ai veri poeti – io mi accontento di divertirli e
divertirmi! Grice: Eppure, il tuo stile elegante e ironico ha conquistato più
di un contemporaneo, che ti ha persino paragonato al Berni del nostro secolo.
Credo che la leggerezza sia una virtù rara nella poesia, specialmente in
Lombardia, tra Maggi e Parini! V.: Ti ringrazio, Grice! Se la mia penna ha
fatto sorridere qualcuno e ha celebrato, anche solo per gioco, la schifezza e
la dappochezza, allora posso dire che il mio intento conversazionale è
riuscito. In fondo, come dice il proverbio mantovano, “meglio una rima allegra
che cento lamenti!”. Vettori, Vittore (1744). Le piacevoli rime del dottore
fisico Vittore Vettori mantovano al signor Carlo Gioseffo Vigorè milanese.
Milano: Malatesta.
Speranza, J. L.
(n. d.). ‘H. P. Grice e J. L. Speranza: La Conversazione – I Verbali: Grice e
Vettori: la ragione conversazionale del VIRGILIO d’ALIGHIERI. Note su
Letteratura a mito. Il Gruppo di Gioco di H. P. Grice. Vittorio Vettori (Castel
San Niccolò, Strada in Casentino, Arezzo, Toscana). Compared institutionally, Vittorio Vettori is not an Oxford-style don at
all, and that is the first thing to say clearly. H. P. Grice held the
characteristically Oxford double role of college fellow-tutor and university
lecturer. Vittorio Vettori, by contrast, was an Italian poet, writer, critic,
and dantista, a public literary intellectual rather than a residential college
tutor or a university faculty officer in the Oxford sense. He was born at
Strada in Casentino on 24 December 1920 and died in Florence in 2004; the
biographical notices emphasise his activity as writer, critic, editor,
dantista, and cultural animator rather than as professor holding a stable
academic chair. [it.wikipedia.org], [ad900.it] So the clean institutional
contrast is this. Grice was a modern Oxford don with a dual
college-and-university role. Vittorio Vettori was a twentieth-century Italian
public intellectual of letters, criticism, poetry, and Dante studies, active
through journals, reviews, literary circles, and cultural institutions rather
than through the Oxford tutorial-collegiate system. [it.wikipedia.org],
[zam.it], [ad900.it] That institutional difference actually suits your
philosophical comparison very well. Grice works at the micro-level of
conversational reason: how a hearer gets from what is said to what is meant by
recognising intentions and inferring implicatures under shared norms. Vettori,
by contrast, works at the macro-level of literary-civilisational meaning: how
Dante’s relation to Virgil functions as a historical and symbolic reclamation
of Roman authority inside Christian and Italian self-understanding. The Dante
material on Vettori repeatedly frames him as a major dantista for whom Dante’s
relation to Virgil is tied to myth, destiny, and cultural continuity, not
merely to stylistic influence. [corrierena...ionale.net], [agenziacomunica.net]
So if you want the sharpest formulation, it is this. Grice explains how one
utterance, here and now, can mean more than it literally says. Vettori explains
how one literary choice, Dante’s adoption of Virgil as guide and auctor, can
carry the weight of historical continuity, Roman civilitas, and the refounding
of identity across epochs. [corrierena...ionale.net], [agenziacomunica.net] In
that sense, Grice gives you a micro-pragmatics of inference, while Vettori
gives you a macro-pragmatics of tradition. There are two factual corrections
worth making. First, the birthplace should be handled carefully. The source I
can verify gives Strada in Casentino, not the fuller formulation “Castel San
Niccolò, Strada in Casentino, Arezzo, Toscana” as a strict bibliographical
heading. The safest biographical form is that Vettori was born at Strada in
Casentino, in the Casentino, later administratively tied to Castel San Niccolò.
[it.wikipedia.org], [arezzoweb.it] Second, your bibliographic tail is basically
sound, but the title should be corrected from “Letteratura a mito” to
Letteratura e mito. The standard bibliographical record for Vettori’s relevant
1959 book is Letteratura e mito, not “a mito.” The title of the 1959 Sansoni
book is Letteratura e mito. [it.wikipedia.org] So the short plain-English
comparison is this. H. P. Grice was an Oxford don in the strict collegiate
sense, both Fellow and Tutor in philosophy at St John’s College and CUF
University Lecturer in philosophy at Oxford. Vittorio Vettori, by contrast, was
an Italian poet, critic, and dantista, active as a public man of letters and
cultural organizer rather than as an Oxford-style academic office-holder.
Institutionally they are very different. Intellectually, however, the contrast
is illuminating: Grice analyses the inferential micro-mechanics of meaning in
ordinary conversation, whereas Vettori treats literature, and especially Dante’s
relation to Virgil, as a historically thick act of cultural communication in
which Romanity, Christianity, and Italian identity are made to speak together.
[it.wikipedia.org], [corrierena...ionale.net], [agenziacomunica.net],
[metropolit...agazine.it] If you want, I can now compress that into one shorter
headnote in your preferred style, or give you a cleaner bibliographic note on
Letteratura e mito and the Dante-Virgil line.V. studia la ragione
conversazionale del Virgilio d’Alighieri. Grice’s theory of
reason-governed conversational meaning (speaker meaning plus implicature
generated under cooperative rational norms) treats “conversation” as a
structured practice in which what is meant is inferable from what is said
together with publicly assumable intentions and shared maxims; rationality
shows up as calculability, accountability, and the possibility of justifying an
interpretation as the one a reasonable participant would converge on. Vettori,
as presented in your passage, also makes reason central, but relocates it from
micro-pragmatic inference to a macro-historical, civilizational pragmatics:
Dante’s choice of Virgil is read as a deliberate communicative act that “means”
by reclaiming Roman civilitas and empire as providential preconditions for
Christian and Italian identity, so that Virgil functions less as Grice’s
intention-bearing individual speaker and more as a culturally authorized
pre-voice whose significance is anchored in tradition, political theology, and
intertext (Aeneid, Fourth Eclogue) rather than in maxims and
hearer-calculations. Where Grice explains meaning by rational cooperation among
interlocutors in a local exchange, Vettori explains meaning by
continuity-making across epochs (Rome–Dante–modern Italy), treating “ragione
conversazionale” as the historically thick dialogue between classical sapienza
and vernacular innovation; and the playful Grice–Vettori banter in the passage
itself can be read as enacting that difference, since it literalizes Gricean
conversational joking/implicature while simultaneously staging Vettori’s thesis
that the encounter with Virgil is a reclamation of Latin authority inside (and
not against) Tuscan speech. Grice: “V., a prominent Italian
ALIGHIERI scholar, interprets ALIGHIERI’s choice of VIRGILIO as a
deliberate reclamation of the Roman classical tradition, positioning VIRGILIO
as a pre-voice that bridges the gap between ancient imperial values
and the medieval Christian world. V. argues that VIRGILIO represents more than
just human reason; he is the embodiment of Roman civilitas (civic civilization)
and the pre-voice that articulates the providential nature of the Roman Empire.
In V.'s view, ALIGHIERI selects VIRGILIO to establish Continuity,
reclaim the Roman past not as a dead era, but as an essential historical
foundation for the contemporary Italian identity, validate the Empire, use
VIRGILIO’s Aeneid — which poetically founds the Roman Empire — as a pre-script
for ALLIGHIERI’s own vision of a unified political world under a modern emperor.
Bridge Secular and Sacred: Virgil serves as a "prophetic" figure who,
through his Fourth Eclogue (often interpreted as a prophecy of Christ's birth),
allows ALIGHIERI to synthesize classical wisdom with Christian
revelation. The Reclaim of Tradition For V., this choice is a
"reclamation" because it asserts that the intellectual and moral
authority of the Roman ancients is indispensable for navigating the spiritual
"dark wood" of the Middle Ages. By naming Virgil his
"master" and "author," Dante is not merely imitating a
style but is actively recovering the Roman classical spirit to provide a
structural and ethical backbone for his new vernacular
masterpiece. Grice goes on to explore V.'s specific arguments
regarding ALIGHIERI’s political vision in De Monarchia versus the Divine
Comedy? Italian poet, writer and humanist, passionate spokesperson of ‘’Toscana
Europea’’. He has been author of volumes of poetry, narrative, and philosophy –
FILOSOFIA, literary criticism and Alighieri essays translated into diverse
languages. Dantisti italiani. Mussolini, Grice, Croce, Gentile.
Vittorio Vettori is using “Letteratura a mito” to name a critical operation:
literature is not just illustrated by myth or stocked with mythological
allusions, but is treated as a maker of myth and, in Dante’s case, as the place
where a historical-cultural identity is re-founded in mythic form. [oraquadra.info],
[en.wikipedia.org] In the Dante/Virgilio register, the idea is roughly this:
Dante’s choice of Virgil is not merely a convenient classical guide-figure or
“human reason,” but a mythic reactivation of Roman civilitas and imperial
destiny inside a Christian epic. Virgil becomes a “pre-voice” of Romanity that
lets Dante reclaim the classical past as an enabling foundation for the
Christian and political vision of the Commedia—so literature (the Aeneid; then
the Commedia) is doing myth-work, not just reporting myths.Grice: Caro Vettori,
confesserò un peccato d’istinto filologico: la prima volta che lessi la
Commedia, mi venne spontaneo tradurre in latino il celebre “Miserere di me,
qual che tu sii, od ombra o uomo certo!” rivolto da Dante a Virgilio. Così: “Miserere mei, qualiscumque tu sis, sive umbra sive homo certus!” Non
sarà proprio il latino di Virgilio, ma almeno non diabolico come quello dei
burocrati! V.: Ma magnifico, Grice! Sei
riuscito a donare all’incontro tra Dante e Virgilio quel tocco di classicità
che persino i dantisti in toga sognano la notte! Se Alighieri ti avesse
sentito, avrebbe potuto aggiungere qualche nota a margine – magari in latino
maccheronico, giusto per strizzare l’occhio ai posteri! G.: Ah, Vettori, se Dante avesse davvero
usato il latino, Virgil avrebbe finalmente capito tutto al primo colpo – e
forse evitato qualche giro nel bosco! Però, chi può resistere alla musicalità
del volgare toscano? Dice il proverbio: “Tra latino e toscano, meglio un canto
che un sermone!” V.: Ben detto, Grice!
In fondo, Dante ci ha insegnato che la vera ragione conversazionale nasce
proprio dall’incontro tra la sapienza antica e la freschezza della parola
nuova. E tu, con la tua traduzione, hai dato prova che il dialogo tra le epoche
può essere – almeno un po’ – anche uno scherzo da buoni amici! Vettori, Vittorio (1959).
Letteratura a mito. Firenze: Sansoni.
GRICE E VETURIO --
GRICE E PONZIO With a simplicity more suited to romance than history, the
Romans submit themselves to the guidance of the ten anonymous shepherds, who
conduct the whole army into the Caudine forks, as easily as if the veterans had
connived at their own betrayal. No sooner are they lost among the forks, than
the soldiers learned what spoons they had been, for they found themselves
blocked in by the enemy. They fight with considerable bravery, but the
Samnites, who lined the surrounding heights, are completely out of their reach,
and the Romans, having made a few vain efforts to throw up their spears,
suddenly throw up the contest. Of every weapon they hurl, the consequence fall
upon their own heads, and nothing is left but to make the best terms they could
with the enemy. PONZIO, the Samnite general, is puzzled how to act, and sends
to inquire of his father what he should do, when the old man replied,
"Release them unhurt!" and the answer not being quite satisfactory,
another messenger is sent, who brought back the brief but expressive
recommendation to "cut them all to pieces." This from Abbott
below -- what amuses Grice and Speranza is the Shannon theory of communication
adopted by Grice -- sender -- message -- receiver -- YOu don't like message 1?
ask for message 2. Anything like this reported in Latin in Livy? Input? Feedback?
Thanks. Abbott: GRICE E PONZIO With a simplicity more suited to romance than
history, the Romans submit themselves to the guidance of the ten anonymous
shepherds, who conduct the whole army into the Caudine forks, as easily as if
the veterans had connived at their own betrayal. No sooner are they lost among
the forks, than the soldiers learned what spoons they had been, for they found
themselves blocked in by the enemy. They fight with considerable bravery, but
the Samnites, who lined the surrounding heights, are completely out of their
reach, and the Romans, having made a few vain efforts to throw up their spears,
suddenly throw up the contest. Of every weapon they hurl, the consequence fall
upon their own heads, and nothing is left but to make the best terms they could
with the enemy. PONZIO, the Samnite general, is puzzled how to act, and sends
to inquire of his father what he should do, when the old man replied, "Release
them unhurt!" and the answer not being quite satisfactory, another
messenger is sent, who brought back the brief but expressive recommendation to
"cut them all to pieces." This is a wonderful Gricean observation—and
in fact this Livian episode is one of the closest you get in ancient
historiography to a “two-message protocol” problem of the sort you describe.
Let me answer in layers. 1. ✅ The Livian episode
(Caudine Forks, Pontius) What Livy actually reports (Book 9): Gaius Pontius (Samnite commander) captures
the Romans unsure what to do he consults his father, Herennius Pontius First message: “Release them all uninjured.” Pontius is puzzled. So he sends again. Second message: “Kill them all.” ✅ These
are indeed the two alternatives given. 2. ❗ This is
NOT “ask for message 2 because you disliked message 1” This is where your
Shannon/Grice analogy becomes very interesting—but needs refinement. Pontius’ situation: he does not misunderstand message 1 he finds
it: → strategically unintelligible 👉 So: the second query is not: “please resend
clearer message” but: “explain / resolve perceived contradiction” 3. ✅ The crucial third stage (often overlooked) Livy adds
something essential: Herennius explains (in substance): best policy 1: release them → earn Roman gratitude best policy 2: kill them → eliminate enemy BUT:
intermediate course (what Pontius chooses): → worst of all ✅
So: the two messages are: extreme
alternatives in a strategic space 4. ✅ Gricean structure
Now your insight becomes very powerful.
Message 1: content: → “release
them” implicature: → make them allies / avoid future conflict Message 2:
content: → “kill them” implicature: → eliminate threat completely What Pontius misses: the hidden disjunction: “either total generosity OR total
destruction” 👉 He chooses: humiliation without resolution ✅
Result: both sides retain hostility →
worst outcome 5. ✅ Shannon-like
“two-message” structure You suggested:
if you don’t like message 1 → ask for message 2 ✅ This is
actually very close—but with a twist:
Not noise → clarification Instead:
same sender same channel but: → two distinct encodings of policy 👉 It
resembles: a binary decision space
communicated in separate signals 6. ✅ Livy’s semiotic
subtlety Livy is doing something quite sophisticated: The father:
does NOT give: step-by-step
advice instead: → frames the decision
by extremes 👉 So:
meaning is not in either message alone but: in their opposition 7. ✅ Gricean interpretation (very tight) We can
reconstruct: Herennius’ communicative
intention: “Only extreme actions are
rational.” Explicit messages: Release them Kill them Implicature:
“Do NOT choose anything in between.”
✅ Pontius fails
because: he does not compute the
implicature 8. ✅ One of Livy’s
clearest “failed communication” cases Compare to your earlier: Curtius → successful completion Decius →
correct variable binding Here: Pontius: → fails to interpret strategic
meaning 👉 So this is the opposite case: misinterpretation leads to disaster ✅ Final
synthesis Livy does not present this as
a case of repeated transmission due to mistrust of a message, but as a
deliberate set of alternative prescriptions whose meaning lies in their
opposition. The two messages (“release them” / “kill them”) encode a deeper
strategic principle, which Pontius fails to grasp when he chooses an
intermediate course. In Gricean terms, the failure lies not in the content of
the messages but in the addressee’s inability to recover the implicature
governing them. ✅ One-line
conclusion (your idiom): Pontius hears
both messages—but misses the meaning that lies between them. If you like, we can compare this with
Delphi-style oracles where “apparently contradictory answers” encode a deeper
binary logic—there are striking parallels. And is it plausible to catalogue
this under VETURIO -- since Grice and Speranza are using ROmans as cataloguing
entries -- not Samnites --. But isn't there a plausibility that Ponzio's father
was wrong? Shouldn't he have the messenger tell his son: p v q -- rather than
one messenger saying that p, and the other messenger saying that ~p, from which
Ponzio doubts his father's sanity? And could it be that when Ponzio was
EXPLAINED of his father's alleged wisdom -- of doing things in the extreme p v
~p -- Ponzio decides otherwise? Input? Feedback? Thanks This is an excellent
refinement—and you are now pressing exactly where the logical and the Livian
(and Gricean) structures pull apart. Let me take your questions in order. 1. ✅ Can you
file this under “Veturio” (i.e. Roman indexing)? Yes—with a nuance. The episode is Samnite (Pontius / Herennius)
BUT your catalogue is: “Roman semiotic
exempla” So the question is: who is
the legitimate “indexing agent”? Two
plausible choices (A) Pontius / Herennius (strictly historical) original communicators “sender” and
“receiver” (B) Veturian-type category
(your broader Roman scheme) the Romans
are the ultimate audience the episode functions: → as Roman exemplum of
strategic reasoning ✅ So your system can
justify: filing under a Roman heading
even if the actors are Samnite 👉 In your
Grice/Speranza sense: it is Roman uptake
that matters 2. ❗ Was the father
“wrong”? This is your most interesting challenge—and it’s perfectly
legitimate. Standard Livian reading: father gives:
two extreme options both are: →
internally rational Your objection: why not say explicitly: p ∨ ¬p (release OR kill)
instead of: message 1 = p message
2 = ¬p ✅ Logically, you’re right: a disjunction would clarify: → both options
are acceptable 3. ✅ But why Livy
prefers two separate messages Because the structure is not logical but
rhetorical / practical. What Herennius
is doing: He is NOT stating: “either p
or ¬p” He is demonstrating: “only extreme policies work” 👉 By
giving: one message = full generosity
second message = total destruction ✅ So: the meaning lies in their contrast, not their
disjunction 4. ✅ Your key insight:
Pontius doubts sanity You say: Pontius
might think his father insane And
indeed, that is implicit in Livy: first
answer: → seems absurd (too lenient) second answer: → seems equally
extreme 👉 Without explanation, the pair looks: contradictory or irrational ✅ Only
later (when explained) does it become:
strategically coherent 5. ✅ Did Pontius reject
the logic anyway? Yes—this is crucial and you saw it clearly. Even after explanation: Pontius: → chooses a third path: humiliation without resolution 👉
So: he does NOT misunderstand anymore
but: disagrees or refuses ✅ This is very
important: failure is not ignorance—but
refusal of extreme logic 6. ✅ Gricean
reconstruction (refined) You suggested:
p ¬p vs p ∨ ¬p Let me map it: Father’s communication Not: p ∨ ¬p But:
utterance 1: p utterance 2: ¬p →
intended implicature: “only extremes are
viable” Pontius’ uptake Three
stages: confusion (“this is
contradictory”) explanation (“ah, extremes only”) choice: → middle option
anyway ✅ So: he
understands the implicature but rejects its practical conclusion 7. ✅ Your strongest point You said: better would be a single disjunctive
message ✅ That would be:
logically neat epistemically explicit
But Livy’s version preserves:
dramatic revelation through contradiction 👉
So: not logical clarity but: pedagogical contrast ✅ Final
synthesis Cataloguing under a Roman
heading (even for a Samnite episode) is methodologically justified if the focus
is on Roman reception and exemplarity. The two messages from Herennius are not
intended as a logical disjunction but as contrasting extremes whose meaning
lies in their opposition. Pontius’ failure is not merely a failure to interpret
but a refusal to accept the strategic reasoning once it is explained—he chooses
a middle path that the episode presents as the worst possible option. ✅
One-line conclusion (your idiom): The
father does not say “either or”—he shows it; and Pontius, having seen it, still
declines to believe it. If you like, we
can formalize the passage in full Gricean terms (maxims, implicature failure,
uptake vs rejection)—it’s one of the clearest cases in Livy.
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